Your Argument Is Invalid

Cnetizens: Why the thousand-year-old stone statues at the Northern Song Mausoleums aren’t covered with glass enclosures.

The director of the Cultural Relics Bureau replies: "They’ve stood here largely intact for over a millennium. Why add extra barriers?"

Visitors worry wind, rain and sunlight in the farmland will wear them down. The director explains:

Glass covers speed up decay—it’s like locking the statues in a sauna. Trapped heat and moisture create sharp temperature shifts. Salt crystals inside the stone expand and crack the carvings far faster than open-air exposure.

These statues blend naturally with the farmland landscape. Glass barriers would destroy the sense of scale and historical atmosphere.

When first built, the mausoleum complex was a restricted royal compound ringed by walls, palaces and pine trees—no farmland at all. After the Song fell, protection systems collapsed. Wars and weather destroyed buildings. Local residents gradually dismantled the abandoned structures, reusing timber and bricks in nearby villages.

By the Ming and Qing dynasties, villagers turned the empty grounds into farmland, leaving stone figures scattered amid crops.

Few people damaged the statues for three reasons: each weighs several tons and is impossible to move; folk belief held that anyone who damaged the guardian statues would be cursed with misfortune; every later dynasty passed laws punishing those who vandalized former imperial mausoleums.

Once an exclusive imperial burial ground, now ordinary farmland—this shift tells the story of history. Glass covers would only be unnecessary. As an old Chinese poem puts it: 旧时王谢堂前燕，飞入寻常百姓家

The swallows that were wont to grace the halls of Wang and Xie, Now seek the humble roofs of common men.

(cr 大鹅呀eyaeyaeya，陈帆fotochen，摄色📸，腾腾兔兔🐰)

OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞，渐越)

Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.

Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.

This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.

During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.

The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).

Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.

First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!

(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)

This wolf in British Columbia took a break from eating herring roe to investigate a half-submerged object: the photographer’s camera

^“At the bottom of the image is the segment of the flag cut for the St. Patrick’s Cathedral protest. Photograph by Mick Hicks”

I've been told that you can switch clients to avoid this, there are a few options other than deer.

The rescue posted that this little family has been spotted several times since the introduction and they seem to be doing great 🥹

But wait, there’s more!

1977: Star Wars is released, featuring, of course, Darth Vader

(Pictured: Darth Vader)

1984: Director Todd Durham releases his Star Wars parody movie, Hyperspace, featuring Darth Vader inspired villain Lord Buckethead.

(Pictured: Hyperspace poster featuring two Jawa-esque aliens flying through space in a shopping trolley.)

1987: Hyperspace is released on video in the UK, under the new title Gremloids.

(Pictured: Gremloids cover in the style of the original Star Wars poster, featuring Lord Buckethead.)

To promote the film, Mike Lee, the owner of the distributing company, ran for parliament as Lord Buckethead. He ran in Margaret Thatcher's constituency, Finchley, in order to get on TV. Lord Buckethead was representing the Gremloids party.

(Pictured: Lord Buckethead on TV with Margaret Thatcher.)

1992: Gremloids is re-released. Lord Buckethead rides again, this time against prime minister John Major in Huntingdon. (Here's a fun fact about Huntingdon: I was born there! :D) 87/92 Buckethead seems to have leaned pretty hard into the space supervillain thing, with campaign promises including 'demolish Birmingham to build a spaceport'.

(Pictured: Lord Buckethead on TV with John Major. Other notable candidates include Screaming Lord Sutch of the Monster Raving Loony Party.)

2017: comedian Jon Harvey, having recently watched Gremloids and learned of Lord Buckethead's candidacy for parliament, decides it's a great bit. He runs against Theresa May in Maidenhead. 2017 Buckethead seems to have a wackier and also more political approach, with campaign promises ranging from nonsense like 'nationalise Adele' to gesturing at actually sensible policies with stuff like 'lower the voting age to 16 and restrict voting after age 80'.

He also made an appearance on Last Week Tonight with John Oliver. As with his previous incarnation, he was a member of the Gremloids party.

(Pictured: Lord Buckethead dabbing on stage with Theresa May.)

2018: Director Todd Durham asserts his legal ownership of Lord Buckethead. Jon Harvey opted not to go to court over Buckethead and handed over the reins. Todd Durham extended an invitation to anyone who wanted to be the 'authorised' Lord Buckethead.

(Pictured: the new Lord Buckethead.)

2019: Lord Buckethead, now played by journalist David Hughes, stood against Boris Johnson in Uxbridge and South Ruislip. He ran for the Monster Raving Loony Party, the UK's pre-existing gag candidate party. He ran with a similarly silly manifesto as the 2017 incarnation, but with a bit less of a political edge. His promises included 'All doorways to be increased by 1 foot (30 cm) in height' and 'Nigel Farage to be sold for parts'.

(Pictured: Lord Buckethead and Count Binface square up.)

Meanwhile, Jon Harvey in his new persona Count Binface, also ran against Boris Johnson. Buckethead and Binface face off! Binface ran as an independent with a manifesto once again blending silly and semi-serious promises such as 'nationalising model railways' and 'giving £1 trillion a week to the NHS'. This was also I believe the debut of his promise to 'move the hand dryer in the men's toilet at Uxbridge's Crown and Treaty pub to a more sensible position'.

(Pictured: Count Binface presenting the offending hand dryer, inconveniently close to both the sink and the urinals.)

He has a point.

2021: Count Binface runs for the position of Mayor of London for the first time, with promises such as 'London to join the European Union'. He notably finished ahead of far right party UKIP.

2023: Count Binface runs in the Uxbridge and South Ruislip by-election following Boris Johnson's resignation. He once again gets more votes than UKIP.

May 2024: Count Binface once again runs to be Mayor of London, debuting his now iconic 'build at least one affordable house' promise. Notably, he finished ahead of far right party Britain First.

(Pictured: Count Binface with Rishi Sunak. Also pictured: Monster Raving Loony Party candidate Sir Archibald Stanton with a ventriloquist's dummy.)

July 2024: Count Binface stands in the general election, running in Richmond and Northallerton against prime minister Rishi Sunak. He debuts his promise to cap the price of 99p flakes at 99p. This is his most successful election to date with 308 votes.

(Pictured: Count Binface with Andy Burnham. Also pictured: independent candidate Robert Pownell, dressed as a fox for his own reasons.)

June 2026: Count Binface stands in the Makerfield by-election against Andy Burnham, (recently) former Mayor of Manchester running for parliament with the intention of standing in the Labour Party leadership contest.

(Pictured: Count Binface on BBC's Newsnight.)