I've always wondered about this image in the opening credits. Maybe it was abstract, maybe it was someone looking through a keyhole - maybe it was the MIY doing weird black-eyed nonsense.
Misplaced Lens Cap
ojovivo
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I'd rather be in outer space πΈ
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
Cookie Run:Kingdom Official!
Lint Roller? I Barely Know Her

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Keni

Game Changer & Make Some Noise
YOU ARE THE REASON
macklin celebrini has autism
β
almost home
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"

titsay
π


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@paper-daisy
I've always wondered about this image in the opening credits. Maybe it was abstract, maybe it was someone looking through a keyhole - maybe it was the MIY doing weird black-eyed nonsense.

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From musings time ---
I think the creatures - and Smiley particularly - are just as much in the dark when it comes to the consequences of his resurrection as Fatima and the rest of Fromville is. As far as we know, none of them have ever been killed before, therefore none of them have ever gone through that process.
And we can see (just as Fatima told everyone!) that there is a real connection of some kind between them that I don't think anyone was prepared for.
That's the face of an evil creature of the night who is mightily confused as to how he was made to stop. Which now makes me wonder ...
Could Fatima potentially control Smiley?
Follow up - when we next see Fatima, she's on the floor. Did Kenny pushing Smiley physically affect Fatima? Could killing Smiley kill Fatima? Worse question - could killing Fatima be the only way to permanently kill Smiley?
"man, museum work pays peanuts, has an incredibly low supply of full-time jobs for current demand, sometimes involves getting yelled at by the public, causes Imposter Syndrome, and is often undervalued by people who assume it's easy"
"but is it unsp-"
"unspeakably cool? YES"
Is it weird that I'm pleased that all Boyd did this episode was trip-sit Jade as he sat frozen in his chair for hours? Like, that's got to be the least strenuous duty Boyd has had to do for a while. I hope he enjoyed it. I hope he put on some Enya.
From theory -
Tabitha's past life was a witch.

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From theory - you're already in Fromville before you see the tree.
There are people asking 'what happens if you just go around the tree?' which as a motorcyclist, is something I have thought about because I would do that. It would take a bit of skill but it could be done.
But I think that even if you got around the tree, you would just come upon the same tree again and again until you turned back because - according to another theory I've seen on tiktok - you have actually already arrived in Fromville before you reach the tree.
It was pointed out that when the Stevens family first arrive, at the 8:01 mark of S01E08, Broken Windows, Open Doors, there is a weird glitch in the scenery. I've tried to break it down in pictures -
It also happens at the exact moment Boyd talks about a 'smooth transition' and is very startling when you know what you're looking for. The background repeats even as the car is speeding along.
Glitch? Or on purpose? Am I overthinking things?
Happy franchaela season 5 to all who celebrate!!!!! π
Next season, love begins again.
Yerin Ha and Luke Thompson in a production of Much Ado About Nothing when???
I mean, l love how it was the necklace that triggered the realization but ...
How could they not bring up the glove???
I mean, the angst of it, there could've been something like -
"And then I found the glove, one I would recognize anywhere as I have carried its twin with me ever since that night. Both of which you left behind in your hurry to leave me."
It could've been the same pair that Sophie would wear to the Queen's ball! It's Cinderella!!! If not the glass slipper, why not the glove???

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βIf I was βfree,β as so many male writers have been free, I would be impoverished. Why should all my time be my own, just because I write books? There are human responsibilities, and those include responsibilities to daily life, to common human work. I mean, cleaning up, cooking, all the work that must be done over and over all oneβs life, and also the school concert and the impossible geometry homework and so on. Responsibility is privilege. If you delegate that work to others, youβve copped out of the very source of your writing, which after all is life, isnβt it, just living, people living and working and trying to get along.β
β Ursula K. Le Guin: The Last Interview and Other Conversations
I sometimes think about the letter KA Applegate posted for her fans who were disappointed by the ending of her series, and while I understand simply not liking how a story ends, I really respect her reasoning.
Like you can dislike the ending, that's fine.
But her reasoning is very interesting to read. And I really enjoy the framing of the anti war message.
You don't like that one war simply led to another? Fine. Pretty soon you'll all be of voting age, and of draft age. So when someone proposes a war, remember that even the most necessary wars, even the rare wars where the lines of good and evil are clear and clean, end with a lot of people dead, a lot of people crippled, and a lot of orphans, widows and grieving parents.
K. A. Applegate, May 2001, 6 months before the start of the US-Afghanistan War.
Loved loved loved season 4 of Bridgerton but ...
Releasing the season in chucks is not it, simply because it doesn't allow the fandom to breathe. For any kind of story, particularly romantic, I feel that weekly is best. The suspense, the anticipation, the buildup, it's all necessary to keeping fandom alive. Famine and feast is not it.
Weekly could allow artists to work on their craft without the pressure to binge something immediately, and then languish for a month. People would be free to talk about it at length without the fear that not everyone has binged it yet. There wouldn't be this sense of urgency to consume the media, but rather to just enjoy it in reasonable installments. Just look at Heated Rivalry.
'Water-cooler shows' were the best - because everyone would watch one episode a week, then chat about it 'around the water-cooler'. It was communal.
You'd think a genre like this would appreciate the importance of foreplay.
Footman John: Gotta make sure there's no fucking in this house.
Hazel I-Studied-Under-The-Nobel-Mrs-Wilson-Patron-Saint-Of-Making-Sure-There's-Fucking-In-This-House: Absolutely disgusting, not happening on my watch.
Frankly, generative AI is being given too much credit for the devaluation of art and labour. Dipshits who think the Idea Guy is the only one doing any real work and everyone else is a mere technician who should be grateful they're permitted to be involved at all have been a thing for as long as art has been a thing.
(This is why you'll never get anywhere accusing folks boo-hooing about "prompt theft" of hypocrisy, incidentally. No hypocrisy is present if you genuinely believe that Idea Guys are the only people whose labour has value, and a great many of these folks do in fact believe that.)
"Isn't that kind of a strawman? Surely no one actually, literally believes that Idea Guys are the only people who perform real labour"

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What if ... John dies ... and then Francesca finds out that she's pregnant?
YOU'RE A REGULAR WRITER! YOU CAN CRAFT A COMPLETE SENTENCE! YOU'RE A REGULAR WRITER! YOU USE THE RIGHT AMOUNT OF COMMAS! YOU'RE A REGULAR WRITER! YOUR PROSE IS GOOD AND RIGHT! YOU'RE A REGULAR WRITER! EVERYONE UNDERSTANDS YOUR VISION!