With over 20 years in fandom, I dedicate myself to binding the stories I like: with more passion than talent 😂. I also reblog the work of others as a way of celebrating fandom and these beautiful works of fan art that are bound fan fiction. For other ficbinders' work, I always use the same hashtag so that they can be found easily: "Fantastic ficbinders and where to find them"
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O'Farrell would capture Luna through a lens of tactile, sensory sensitivity, focusing on the permeable boundaries between the internal self and the external world. Her prose would be intensely domestic yet ethereal, lingering on the specific texture of Luna’s mismatched jewelry, the smell of Dirigible Plums, and the quiet, crushing loneliness of being misunderstood by her peers. O'Farrell’s technique involves a heightened, somatic focus, where she anchors abstract, eccentric thoughts in grounded, physical sensations—describing the grief for Luna's mother not as a concept, but as a phantom weight in the room. By weaving together the mundane details of daily life with the shimmering, surreal quality of Luna’s intuition, O'Farrell would reveal her as a character who exists in the "in-between" spaces, turning her perceived madness into a profound, poetic method of survival.
Alexievich would approach Fred and George Weasley by weaving together the disparate, often conflicting memories of those who watched their legendary prankster spirit slowly calcify into the grim necessities of resistance. The writing would be raw and polyphonic, shifting between the light, chaotic brilliance of their shop displays and the hushed, terrified accounts of their involvement in the clandestine radio network. Her technique relies on the accumulation of unfiltered human voice, focusing on how their twin identity was torn apart by the violence of the final battle. She would frame their transition from symbols of youthful, subversive joy to casualties of a brutal political war as a documentary study in how systemic cruelty systematically dismantles the most vibrant parts of a society, leaving behind only the echoing, painful testimony of those who must grapple with a world that feels suddenly and permanently diminished.
Tokarczuk would frame the Weasley brothers as a sprawling, folkloric constellation, a chaotic weave of twin-like dynamics and mercurial energy that defies the linear boundaries of the Wizarding World. The prose would be expansive and deeply curious, treating their penchant for invention and mischief as a form of playful subversion against the gravity of history. Her technique relies on the layering of myth and domestic detail, emphasizing how their interconnected lives form a miniature, self-contained universe where time and space behave with a peculiar, mischievous flexibility. She would explore how their collective identity serves as a vibrant, noisy defiance against the encroaching silence of the war, framing their brotherhood as a stubborn, light-filled anchor in a reality that is increasingly desperate to impose a rigid and joyless order upon the world.
The typeset I’ve been working on for the past… 2? Maybe 3 weeks? Is at last finished.
I want to bind Evitative by Vichan (a wonderful Drarry fic on AO3) and I don’t yet have an answer from the author buy I’ve seen other binds so I figured I could at least start the typeset. And oh boy what a long but fun process it was!!
I knew I wanted to do something art nouveau themed but it took a while before I discovered an amazing artist called Aubrey Beardsley, who’s illustrations fit perfectly the vibe of the fic imo!
So I did a lot of research to find illustrations from Beardsley that I could use, and found some amaaazing chapter headers he drew for La Morte d’Arthur. Sadly there wasn’t all the letters I needed for Evitative’s chapters, so I decided to modificate some illustrations to create new letters, while trying to keep the original style.
For example: from the original A, I made a P and an H.
And after a lot of research to find good quality images, a lot of cleaning and redrawing and adapting to my bind format… I had all 29 letters I needed for my chapters!!
And I found some really nice keys drawn by Beardsley, which became my paragraph breaks :)
⚠️spoilers in the next image⚠️
And after placing dizains of those cute little keys one by one in my text, and thinking I had finished most of the work… I realised my margins were way too small for a 600 page book :))
And so I started from the beginning :)))
When I finally had a clean doc with perfect margins (at least I hope so…...….) and chapter breaks in their right place, it was time to include some illustrations. So again, research and cleaning up images and some more research!
Beardsley’s style changed a lot over the years so there are very different kind of illustrations in the typeset, but all are black and white, and all are gorgeous. Some of them fit the chapter exactly, others are more of a distant vibe, but overall they really match the story’s tone! (Again, in my humble opinion.)
I’m super happy with how the typeset came out, can’t wait to see it on paper 🤍 (It won’t be so soon cause right now I’m working away from home and don’t have any materials so im just daydreaming about it for now.)
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I can barely believe this book is done, after 1 year of planning! 💗
There's this feature of the ACOTAR fandom, in which we have great writers who show us how much better the source material could be if we tuned up a couple of things... Like Rhys's villainous nature (or his caring side), Rhys and Tamlin's communication, or even if we added some actual difficulties for our beloved MCs!
In this anthology, I wanted to honor those retellings that I loved so much, here with a specific focus on Feysand - love them or hate them, you can't deny that Rhys and Feyre are really made for one another!
In order of appearance, here are the chosen fics:
"All He Thinks About Is Me", by @separatist-apologist: in which Rhys shows his darkest nature in some delectable non/dub-con UTM.
