i am ready. come get me >:))
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@noodlecruncher
i am ready. come get me >:))

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my dumb cat cow is lying on me in a position thatâs uncomfortable for both of us, but somehow this is my fault and heâs mad at me for it???
Holding my blorbo up by the scruff of her neck to show her to you
QUICK everyone say something vague and ominous about your WIP that will only make sense later
Running from the law, turning to stone, and more unrestrained summer fun!
This wasn't supposed to become a reference sheet but. Ah well. Closeups under the cut.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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13 for Viv, Rhea, and Bella? (or just one of the three, whichever option's least stressful!) so sorry to hear you're going through it rn, I hope things get better for you soon :)
13. Do you have a voice claim for the character? What do you imagine the character sounds like?
ive answered for viv! Ill add to her list that Iâve been playing with the idea of her sounding slightly congested when sheâs intoxicated, but it really doesnât affect anything loL itâs just me overthinking tiny details for fun
rhea i dont have prewritten notes for, so ill kinda spitball. her voice is powerful, attractive, and usually loud. Midrange, not deep, but not girly⌠but still very feminine? loL. She has the kind of voice that can fill a room and grab everyoneâs attention with little effort. Itâs warm and full and solid, and i dont think it has much of a soft or breathy edge. Maybe a bit throaty, if thatâs the right word to describe the feel? She has a broad range of things she can do with her voice (sheâs gotta be able to go from âin the spotlight at a rowdy partyâ to âseductive manipulatorâ to âcold, low, dangerous whisperâ), and I havenât spent enough time with her to really nail down the sound in my head enough to describe it well. Thatâs the best Iâve got for now!
and hereâs my notes on Bellaâs voice:
slightly higher, very clear and sorta crisp. itâs rather strong, not silvery, so crystalline isnât the right word at all, but itâs close to that sort of timbre. She sounds very sweet in a mature way
itâs got a warm sound, not a cool one. Coral or peach in color
kind of sharp? her tone often comes out a lot sharper than she intends or realizes
her voice is very very expressive, and even when she tries to cover it her tone gives her feelings away
itâs quick and clipped and reactive, and she raises her voice very easily. Her voice doesnât have power so she yells a lot
she can come across kinda warmly formal when talking to someone she doesnt know well
it softens and lowers when shes being gentle, quick to fall into half-whisper. She often talks to Vivian like sheâs a frightened feral animal when sheâs impaired
Common tones she uses are gentle mother, cheerful party host, yelling dictator, and anxious overwhelmed busybody
Small sketch from a few days ago :) beloved idiot
Big things happening today
SUPER LATE TO POST CUZ IVE BEEN OFFLINE FOR LIKE TWO WEEKSâŚ. But heres my artfight attack on @noodlecruncherâs OC: Bellamy!!!
I am experimenting with more artstyles and techniques for this event⌠and I think the lineless style came out pretty well :> <3
GORGEOUS BEAUTIFUL AMAZING INCREDIBLE AMAZE AMAZE AMAZE, genuinely one of my favorite attacks Iâve received this year, it is currently printed out and ready to put on my wall not kidding this is amazing and I love it so so much omg thank you so much AA!!
For the oc ask game, Alden: 5, 9, 10, 15, and 20!
cut because longh đ
Drew this âď¸ WHILE listening to commentaries for my exam.
My second artfight attack
For @noodlecruncher
AAA OMG VIVIâ THE BUBBLES WITH EVERYONE IN THEM HER PARENTS IN THE BROKEN ONE OH MY STARS IM GONNA CRYâ THIS IS SO GOOD OMG THANK YOU THANK YOU THANK YOU!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Who are those two guys from your doodle dump, the red and blue one? Will you draw them again?
im guessing youâre talking about Ashtok and Erick!
