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I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
I kept meaning to reblog this at the right time and hey, it’s the last day of Pride so Friday or not this is the right time.
This is so fun, I love the brightness and joyfulness of the art, and Elliot so clearly being a little menace and their very different angry expressions. And the scar on Luke’s head from the trigon ball!
I absolutely love the progression here, not just Elliot from lil snot to much bigger snot in jock denial, but the progression of the weird table’s dynamic. Luke and Serene, who were platonic love at first sight, Elliot’s undeniable bisexuality and the celebratory way it’s shown.
And since it is the last day of Pride, I do have some other things to say. Things are rough right now. I hope in an extinction burst way, where people are being awful because they know the tide is turning against them. I hope things will get better and better. In some ways they are! LGBT representation has come a long way since I was first published in 2009. There was behind the scenes pushback then I don’t get now. I watched Queer as Folk back in the day, but all my friends weren’t watching it the way they all watched Heated Rivalry.
At the same time, the way is rocky and full of stumbling back. Tasha Suri (genius author of the lady knight/witch Arthuriana tale ISLE IN THE SILVER SEA) showed me this link about how Heated Rivalry spawned… straight hockey shows? (Well said by the lead and writer of Fire Island, a very excellent gay modern take on Pride & Prejudice.)
The actor says the industry is doubling down on hockey, not queer representation.
And my head spun round and round. And yet… before Heated Rivalry, last year publishers in various markets were saying no thanks to LGBT fiction, and now they’re saying yes again. Baby steps through the rocks.
There is a reason I wrote IN OTHER LANDS on my blog, and that it was published by a small press. For the record, if any book with a straight romance at its centre had made the sales numbers IN OTHER LANDS did, it would have been SNAPPED up by a big publisher. And several editors over the years have tried. (Whenever I talk critically about publishing, I mean the institution, most people in publishing are beautiful story-loving souls.) All of this is incredibly frustrating for those of us who want to celebrate love and share stories.
Still I do think there’s a rising tide of love and change. There are more writers sharing more diverse stories than ever before.
For obvious reasons, LONG LIVE EVIL is the story that means the most to me, and that I think of as my best. (I’d hope my writing has improved in 10 years, or what is it all about). And Time of Iron is making a lot of points about queerness as a way of breaking free from the narrative that I couldn’t quite articulate, back then.
But I know for many of my readers IN OTHER LANDS will be the book that means most to them, the big magical joyful bi coming of age tale that came to them at an important time. I have read and cried over emails and letters telling me that they read it and came out, to their families or themselves, that Elliot was their first bi MC. I’ve heard from other writers that it inspired them, as books like Swordspoint inspired me. And this book survived, and in a large part my career survived, when books I published with big publishers went out of print, because of readers loving this book which for so long I didn’t even know was a book. I wrote it long enough ago now that I experience the book through my readers most: I love it again through their eyes. You bring the tale and the joy back to life for me.
I wrote some of this book sitting in the London beer garden of a gay pub with my friends, drinks in jamjars, drenched in sunlight, lying to them that I had a deadline. Playing with my awful and awfully good Elliot, Serene-Heart-in-the-Chaos-of-Battle, and golden Luke. Telling the story mattered, and so does love and celebration.
I see you and I love you, readers. And I’ll always love them. We had so much fun.
I Executed The Demon Lord With One Flawless Strike And After A Brief Power Struggle The New Demon Government Is Substantially More Committed To The War Because Of Some Reason I Don't Know
I Successfully Overthrew The Demon Lord And Instituted Demon Democracy But They Voted For A Commie So The CIA Not Some Fantasy Equivalent The Actual CIA Who Have Known About Magic And Alternate Realms The Whole Damn Time But Won't Just Unisekai Me Launched A Counter Coup And That's When Things Really Went To Shit
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Whenever they gave us one of those "read through ALL the instructions before you begin!" trick assignments in school where the steps lead you on an increasingly ridiculous goose chase until the final one tells you to just put your name on the paper and turn it in without doing anything else, I was always like, "Okay, but what's the point? Surely the REAL world won't be anything like this." And then I grew up and discovered that not only is the real world often exactly like that, some people won't even read the first line of the instructions even if they make perfect sense. And these people are called "co-workers"
Thank you for seeing it! That line of the Cobra’s is an important one to me for his character, and for the metatextuality of it all. (Read along with me: I got in one line Christopher Marlowe (Elizabethan playwright and poet, Shakespeare’s sexy rival), T.S. Eliot’s Portrait of A Lady, and L.P. Hartley’s the Go-Betweeners, and Langston Hughes. Trust me, I’m telling you stories.)
