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reading neuromancer: man I should be abusing stimulants

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Just watched The Odyssey 2026 and my god were the characters done dirty...
Hate hate hate what they did with Odysseus's characterization like you cannot be serious. Who is Odysseus if not a sly clever liar (affectionate).
Now he's just some modern goody two shoes inner dilemma hero in a sea of them. They stripped him of his whimsy and cruelty both.
#NotmyOdysseus
There's not one moment in the film where I could go, ahh there he is Odysseus being Odysseus. Not one instance of him being clever, he's just lucky...
Didn't add the 'Nobody' scene but still made him shoot at Polyphemus which starts it all which doesn't even make sense with his characterization in the movie. The Polyphemus scene is supposed to highlight Odysseus's cleverness and hubris but the movie version of him has no pride!
Don't even get me started on Athena & Odysseus! Odysseus famously Athena's star pupil is not.... Instead she's haunting his guilt? Athena who famously interfered in the book to aid Odysseus like a lot... directly and behind the scenes.
In the book Mentor was actually Athena in disguise so I was so hoping for it to be her since Telemachus remarks multiple times about 'wise eyes' but no... it was about how you shouldn't see gods in people blah blah BORING!!!!
'Defy the Gods' Ah yes Odysseus famously devout follower of Athena...
I couldn't help but notice how dirty the female characters were done compared to their Epic counterparts and the erasure of Anticlea during the Underworld scene.
And I'd like to talk more about it, starting with Athena! She is one of the active players who guides both Odysseus's and Telemachus's journey. When Odysseus reaches Ithaca it was Athena who makes him look like an old beggar. Even in the final battle against suitors she deflects their spears to protect Odysseus and afterwards when nobles are angry Odysseus essentially killed their sons Athena steps in herself to establish the peace.
She is integral to the story, there is no Odyssey without her!! Odysseus only survived and made it back home due to her guidance and interference, removing her entirely is a disservice to the actual Epic being adapted.
And second character is Penelope, my Queen!!! I want to get this out of the way Anne Hathaway is in my personal opinion the standout of this film, she did amazing with what she was given. However that is to say, they didn't give her much. They cut off many Penelope moments that give us a taste of her own cleverness (making her a true partner for Odysseus) in favor of some simple status pin which isn't a good trade off imo.
The Olive Tree Bed moment was also not in the movie to my disappointment. A scene that clearly demonstrates how she tricks her own extremely clever trickster husband rather than some pin symbolism.
Circe and Calypso.... the less said about them the better though I hated their costuming.... Where were Circe's nymphs? or not nymphs since Nolan is allergic to whimsy even handmaidens? Circe is a powerful GODDESS 😭(Why was a raven/crow her sister? Was it supposed to be Pasiphae? If yes then I have so many more questions.)
I hate Calypso so i won't waste any words on her but its so funny that they made Odysseus eat Lotus Flower like lmaoooo you can't make this shit up..
I didn't like the costuming, the hair, the armor, the lightening either. I hated the look of Ithaca's palace and the ending like Odysseus... leaves Ithaca and his son after just arriving????
I also think it's so peculiar how Nolan didn't want an orchestra in sound design when the Homeric era didn't have that and then have everything else inaccurate from the armor design to the choice of modernised dialogue (surprisingly I didn't mind the modernised dialogue, not when the movie had larger issues).
Though props to them for making the pig transformation disturbing & sickening and not props for making Scylla lame ass design when her description is genuinely so horrifying, I believe the Odyssey could have been Nolan's first venture into VFX- nothing wrong with a little of it especially while adapting mythological creatures though disappointingly Nolan still clings to his practical only approach.
Also props for a good Eurylochus, making me side eye him and still making me feel sorry for him at the same time.
Side minor note: icky that they cast a black woman for Helen only for her to be abused and miserable when the source material makes no note of it, not a good look imo.
Also since they did deviate from the Poem of the Odyssey and included references to other Epic cycles, I wish they could have added Palamedes and Odysseus acting insane since I felt like the setup for it was there in the film with the scene of Odysseus and Penelope before war and it could be a scene to show again, his prominent cleverness that's direly missing from the film.
When the Trojans put a spear in the horse to verify, I had thought in that moment it was a reference to the omen of Laocoon and sea serpents would appear next but then it happened again and again and was just a tool to create tension.
(Again before anyone says Laoccon is not canon to Homer but neither is anything about the Trojan Horse except a few mentions in the Odyssey. If the sack of Troy has been expanded it would have been nice to see other epics being referenced.)
