#𝙊𝙁𝙑𝙊𝙇𝘼𝙏𝙄𝙇𝙀 : a private dependent mumu blog affiliated with 𝐫𝐞𝐝𝐜𝐫𝐞𝐞𝐤𝐟𝐦 , penned and adored by veer ( she + her ) a study in a spotlight that burns as bright as it blinds , the hunger for control crashing with the need to be wanted & hands that carve out their own chaos .
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5:30pm outside of town hall
for yasmine + taylan @ofvolatile
time heals all the wounds . the words that had been repeated over and over as the yorbas mourned the loss of the eldest . empty words carried empty promises . the wound left by fran was covered with a blanket . it would always be there , but they couldn't bear to look at it . the one left by azi was covered with a bandaid . one that had to be changed every day because they kept bleeding through it . now the anger was gone and all that was left was the aching hole .
they approached taylan slowly , hesitantly after the memorial . tapping him lightly on the shoulder , they said , " look , you might not remember me , but i'm sorry . " yasmine took a deep breath , exhaling through their mouth , trying to dispose of their guilt . " sorry because i hit you with my cart in the grocery store . it was on purpose . i was taking my anger out on you for something that wasn't your fault , and i apologize . " perhaps , they should be thanking him for handing them the blade to surgically remove azi from their life and to keep him safe from yasmine's curse .
his ex-girlfriend's name shouldn’t be carved in stone, neither should the names of those alive, but red creek is a graveyard that never waits for the grave. the cigarette burns low between his fingers, embers flaring like a pulse. his teeth chatter despite himself as the cold seeps into him, like it’s got a personal vendetta — finds the cracks in his skin, sinks deeper with each breath. taylan spent years braving harsh winters in canada, but this feels personal, harsher. like it knows exactly where to sink its teeth. and then he sees them. his father stands by demetrius kelly's side, all straight-backed and obedient, like a good officer reporting in. but all taylan sees is a hound at its master's feet. trained, waiting, leashed. a pathetic display. their eyes find him even from a distance, the weight in the stares pin him in place, heavy as lead. and suddenly, he's fourteen again. blood in his mouth, knuckles split from another fight. bracing for the next scolding, the next lesson he never asked to learn, about not embarrassing the family. red creek has a way of dragging the past forward, of reminding you what you are. no matter how far you run. he was supposed to be far away from this town.
a tap on his shoulder, pulls his attention away . his head turns, recognition doesn't take long in a town this small ; a new face sticks out. “ i remember. ” for a moment it seems like thats all he'll give them, his gaze drifting back to his father. but taylan doesn't have it in him to hold onto the frustration he first felt toward yasmine. “ i play hockey, ” a drag from his cigarette, smoke curls from his lips a thin ribbon lost to the wind. “ get hits harder than that. its fine. ”
he expected to see dasom’s name . he braced for it — the quiet collapse beneath his ribs , the certainty of something he already knows but refuses to name . but then , it wasn’t dasom’s name . it was his . his own name , etched alongside the dead like a premonition . for a moment, his breath is caught between past and present , tangled in the years he’s spent playing by the rules , staying in the lines . he barely registers the voice cutting through the hush until it's too late . too loud . too knowing . taejin would fucking choose this moment for a family reunion . something cold and immovable washes over jihoon , but his expression remains unshaken — just the slow inhale of breath , the practiced stillness of a man who had mastered the art of swallowing down discomfort until it curdled into nothing . he glances at the camera aimed at him , a lens trained on the shape of his silence . this is drawing too many eyes in his direction , not just from the memorial , but his own cousin . his teeth pressed together , his steps cut clean through the space between them as he approaches him . taejin wants attention so badly , then jihoon will give it to him . he reaches out , pressing the camera down with deliberate force , forcing taejin to look at him instead . “ are you out of your goddamn mind ? ” he mutters . his voice is too even , detached , like he’s already somewhere else . like he’s already leaving . he steps back , the movement smooth , controlled . purposeful . like distance is the only thing he can afford to give . but the closer he is , the deeper tae's eyes resemble his sister's . and the bigger tae's pupils looks . a sardonic laugh escapes him , and he shakes his head in disbelief . “ oh , of course . respectfully , get the fuck out of my face . i have pressing and relevant matters to deal with . ”
the camera shudders — sharp, like the snap of a too-tight string, a pulse of force threading through his grip. a heartbeat skipped in the space between. jihoon’s fingers press down on it, firmer than expected, attention given in a form thats unfamiliar. blown pupils snap up, forced to meet his cousin, forced to let go of the lens, forced to confront a weight heavier than the one he’s been hiding behind. family is a word that no longer fits his mouth. a ghost of what could have been. taejin isn’t wanted. not by his parents, and certainly not by his cousin who treats him like he’s already dead, buried in the past before he ever had the chance to be seen. cut from the frame before the picture is ever taken. jihoon arranges the scene ; flights, hotels, careful reunions of their parents' in seoul, each choice deliberate, each detail a quiet act of omission. making him feel the distance in the sharp precision of it all, in every unspoken exclusion, pressing in like the weight of a shutter closing on an image he was never meant to be in. the breath leaves him slow, deliberate, like taejin savoring the bitterness rather than swallowing it. tongue pushes the half-melted lollipop to one side, a candy-coated cut fighting the acid in his throat. “ it's easier when i'm not in the way, isn't it ? ” almost conversational, but there's an edge to it. razor-thin. waiting to cut. a dark pit in the confines of his ribcage that's been festering for years. the temptation of doing another line is strong, but the urge towards cruelty is stronger. “ easier when i'm not standing in front of you reminding you of things you'd rather forget. i'm not dasom. you can't burry me like this town has buried them. ”
there’s nothing inherently evil about wanting to torment an ex, right ? a hobby that brushes against the unsettling, the strange … yet feels surprisingly normal when a certain young woman is involved. resentment, a potent poison, dangerous in the fearsome grips of some, and a wound that still sits heavy between her ribs and her heart, ugly and pulsing, turning sleep into an impossible task. if she remains silent enough ( hard thing to ask of her ), clementine can hear the echo of the words taylan spat during their last fight — meant to cut, to hurt. she remembers the threats she fired back just as clearly, drowning, trying to take him down with her. a love she foolishly thought would last forever … now rotten, like a discarded piece of fruit. but for whatever twisted reason, it’s impossible for her to stay away. stubborn. she wishes so badly to haunt him with her presence. just like he once haunted her with his cold, ghostly absence.
