we're not kids anymore.
𓃗
Sweet Seals For You, Always
Keni

#extradirty
NASA
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
Aqua Utopia|海の底で記憶を紡ぐ
wallacepolsom
Today's Document
"I'm Dorothy Gale from Kansas"
he wasn't even looking at me and he found me
hello vonnie

titsay
Mike Driver
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸

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@personalspin

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your 20s are about elves, your 30s are about continued meditations on the elf
once you hit your 40s it's time to find an elf
Fuck I hate elves god damm it
you've got 2 years left of that but then you have to make some changes
is this gonna get me fired you think
thanks keyboard, when I accidentally typed hest instead of best I totally wanted the hest (norwegian word for horse) emoji
It can happen to the
of us

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When I find myself in times of trouble
Granny Weatherwax comes to me
speaking words of wisdom:
I can't be having with this.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
in of body experience
LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT
i'm a girl now
retiring to your chambers >>>>>>
today I learned that in 2008, the city council of florence overturned dante’s sentence of execution if he returned from exile. yes, dante’s inferno dante, who died in 1321.
but the funniest part of this is not that they were debating the exile of a man who has been dead for over 500 years.
the funniest part is that the vote was 19-5. five people voted to uphold dante’s exile.
The objectively funniest part of this is actually that the city that holds his remains, Ravenna, refused to give his remains back. This was a ploy from florence to have his remains moved back for the tourist money and its been ongoing for a long time. Florence had a fake tomb built in the city to trick people into visiting, and have tried to force the return of the remains.
His actual caretakers have been very steadfast in keeping them hidden, moved, or generally out of reach to respect his choice in life to never, ever, ever return to florence, even when he was first offered the chance to return. This is at this point an almost millenium long feud that florence is really, really mad about losing
so basically the five people who wanted to uphold his exile were in the right

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honestly fandom has ruined me because now any time i'm in the desert and i see two vast and trunkless legs of stone or a half-sunk shattered visage i'm like "omg just like in Ozymandias" and its like come on girl not every half-sunk shattered visage is Ozymandias
Treating myself with some soft Merthur :>
As the fog returns this evening, it presents unique and compelling photographic opportunities. This image captures the 1877 Tall Ship Elissa re-entering Galveston Harbor. This is just another stunning view from the Galveston Ferry. 12/23/25 TXDot
"Tall Ship Elissa"
The hell you say. I know the Flying Dutchman when I see it.
@antiquesfreaks
Bringing you more Bad Books and Immodest Pictures, your Impure Thoughts Stockpile was getting low.
This is what it’s all about. Saturday night. At home. Switching between the same 4 apps on my phone. Getting scared.

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back in my day, we didn’t have twenty one pilots. we had two. wilbur and orville wright. reblog if ur a true 1900’s kid