gay people have access to a secret second internet where everybody’s always posting bad-luck-brian memes but they’re weird and sort of scary

noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver

d e v o n
KIROKAZE
🪼
let's talk about Bridgerton tea, my ask is open

pixel skylines
RMH

#extradirty
he wasn't even looking at me and he found me

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@sadcult
gay people have access to a secret second internet where everybody’s always posting bad-luck-brian memes but they’re weird and sort of scary

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people make arbitrary divisions between types of gay people. party gays. steven universe gays. corporate gays. activist gays. but in actuality the borders between worlds are thin and may be traversed with ease. monday you can do poppers in a stranger's apartment, tuesday volunteer with a mutual aid group, wednesday spiral over your ex's hazbin hotel fanfiction, thursday write an essay about how your intersecting identities will make you an asset to the pharmacy profession
anyone else lose 10 years for no reason due to forces outside of their control
there seems to be a fundamental disagreement between microwave oven manufacturers and the producers of microwave meals over whether the customer should know the wattage of their microwave or if such details should be abstracted away from them
the microwave rice demands 800 watts of power for 2 minutes, but all the microwave can offer me three settings: one low, one high, and one somewhere in the middle. I turn it to the one in the middle as I happen to know 800W is the average power of most microwaves. the light comes on and the bag of rice starts slowly turning, but rather than hearing the usual rumble of the microwave, I instead start hearing short snippets of conversation - words snatched from the ether. the lights flicker and a chill runs up my spine. the voices remind me of those "spirit boxes" ghost hunters use. I double check the setting on the microwave. "ah," I say, remembering that I had set it to medium,

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Paul Newman and Shirley Maclaine in What a Way to Go! (1964)
Drunk + he played rat in a bin six times...
Casted bronze crocodile skull replica with a black oxidization finish and quartz crystals by Dust + Beau
once you understand the sheer complexity hidden underneath 14 minesweeper variants and internalize the idea that all board are procedurally generated you kind of start to marvel at the sheer mathematical feat that the programmers of this game pulled.
you have to understand this game is fundamentally coded NOT TO ALLOW YOU TO GUESS. if you are clicking in a block its because you have followed a chain of deduction to the very end and you know as a matter of certainty what youre doing. the game can tell when you are just randomly guessing, and the way i knows this is that it can spin up on the spot a potential solution out of all possible solutions where your guess would have been wrong. you can only click on a block if there is no possible solution existing on the latent solution space create dby the already revelaed blocks where you could be wrong
and this is all procedural. none of these boards where made by hand, there is an algorithm to determine all this
there is something so beautiful in this, it scratches an itch ive been itching where you get a game that all just math, no graphics, no assets, no effects, no particles, no nothing. this is as barebones black and white, completly naked. the entirety of the processing power of this game is purely dedicated to the math underneath. the entire game takes place inside the calculations in your head which are going against the invisible calculations in your computer.
and of course it runs like butter on a pan, it runs like soap on a bathtub because this is the math your computer is meant to do and not whatever bullshit a polygon is

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Brett live at Paradiso, Amsterdam, Netherlands April 27th 1993. Photos by Paul Bergen.
LMAO and Loam have the same letters. coincedence? or is this another shining truth that earth and soil is joyous and plentiful
Cher’s 1995 Sanctuary Catalog

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when I worked in the mcdonalds kitchen and would blast this every day
I guess I could always look worse