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@onlyalittlebookworm
about
me: maddie | 27 | she/her | bi | canadian
the blog: the pitt | brbabcs | thg | buffyverse | fanfic | pretty people
links: ao3 | fic masterlist | letterboxd | serializd | twitter | storygraph | spotify

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i feel. like on a fundamental level. i do not understand x reader fic. i am not exactly opposed to it because let a thousand blossoms bloom etc. but like. i genuinely don’t get it. it seems like the exact opposite of how i engage with fiction. like the whole point is that i’m not in there. i don’t wanna be in there. if i’m in there it’s going to be very stressful.
How did you get so good at writing??? Did you take classes? I feel like you should get paid all the money for this! (I subscribe to your website!)
after i dropped out of high school i found a torrent of like 5GB of OCRd romance novels and i read like 3 romance novels a day for a while
read enough romance novels and you will realize that they live or die entirely on technical skill. if you are new to romance novels then even bad ones can dazzle you with novelty but by the time you are on your 30th historical fake engagement between a bluestocking and a rakish duke you can grade them and you know when they've failed. when two books have what should be the same main characters hitting the same plot beats, but one of those books is delightful and the other fucking sucks, you learn some things. some books are bad and still delightful. other books are good but they just don't hit. you start to see the seams in the bad ones. 'oh, this is a weird out of character moment because she wanted to have the kabedon moment and didn't know how to get there'. 'she didn't want the ust to end but couldn't think of a better reason than this deus ex cockblock.' that kind of thing.
you could probably do this with other genres but i like romance because the plot is two people fall in love. that's it. everything else is set dressing. if you can figure out how to make that work you can carry it over into whatever other genre you feel like. mysteries would give you a different skillset around plotting that i don't have.
anyway after that i wrote a lot.
i said it in my original tags but i want to talk out of my ass and say that one place that a lot of current romantasy falls short for me is that it ends up being written by people who mostly read other romantasy without going back to the original genres of romance and fantasy. it's like a 'learn the rules before you can break them' kind of thing. you have all these magical macguffins to hit the tropes but can you make me believe that these characters have chemistry without that? is there chemistry, or did you tell me they're fated mates and now i'm supposed to assume this fight is sexy? does the fantasy aspect exist for anything aside from the magical macguffins? i'm not going to throw stones from inside my house made of worldbuilding designed to make all my fetishes happen, but the really fun part is when the lore spins out of control and you end up really going in depth on linguistic anthropology things that aren't relevant to the makeouts.
and the other thing is that you can't really sub in fanfic for this. plenty of fanfic takes characters from other genres and plops them into romance, but it's not the same. a good romance novel says, "here are two characters. you may know their archetypes, but you don't know them. you are going to get to know them, and you are going to love them, and you are going to want them to love each other, and when they love each other you are going to be happy for them". i love a rakish duke. when a man who's never had to do his own laundry is slutty as fuck that's my shit. but you still have to make me like him. you can take that archetype and make a guy who fucking sucks. most fanfic will not impart to you any knowledge about how to make a reader like a guy from scratch. you already know that guy. that's the whole point. fanfic with as much character building as an original work is the exception, not the rule.
the whole reason i get catty about fics that just make a different guy is that... you've made a different guy. i don't know who this guy is and i don't like him, and you haven't bothered trying to make me like him, because you slapped another guy's nametag on him like a cheat code. it's cool if you did make me like this new guy, but why is he wearing that other guy's nametag if no other aspect of him is present?
read the genres you want to write, obviously, but there's a reason the shitty comphet romantic subplot is a cliche. it's because romance is its own skillset, and if you try to fit romance in your thriller when you only read thrillers it's probably going to be the weakest part. if you want an ensemble cast then chemistry between characters is important regardless of whether they're going to fuck about it.
#this is also what i call the Star Wars Problem (although: wide category lol)#but i mean specifically the thing where george lucas watched a BUNCH of westerns and samurai films and ww2 flying ace films#and then made a space movie ABOUT high points in those other story forms#because he knew those pulp genres inside out and knew what bits he needed to hit in RAF Dambusters pulp when he added laser swords#or in western saloon showdowns when he added spaceships#but then you fast-forward a few decades and people are making star wars movies ABOUT other star wars movies#and like not many of those scenes are going to hit that way - they just wont have the chance#they’ll be a copy of a copy and the emotion is going to degrade like the worlds crustiest reformatted ocr PDF#or a xerox of a xerox of a xerox#they’ve ceased to be about the feeling generated by the Form and have become simply the Form in isolation (via harrietvane)
“The show started as, you know, how is he gonna become Saul Goodman, [and] why. And it became Kim Wexler and Jimmy together. And why are they together, and what’s driving them, and how is that gonna go awry. And in the end, I think the writers acknowledge, with the ending that they wrote, that it really is this relationship [that] was the real life of the show. Inner life and outer life.” —Bob Odenkirk
mel king + hands

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literally jumping up and down with delight
Star Wars: Episode IV – A New Hope dir. George Lucas | 1977
huhu! 🙇♀️ this is a piece inspired by a fic my best friend, @snowchildz , wrote for me, and I could not resist drawing something for it 🥹
An Archive of Our Own, a project of the Organization for Transformative Works
it’s a very gentle, sweet and sooo well written Kingdon fic and everyone who loves the pair should go read it asap!
thanks to my heart for writing this for me 🫰
(yes I’ve read it at least 5 times already, sue me!)