Why was Apollo the Sun God? What is this Percy Jackson?
All in all, if it was just any other standalone it would be strong 3.5 to 3.75 but as something that has source material an underwhelming 2.5 to 3.
The rating 3 is the average and generous because the film does look good so there's that.
Taking creative liberties in adapting an already existing source material is a thing but it's forgivable and completely understandable only as long as it serves its purpose to enchance the original material for a new medium but I feel like this movie changed the core of who Odysseus is as a character/person completely, erased his mentorship bond with Athena, erased his cleverness and trickster nature, whitewashed him and in the end the character isn't even identifiable as Odysseus anymore.
From Time Magazine interview that Nolan did it was noted that,
For Nolan, one of the hardest things about adapting The Odyssey is that in The Iliad, Odysseus has a relatively minor role. “A lot of the characteristics of Odysseus that can be really admirable in a supporting character, like being a bit clever, being a bit slick, when your hero is like that, it doesn’t always work,” he says. “There’s a reason that in Star Wars, you’ve got Han Solo, but you’ve also got Luke Skywalker, a heroic figure that’s a little more pure and transparent. So the challenge was to be true to the complexity of Odysseus but make him relatable for the audience.”
Which I think is precisely why he got Odysseus so wrong and this movie failed as an adaptation, the rigidness and the lack of letting go of realism to the nth degree.
i think how Nolan decided to adapt Athena is especially telling of his general approach because of how perplexing it is. there really aren't any recognisable characteristics of the mythological Athena in this portrayal. if anything she is like an anti-Athena. Nolan's depiction is seemingly disapproving of war and Odysseus' use of trickery. her main quality here seems to be in bringing Odysseus to be more empathetic.
Nolan's Athena is primarily recognisable because of the name and general association to Odysseus, but the nature of that association is changed, and the actual character of Athena points to a completely different character.
i saw the movie with a friend and he didn't even recognize that the beheaded statue in Troy was meant to be Athena because it was lacking the items popularly associated with her image, the spear, the shield, the Corinthian helmet. those things we associate with a war goddess.
for other characters Nolan's choice in adapting their characteristics leaves strange artifacts where character motivations and attitudes are struggling to cohere with their actions. like why did Odysseus shoot that arrow at the cyclops, it doesn't really make sense for how Nolan wrote him. at worst it creates a tension where the characters, if they followed their motivations and attitudes, wouldn't really have gone on THE odyssey, the result that makes the most sense would be a different story.
nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.
btw the new yorker review of the odyssey (2026) has me Concerned.
"It is probably viewers who haven’t read Homer who are likeliest to enjoy The Odyssey, Christopher Nolan’s new adaptation."
"By suppressing this continuity between the natural and the supernatural realms, Nolan omits much of what makes the Homeric age so different, including the ambience of the divine and the distinctive moral realm that goes with it."
"Homer’s character, notorious as a schemer, here comes off as plain and direct—a gruff, practical tactician, rather than something more energetically inventive and morally dubious."
"I won’t give away the film’s ending, but it’s not the one in the poem and it’s thrillingly audacious, far-reaching, socially conscious, and ultimately undeveloped."
like. i'm sure it'll be fine. it will be a gorgeous film with incredible actors and talent. i just need to continue w my expectations that the original themes and feel of the poem will be tainted. and i will feel normally about this bc i am an adult who no longer throws tantrums when movies mis-adapt her favorite stories. probably.
honestly pretty accurate. the movie has its high and low moments, you can usually tell from the bargain-bin dialogue. but those highs, they can be so high
i think we need copyright reform. currently most works are protected by copyright for the life of the author plus 70 years. here are my two proposals.
18 years. this is enough time for the work to grow to adulthood and begin to care for itself
life of the author + zero years. i like this one because it encourages you to kill people

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getting overtaken as a pedestrian: people are seriously so caught up with themselves they can’t get somewhere 30 seconds later
overtaking people: come on girls it’s not a statue garden
straight up this looks like ai generated gay porn
I notice that a lot of people like to argue against the fact that Feyd-Rautha’s cruelty and lack of empathy is a product of his environment because of the whole thing about murdering his mother, but in my opinion, while it was added to demonstrate just how corrupt he is, I don’t think this was added in the movie to make him seem like he was born with those violent tendencies. In fact, I think it perfectly demonstrates just how much his childhood had twisted him. Besides, we have no idea why he even did it and when he did, it was just suddenly dropped without any further explanation. My personal theory is that it was something that was encouraged by the baron as a test of loyalty to sever the ties of his old family. I think that if he weren’t raised as a Harkonnen, they probably would’ve had any usual father and mother relationship.
