Bat vase by Richard Freiwald
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Bat vase by Richard Freiwald

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stop. analyse that text through the lens of its author's intentions and original historical context. okay now take the author out back and kill them dead and analyse that text as though it were published by your mutual yesterday and is in direct conversation the contemporary discourse that's most relevant to your life. okay now pick your favorite angle of interpretation and come up with the strongest possible argument against it. now imagine that the text is your best friend and that it means you well and that you naturally give it every benefit of the doubt because you're on its side and you want the best for it. now imagine that the text wants you dead and it'll eat you if you don't eat it first. now pretend that you found this text locked away in a cave with no evidence of when or where it came from and you have to divine its meaning solely through its internal coherence and nothing else. okay now address the elephant in the room aspect of the text you've been ignoring because you find it boring or confusing or uncomfortable and become the number one expert on it. now spend forty minutes assigning all the characters dnd classes with at least three sentences of reasoning each. okay now do the cha cha slide.
I haven’t even seen this movie but I need you to see this Letterboxd review of The Housemaid - the discord server I’m in and I have been losing our minds over it
Well now I really want to watch this movie.
Writing like this is something I haven't seen since Livejournal, and that is a sad sad thing. Absolutely stupendous.
older lotr illustrations sometimes depict éowyn wearing ridiculously small armour. apart from the problem general sexualisation of the only female character (who really does anything), there’s another hilarious thought:
éowyn pretended to be dernhelm, a man. to fit in, she must have worn men’s armor. so the armor in the illustrations is normal for rohirrim.
therefore, all the rohirrim rode to war just like that:
there’s a thundering sound in the distance as the rohirrim ride into war but rather than hoofbeats it’s the collective sound of all their cheeks clapping
the artist for this particular piece is Frank Frazetta and to be fair to him this is how he drew the orcs armorÂ
so the rohirrim comment is probably not that far off
That’s a man who just straight up had a problem with the concept of wearing pants into battle, and I respect that
male or female
hero or villain
sea or land
even in the snow
I guarantee you Frazetta’s Rohirrim were 100% pants-free
Good Old Frank. That man loved bodies and hated clothes so much
Frank Frazetta was the reason He-Man was designed like that; the producers conduct a study to see what art appeal the most to children, and Frank’s work came out on top in popularity. So everyone in He-Man is dressed the way they are directly because of Frazetta.
That man gave us the gift of warrior thighs and tits for everyone.
Ah, it has been too long since I have seen the no pants post on my dash. And yes, this is a rare case where it wasn’t some sexist nonsense but an egalitarian No Pants Agenda.
It’s time for my regular reblog of Gondor Needs No Pants
Frank Frazetta - Wikipedia
“I am definitely an ass man. It blows my mind. Talk about simple shapes. Two very simplistic curves. It’s so dumb, but they are fascinating as hell. It’s more than that. It’s the way the rest of the anatomy ties into that area — incredible beauty”
- Frank “godfather of fantasy art” Frazetta

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stop. analyse that text through the lens of its author's intentions and original historical context. okay now take the author out back and kill them dead and analyse that text as though it were published by your mutual yesterday and is in direct conversation the contemporary discourse that's most relevant to your life. okay now pick your favorite angle of interpretation and come up with the strongest possible argument against it. now imagine that the text is your best friend and that it means you well and that you naturally give it every benefit of the doubt because you're on its side and you want the best for it. now imagine that the text wants you dead and it'll eat you if you don't eat it first. now pretend that you found this text locked away in a cave with no evidence of when or where it came from and you have to divine its meaning solely through its internal coherence and nothing else. okay now address the elephant in the room aspect of the text you've been ignoring because you find it boring or confusing or uncomfortable and become the number one expert on it. now spend forty minutes assigning all the characters dnd classes with at least three sentences of reasoning each. okay now do the cha cha slide.
There are places deep in the earth where the water is crystal clear or it would be, if there were any light. All of the sediment, all of the dust has settled long ago. All of the gasses have escaped. These hidden volumes of water, like houses. Like the space between bridges. The space between you and the sky. Huge empty spaces that are not empty. Frozen glass. The water is still. The water is silent. The water is transparent as the mountain air on a starless, moonless, windless night.
Dahling you simply must read this book! It’s all about this devious little caterpillar who simply gorges himself on all manner of divine things
I don't think I've ever seen anything that more perfectly replicates how psychosis feels. The latching onto/ascribing meaning to little details. The endless "searching..." as your brain tries to fit every real-life stimulus into its narrative of what's REALLY going on. The background preoccupation with real, ongoing emotional difficulty...
People often imagine psychotic delusions as being entirely dependent on hallucination, people seeing and talking to fully fleshed out, convincing looking characters. But delusion doesn't require hallucination at all. All it requires is the conviction that ordinary things are a puzzle to be solved, that there's meaning to be made... and that you're so close to understanding things that no one else knows.

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Shrek 2, while a cinematic masterpiece, is also an interesting look at queerness and comp het.
Fiona is married so it's time to reunite with her parents. But instead of marrying a prince, she's married to an ogre. Not just that, but she's also an ogre. (Yes everyone knew she would sometimes be an ogre but that was when she was a child, she didn't know she would be an ogre for the rest of her life, and besides once she met the right prince she would stop being an ogre. She was supposed to stop being an ogre.)
But okay they're both ogres. We can still ask about when they'll have children because even if they're ogres they can still have kids, right? That's what married princes and princesses do so naturally that's what everyone does. Even if ogres might not be great parents (I've heard that ogres eat their young, is that something you people do?) it's still something that should be discussed.
And okay you can stay in Fiona's childhood bedroom filled with all the reminders that hey, everyone thought she was just a princess and princesses marry princes. Her toys left out from the last time she played with them. The prince slays the ogre. The princess offers a token of gratitude for slaying the ogre. Fiona wrote Mrs. Fiona Charming a million times in her diary because what else was she supposed to grow up to be?
And Harold you have to fix this, your country can't be ruled by ogres. You were unfit to rule when you were a frog but I changed you, I made you better, I made you a prince. You know how this works. Think of your daughter's safety.
Shrek goes to the Fairy Godmother and oh honey, ogres don't live happily ever after. It's just not done. It hasn't happened in all of fairy tale history. You have to change the both of you to be happy. You have to present as a prince and a princess. It will be better. You'll fit in better that way. You'll be accepted that way.
“The Driver” by Jordan Bolton
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Fuck you I was expecting comedy and now I'm crying?!
This is beautiful.