when he looks up, a chill runs down her spine, eyes widening a smidge, surprised that he can see her standing there, that she’s not completely transparent to him. used to be that way. buried part of her soul sings at his acknowledgement — a nagging habit she’ll argue with herself about later. “ maybe you haven’t been seein’ me, but i’ve been seein’ you plenty. ” it’s meant to be playful, a toothy smile slapped across her lips, but there’s a hidden edge underneath. pointed. she hums as she selects a carton of juice, shaking it in his direction, a clear message : see ? this is what i came here for. nothing more, nothing less. a glaring lie. then she steps forward, shamelessly reaching over to flick taylan's forehead, her grin growing. a tingle travels up her finger, the feel of familiar skin electrifying her. a fleeting jolt that makes her breath hitch for a split second. “ y’should really stay alert, man. there’s a killer roamin’ the streets, y’know ? ”
her touch is a snap against his skin. quick, biting, gone. but the feeling lingers, crawling under his ribs like something he should've laughed off. but clementine has always been good at getting under his defenses, making herself at home in places she was never supposed to be. she's a match hovering over gasoline. and taylan clicks his tongue, a sharp, hollow sound. his eyes stay locked on hers — dark, tired, shadowed by the weight of the dead and the ghosts of the living. his fingers curl tight around the crate, the wood grinding into his palm a tether against the irritation coiling in his chest. the scent of her perfume crawls up his throat, familiar and infuriating and he presses his tongue to the roof of his mouth, trying to swallow it down. trying to ignore the way it makes his pulse kick in his throat. pressing against the raw, open wound of the night. “ maybe instead of haunting me, ” his gaze flicks to the carton of juice in her hand, to the grin stretched over her lips “ you should be careful, ” he says, voice scrapping low, with more bite than he means. but beneath it, tangled in the grit of his tone, is something quieter, a warning dressed in something easier to say than the truth. a muscle ticks in his jaw, breath drags tight through his teeth. kirby's memorial casting a shadow over the booth. “ wouldn't want you gettin' caught up in the wrong place at the wrong time. ”
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his gaze is heavy on taylan , always like he’s still waiting for something to crack . if he looks long enough , hard enough , perhaps he’ll see the moment grief spills over and it takes shape instead of swallowing taylan whole . but he just sits there , stiff-jawed and heavy - eyed , wearing his silence like armor . forgetting sounds good . azizi can make that happen . lifting the abandoned glass , he lets the weight of it settle in his palm before bringing it to his lips . the first sip of whiskey always burns , but it's nothing compared to the feeling curling deep in his stomach . the taste of taylan lingers on the rim , and azizi tells himself that’s not why he takes his time . the glass meets the table with a quiet clink as the bar hums low around them , neon lights casting them in blues and reds like something half - dead , something meant to be forgotten . it suits them .
his fingers trail over the camera once more , the engraving warm under his touch . a moment gives form , proof of something unspoken . these are taylan's words , meant for him . something intimate , something truthful , something azizi doesn’t know what to do with . he knows grief and everything unsaid between the man sitting across from him and his dead ex - girlfriend must be suffocating . for now , azi just wants to twist taylan's words into something that doesn’t make his chest feel too tight . when he smiles again , it's lazy and sharp at the edges . “ drink up , ” he says , his eyes steady and unflinching . “ and take a picture of me . ” a pause as something unspoken settles between them , heavy like the whiskey on his tongue . azizi tilts his head slightly , watches taylan through the low glow of the bar lights . “ you want to forget ? fine . but i want to be remembered . ”
there’s something about the way azi looks at him — like he’s already halfway inside his head, waiting for him to catch up. it’s not intrusive, not demanding, just there. like he knows exactly what he’ll find when it finally spills over. it makes taylan feel stretched thin, like he could unravel if he isn’t careful. feels like a hook in his ribs pulling him closer even when he should lean away. makes him want to disappear into the shadows of the bar, makes him want to stay exactly where he is. he takes back his glass, whiskey spreading warmth in his chest, the sharp tang of it pulls his mind away from the memorial, from kirby, and the sight of zeynep's name etched where it shouldn't be. there's nothing left when the glass is back on the table. and taylan listens to the offered distraction, reaches for the camera and lets the viewfinder frame azi's face — eyes catch the light, sharp and unyielding. there’s something there, something too steady, too certain. taylan feels it. and as his finger rests lightly on the shutter, something sharp clicks inside him, like a door slowly creaking open. the lens feels like a shield, an excuse, a way to look without truly being seen, without having to meet the weight of what’s in azi’s eyes. his finger hovers over the shutter, the stillness thick, and the click of the camera echoes between them. a line drawn, yet he doesn’t lower the camera. not yet. he keeps it raised, letting the weight of the space between them stretch out, the air thick with what’s unsaid. finally, he lowers the camera, turning the screen so azi can see. the moment drags out, the image flickering on the display — features captured in the quiet light of the bar, frozen in time. taylan swallows hard, his jaw tight, his voice coming out rough. “ there. you’re remembered. ” but the weight that settles in his chest, heavy and undeniable tells him that this moment, this feeling will be one he’ll carry long after the picture fades. his hand moves without thinking reaches for his stash in his pocket, his fingers closing around the small, white pill. the thing that’s kept him numb. his whole body is wired tight, the kind of tension that’s been building up for weeks, months since the accident, since the suspension, since his return to red creek where the past is too close, too suffocating, and nobody knows it. his voice comes out rough, a rasp that feels like it’s been building for too long, “ you think anyone’s gonna remember me for anything other than my accident ? ”
where : town hall at 5:03 pm.