i agree with this and i think it reflects a larger theme in the book and is more obviously seen in feyd's mirror, paul. what their lives can be is constrained to narrow paths bound by the past and by those with power around them, there are only so many viable options to them; kind of explicitly said by paul while he was high on spice at some point. both of them are the product of generations of the bene gesserit breeding program, who are deeply invested in creating a kwisatz haderach they control. both are raised as their respective scions of their houses, paul was raised as an atreides and is groomed to be the next duke, feyd was raised as a harkonnen and groomed to be the next baron. they are very much the consequences of the past, and despite how powerful or heroic they may be there is never a total escape from the past's consequences for them, as they have already been shaped.
i think how the prescience operates also reveals this theme, it is explicitly a power of genetic memory, of lineage from the past, that allows one to predict the future. there is no knowing the future without knowing the past, it is explicitly consequential and causal. everything is wholly interconnected and why the kwisatz haderach requires genetic memory from the male and female lineage, because only a part is not enough to understand the whole.
portland at night is so beautiful
It’s always fun to be reminded how recent European national identities are. Peasants in 1860’s Sicily had never heard the term “Italy” before, the majority of people in France didn’t speak French at the time of the French Revolution, etc.
from the observations of a british diplomat in the ukraine in 1912, quoted in Bini Adamczacks Beziehungsweise Revolution
[when one asks the avarage peasant farmer in the ukraine about his nationality, he will answer, he is "greek-orthodox"; when one pushes him to say whether he is a russian, a pole, or a ukranian, he will answer, he is a farmer; and when one demands demands to find out which language he speeks, he will say that he speaks "the language from around here". ... i.e. when one wants to find out which state he would like to belong to – whether he would rather be governed by an pan-russian or a specifically ukranian government – one will find out, that in his opinion, all governments are a plague on the land, and it would be best, if the "christian peasantfolk" were left to themselves.]

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let the contemporary record show mr beast was pretty ignorable for his whole career if you were just like, busy.
was it normal in the past for people to have 20 whiskeys a day or is Ned Beaumont an Olympic level functional alcoholic
I don't think I'd be so annoyed by the various media with the premise "The Man wants to control what art people can make, and this made the world Sad and Gray, but we can fix it by adding Color and Music" if literally any of them had anything to say about the *actual* method by which the people with power control what art does and doesn't get made (IP law, publishing, and curation) instead of just having a Fisher Price Department of Wrongthink that arrests/kills you if you play anything other than the One Approved Genre Of Music or paint a dog without a license.
wow dude jts so awesome that your car is loud as fuck and smells worse when it drives past. thags fucking epic man. i really like how it hurts to listen to you drive past and it scares people. thats awesome man. i really like your car that makes a loud as fuck fart sound. fucking epic dude

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Times That Copyright Expansion Has Historically Fucked Over Artists On An Institutional Level:
Sampling rights becoming prohibitively expensive to use by small artists
Musicians being forced to sign over sampling rights to their record company, making any benefits they would hypothetically gain moot.
The Digital Milennium Copyright Act leading to the vidmaker-stomping nightmare that is ContentID
The DMCA leading to making it harder than ever to preserve media due to the way it prohibits tinkering with any locks the megacorps put on it, meaning it's way easier for artists' hard work to end up vaulted and lost.
The way basic chord progressions and musical styles have become copyrightable thanks to various lawsuits by the Marvin Gaye estate
The fact that the artists of the past used to be able to remix; adapt and iterate on art made within 56 years of them, likely created in their lifetimes, and now artists can only do those things with art produced nearly a century ago by people long dead.
New and independent artists being crowded out of the market by megacorp-owned IPs that would be public domain (and thusly convey less of an overwhelming advantage-via-marquee-value to megacorps) if the US had its pre-1976 copyright laws.
Times That Copyright Expansion Has Actually Materially Helped Artists On An Institutional Level:
????????
Times that Copyright Expansion Resulted In Something Kinda Funny:
When Metallica did a twitch concert and got a copyright strike on their own music as a direct result of their lobbying for copyright expansion
If I went to the solaris planet it probably wouldn't send me horrific images of guilt and loss at all. It would probably send me images of a pretty good time
Science Poindexter Type: Did you see anything... unusual up there?
Me: Just a few beers by the lake, why?