what fresh hell is this

via Aaron Idelson

which is cool. and it would be cool to say, find a granny square cardigan pattern with 24 squares, knit these squares, make a sick cardigan. but then i realized i don't know how to knit or anything. and once you accept that there isn't really a clear "application" and this concept lives on a screen, you open yourself up to more possibilities. a la birth of venus.

step 1: python script that looks at the original image and generates an excel spreadsheet the same dimensions (793 x 1322 pixels = 793 x 1322 cells), and each cell is populated with the hex code of the color that appears in that pixel of the original image

step 2: excel macro to generate list of every unique hex code that appears in the excel spreadsheet.

step 3: excel macro to calculate the R, G, B values of each of those hex codes.

step 4: excel macro to fill each cell with the color of that hex code (not necessary, i just like to do it).

step 5: I add in Saturation (the difference between the largest and smallest RGB value) and Lightness (average of all RGB values).

step 6: pick a color palette. i always find myself gravitating towards groovy seventies palettes with warm reds and oranges, so i decided not to do that this time. i looked on coolors and found a color palette that was all dark greens that were similar to each other. there were only like four colors or something in this palette. and to make it truly different from the other project, there should be a small gradient. so i determined the smallest possible change between colors and used an excel macro to color it. i was going to stop here and do the entire image in shades of green (inspired by that guy on tiktok that paints using only one color) but then. idk. i realized the "opposite" of each color was an equally subtly changing pink. so i imagined that the end of this process would be an "abstract" image, with subtle variations of pink and green, that would end up suggesting birth of venus.

so all told, i had 502 unique replacement colors, 251 of which are green, 251 of which are pink. (793 x 1322) / 502 = either 2088 or 2089 of each color.

step 7: find some method for finding the difference between the original colors of the image and my new color palette. I use a method of comparing, R, G, B, S and L:

((abs(R1 - R2) + abs(G1 - G2) + abs(B1 - B2)) / 3) + abs(S1 - S2) + abs(L1 - L2)

and you come up with something like this. on the left, those are colors that appear in the original image. across the top, those greens are the colors i'm replacing it with. in blue, that's the number of each new color i have to work with (it's just blue for contrast). and in the center, this pink area, that's a giant spreadsheet with the "objective" difference between each original color and each replacement color. it's pink because i have some conditional formatting applied, ignore that part.

and in this situation, you have some choices to make. in the original image up there, i used a schema prioritizing light and dark--i.e., i looked at the darkest color (pure black) that appeared in the original image, then found the closest replacement color (i.e., the replacement color with the smallest number). then did the same with the lightest color. then the next darkest, next lightest.

but i'm going to do it slightly differently this time. and i don't know how this image will come out looking.

if you look at the "first" green, closest to the left, and sort by smallest to largest:

you can see that these colors on the left are closest to the "first" green i've decided to work with. that might seem odd. i mean, #7F9800--> #00a94f are pretty close, but #A95400 is red. but that's just a difference in hue. really, #A95400 and #00a94f are very similar in lightness and saturation.

and this also calculates the number of times that color actually appears in the original image. that first specific green, #7F9800, only appears twice. but some colors, like actual black #000000, appear something like 46,000 times. and if you add all the numbers in the "frequency" column, it should exactly equal the sum of each replacement color (2088 ish x 502).

step 8: excel macro again. this one is complicated. basically it sorts that first "green" column (column E in my spreadsheet) from smallest to largest. then it adds each cell in the "frequency" column until it reaches or surpasses the blue cell above column E, which for this particular color is 2089. it copies those "original image" colors and their respective frequencies over to another sheet. for the color that surpassed 2089, it splits in two. then it deletes that column E. Then it makes sure "frequency" and "replacement color sum" still total. then it runs again on the new column E, until the whole spreadsheet is used up. and it generates something like:

[color from original image] [number of times that color appears] [replacement color, filled in]

and there's approximately 8000 lines of that.