status : closed for @desbvndar
the camera drinks in the evening light, pale and weak like it's still recovering from last night's bender — light staggering through the cracks of red creek, pooling against brick and bone too tired to move. not far from the truth, taejin is, too. sleepless nights, high enough to taste colors, and veins thrumming like bass under too-loud speakers. but he watches through the lens anyway, the town unfurls in soft grainy focus — candles guttering, breath curling white in the air, wreaths resting at the stone memorial, a hush stretched thin over the scene. he watches the way head bows in reverence, how grief moves through the crowd, how dead creek always feels like it's teetering on the edge of something unsaid. stuck in a dying town, the camera his only escape.
taejin sniffs, loud and graceless, dragging the back of his hand under his nose. the sting of the line still lingers. but then his gaze snags on something. a name that shouldn’t be there, carved into stone, cold and permanent. his pulse trips, the beat of it skipping like a record stuck in the wrong groove. the lens doesn't lie. and then, almost by accident, the focus shifts. jihoon. the camera sharpens, pulling him into stark clarity the hard line of his jaw, the press of his mouth, an expression carved from something unreadable. jihoon's been avoiding him for years. a reminder of what’s missing. of who’s missing. an unfair comparison to a cousin he never knew, how people talked about dasom, said they had the same eye, the same pull to capture everything through a camera. his fingers curl tighter around the camera, sharp edges pressing into his palm. “ there he is, ” taejin's voice splits the ceremony open, sticky-sweet with cherry from a half-chewed lollipop, ripping through the hush like a torn page, the sound too loud against the weight of snow. pulling everyone out of their quiet grief. he raises the camera and keeps it rolling, like he's not living it, but trapping it in a frame to keep it from slipping away. “ didn’t think ghosts showed up to their own memorials. ”
where : at amrak grocery.
status : closed for @outc4sts
a town can be a noose — loosening just enough to make him think he's free, only to pull tight the second he comes back. it's been three months since his return, but the stares continue to scrape like sandpaper, the whispers drone like flies. even in the too-familiar hum of amrak, the static never fades. the same old faces linger in the aisles, but now there’s an extra layer to their glances. not quite pity, but close enough to make his teeth clench. taylan shifts a carton of almond milk, the cardboard edges soft under his grip. his gaze slipping past the shelves, past the rows of organic bullshit, past the exit he should have taken five minutes ago, but he promised selin he'd help.
in the glass door of the cooler, his reflection fractures — pulled apart at the seams, split by the weight of everything that’s left him stranded between what was and what might never be again. a fleeting specter of himself. and there, woven into the jagged symmetry of his own face, lingers another reflection, shadowed in the scar that lines his throat. the stitches he endured, itching to be scraped open. nazar the evil eye hanging above the store's door can’t keep her away. “ gotta say, clem, ” his voice cuts through the cold hum of the refrigeration unit, “ if you wanted to see me this bad, there are easier ways. ”
Marlon James, Black Leopard, Red Wolf // Mitski, “Goodbye, My Danish Sweetheart” // Audre Lorde, Sister Love: The Letters of Audre Lorde & Pat Parker // a text message i sent to my best friend
NIGHTS AT REDSTONE were rarely dull and tonight was no exception. with a good hour still left before closing, joey has already had to throw a handful of people out. everyone was on edge. the news of kirby's death seemed to have lit a fire under the town, sparking a desperate need to escape the so-called ‘deadcreek curse’ that has fallen on them again. was it grief the town was feeling? fear? whatever it was, it was making everyone act like idiots—and it was starting to piss joey off.
“i need a shot.” she announces, pushing herself off the counter and turning towards a stack of freshly cleaned glasses. she picks one up, pauses, then glances over at the figure on the other side of the bar. "you gonna be a prick and make me take it by myself?"
the blade carves the pill to dust, white powder explodes like a violent bloom across his phone screen, and taylan drags the edge through it slicing clean lines, each cut scoring faint scratches into the glass beneath, ghosts of old cuts stacked on new. a promise to smother the ache buried in his bones, old ones from hockey, still gnawing. bill to nostril, a sharp inhale and the burn is electric, slicing through sinus and skull, lighting up the dark like a struck match. when he comes up the mirror barely holds a reflection, swallowed by tags and knife-scored confessions. still, he searches, amber hues flickering through the gaps in grime. a smudge of white clings beneath his nostril and taylan swipes at it with a drag of a thumb, erasing the evidence.
the restroom door slams shut behind him, the bass swallows the echo whole. his pulse thrums, the burn still raw, bodies shifting like static. he moves through it, past the pool table, past the low murmur of bets and clinking glass and drops himself onto the nearest barstool, the room tilts like a slow-spin roulette wheel, the chip locking into it place — attention caught by joey's offer. “ wouldn't dream of it. make it a double. ”
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" 𝙱𝙻𝙾𝙾𝙳𝚈 𝙵𝚄𝙲𝙺𝙸𝙽' '𝙴𝙻𝙻 , " 𝙲𝙾𝙾𝙿𝙴𝚁 𝙼𝚄𝚃𝚃𝙴𝚁𝙴𝙳 𝚄𝙽𝙳𝙴𝚁 his breath , setting his glass down with a deliberate clink before sliding off his stool. the bass from the jukebox thrummed in cooper’s chest as he shoved through the small crowd, his broad shoulders parting the sea of gawkers without much effort. he didn’t need to see the faces to know what was happening — the tension in the air , the muted shouts , and the unmistakable sound of glass breaking painted a clear enough picture.