"Hate Me Instead", by @popjunkie42: in which Rhys acts more like a normal person and less like a douche and actually helps Feyre with all the UTM PTSD.
"The Portrait of a Male", by HopeLions13: in which Feyre goes UTM to save Rhys, and him and Tamlin get to have a much needed têta-à-tête.
"I Was Enchanted To Meet You", by @separatist-apologist: in which Rhys shows his darkest nature (yes, there's a pattern here), but now post-UTM.
"Chains", by @popjunkie42: in which Lucien succeeds in kidnaping Feyre back to the Spring Manor and some truths are revealed under the effect of substances.
Feysand's story is inevitably one in which Feyre transitions from Spring into the Night Court, and I wanted to bring that to the center of this book - as if she could look straight at Ramiel from her window in the Spring Manor ✨
The first endpaper is a collage of the Prythian courts symbols (made by me, inspired by those depicted in the back of the official Prythian map) beside this beautiful Velaris backdrop, created by GioSketches.
Cover was hand-painted - and that just goes to prove that you really can do any new technique if you set your mind to it!
Left: anthology title page. Right: Brazillian editions of ACOTAR books.
Brazillian ACOTAR fans may recognize the title font - because yes, I tried my best to emulate these beautiful editions from Galera Record, the best ACOTAR editions in my opinion.
I also incorporated the Brazillian edition's style of chapter headers, using a different element for each story.
This may be my favorite typeset so far, with all the little details added - the Night Court-themed dividers, and going full color explosion on the story title pages, really made it worth it to spend a year working on this book!
I really have to thank so much to all the authors featured, first for sharing their precious writing with us and then for giving me permission to bind their works 💞 This truly was a passion project if there ever was one!
It never goes without saying that all fanfic is and should always remain free: from fans, to fans, for free.
Materials & Techniques:
Endpapers: Velaris landscape by GioSketches; Prythian courts icons by me (made in Canva); Prythian map colored. Printed in matte photo paper.
Endbands: faux double core, made from wool-like multicolored thread.
Typeset in MS Word; printed on 80gsm white paper on an inkjet Epson ET-2850 printer.
Scene dividers and title pages made in Canva.
Bradel bind with 2mm bookboard, case covered in black faux leather and painted by hand using acryllic and fabric paints (and the tiniest brush you've ever seen).
Fanbind I did last year of the most Miraculous * late night texting misadventure fic.
* I make me laugh
I worked so hard on formatting the texts with just styles in Microsoft Word. Did I need to do that? No. Did it make things interesting? Yes! Do I recommend this method? Not really. Will I be using it again? Probably yes, it’s a challenge and I’m insane.
I wanted it to be clearly texting without being a screen clone of any existing phone interface. I color coded the text to the characters consistently throughout and moved them between gray recipient bubbles and color matching sender bubbles as needed so it would be clear whose phone you were looking at at any given conversation thread as the pov jumps back and forth.
Then I made my title page look like a lock screen, and did a coordinating print for the paper on the cover itself. This was my first experience with foiling too which I’ve absolutely run with ever since. Oh yeah and it was a first time doing a planned trim not just sanding the deckle edges plus it’s funsized very pocketable proportions because being roughly phone sized on the page really made the texting bits look like texting. Who knew. Old school paper backs and cellphones both designed with the average user hand and pocket size in mind.
Really I’m happy with how this turned out can’t remember why I didn’t post it at the time but hey it’s here now.
Describing a character’s emotions can be difficult; sometimes, the best way to convey them is to show them, not to tell them.
To convey emotion without naming it, you must anchor internal states in physical sensations, environmental details, or subverted reactions. Here are 10 examples from acclaimed authors. So let's get into Repression, Obsession, Dread, Guilt, Helplessness, Loneliness, Despair, Paranoia, Regret & Awe from the best.
Ernest Hemingway (Repression) "He did not say anything. He looked at the girl and then at the ground and then at the girl again. He picked up his glass and drank it and it was a long time before he spoke." Hills Like White Elephants (The silence and the repetitive, aimless physical action convey the heavy friction between the characters.)
Gabriel García Márquez (Obsession) "He began to search for her in every face he saw, in every sound he heard, in every shadow that fell across his path, and he did not find her, but he did not stop looking." Love in the Time of Cholera (The obsession is defined by the endless, rhythmic repetition of the search.)
James Joyce (Dread) "He turned suddenly and looked at the door. It was closed. He turned back to the window and saw the gray light filtering through the glass. He felt the cold air on his neck." A Portrait of the Artist as a Young Man (Focusing on the physical sensation of cold and the awareness of boundaries illustrates a creeping, existential unease.)
Fyodor Dostoevsky (Guilt) "He walked along the street, his heart beating so loudly that he was certain everyone passing him could hear it. He kept his eyes fixed on his boots, terrified that if he looked up, the street itself would accuse him." Crime and Punishment (The guilt is externalized through the hyper-awareness of his own pulse and the projection of judgment onto the world.)