i have the replacement colors in the order above. starting with vivid green, slowing transitioning to dark green, switching abruptly to bright pink, slowly transitioning to pale pink.

step 9: another excel macro. this one looks at original image broken down into hex codes, then looks at the generated list and replaces each [original] color with the replacement color, that exact number of times.

end result of these macros, following different "rules" of assigning replacement colors to original colors, is this:

which looks different, obviously. but it is the exact replacement colors, and same number of each replacement color, as the original up there.

and his speech has taken on eridian habits from years of only really communicating in eridian: he drops and raises octaves to show emotion, he's speaks melodically and with a rythmn that pings as music when you first hear it. his creaky old man voice is that of somebody who has spent their whole life singing, somebody who speaks for a living, because he's both of those things. his syntax is strange and his sentences are structured oddly. he looks around at everything with the delight and wonder of somebody who thought he'd never see any of this again.

he watches a sunset. he watches the rain fall. he watches a spider spin a web. he watches a waterfall. he smells and tastes and feels and sees and hears all of the things he left behind. he misses his home on erid. he's never been happier to be anywhere in his life. it's strange. rocky, it's strange. this isn't home, anymore. but it's still part of me. rocky, it's strange.

there's a statue of him in every major city he visits. he stands in front of the school he used to teach at, which was named after a dead president when he was here. now it's called ryland grace memorial middle school. it was named for him as the sun got brighter and the earth mourned his sacrifice yet again, but praised him for saving them. the lab he used to teach in, on the days he got to lead practical experiments, is named after rocky. rocky, it's for you! they love you, too! rocky, this sign is for you, it says your name!

eva stratt is an old woman, now. she was pardoned, in the end, in the wave of relief that followed the beatles' arrival with the taumeba. she's lived out the rest of her life quietly, ambition tamped down in the wake of it all. she's still sharp. harsh. she greets grace with an, "I told you so," but even after so many years, grace can see that she's glad to see him. glad he survived. glad he doesn't seem angry with her.

and it's not that grace has forgive her. he explains this to her over a cup of strong, black coffee. rocky explores the forest to give them time to speak. it's not that he forgives her. what she did, the decision she made for him, it wasn't right. it wasn't good. it saved the world, yes, but it wasn't fair. but. but, he says. i have a good life. i have friends. i have a classroom. i know now that you were wrong about me, back then. i am not a coward, and i am not selfish. i was afraid. i was terrified. i was lost. and now i am none of those things. i do not forgive you, but i am not angry with you, either. it is what it is. rocky and i, we saved two worlds. i can live with that, even if i don't forgive you. and eva stratt nods and understands. and they finish their coffee.

a handful of grace's students, the last class he taught before being wrapped up in the end of the world, they ask to see him. not all of them. some of them didn't make it through the disasters that came with the years long dimming. some of them never really believed that grace was the one who saved the world, falling into the rhetoric of those who say the whole thing was a hoax, and the weather patterns fixing themselves is just proof of it. but the ones who do come are surprised when grace remembers each of their names. remembers where they sat in his classroom, and the jokes they thought were funny and the jokes they thought were lame. they talk to him and he remembers throwing them beanbags in the end of the world and trying to make them laugh. when grace laughs at something rocky sings into the world, he's laughing through more than a few tears. he tells his students, the kids he saved the world for, that they've just been called leaky blobs by the other savior of the world.

when his students leave, grace sits in the setting sun, strong and warm, and looks out over the ocean. rocky, isn't it beautiful? rocky, don't you see? we made this possible, rocky. we saved them. we saved this. rocky, we did it.

btw, idk if this will be seen by any of the countless people who already have seen and reblogged this post, but heres the original guide posted on how to make the chibi-rocky! the OP also has a separate guide for a more accurate rocky, though obviously less simple of a guide than the little thingy shown off

It can also be found on Google Drive here and on Bluesky here.