" 𝙾𝙸 ! " 𝙷𝙸𝚂 𝚅𝙾𝙸𝙲𝙴 𝙲𝚄𝚃 𝚃𝙷𝚁𝙾𝚄𝙶𝙷 𝚃𝙷𝙴 chaos , deep and commanding. “ pack it in now ! ” his eyes landed on taylan first. of course , it was taylan. cooper’s lips pressed into a hard line as his gaze swept over the scene, taking in the red - faced drunk swaying on unsteady feet and the tight coil of anger in taylan’s clenched fists.
" 𝚃𝙰𝚈𝙻𝙰𝙽 , " 𝙷𝙴 𝚂𝙰𝙸𝙳 𝙴𝚅𝙴𝙽𝙻𝚈 , 𝚆𝙰𝚁𝙽𝙸𝙽𝙶 clear in his tone as he stepped between them. “ you really want to do this ? here ? now ? ” he didn’t wait for an answer. cooper turned his head slightly , fixing the drunk with a stare that could cut stone. the drunk grumbled something about not wanting any more trouble and tried to slink away , but cooper wasn't done. " you. " he jabbed a finger in the drunk’s direction. “ fuck off , yeah ? before i toss you out myself. ”
𝙾𝙽𝙲𝙴 𝚃𝙷𝙴 𝙼𝙰𝙽 𝚂𝚃𝚄𝙼𝙱𝙻𝙴𝙳 𝚃𝙾𝚆𝙰𝚁𝙳 𝚃𝙷𝙴 exit , cooper turned his full attention back to taylan. the weight of his gaze was heavy , but there was no malice in it — just disappointment , tinged with a hint of something almost protective. “ you’ve got a bloody knack for this, don’t you ? ” he muttered , his voice quieter but no less firm. his eyes lingered on taylan’s tightened jaw, the faint tremble in his fists. “ what’s the plan here , huh ? you get into another scrap , end up with a busted nose or worse ? how’s that gonna fix anything ? ”
𝙲𝙾𝙾𝙿𝙴𝚁'𝚂 𝙹𝙰𝚆 𝙵𝙻𝙴𝚇𝙴𝙳 𝙰𝚂 𝙷𝙴 𝚁𝚄𝙱𝙱𝙴𝙳 the back of his neck, frustration bleeding into something softer. “ look , i get it. you’re hurtin’. but this … this ain’t it, mate. you think this is gonna make things better ? you think it’s what she’d want ? ” his words hung in the air for a beat too long before he sighed, the weight of them settling between them. “ come on , ” he said finally , jerking his head toward the door. “ let’s get you outta here before you make a bigger mess of things .”
a fist is a firework — explosive on impact, bone-white knuckles splitting like struck matches. crunch of cartilage giving away, the shock of bone against bone. the punch lands clean, whiplash-quick the kind that makes crowds surge to their feet in packed stadiums, and the man's head snaps, mouth spilling red like an overripe fruit. his body follows, crashing into a barstool. his drink goes with him, glass spinning out of his hand, whiskey spilling dark across the floor. taylan's breath drags rough through his teeth. his hand aches, split skin blooming raw, but it doesn't matter. nothing matters except this — the static in his skull burning off in the violence, the clean hum of instinct, the way the world narrows down to fist, impact, recoil.
it's muscle memory, instinct carved deep, stitched into him from years on the ice. hockey brawls were never about finesse. they were about raw power. about getting in, landing clean, surviving another round. that's what this feels like now, a fight with no time limit, no whistle to stop it. until cooper's voice cuts through the chaos like a skate blade slicing clean through ice. taylan's spine locks up before he can stop it, tension pulling taut like a wire. his eyes stay locked on his target, fists still clenched around the lingering hurt to hit. it's not authority itself that makes him freeze. it's the echo of it — the phantom of his father's voice, sharp-edged and absolute. the kind of command that left no room for defiance. the kind that always made him feel trapped in a fight he never wanted to lose. but cooper doesn't wait for an answer. he's already there, stepping between them, presence solid. a force pressing into the storm, anchoring taylan in the middle of it. he's spent a lifetime resisting pressure like this, but right now, it grounds him - pulls him back before he can go too far.