Franz Kafka (Helplessness) "He tried to turn his head, but his neck felt as though it were made of lead. He wanted to call out, but his throat was dry, and the sound that emerged was merely a thin, dry scraping." The Metamorphosis (The psychological state of being trapped is translated into a rigid, failing physical body.
Virginia Woolf (Loneliness) "She went into the room and the air was still holding the ghost of his tobacco. She touched the chair he had left behind, the fabric still smooth where he had sat, and she stood there until the room grew dark, not moving, not breathing." To the Lighthouse (The absence of the person is conveyed through the lingering physical presence of their objects and the character’s statuesque immobility.)
Toni Morrison (Despair) "She walked on, and when she got to the bridge, she did not look at the water. She did not look at the sky. She kept her eyes on the cracks in the pavement, one, then another, then another, counting them as if they were years." Beloved (The crushing weight of sorrow is handled by narrowing the character’s focus to a tedious, mundane task to avoid the vastness of her pain.)
Shirley Jackson (Paranoia) "She found herself holding her breath, listening. The house was quiet, but it was a heavy quiet, a breathing kind of silence that made the hair on her arms stand up." The Haunting of Hill House (The fear is projected onto the house, making the environment itself seem sentient and predatory.)
George Eliot (Regret) "She did not weep. She only stood by the window, her hands clasped so tightly together that the knuckles turned white, staring at the carriage as it disappeared down the drive." Middlemarch (The internal turmoil is anchored in the physical tension of the hands, contrasting with a calm, stoic exterior.)
Ursula K. Le Guin (Awe) "He stood on the threshold, and the silence of the desert seemed to expand, filling his lungs, pressing against his ribs until he felt he might simply dissolve into the dust and the stars." The Left Hand of Darkness (The character’s profound internal shift is rendered through the sensation of being consumed by the vastness of the environment.)
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Rainbow Sterek Green brings you Lap Magnet by @prairie-grass. A hilarious and sexy accidental mate bond fic.
Royalty free art from pngtree, I love the more softer look of this bind, with the textured background, and I had the perfect endpapers for it too! So happy with how it turned out!
Rainbow Sterek Violet brings you (not so) Pure Imagination by theroguesgambit @halekingsourwolf. A nice and spicy fic with shared fantasies but with a twist!
I had a lot of fun with playing around with the text on the cover for this one, and am really happy with the result.
I got the chapter number frames from pngtree and recolored them to match the purple theme.
A post-WW2, mermaid!Cody AU, and featuring art by @shukruut on the dust jacket and for each of the title pages which is absolutely stunning!
For this bind I finally got to pull out *two* of my marbled papers from izumin marbling, the stone wave pattern on the front and the bright marble on the inside for the endpapers, paired with duo oatmeal bookcloth. I pulled colors from the endpapers into the french double core endbands as well. Edges painted in "cloisonne orange."
for each of the three parts in this bind, I used a @shukruut artwork, and pulled a color from that art to set the chapter headers and one of the sea-creature drawings in as an accent on the summary page.
(I also found a very silly little fish as a paragraph break ^)
the combo of script font (Trafton Script) and art-deco-ish font (Onyx) is directly inspired by a 1940s yearbook on the site Fonts In Use. The script + serif font combo was very popular for this time period. Nautical paragraph breaks, chapter headers, and summary page illustrations are from Heritage Library's free public domain collection.
(I have hit the picture limit so on to the next reblog!)
Fanbinding: i know where to draw the line by magneticwave
This was for my local Heated Rivalry fanbinding exchange (everyone picks a fic and gets a random one; no prior matches or references.) I wanted to stick with my exchange tradition of trying new things, so this was "horizontal stripes that go around the spine." If there's a better word for that I don't know it.
What I did was I glued the boards and spine to brown paper first, and then put the fabric on top; that way they didn't overlap each other, which I thought would make it hard to open, but also means there weren't any gaps around the hinge because it's all glued down.
I learned from my Moby Dick mistakes and glued the fabric on in top-down order, instead of color by color, so that I wouldn't have to cut the middle strip with insane precision. I didn't get the edge quite as clean as I'd like to have; I need to put little grippy feet on my ruler so that it doesn't slide. Normally my lines do not matter this much.
Chapter heading page is, of course, a goal, and the endpapers are the only red and blue paper I had, which excited then disappointed @english-mace when she learned that nobody in the fic does any murders.
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Shakespeare would frame Dumbledore as a tragic king or a prophetic sage, speaking in elevated, rhythmic verse that demands gravity. The narrative would revolve around Dumbledore’s "all-knowing" nature being his greatest burden, treating his decisions as high-stakes political drama. His technique utilizes dramatic monologue and soliloquy, designed to convey the complexity of a man who must manipulate the board to ensure the greater good, emphasizing the inherent loneliness of power and the inevitability of fate.
Rainbow Sterek Yellow brings you Lock All The Doors Behind You by @entanglednow, which is literally the most kudo'd Sterek fic on ao3. And for good reason! Feral Derek trusting Stiles and receiving comfort is just *chefs kiss*
At one point Stiles reads a kid book about balloons to Derek, so I tried to make it like that, but then my friend told me it was giving IT vibes...oops.