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Fai_Ryy
cherry valley forever

izzy's playlists!
I'd rather be in outer space 🛸
$LAYYYTER
macklin celebrini has autism
EXPECTATIONS

Origami Around
Noah Kahan
TMBGareOK. The Official They Might Be Giants tumblr

Product Placement
todays bird
Cookie Run:Kingdom Official!

bliss lane
Cosmic Funnies
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@notevenaefa

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IMO, one of the most annoying consequences of people treating autism like it's just quirky special interests and nothing else is that people will say "autism isn't an excuse for [known symptom or common trait of autism, including actual diagnostic criteria]" with no irony.
I've seen "autism isn't an excuse to be a picky eater," "autism isn't an excuse to struggle with tone/misread sarcasm in a post," "autism isn't an excuse to be bad at social cues" (with the comment of "literally just go out and learn by talking to people, it's not that hard," as if autistic people don't already do that), "autism isn't an excuse to not make eye contact, that's so rude," "autism isn't an excuse to wear headphones in class or work, nobody else gets to do that," and "autism isn't an excuse to be unemployed/live with your parents/not leave the house enough" (wondering if this person has any idea HSN autistic people exist?). Some people here are like half a drink away from saying having flat affect is "literally weaponized incompetence!!!" or something. I'm starting to wonder what you people think autism even is. Because if you've found a way for autistic people to turn off the most basic symptoms (like sensory sensitivity or difficulty with social settings), that's news and you need to share your incredible findings with the world immediately.
(Disclaimer in case one is necessary: I am not talking about assholes trying to use autism as an excuse for bigotry, like white tumblr users being racist about rap or musk's nazi salute. I am talking about things that autism symptoms actually cause, including things that are completely harmless to others but are treated as problems simply because allistic people find them weird or annoying.)
Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
it is genuinely so unbelievably annoying to be a child trafficking survivor and have to listen to people argue about shadows on the wall when it comes to children’s rights and child abuse prevention. the only true way to prevent child abuse is to take away parental control. give children rights. give them the education, resources, and rights to say yes or no to whatever and whoever they desire. i know what would have helped me. i’m so mind numbingly sick of all of this. everyone wants to feel like a hero, but nobody wants to help anyone.
there is not a pedophile cabal hiding in the shadows waiting to kidnap children. parents are the number one perpetrators of child sexual abuse. my kidnapper was my mother. my traffickers were all paid by her and had legal custody over me. i was forced thru constant manual labor and sexual humiliation in the name of “therapy” because parents are allowed to do whatever they want with the children they own. the end of adult supremacy is the only way to end child abuse.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later

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Just gonna drop these here as a starting point :)
How to identify, and then deal with, your emotions
Emotional regulation skills
Conflict resolution skills
Creating and enforcing boundaries
Dialectical Behavioural Therapy skills
Emotional intelligence ideals to aim for
Axes of self-care/wellbeing
Self-care self-evaluation (find out where you’re starting)
How to make a self-care checklist
How to start a self-care habit
Reparenting resources
Crash Course Psychology
KhanAcademy: Understanding the Self and Society (some units more relevant than others)
Emotional education activities for children and teens
Social-Emotional Learning activities for kids (information can be adapted for adults)
I'm reblogging to actually use this
Reblogging so I can read all of this; I think I do need to do better with my emotional maturity so this will come in handy.
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Please keep interacting with this post because when I come to tumblr to procrastinate, this shows up again in my notifications and guilts me into writing again
Draw it badly or it'll never be drawn.
Paint it badly or it'll never be painted.
Sculpt it badly or it'll never be sculpted.
Sew it badly or it'll never be sewn.
Make it badly or it'll never be made.
Make bad art.
That’s why you should never accept the excuse “Well it was a different time.” They knew it was wrong. They always knew.
burning text gif maker
heart locket gif maker
minecraft advancement maker
minecraft logo font text generator w/assorted textures and pride flags
windows error message maker (win1.0-win11)
FromSoftware image macro generator (elden ring Noun Verbed text)
image to 3d effect gif
vaporwave image generator
microsoft wordart maker (REALLY annoying to use on mobile)
you're welcome
obligatory reblog of this after I forgot to bookmark them (again)

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e me a mail
make the attachment a pic of a snail
give me two gifs
of critters in clover
then photoshop them on the CLIIIIIIIFFS OF DOVER
I still reference this post today. And yes, when I say I reference it I mean I sing it.
callout post for "work"
"work" has done many terrible things such as
make my friend go there
make my wife go there
please spread this around we can't let "work" keep getting away with this
we seriously need to stop conceding to the personhood trap when it comes to abortion rights. is a fetus a person? thats a spiritual question. i dont care about the answer. should another person dictate what someone can do with their body? simple answer: no.
like if a fetus isnt a person it has no right to my body and if a fetus IS a peson it also has no right to my body because there is no other context in which we are required to put ourselves at risk of physical harm to preserve another persons safety or even life.
you dont have to save someone from drowning even if youre a strong swimmer. even in death youre not required to donate organs and that could save several people. you can kill someone if you truly believe your safety is at risk. we dont mandate preservation of life over autonomy in any of these circumstances.
Duck Amuck | Director: Chuck Jones | Studio: Warner Bros. | USA, 1953
NOT ME YOU SLOP ARTIST
This is a close up? A CLOSE UP YA JERK! A CLOSEUP!
Alright, let’s get this picture started! (The End) NO NOOOOO!
One of the defining moments of animation history.
“Ain’t I a stinker?”
In Babylon 5, didn’t one of the non-humans think Daffy was the god of frustration?
Holy shit, this is nearly 70 years old. This would have been right on the heels of color television being commercially available to the public.
@amayatepes look at this
LMAO
Huh. That’s just a whole ass Daffy Duck cartoon.

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deactivated
So thoroughly nuked that there isn’t even any record of their original blog url
The Forbidden Knowledge
not even any notes. I feel like I’ve stumbled upon a plot-advancing skeleton’s notebook