eyes dark, restless, gnawing at the edges of restraint, don't meet cooper's gaze — but he listens. grief trapped behind eyelashes, nails bitting deep into his palms. his breathing goes shallow, his teeth grind. that ugly thing in his gut twists, a knot that won't untangle and taylan lifts his hand, shaking, bloodied, and drags it across his face, smearing red across his cheekbone. blood, a grim reminder of the chaos he's woven himself into. the mess of broken glass, spilled liquor — a wreckage of something he can't put back together. like grief, thick and sour in the back of his throat. “ you don't get it. ” not anger not quite, but regret. it weighs on him. it pulls at his seams. for a moment, his eyes soften as they meet cooper's — and in that fleeting instant, he can't deny that cooper's authority holds a mirror to his own shattered resolve. his knuckles sting, blood drying thin, but it's not the pain that keeps his hands clenched. it's the knowing. the fact that no matter how many bones he breaks, how many fist he throws, none of it will rewrite what he did. how he made her feel. “ you gonna play babysitter now ? ” he scoffs, his voice rising with bitterness. “ pick me up tomorrow when sheriff kelly no doubt questions me for her murder, huh ? ”
the news breaks, as does half of red creek alongside it. there's an unfair lump lodged in santiago's throat. he wasn't close to kirby ; her death was not his to mourn, and yet ... he sits in the back pew of redemption chapel, hands wound in his hair. it was between here & the cemetery— the weather chose for him. he breathes in, has a hard time breathing out. halloween night plays through his mind. ❝ i asked about her name. ❞ he wants to laugh at the memory, but doesn't have the heart. a puff of frustration leaves him instead, ❝ grow up in a box like red creek & i still had to ask for her name. jesus– ❞
gum pops like a pistol shot the red acid of cherry sinking his teeth. redemption chapel, with its flickering candles and hollow hymns, feels less like a sacred space and more like a theater where michael takes center stage. tae has no reverence for the divine ; but that doesn't stop him from being here, watching how this performance unfolds.
lounging in a pew a row behind santi, the faint creak of the wood beneath him — a quiet rebellion against the hush of the room. santi's words aren’t meant for him ; they’re directed at the person beside him. but that doesn’t stop taejin from leaning in, crossing an invisible line with warm breath grazing the nape of santi’s neck. not close enough to touch, but close enough to disrupt. another pop of gum, deliberate this time, loud enough to pull attention to him. “ she's gonna haunt you forever now, you know that right ? ”
🗓️ january 24 , 9 : 34 p.m.
📍 redstone bar
💬 azizi + taylan ( @ofvolatile )
fear sits heavy in the air tonight and it makes everything feel just a little too still . azizi doesn’t care much for town gossip , but tonight , kirby sloane’s name lingers and clings to the walls like smoke . he spots taylan alone at a booth , hunched over a glass , and it’s enough to pull him in . no hesitation , just quiet footsteps and a presence that slides in too easily across from him . in silence, he watches taylan , tracing the tension in his jaw and the way his fingers curl too tight around the glass . grief looks good on you , he thinks before deciding that’s probably not the right thing to say . instead , he reaches into his jacket and pulls out the camera taylan gave him for his birthday last week . it’s fragile in his hands , comforting in a way that azi hasn’t quite figured out yet . he turns it over , his thumb brushing over the engraving , slow & deliberate . “ you’ve got good taste , ” he murmurs , holding up the camera , letting it catch the light . his grin is slight , but it lingers . “ i like it . thank you . ”
eyes flicking to taylan’s face , he searches for something beneath the surface . he doesn’t say kirby’s name , doesn’t need to . the weight of it sits between them anyway . instead , azi leans forward , placing the camera in between them on the table . “ do you want a distraction ? ” he asks as he taps his fingers against the camera lightly . “ we can test it out . find something worth remembering . ” he moves to pick up taylan's half - empty glass , and brings it to his lips to finish what's left . “ or something worth forgetting . ”
insomnia-stained eyes drag over the table's surface — grooves carved deep, a history crawling in scars. the wood, tired and splintering, bears the memory of desperate hands, of someone who tried to carve their way out of red creek and failed. an itch coils itself into the scar at his throat, phantom fingers press unwanted. a reminder that he tore himself free from dead creek's grip, only to end up back to the place he swore he'd never return to. dragged back, ankle-deep in the rusted bones of his past. red creek never lets go. it lingers sours the air, settles thick in the mouths of those eager to blame. and taylan knows, it'll be his name on demetrius' lips.
a shadow stretches, spreads across the booth, rending his space in two. a disruption. again. his fingers coil tight around his glass. he's been like this all day, meeting everyone with a clenched fist, a snarl coiled beneath his tongue, waiting for something — someone, to push too hard. scarred knuckles, rough palms, veins that twist beneath his skin like rivers running dry. hands that know violence, but they only twitch at the sight of azi, a reflex not meant for him. he doesn't want him to see it. the way grief lingers, how it lives in the way he breathes, his throat moves around a swallow, but the weight stays wedged tight behind ribs, impossible to dislodge. his gaze land to the camera, his gift, now rests between them. the intimacy of the engraving. a moment gives form, proof of something unspoken. something he didn't let himself think too hard about when he bought it.
but that's not what lingers beneath his ribs, not what curdles in his throat. its the weight of everything else, the past dragging his teeth against his skin. “ don't feel like remembering things now. ” words scrapes out rough, caught on the edge of his teeth, meant to be swallowed instead of spoken, because when he remembers, he remembers her. kirby's anger simmers beneath his skin, a thing from high school that has never settled. a reminder of all things he never said, never fixed. there's no space for his anger — not when hers lingers. azi takes his drink, pulls his gaze along with it. there’s a shift, a hesitation, a flicker of something softer that has never lived in the space between them. “ forgetting sounds good. ”
LOCATION : tae's childhood home , norwood street . @ofvolatile
michael was his very own dorian grey . he left his portrait chained up in a basement somewhere , rotting and fed , begging for the world to see it's ugliness while he pasted on a smile and ideals ; swore to the world that his heart was pure . throughout his life , he had worn so many faces that it was unclear which was the mask , his pledge so deep that the deception seemed to stretch into his every waking moment , an impression of himself that was reflected viciously in every mirror like surface . so few had ever looked close enough to see what he really was , the rot down to the core something you could taste on those pretty lips if you lingered long enough . he had changed in so many ways that could be observed , his new pledge to god , religion , sacred in the way he treasured it . but there were still other things he treasured , not admitted but lingering .