Langston Hughes, jazz poet, playwright, social activist, leader of the Harlem Renaissance, was a major inspiration for Eric Mitchell, the Golden Cobra and wicked marquis formerly of New York. (And so was Lil Nas X, yes. The past isn’t dead, it’s not even past, and we do not know which songs will echo through the ages.)
‘I was unhappy for a long time, and very lonesome… Then it was that books began to happen to me,’ Langston Hughes said of his childhood, and I think we who love stories know what he means by ‘books began to happen to me.’
‘I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!
…
Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
…
Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again.’
When you meet Edward Elric he gives off the impression that he's the short-tempered hot-headed "violence is the answer to all life's questions" kind of protagonist, and it's in fact incredible character craft that he's actually the character who ends the series with a negative-3 kill count.
God's worst soldier Edward Elric. Showed up as the youngest member of the Amestrian army, took millions of dollars from them, never followed a single order, helped dismantle their fascist regime, left with a lower kill count than he arrived with, then fucked off to go be a house-husband. Character of all time.
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i don’t feel like debating that topic much farther bc truthfully if it comes down to “women will lose to men in every sport bc they don’t have as much testosterone!!!!!” my elite feminist response is honest to god “ok we will lose with honor as equals instead of having our own special Easy Mode Female category so we can win amongst ourselves” like i’m sorry i just can’t be persuaded. i’m a brick wall. i want co-ed sports
i bring a sort of “women can lose at some sports against men if it means being regarded as equals” vibe to the debate that “testosterone objectively increases performance” people don’t really like
I just think it's important for sports where you can hurt each other that we limit how badly you can be hurt by someone much bigger than you, so we should have gender segregated sports hmm
My elderly father started talking about how frustrating he finds “the pronouns thing” and I was like. Oh no. He had such a good stand on this, he’s been they/them-ing his cishet siblings for god’s sake! Is he regressing?? And he was talking about how difficult it is to remember, and how onerous it feels to expect strangers to keep track of it, and I’m like oh no oh no.
Then he says, “I mean, the problem isn’t the gender thing. The problem is four words: she, her, he, and him. We got rid of stewardess and turned it into flight attendant. It doesn’t matter if the flight attendant is a man or woman, so we got rid of it. We just need to get rid of those. I don’t need to know.”
“You don’t need to know… people’s gender?”
“No. I don’t care, I don’t need to know, and I don’t want to remember it.”
So we can relax. It’s just a continuation of his crusade to they/them the world. He doesn’t want to remember anyone’s gender. He’s abolishing the genders.
it's a well-known fact in the textile crafting community that "making objects from textiles" is an entirely separate hobby from "having a collection of materials to make things with."
crafters often refer to this collection as a "stash" or a "hoard."
it's normal to have, but sometimes comes with a certain awkwardness.
the problem is that it takes a very long time to make things from textiles - and it is extremely quick, fun and easy to get more materials.
Presents, impulse purchases, leftovers from other projects, things you bought FULLY intending to make something that you changed your mind about...
Another problem is that you genuinely DO have a plan for the materials! your intentions and desires are THERE!
and admitting that it isn't going to happen - or that your mind has changed, or you're no longer able to do them - can be really painful!
it's incredibly hard to say: "we are not the people who can do these things. we are not the people who WILL do these things."
but sometimes you need to.
it's a natural part of life. it might feel painful to let go of things that you really want to use, but won't. But clearing them out - and the attached guilt and shame - will make room for a lot more things in your life.
Room for things you'll use. Room for the projects you'll do.
Room and space - not for hanging on to the shades of the ambitions and intentions and people you aren't - not being held for lives you don't have - but room and space for who you are today, and who you'll be tomorrow, and for the things you'll do.
There's a well known concept in fibre art circles known as SABLE - Stash Accumulation Beyond Lifetime Expectancy. Knowing the term for it doesn't always help combat it though...
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Sometimes I wonder how much of my suspicion and dislike of new tech is Old Man Yells At Cloud and how much of it is runaway value extraction legitimately making the new stuff bad
2087
titsay
areudirty
stormborns
