i miss when "with mama" was trending omg bring her back. we have to be with mama
We can be with Mama right now.
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i miss when "with mama" was trending omg bring her back. we have to be with mama
We can be with Mama right now.

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a marriage of humankind's two greatest design achievements: the illuminated manuscript and the cool S
@oldguardians making this answer a separate post because it’s kind of interesting*!
‘‘I cannot bear to hear that mentioned. Pray do not talk of that odious man. I do think it is the hardest thing in the world, that your estate should be entailed away from your own children; and I am sure if I had been you, I should have tried long ago to do something or other about it.’’
Jane and Elizabeth attempted to explain to her the nature of an entail. They had often attempted it before, but it was a subject on which Mrs. Bennet was beyond the reach of reason; and she continued to rail bitterly against the cruelty of settling an estate away from a family of ve daughters, in favour of a man whom nobody cared anything about.”
(In the interest of not getting bogged down in legal minutiae, I’ll keep this pretty general. Please note that I am vastly oversimplifying some legal concepts here for the sake of explaining the issue clearly. If you’re an attorney/barrister/whatever, don’t @ me - I KNOW it’s all much more nuanced than this.)
Pride & Prejudice is set somewhere around 1811. In the novel, the Bennets’ ownership interest in the family estate is famously said to be “entailed” away from the Bennet girls in favor of their cousin, Mr. Collins. This is specifically explained to be because Mr. Bennet has no sons, and thus his estate reverts back to his closest male relative.
In the real world, entailment could (and usually did) work that way. But there is an enormous, glaring issue: English entailments have long been very VERY easy to defeat** through a remedy called Common Recovery. If Longbourn was truly entailed away from the female descendants, as the novel indicates, Mr. Bennet could have hired an attorney (his brother-in-law?) to start the Common Recovery process at any time. Within a few months, the court would render a judgment giving Mr. Bennet the property outright and free from any entailment, allowing him to leave the property to his daughters upon his death*** and make them independently wealthy women. And this wasn’t just a possibility - it was a very common legal mechanism that would have been almost expected of a gentleman interested in preserving his family’s comfort. There are hundreds of cases in the English Chancery records (featuring many families that were much less wealthy than the Bennets!) invoking this very remedy whenever fathers failed to produce sons.
So entailment makes no sense - it had basically no power over landowners by the Regency Period.
Let’s talk alternatives. In 1811, the primary way of keeping property in the male line was through another estate planning technique called strict settlement. To GREATLY simplify a complicated form of ownership, strict settlement had the present possessor of property always hold a life estate interest (they own it only until their death), with their male primogeniture descendants holding a remainder fee tail interest (read: eventual outright ownership upon their father’s death). Each generation of life estate owner would then force their young male descendants (the fee tail owner) upon their coming of age to give the young descendant’s unknown future male sons the remainder interest, retaining a life estate for themselves (which they would receive upon their father’s death). Thus the ownership system perpetuates down a male line of descendants, each generation demanding the same restrictive ownership system of their own children.
If you followed that - and I don’t blame you if you didn’t, as this is all very deliberately obtuse - you might think “wait okay. That kind of sounds like the Bennets’ situation. Austen called it an entailment but maybe it was actually a strict settlement!” Several academics have tried to argue that, but it also fails for several reasons:
(1) With the Bennets’ seemingly comfortable current income, strict settlement would have provided for significant lifetime income + dowries for Mr. Bennet’s female descendants. But in P&P, it’s made very clear that the girls’ only possible inheritance is a tiny amount from their mother’s side and nothing from their father’s. If they do not marry, they will be destitute. That is extremely unlikely and would be very shameful in strict settlement ownership..
(2) It would have been inconceivable for Mr. Bennet’s father to have forced him to benefit a cousin over his own descendants, even if they were women. One of the fundamental points of strict settlement was to avoid this outcome (aka to avoid the entailment system). People did NOT want a distant male cousin to inherit property simply because there wasn’t a primogeniture male descendant - they knew that if anything, their own female descendants could always produce a male heir in their marriages. Plus, Mr. Bennet’s and Mr. Collin’s fathers apparently hated each other (ref Mr. Collins’ initial letter) - why would Mr. Bennet’s father force his son to benefit the son of a man he himself hates?