what brought him to the doorway of his friends childhood home was unknown , the uncompromising nature of their relationship a game as much as it was fastened out of true love and affection . in a multitude of universes , it seemed odd that they would always be drawn together . just below the floorboards of michael's aforementioned basement , that ugly portrait called out , knowing that it had been seen by the other . that he would always know michael in a way that nobody else ever had . those honey dew eyes as he looks at him , the fade of blonde hair in those wintering months , all of it the act that was so interlinked with the truth of his persona on some occasions . he is looking at tae the way that he looks at a full congregation , warm and endearing , as if he could reach right out and envelop him but no such touch is delivered . in the midst of tragedy , michael isn't there because he feels downtrodden , he's here because he can be ... because he craves that unadulterated back and forth they have always had . his holiness , a tilted halo when it came to the way that the his soft smile almost slips into desire when he says , " i missed you ... are you going to invite me in ? " like a vampire , he can't cross the threshold without invitation ... without being wanted . he needed to know that he was still important .
red creek has never truly been home to taejin; it’s a fading afterthought, a place pieced together with the remnants of youth. his childhood home still stands, untouched by the years, yet hollow in a way that nothing ever fills. the walls hum with a silence that stretches long and endless, a silence he remembers from when he was fourteen — alone in a house full of absence. even with a cousin living nearby, the jagged █████ of his ███████ from █████ cuts deeper here. it's a miracle he's managed to stay in town for five months, but there are some people, that make up for it.
“ a priest on my doorstep. in times like these. ” words roll off his tongue, drip with amusement, as he leans against the doorframe indulging in the attention with a feline languor, an obstruction and an invitation all at once. the amber light of dusk clings to him, gliding the grin that tugs at his lips and the knowing curve of his mouth, daring michael to break character. this version of michael standing immaculate in the golden spill of dusk makes taejin want to laugh. a saint carved from something too pristine, too deliberate. polished to a gleam that doesn’t invite admiration so much as it dares someone to ruin it. taejin already knows what’s beneath the shine — knows it the way an artist knows the flaws in their masterpiece, the way a sinner knows the weight of confession. but still, there's something about this game, about michael always coming back to him, that makes his pulse hum. this is the kind of attention he craves, it stirs the embers of something wilder, darker. he savors it, devours it. “ what an honor, ” taejin drawls, his grin balancing on the edge of charm and provocation. tone slipping between mock reverence and longing intertwined, “ but you’ll have to forgive me, father. i’m not sure i’m ready for your blessings just yet. ”
// ( cha eunwoo. cis man. he / him ) . ⸻ SEONG TAEJIN, a twenty-eight year old , has survived another day in red creek where they have lived for the last five months ( grew up here ). the wildcard is known for being playful and manipulative and is often associated with a director’s chair that feels like a throne ; memories spliced together like uneven film reels, flashing scenes you can't quite place ; stories that end in a joke, but never the whole truth, and colors that pop and fade, like the highs that never last. in a small town where they work as director at the parrish center for the arts word travels fast . it’s hard to keep a secret, and it looks like the boogeyman knows that ████ █ .
𝐈. ⠀ 𝗦𝗧𝗔𝗧𝗜𝗦𝗧𝗜𝗖𝗦
full name : seong taejin. nicknames : tae. age : twenty-eight ; june 12, 1995 . gender + pronouns : cis man, he/him . orientation : bisexual . place of birth : seoul, south korea. moved to red creek when he was six lived there until he graduated high school. occupation : nepo baby, aspiring film director ( first project is currently on hold ) & director at parrish centre of the arts.
father : seong seungmin. owner of a production company. mother : seong haerin ( she's from red creek ). siblings : two half-siblings from his father's previous marriage. cousin : choi jihoon ( relationship : distant ) & choi dasom . living arrangements : childhood home at norwood street.
horoscope : gemini. moral alignment : chaotic neutral. mtbi : tba. personality traits : impulsive, self-absorbed, enabling, bold, assertive, unreliable, playful, manipulative, charming.
hair color : raven black. eye color : dark brown. height : six foot one. tattoos : a smiley on his middle finger, a bold star inside his bottom lip, and small devil horns inked behind his ear. scars : a faint scar on his cheekbone.
𝐈𝐈. ⠀ 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗡𝗣𝗖𝗦
— choi dasom : cousin. far too young to remember them, taejin has never been close with his mother's side of the family. it was no secret that they weren’t particularly fond of his father or the circumstances surrounding his parents’ marriage. the union caused a quiet but palpable rift between the two families — a gap filled with judgment. for taejin, dasom is more of a name than a presence in his life, comparisons are drawn for both of their interests and passion in film. but that's also the only thing he remembers them by.
— daniela estrada : childhood friend.
𝐈𝐈𝐈. ⠀ 𝗕𝗔𝗖𝗞𝗚𝗥𝗢𝗨𝗡𝗗
[ REDACTED ]
𝐈𝐈𝐈𝐈. ⠀ 𝗛𝗘𝗔𝗗𝗖𝗔𝗡𝗢𝗡𝗦
01. ) tw for infidelity and divorce. the bastard son of a bastard son. taejin grew up amidst the wreckage of two ill-fated marriages and enough family drama to rival a soap opera . born from a legacy of infidelity — his father a product of an affair, and taejin following suit. he’s inherited more than just bad genes. his parents’ whirlwind marriage, sealed just days after his father’s divorce has become the biggest topic of his life, leaving him with both mommy & daddy issues ( best of both worlds ! ), its affected his view on relationships with others. the idea of devotion to a single person, the " forever " kind of love, is something suffocating to him. he believes that love, or at least affection should not be confined to just one person — people are flawed, changeable, and not meant to stay in one place forever. polyamory allows him to embrace intimacy without feeling to tied to something too permanent.
