"The internet is forever" specifically only in ways that can harm you btw, important addendum that needs to be added to the text.
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@prayersforpigeons
"The internet is forever" specifically only in ways that can harm you btw, important addendum that needs to be added to the text.

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Northern Pygmy Owl, Alberta
jennilsphotography
Sometimes a painting looks like a photograph, and sometimes a photograph looks like a painting
Max Ernst (German, 1891-1976), Dancers under the starry sky, 1951. Oil on board on cradled panel, 57.5 x 40.5 cm.
Happy Pride
so how do i tell you this
Alexandre L. Anprimoz, "Against the Wish of Boromeo" in Canadian Literature 78 (Autumn 1978)

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I think a lot of transfems missed out on what girl-on-girl bullying was like in highschool so they're unknowingly recreating that exact kind of drama in their internet spaces
I think 'bullying' as we know colloquially is just like, how the vast majority of humans interact with each other on some level. high school has little to do with it, although like you I am just making a vibes based statement here.
I also think its true that so so many people, transfems included, really do not seem able or willing to truly transcend this urge to punch down when convenient and socially beneficial. I try very hard to not ever punch down but i cant say with 100% confidence that i do not ever, im trying. its also hard because the social strata a person inhabits can be vague and malleable especially on the internet where class, race, and gender are opaque in many ways(like, opaque yes, but deliberately crafted and presented clearly at the same time, its wacky!) thats why its important to be nice! be nice despite ourselves!
Also I promise you transfems were getting bullied by other girls in high school, it just wasn't being clocked as 'girl-on-girl' bullying.
if you have a blog on this website its statistically likely that you're part of the demographic "rent lowering gunshots" scare away (or should scare away) & i think if you are & you use the term you should be run over
"Texts such as Call or The Coming Insurrection.... do not even properly ask the question of what the revolution is, for in these texts the problem has already been evaporated into a conceptual miasma. In these texts, the revolution will be made not by any existing class, or on the basis of any real material, historical situation; it will be made by 'friendships,' by 'the formation of sensibility of a force,' 'the deployment of an archipelago of worlds,' 'an other side of reality,' 'the party of insurgents' - but most of all by that ever-present and always amorphous positivity: we. The reader is beseeched to take sides with this 'we' - 'the we of a position' - to join it in the imminent demise of 'capitalism, civilization, empire, call it what you wish'. Instead of a concrete, contradictory relation, there are 'those who can hear' the call, and those who cannot; those who perpetuate 'the desert', and those with 'a disposition to forms of communication so intense that, when put into practice, they snatch from the enemy most of its force.' Regardless of their statements to the contrary, do these pronouncements amount to anything more than the self-affirmations of a self-identifying radical milieu?" - Endnotes, "What are we to do?"
lol, rekt
how "hand in unloveable hand" mfs look when a REAL unlovable wretch comes along
my cursed sword doesn't even tell me to kill people anymore it keeps begging me to put on a skirt and tights

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mid-way pride month check-in
just saw someone comment under a videoclip of the sylvia rivera interview where she insists on the modern (circa 2001) pride movement being a capitalist smokescreen, a “straight gay” movement that worships the almighty dollar, that:
and this person is likely quite young but this really really really captures the limited imagination of capitalist neoliberal indoctrination around freedom and liberation. radical queerness treated as a paintjob over a prison as opposed to the bulldozer that tears the prison down. we have to dream for so much more and endure the pain of dreaming.
Ivan the Terrible and His Son Ivan (1885) - Ilya Repin
early to bed and early to rise leaves a man so fucked up that he dies
René Lelong (1871–1933)
illustration to “La Mascarade Interrompue,” a theatrical adaptation of Edgar Allan Poe’s “The Masque of the Red Death” by Baroness Zuylen de Nyevelt for Grand Guignol de Paris.
Published in Volume 2 of the 1905 collection “Je Sais Tout.”
source

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I dunno you guys I think the emotion of “yaaay I finally have an excuse to be a bully” is one you shouldn’t luxuriate in
THE MAN WHO HATED EVERYTHING by Alex Temple.
only 1.8k views 7 years later. Criminal!