(3) For many many other reasons, a strict settlement does not match how the family talks about/treats the estate in the novel. There’s literally a whole law review article on this topic (cited below), and I’ll defer to that for a full discussion.
So we’re left with two possibilities: the land is entailed, and for some reason Mr. Bennet isn’t willing to pay a small amount in attorney’s fees to undo the entailment for the enormous benefit of his daughters (extremely unlikely, robs the story of all its tension), or the land is subject to a bizarre + shameful strict settlement that goes directly against everything that would have been normal at the time, and none of the characters know that (makes no sense in the story).
And then, of course, there’s the truth: the “entailment” is simply a narrative device that does not reflect actual law or historical transfer of property at death, which is perfectly fine. Jane Austen was not writing a law textbook or even a legal drama. And her underlying point remains clear: Regency-era women were often in economically precarious positions and forced to marry to maintain their social and economic standings.
((If you do want a version in your head that works under the law, maybe we imagine that Mr. Collin’s father actually owned the home but was in debt to Mr. Bennet so he gave him some kind of strange lifelong leasehold interest with income from the property included. And then we ignore the passage saying Mr. Bennet having a son would have “avoided” the home passing to Mr. Collins + pretend that the family lied to everybody about the home being entailed to save face))
For additional reading, I highly recommend A FUNHOUSE MIRROR OF LAW: THE ENTAILMENT IN JANE AUSTEN’S PRIDE AND PREJUDICE by Peter A. Appel (linked). His analysis reflects my own reading of Regency inheritance law, and I think his conclusions are generally sound. There is significant other scholarship on this subject, but I find Appel’s work the most persuasive.
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* At least to me, who admittedly studies this for a living
** For fun War of the Roses reasons!
*** Or much more likely, to a male relative conservator/trustee for their benefit (probably Mrs. Bennet’s brother, the attorney)
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EDIT: yes yes I know Mr. Bennett is a negligent father. Please read the full article for a more thorough discussion of that: there’s a difference between being neglectful (not paying much attention and hoping it all works out) and downright cruel (deliberately creating a situation where your daughters WILL be homeless).
We know he is not cruel, and there is substantial textual evidence that he is not completely negligent. Upon Lydia’s “elopement”, he immediately leaves to deal with the problem and is shown to be highly conscientious of the economics and social politics of the situation. He also is implied to have discussed quite frankly with Elizabeth the economics of saving for their allowances and dowries, suggesting that is at least on his radar.
In doing this kind of litcrit, you have to look a bit closer and more critically than accepting the trope and making assumptions from it. Yes, he is somewhat absent from his family, but he is never written to be a cruel man and the text repeatedly shows that he’s more tapped into the family situation more than you might otherwise expect.
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The magic flute (1975)
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Btw according to insider information and also the news and to noone's surprise the rhinegold in bayreuth was booed into oblivion last night. Can't imagine valkyrie will go better tonight but at least they now know what bullshit to expect from the ai projections and park n bark performances. Excited for the reception when they do dawn of the gods on saturday and how the full cycle will be treated by the audience. I mean badly ofc, it's bayreuth, they boo, but i feel like this'll be worse than the schwarz production was received in the last years. But maybe thielemann will smooth over the waves, apparently the music is great, which I don't doubt.