02. ) the star that burned to bright. the disappearance of his cousin, choi dasom, marked one of the rare moments of unity in their fractured family, though taejin, only three at the time, was too young to remember much. in the wake of the loss, his mother became overbearing, clinging tightly to him as though he might vanish, too. her smothering concern, while understandable, extended well into his childhood, creating an environment where independence felt impossible. this dynamic persisted until taejin's teenage years, when his parents' crumbling marriage teetered on the edge of divorce once again. their renewed hostilities left him stranded in red creek, living alone for months at a time while they waged their battles back in seoul. but that heavy case of youngest child syndrome remained, constantly searching for that attention he had when he was younger. even now, he expects to be the center of everyone's world. doesn't help that as a child, taejin dipped into the world of modeling during his mother's doting phase and became something of a minor sensation back in south-korea. when you’re in his orbit, you feel like the sun itself shines for you. but his affections are as capricious as they are consuming — they easily flit to something, or someone else leaving you in his shadow.
03. ) the director of chaos. taejin practically grew up on film sets, his grandfather, a renowned film director in south korea, was the closest person to taejin in his family, serving as both a mentor and a sanctuary from the chaos of his home life. amid the noise and movement, the camera became his sanctuary. behind the lens, taejin found an intoxicating sense of control : the power to craft narratives, dictate emotions, and shape destinies. for him, filmmaking was more than art, it gave him the authority to play god. but as much as he likes to be the one behind the camera, he's also dabbled in acting. he's a big theatre kid ! at red creek k-12, taejin was part of the drama and art clubs, however, his presence wasn’t without drama. his need for control and vision often clashed with the collaborative spirit of the groups, leading to a mix of inspiration and frustration among his peers. the tension reached a boiling point during their senior year performance, when a heated argument with a guest escalated into a near-brawl that cancelled the entire play.
04. ) the divine dissolve. during high school, with the house to himself, taejin became known for his house parties. his signature drink, " holy water " was a product of those night, earning that name for the way it washes away everything. but, he’s never been religious. born from a " spiritual epiphany " during a wild night, " holy water " combines vodka, dark rum, blue curaçao, lime, and coconut cream into a drink.
05 . ) around dead creek. taejin is a regular at dolly's diner, often showing up at the oddest hours of the day. when he doesn't want to be alone at home, he sleeps at red creek library. his history with early rise bakery is less about pastries and more about controversy, having been caught doing drugs there, making him unwelcome on their premises.
there's a lot more to him, but tumblr is not letting me write more, so yeah i give up.
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// ( oktay çubuk. cis man. he / him ) . ⸻ TAYLAN YALÇINKAYA, a twenty-six year old, has survived another day in red creek where they have lived for almost their entire life. the dirtbag is known for being headstrong and volatile and is often associated with sorrow lurking in a ferric heart as it beats stubbornly, crimson stained & battered bruised knuckles, and all the charm and temperament of a junkyard dog. in a small town where they work as the co - owner of amrak grocery store & professional hockey player for the nhl word travels fast. it’s hard to keep a secret, and it looks like the boogeyman knows that ████ █
𝐈. ⠀ 𝗦𝗧𝗔𝗧𝗜𝗦𝗧𝗜𝗖𝗦
full name : taylan deniz yalçınkaya. nickname : tay ( used by close friends ), knuckles ( used by hockey fans because of his eagerness to fight ). age : twenty-six ; april 18, 1998. place of birth : red creek, michigan. where he lived for twenty years, but he moved to vancouver six years ago for his sports career. gender + pronouns : cis man, he/him. orientation : bisexual. occupation : professional ice hockey player for the vancouver canucks ( played five seasons as a right wing player, fighter and enforcer for the team ) currently on suspension. he's also the co-owner of a family run business, amrak grocery store.
father : erdem yalçınkaya. police officer. mother : asli yalçınkaya. founder of amrak. siblings : twin sister selın yalçınkaya. cousin : zeynep and alara yalçınkaya. living arrangments : he has his own place in vancouver, but in red creek he lives on norwood street at selin's place. children : none. doesn't like kids, but will make an exception for jesse shockey.
horoscope : aries sun, cancer moon, leo rising. moral alignment : chaotic neutral. mtbi : tba. personality traits : rebellious, confident, defensive, independent, volatile, headstrong, competitive, protective, loyal, cynical.
hair color : brown. eye color : hazel. height : six foot one. tattoos : a bunch of small scattered stick and poke tattoos, and one big back tattoo, see pinterest. piercings : both lobes, tongue, double on his right eyebrow. scars : with hockey being a violent sport, he has a lot of scars, but the most notable ones are , the cut between his left eyebrow from a fight, where hair won't grow anymore. he's the most sensitive of the scar on his throat where he was accidentally cut by a player's skates, its 10 centimeters long and it took one hundred and fifty stitches to close his wound.
𝐈𝐈. ⠀ 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗡𝗣𝗖𝗦
— daniela estrada : classmate and acquaintance. they were never really that close, but they share a common thread through selin. daniela was more of a friend to his twin, than to him, but their paths crossed often enough during nights out, school events, or casual hangouts in the background of their lives.
— alaina price : babysitter. everyone's favorite babysitter, though taylan doesn't remember much from that time. still, there were moments where alaina's presence offered a comforting consistency, even if he never fully realized. her murder happening shortly after his return to red creek, and the fact that he was wearing the boogeyman mask on halloween night, pulled him into questioning by the sheriff's department — but even if he hadn't been wearing that mask, taylan is a regular at the department. he's been the first person the sheriff points to for as long as he can remember.
— tristan harlow : example. the boogeyman was a shadow meant to keep taylan in line as a a child. one of the examples often used was tristan harlow. a boy who didn't listen, who didn't stay in line. the way his parents told it, tristan was the cautionary tale behind every scraped knee and sharp-tongued reply. it was a bedtime story designed to frighten him into obedience, to lull him into sleep with the promise of safety — so long as he stayed within the lines of good behavior.
𝐈𝐈. ⠀ 𝗕𝗔𝗖𝗞𝗚𝗥𝗢𝗨𝗡𝗗 .
— his parents named him taylan, hoping he would be as gracious as the name that he carried, but he quickly proofed to be a difficult child, and by the time he was a teenager, all he had ever done was creating problems for himself : underage drinking, trespassing, vandalism, settling any and all disputes with violence. he was a regular at the police station, only made more worse because his father is a police officer. the father and son never had a healthy relationship . with his narcissism and superiority complex his father held a tight ship in the household, with strict rules and high expectations that taylan had no interest in meeting.
— tw brief mentions of emotional abuse. a cop with big dreams of being the sheriff one day. his parents have always been very involved in the community of red creek, which his father flaunts to make himself seem like a good person, hoping it will increase his chances of becoming the town sheriff. however, he never got the position and to this day the subject remains a sore spot for him, looking everywhere else except within and taking it out on his son, blaming his bad reputation around town for staining the family's name.
— taylan's interest in hockey came at the age of five in the garage of his childhood home where he would shoot pucks in a make-shift goal. as he grew older the sport became an outlet for him to let out that aggression for the way his father treated him. he was part of the hockey team at school and immediately after graduation taylan started playing for the junior hockey league ( his first step towards reaching the big leagues ), while his twin sister was their father's favorite, taylan was their mother's, and he needed her to sign the contracts since he was still underage. it was one year later, that he got drafted for the NHL when an incident led him to jump into opposing bench in an attempt to fight with the opposing players , whose team was in the lead. after the game ended, he was approached by scouts who were impressed by his courage, and drafted him for the vancouver canucks. by this time taylan had become completely independent from his family, and the only one he was staying in contact with was his twin sister. sick of living in their small town that felt more like a prison then a home, he made the decision to leave his life behind.
— tw for injury, near-death-experience, toxic sport environment . away from red creek and in the big city were his best years of his life, doing what he loved the most. however, everything came to a crashing halt during his last match. after colliding with a opponent, taylan got his throat cut by the player's skate blades, lacerating his carotid artery. the accident was traumatizing for him ; bleeding out on the ice, thinking that he would die. taylan needed hundred fifty stitches to close up the wound. less then a week later and still not fully healed mentally, his coach saw him fit enough to play again. the relationship taylan had with his coach was a toxic one , and abusive, that combined with taylan's own competitiveness had him biting his tongue. he was used to the years of verbal abuse from his father, and instead he let out all his anger out on the ice. however, after the accident his performance had noticeably declined. while abusing pain killers was not something unspoken in their field, developing a problem for them and testing positive for hard drugs before a match was not something they could ignore. the manager of the team saw him as a liability, casted him out as a black sheep, despite his own coach enabling his harmful habit for so long. they had the pr team working overtime to hide the suspension stating that his current absence is because of his injury.
— needing to rest his injury out and bitter over how things went down. taylan is back in his hometown where his relationship with his father still is on bad terms. he helps his twin out as selın takes over the store from their mother's hand, anything to make up for the time he been away. no one knows about his suspension, and the team likes to keep it that way.
𝐈𝐈𝐈𝐈. ⠀ 𝗛𝗘𝗔𝗗𝗖𝗔𝗡𝗢𝗡𝗦
01 . ) tw for abusing painkillers and trauma. numbing the ice. while taylan has a high pain tolerance, he still uses medication to treat the injuries he has acquired during his years of playing hockey. the pills were basically handed out by his coach like tic tacs, pushing him to play more games despite his chronic injuries. definitely not a healthy work environment. his suspension has put him in the NHL players assistance program that helps him deal with his trauma, which also comes with frequent drug test, so outside of prescribed painkillers and sleeping pills , he tries to not use anything else, because he wants to get back on the ice as soon as he can.
02 . ) a night that never ends. he doesn't have a healthy sleep schedule. it started back in his teenage years. when he was staying out all night past his curfew, and it only got worse with his disruptive schedule as a hockey player where the matches ends at ten and the adrenaline keeps him up all night, flying of to the next match the following day.
03 . ) ink of rebellion. he has a bunch of stick & poke tattoos on his arms . there was a phase back in high school when he wanted to be a tattoo artist and practiced it on himself .
04 . ) around dead creek. in the early hours of the morning, taylan can often be found at deer lake, seeking solitude. since high school, he’s been sneaking into the warehouse. back in the day, he had a reputation for stealing cars from the white pine garage — a thrill-seeking phase that’s left its mark on his name. he’s also rumored to have taken part of vandalizing thorne house. currently, he’s banned from dolly's dinner for a fight that got out of hand. and at redstone bar, taylan’s name often comes up when recounting the latest brawl.