Ashtok (red) and Erick (blue) are my best friendâs ocs from her story, Protectors! theyre enemies to best friends and have such fun arcs, i love them both so much
ive drawn them one other time i think? these are pretty old but there they are ^^'
and since you asked (and because im terrible at doing things for other people and have only drawn her ocs twice in all these years and it would make her day if i drew them out of the blue), here's some goofy little shenanigan doodles of the boys from early in the story :)
artfight is going great! I am working hard on lots of attacks and revenges for my friends and all the wonderful people who have made beautiful art for me :]
*coughs awkwardly*
Im gonna hold your hand while i say this, and look you deeply and soulfully in the eyes, but if you think someone having a certain mental disorder INHERENTLY makes them a bad person, then you dont actually understand that disorder
*has to google what lockscreen notifications look like because I hate popups and have all my notifications for everything turned off so I legitimately donât know what they look like*
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the fact that tangled has a perfect set-up for major miscommunication between rapunzel and eugene to be the final emotional climax of the movie (âwhyâd you leave meâ) but instead sidesteps that in favor of a beautiful battle between the two of them in which they try to out-sacrifice each other because they love and understand each other that much. the fact that they each try to save the other using the best means theyâve got at their disposal, the ones theyâve used their whole lives: rapunzel bargaining with mother gothel and promising away pieces of herself- this time all of herself- in exchange for his safety, Eugene pulling one final scam and trick when he feigns tenderly touching her face so he can actually cut off all her hair and set her free. the fact that Eugeneâs plan works but as a result he dies, Flynn dies. (he told us this at the beginning, âthis is the story of how I diedâ but remember- itâs a fun story.) The fact that the swashbuckling rogue and trickster and thief Flynn DIES so that rapunzel, the girl who never got to have a life, can LIVE. The fact that after one final successful trick Flynn dies so Eugene, little lost orphan boy, can rise again in his final and only role as a good man and as rapunzelâs husband- all of these make tangled the masterpiece it is. in this essay I will
OP whereâs the essaaaaay
What unites Eugene and Rapunzel, what forms the basis of their connection, is not just their lonely, isolated, unloved childhoods but the mechanisms they each used and still use to try to fill the voids in their lives. And those mechanisms boil down to- keeping busy, whatever the cost. Rapunzelâs opening song is literally a montage of her desperate attempts to fill an otherwise empty day (and empty life) and Eugene steals for the riches, sure, but mostly for the adventure, the thrill, the chase. The motion and color of it and the ways in which it is the opposite of boredom, the opposite of emptiness.Â
They are both resourceful and determined, used to doing the best they can with what they have, and as a result they encounter each other and decide to team up. Practicality, not romance, is what drives them together and what keeps them together for much of the movie.
Their methods of filling voids with whatever scheme they can concoct, the skills theyâve both gained from their past experiences, become the means they use to achieve their shared goal: get Rapunzel to the city to watch the floating lights and return her safely home. The scrapes and (mis)adventures they get into on their way are not just filler or fluff; they are opportunities to highlight the natural teamwork they have, the ways in which they complement and complete each other and so help each other: Rapunzel solves the run-in with the group of thugs/misfits with vulnerability and openness; together, they escape from the guards and avoid drowning.Â
Already this is an improvement on their previous work, their previous âbusinessâ. It has more warmth, it has more success, it has more color. But thatâs not all. Alongside their adventures, they start to talk to each other. Confide in each other. Nothing huge or dramatic. When he tells her his name he follows it with the dryly delivered âsomeone might as well knowâ. And when he asks about the situation at home, his voice is gentle and kind but not full of depth of feeling just yet. But itâs real, honest connection about their pasts and so contains within it the articulation of their emptiness. Itâs the realest relationship either of them have ever had. Itâs far realer than anything their past endeavors have ever brought them.
When they reach the lights, Rapunzel realizes this and it comes out in her words expressing her fears and worries about the lights. Understandably, sheâs scared finally seeing the lights wonât be enough. But then, and hereâs the beautiful thing, sheâs scared that it will be. âAnd what if it is,â she says, tears in her eyes and voice. âWhat then?â This is the moment in which Rapunzel recognizes that she really has never filled the void in her life, the place where real love and human connection should be, and that the lights wonât do it either. Chasing the lights was her noblest effort yet, a beautiful and real and a valid dream, but still not enough. because the lights are not a person and the lights canât love her back.Â
Eugeneâs answer to this is hopeful- thereâs always another dream to chase. But he still doesnât really have an answer for her. He doesnât really understand.
Until they see the lights.Â
Until they see the lights together.Â
Their golden glow and beauty is enchanting, itâs everything she dreamed it would be. And then, itâs more.Â
And itâs more because when she turns around, right at the end of the first verse, she sees him. Holding her dream in her hands, watching her watch it, experiencing it with her.Â
Thatâs when she knows.Â
She hands him the satchel and he knows he knows too.Â
He knows that there is no new dream, no better dream, than her, than a real life of love with the person in front of him.Â
After the lights happens everything I said in the original post. Theyâre torn apart and beautifully, magically, unexpectedly Mother Gothelâs ploy to sow discord between them doesnât work. Rapunzel sees through Mother Gothelâs lie to see the truth of everything, including his reasons for leaving, and when he shows up there is no reproach or misunderstanding to clear away. Like I said in my original post, they understand each other now.Â
And like I said in the post above, Rapunzelâs bargaining for his life and Eugeneâs cutting off of her hair are the means they use to set the other free. And ultimately Eugene wins. He dies and his death, the first time she truly experiences loss, opens her up to a fuller understanding of and use of her magic and her healing. He is restored to her and they live (truly) happily ever after.
But my point with all of this is, the heart of the story and its own specific magic, is that their skills and habits and means- whatever the word we want to use is- garnered by each of their efforts to fill their life with meaning finally fulfilled their true purpose, finally made them happy. Because they stopped being the end goal of their lives and became the means to their true purpose- the life and love they have with each other.Â