bob themed marriage
guys i can't do this anymore. i have to speak my truth. hamlet is not the emo goth kid lounging around in hot topic clothes and laertes is not the varsity jacket-wearing jock. it's the other way around. before the events of the play, hamlet was very much a jock (4.7.111-114), enough so that his lack of exercise is noticeable (2.2.319-320) and was well-liked and popular by the common people (4.7.20-24). polonius implies to reynaldo that laertes is in france to study music specifically (2.1.81). laertes is easily agitated, provoked, and sensitive, which is arguably more likely to be a pre-existing condition of teenage angst hot topic-ism than hamlet's legitimate grief (open your eyes and look). i can't stress enough that hamlet's transformation into the person we see in the play is so jarring from his real self that he almost isn't the same person anymore, and laertes has similarly been pushed to be the volatile, violent person he is by his circumstances. hamlet is literally the popular athletic golden boy and laertes is, like, the kid lugging around a huge cello case every day to and from school who gets high as fuck behind the bleachers and picks fights with anyone who says anything about his sister
Rienzi has a banger overture but overall it's kinda boring and basic. write it in french or italian at least if you're gonna do grand opera structure and set it in Rome. Why are they all fabulating in german. Also those siblings are dating, like you don't go into death together in a duet at the end of an opera without it being coded as romantic. And it's not like wagner would clutch his pearls at that, he is the foremost defender of siblings and dating.
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very ironic how hector's horses' names are just epiteths you could use to describe achilles... oh man godlike sparkling swiftfoot blondie's coming for you
A scrapped illustration for Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892).
playlist title liza minelli directs parsifal
Barbra Streisand as a the Swan that parsifal kills at the beginning
Maybe This Time performed by Liza herself as she ponders whether Parsifal could be the "pure fool"
I Will Follow Him from Sister Act is the knights and squires unveil the holy grail and are blessed
Pee Wee Herman "make us wet" flowers song for the flowermaidens
Whatever Lola Wants, Lola Gets when Kundry kisses Parsifal and says she is condemned to never find peace
Old king cole 1930s medley for when he gets crowned king of the grail
The Sun, the Moon, and the Stars, by Greg Mort (1999)
4TH SONG (still fritz lang nibelungen 1)
This shot of the boat between the rhine cliffs makes me think of the lotr movies and that fire to signal them returning as well. Obv tolkien was inspired by this myth (the whole ring thing is andvaranaut) but i wonder if this movie was inspiration for Tolkien and/or Jackson
Ah so they pushed the belt tieing up forward it's usually during the wedding night
I love the image of soldiers in the water making a walkway from boat to shore with their shields
A lot of this is very good mass choreography with focus on the mythical main characters. It makes me wonder how/if later political propaganda films borrow or reference this. Alas watching all of leni riefenstahl is not something I want or have the time to do
Brunhild gets introduced into Christianity. Interesting how big of an issue this faith question is in many later versions were the medieval nibelungenlied doesn't consider faith at all really. It's not a central theme
Gunther/brunhild dark, Siegfried/Kriemhild light
Is it gay to meet your bro during both of your wedding nights in the woods and swear blood brotherhood?
I enjoy all their characterisations. Hagen is menacing and protective. Gunther is weak and knows it. Siegfried is very obliging and does shitty things bc of love. Nice.
Actually Siegfried is the original bad boy. He's wild and crazy but when he meets his gf he turns so soft immediately. He does shitty evil things to be able to be with her. We just don't think of him as a bad boy bc he's often blond.
Gunther in the cuck throne
Ok so he takes a bracelet from brunhild, in the epic he takes a ring and a belt, to signify love and virginity. Ofc the epic isn't explicit how soegfried subdues brunhild, if it's rape or a fistfight or what. And we can only speculate. Here it's also very vague, we see them tussle and siegfried leaves with the bracelet and gunther enters to see brunhild kneeling on the floor by the bed. But ofc the 1924 movie also isn't explicit about wedding nights they just reach out their hands. No kisses even.

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I think, about 3 years ago, I saw a screenshot of an update note of some kind of alternative history game where it says “you can no longer press Create Hungary Button multiple times”, and I think about it every now and then. St. Stephen with a big red button in his holy hands
A priest sprinkles holy water on a pet snail during a blessing of the animals service marking the feast of Saint Anthony, at the San Anton Church in Madrid, Spain, Saturday, Jan. 17, 2026. (AP Photo/Manu Fernandez)