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In Season 5 or 6 or whatever, freshly minted Attending Physician Dr. Frank Langdon, now in charge of scheduling, realises just how much this department over-relies on Mel.
She loves to help, both her colleagues and patients, so she's first on everyone's list when asking to swap shifts, she's the first person that gets called when they need ad hoc cover, she's somehow almost never ill, she's happy to do a double when a shift is short staffed, she's not precious about any particular holidays.
And they've been hanging out, it's not that Frank doesn't know Mel works quite a lot, but he (maybe naively) assumed she's saving for something, or trying to get a downpayment for a place together, something that would make this a temporary state, a hustle for a goal.
But no, it turns out she's been at this pretty much since she got here, and it's a miracle she doesn't seem particularly burnt out by it, but she does just seem to have a lot of energy, especially now that she's got a more balanced social life. Still, he knows from experience that this place will burn you out if you let it. So the next time they have a call-out, he says no when Dana suggests they call Mel in. And maybe it's selfish because he actually has plans to meet her for DnD after work, and he doesn't want a sick colleague to get in the way of Mel's campaign prep, but he makes a point of keeping an eye on it in the future.
On the morning after he first sleeps over, Mel is dead asleep next to him, hair fanned out everywhere, boneless in his arms when he sees her phone light up. He grabs it before it can start to vibrate and ring and answers it on instinct. It's Dana.
"Mel's not coming in today," he tells her.
"Langdon?!"
As a Greek, in response to the current controversy about Matt Damon being cast as Odysseus, I'd just like to share that one of the moments that changed my brain chemistry as a kid was reading a novelized version of the Odyssey and coming across the following description of Odysseus when Circe sees him for the first time and thinks he's hot: "his hair curled like a clematis and his eyes were very brown".
So may I present my own casting choice for Odysseus:
Excuse me???
you are right and you should say it.
Is this the face of a man who would put his own infant in front of a plow to avoid going to war?
Absolutely not
You know who would try that shit?
Is this the face of a man who would defy the very gods to get home to his wife?
You know who would defy the gods just to show he could get away with it?
The last thing Penelope's suitors ever see:
For the isolate mel and make her and frank more codependent agenda:
Frank casually telling mel that trinity is the one who reported him, and that she's not really receptive to his amends, and mel, who was asking to see if she even wanted to entertain trinity's friendship after 10 months of bullying, decides that actually, she'd rather go scorched earth and implode their nascent friendship. (she doesn't play about her man. First strike, ignoring him when he told her that she had to present; Second strike, shittalking him for 10 months; Third strike, not accepting his amends (because yelling at her once is unforgivable, apparently) and being the reason she didnt see him for so long)
THEEEE AGENDA!!! isolate isolate isolate i think it’s so fun if they kind of draw away from everyone rather than lean into trying to earn their approval and friendship/respect. they shouldn’t have to earn it anymore especially not mel who tried for 10 months TO earn it and genuinely nobody else connected with her !!!!!! so frank seeing that and telling her abt santos is so >>> yeah let mel stand up for herself i feel like a friendship she had to work hard just to get some scraps of is not worth it and she realizes it when frank tells her what happened. when mel learns that she told frank he should be in prison i think she’d be like wtf and have him taken away from me for LONGER? i rly think mel could learn the whole story abt everything and still stand by her man you’re so right she doesn’t play abt him. not at all so yeahhhhhh franks affection is freely given to her i feel like it’s the first time mels never had to work for it shes never letting that go!!!! that’s the last straw for her she cold shoulders her from there out on while her and frank become more and more enmeshed 🤩
Trinity tries to start a fight about it, like confronting kingdon when theyre being cute together and asking frank what he told mel to get her to do an about face, and mel just earnestly saying "oh, he told me everything, i think youre having a massively disproportionate reaction, diversion is common in our profession and one would think after working at a pain clinic you would know not to assign morality to symptoms of active addiction. Also, carceral solutions for public health problems are proven ineffective by reliable data, so your comments about him deserving to be in prison are, frankly" (kingdon both giggles at the use of the word) "unprofessional and idiotic."
i am unironically fond of langdon and mel calling each other big dog

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DERRY GIRLS (2018 - 2022) ↳ James Maguire once said...
I should be doing more to appreciate the lack of marvel movies in today's popular culture. I once yearned for marvel movies to have this level of irrelevance. They used to feel almost ozymandian, like an empire that had no beginning and no end. and now tony stark iron man is naught but two vast and trunkless legs of stone.