Bibliophile And Proud

Shane comes out of the closet sometime after Scott does, and in some random, lighthearted interview, they ask him what he's looking for in a man. And Shane's just, off-hand like, "Well, he'd have to have at least one Stanley Cup. Obviously." And when he gets a good reaction from that, he keeps going, like "Needs to be amazing at hockey. Definitely needs to be at least an All-Star, if not a captain. Hot too. If he can't bench-press me, I'm not interested."

oh geez

This is both extremely dramatic and also not canon-esque at all, like i dont see anything remotely like this happening, but it was fun. I do want to see them argue. Not only fight knives-and-guns-blazing, but like an ideological crossroads. In this case: their approaches to their life views. Aside from the obvious ideologies they've adopted from garden and wise, Twilight is very self-sacrificial, seeming not to care about the impact his death would have on those depending on him, putting everything in for the mission. On the other hand, Yor knows the importance of life, she had to live in order for her brother to live, she takes lives up-close so she knows their weight and how easily they can be snuffed out. Therefore, she's more careful about being able to make it home so that she can be there for her family.

with this most recent arc, even though she isn't getting a full view of how much harm he puts himself in, that last panel in the last chapter of him dragging himself in the hospital (although it was funny) kinda got me thinking. What if yor got an inkling of how little he cared for himself? and what if, when confronted about it, he refused to stand down?

"what if I've read part of it" if it's a large enough part that you would consider yourself to Have Read It in general contexts, then it counts. if it's not, then it doesn't. only you can be the judge of that, but I'm not giving you a nuance button.

any translations count, but abridged retellings don't

One of the only asexual activists is Yasmin Benoit, a Black woman. She has raised so much awareness for the community. She was the first asexual person to lead Pride in London, she started the #thisiswhatasexuallookslike movement and is THE leading voice for the community.

And you all will celebrate international asexuality day on April 6th but we wouldn't even have that if she hadn't cofounded it.

❤️🌈HAPPY PRIDE! 🌈❤️

I had to draw Cinna, Fleur, and Juniper to celebrate! Happy Pride from the My Werewolf Girlfriend crew~🥰🥰

He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.

Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.

In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.

Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now: