With over 20 years in fandom, I dedicate myself to binding the stories I like: with more passion than talent 😂. I also reblog the work of others as a way of celebrating fandom and these beautiful works of fan art that are bound fan fiction. For other ficbinders' work, I always use the same hashtag so that they can be found easily: "Fantastic ficbinders and where to find them"
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My latest bookbinding project! All the BEE and Elise posts from @archivistbot(sans a few that i didn't feel fit, and one that just didn't show up in my initial search which i'm still annoyed about). Plus a mini BEE painting. This is the smallest bookbinding i've done so far, but one of the more time-consuming ones because i had to make a lot of choices about how to order and format the posts. I'm super happy with it though!
Two Fanbindings of Andy Weir's Project Hail Mary (one in english, one in german) as a coupled twin-binding for me and my bestie who went to see the movie with me immediately when I expressed my wish for it! (Which is why the location mark is blacked out, thats the cinema we went to!)
While browing I saw these two papers and knew i needed to use them for endpapers. This also sparked my wish to bind this book at all. It took me around two months from conception to finished product.
The bookcloth is Wooqu's starry black bookcloth and it is positively SPARKLY in real life - pictures dont really do it justice. My first time using the Silhouette cutter too, and thus also my first time using HTV. A game changer, honestly. I really enjoy how it looks.
If Alice Walker Wrote the Story of Petunia Dursley
If Alice Walker were to pick up the pen to explore the Wizarding World, she would not be interested in the flash of wands or the glory of battles. She would look at the margins. She would look for the voices that are silenced, the women who are broken by patriarchal expectations, and the quiet, heavy work of survival.
For Walker, the best character to anchor this vision is Petunia Dursley. She would take Petunia, a woman defined by her bitterness and her smallness, and peel back the layers to show the deep, painful roots of that anger—a story about a sister left behind, a girl who tried to make herself "normal" because the world told her that was the only way to be safe.
The Walker Blueprint for Your Fic
1. The Power of Voice and Testimony
Walker is a master of the "letter" format—the personal confession that speaks to a history larger than one person. A Petunia-centric story would be told through her memories, her private internal dialogue, and her struggle to reconcile the woman she became with the girl who once stood in a garden, watching her sister fly.
Writer Tip: Write in the first person. Let your character speak directly to the reader. Don't worry about "plot progression" as much as "emotional truth." What is the one thing they have never been able to tell anyone?
2. The Burden of "Respectability"
In Walker’s work, characters often feel forced to adopt a persona of "respectability" or "correctness" to survive in a society that doesn't value them. Petunia’s obsession with cleanliness, her nosy neighbors, and her hatred of "magic" would be reinterpreted as a desperate, terrified shield. She is trying to build a world where nothing unexpected can hurt her.
Writer Tip: Show the labor behind the character. If your character is "mean," show us the anxiety that drives it. Show us the hours spent scrubbing floors just to feel like they have some control over a chaotic universe.
3. Healing the Ancestral Wound
Walker writes about the journey toward self-love and the reclaiming of one's own story. A Petunia story wouldn't be about her becoming a witch; it would be about her finding a way to forgive herself for the resentment she harbored. It would be about her looking at Harry—not as a burden, but as the last piece of the sister she lost.
Writer Tip: Find the point of intersection between your character and the people they despise. What part of "the other" do they actually see in themselves? That is where your story starts.
4. The Beauty in the Ordinary
Walker elevates the domestic—the kitchen, the garden, the chores—to something sacred. She shows that the small, quiet lives of women are where the most important battles are fought. Petunia’s house wouldn't just be a dull place; it would be a fortress of her own making, full of meaning that only she understands.
Writer Tip: Give your "boring" setting dignity. Describe the way the light hits the kitchen table or the specific way your character arranges the tea cups. Make the mundane feel vital.
The TL;DR for Your Next Fic
Write with empathy for the "villain." Every "mean" character has a story about why they decided to close their heart. Find it and tell it with grace.
Focus on the internal journey. The biggest conflict isn't with Voldemort; it's with the character's own shame and regret.
Keep the prose grounded. Use the language of everyday life to explore heavy, deep emotional truths.
Does the idea of writing a "redemption" story for a character most people dislike appeal to you, or do you prefer to keep your focus on the main heroes?
When I was a kid, my mum taught me to summarize using a simple Q&A method, and I still use that technique to structure all kind of writing.
Since, I come across many fanfics where the author says: I'm bad at making summaries; I decided to share some questions that can guide you in writing fanfic summaries; it doesn't work for all stories, but I hope it gives you a solid starting point!
Three main questions:
What is happening? Who is it happening to? Why should the reader care?
Additional questions:
What is the normal that is about to be shattered? What does life look like for your main character(s) just before the inciting incident?
What is the consequence if they fail? What do your characters stand to lose?
What is the emotional core? How does this conflict change the key relationship in the story? What is the unspoken tension between them?
What is the promise of the story? A punchy final sentence that captures the story's tone (humor, angst, thrill). i.e Maybe working with the enemy isn't so bad after all
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Midnight Strangers by Mitos (@seriouslycalamitous)
It’s finally done!!! This is officially the thickest book I’ve bound to date, coming in at 828 pages (796 of the fic itself). The Oxford hollow + bradel combination worked so well to support the textblock’s weight, and the foiled faux leather is super pretty, so I’m really happy with how everything turned out! I’ve learned a lot over the course of binding this that I will absolutely be using for my next thick bind.
This book has reached its recipient, so I can share pictures now! This is Deadset by @pbaintthetb, an amazing Nie Huaisang fic in which Nie Huaisang is murdered and becomes a tgcf-style ghost.
I did a kintsugi-look binding for a different calamity au (ironically, one in which Jin Guangyao was the ghost) but spoilers, this was the fic that I first thought of using it for. And while my first attempt was just a surface design on the cover, I built this into the structure of the book itself. The cover structure is inspired by Ben Elbel's "pixel binding" which is a book cover made of many tiny squares; using irregular pieces here makes it not quite as flexible, but I'm still very happy with the effect.
The individual sections of the cover were glued to a thin, flexible paper, then covered with a decorative paper that I worked down into the spaces between (definitely use paste rather than pva for this). The gold is deco foil, often called toner-reactive foil but it adheres to dry pva as well, so I simply filled the channels with pva and then applied the foil using the head of a pin to apply pressure (you don't need heat when applying it to pva).
For the rounded spine, I used leather pieces so that I could still have the thickness but they would be flexible enough that I wouldn't have to sacrifice the irregular shapes.
The way Ben Elbel builds his pixel binding books is the textblock is wrapped in a suede cover, basically like a paperback but suede, and then the pixel binding cover is glued to the suede at the spine. I'm not sure that duplicating this construction was necessary here, but it worked out well enough. The suede-covered textblock is an interesting look and feel all by itself actually.
This is literally the most exciting thing to happen all year. @mahoganydoodles did a BEAUTIFUL job binding my fic for me, and I am absolutely BESIDE MYSELF over it. I am genuinely astonished by how beautiful it is. Please forgive the blurry photos, I'm legitimately shaking because I'm so hyped
Ahhhh i am SO glad you like it!!! I had such a great time binding it, and I had never played Fallen London before so I had a TON of fun going through and typsetting each little action and location move section! Thank you very much for the opportunity to typeset it, I had a wonderful time!
To others: SUPER cool fic, highly recommend reading even if (like me) you haven't played the game!!!!
A dark and savage magic by Tessa Crowley @tessacrowley
I’m so excited to finally share my contribution to the #deadandtortureddoveexchange2026 hosted on Instagram
This turned out to be such a cute fic (but still very dead-dovy, don’t get me wrong), and I wanted to capture its softness with a theme inspired by the first time Draco uses his magic, with Narcissa in their garden, growing some flowers for her.
The cover designs and typeset are adapted from the public domain artwork by Elizabeth Barrett Browning
The endpapers were chosen for their resemblance to feathers, and I sewed headbands with matching colours. It was my first time trying the double cores, and I’m very happy with them!
I think this is my favourite bind of the year so far 🥹
You can read this fic for free on AO3 but please be mindful of the tags.
A small bind of all the Murderbot short stories to complete the series on my shelf. First time painting the edges of a book with acrylic paint and oh boy, did I have a bad time with that.
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Last year, I was wandering through AO3, looking for oneshots for my TCC project when I accidentally stumbled over a rock. I picked it up and found this Brazilian girl I had never heard of sleeping underneath it. So I grabbed her hand and brought her into our little cult, and who would’ve told me then that this girl would become my friend??
Well, this bind is a love letter to you, Moons, and a thank you for your beautiful words and for your friendship. Reading Flat was an experience, and I got to share it with you, my dear. I hope you enjoyed this nice surprise, even though the project for this (last slide, and I got the title wrong!) was shown to you long before I decided to turn it into a surprise gift for you. ✨
Anyway, this exchange was really special to me, and I’m thankful for getting to know each one of my Kudos friends. The Made With Love exchange is our way of celebrating our cult’s birthday, and each one of us! I love you all, my friends! 🪄♥️
"winners-verse" series triple bind also for @ellisonwongparty! such a messy series in the best way possible, i adore when characters are given the space to be deeply flawed and human. absolute rollercoaster to read, and a blast to bind! more images and details on my AO3.
This fanfic bind was made as part of an Animal Crossing themed exchange hosted over by the Instagram binding community
I went with The Roos as my main theme because as a kid, I really wanted Brewster to adopt me. Just something about the cozy cafe with the roost theme piano playing in the background really gets me
✦ I originally wanted to do Draco Malfoy Mortifying Ordeal, and had the Roost logo drafted up with heart glasses, but ultimately switched to Remain Nameless as thematically it was just a better fit
✦ box lining and endpaper are illustrated by me, based on the items you can get in ACNH when you befriend Brewster in the game
✦ cover illustration also by me
✦ typeset is split into two volumes and two volumes, because I don't like working on chonky one volume binds
✦ I've also always wanted to make obi book sleeves at least once, and thought that making them look like coffee bean packaging and hiding illustrations under it would be a fun idea to play with
✦ a massive shoutout and thank you to @hannamuriel for printing out the typset for me, as I don't have a color printer at home. The GOAT that actually made this bind happen
The Kafkaesque Method: Franz Kafka and the Bureaucracy of Blood
If Franz Kafka wrote the story of the Black sisters, he would not see them as villains or anti-heroes. He would see them as individuals trapped in a labyrinthine, suffocating, and ultimately indifferent system of ancestral law. For Kafka, the "Black" name is not a badge of honor; it is a summons to a trial that never ends, presided over by invisible judges who demand absolute compliance to rules that are never fully explained.
The sisters are not agents of their own destiny. They are defendants, forever waiting outside the door of the Law, hoping for a transformation or a pardon that will never arrive.
The Kafka Blueprint for Your Fic
1. The Indifferent Authority
For Kafka, the source of misery is not a mustache-twirling villain, but an impossible, impersonal hierarchy. The sisters do not serve Voldemort because they share his vision; they serve him because the structure of their world demands it, and to question that structure is to be crushed by the weight of its sheer, illogical momentum.
Writer Tip: Make the authority figures in your story inaccessible. When the sisters seek approval or guidance, they should find only empty offices, confused functionaries, or silence.
2. The Sense of Guilt
Kafka’s characters often feel a profound, irrational sense of guilt without knowing what crime they have committed. Bellatrix, Narcissa, and Andromeda are born into the "guilt" of their bloodline. They spend their lives trying to appease an ancient, unseen jury that is constantly judging their every movement, their every marriage, and their every breath.
Writer Tip: Focus on the internal anxiety. The character should feel like they are constantly being watched, not by a person, but by the very walls of their home or the weight of their own family name.
3. The Unattainable Goal
Whether it is the Castle, the Law, or the "purity" of their house, Kafka’s characters are always striving toward something that remains perpetually out of reach. The sisters might believe that if they just fulfill their role perfectly, they will finally be "safe" or "accepted," but that goal always shifts or retreats the closer they get to it.
Writer Tip: Use circular logic. Have the character work tirelessly toward a goal, only to have the rules change at the final moment, rendering their efforts futile.
4. The Mundane Nightmare
Kafka makes the impossible feel incredibly ordinary. A transformation into a bug, or an arrest for no reason, is treated with the same dry, procedural tone as breakfast. The terror of the Black family history should feel like a boring, daily routine that the sisters are resigned to.
Writer Tip: Keep the prose flat and precise. Describe the most horrific or supernatural elements of the wizarding world as if they are tedious administrative hurdles.
The TL;DR for Your Next Fic
Focus on the procedure. The process is more important than the outcome.
Emphasize the isolation. Even when the sisters are together, they are alone in their own private, bureaucratic nightmares.
Make them helpless, not powerful. The scariest thing is not that they are evil, but that they are trapped in a system that does not actually care if they live or die.
What You Can Learn from Kafka?
As a fanfic writer, Kafka teaches you that the most compelling conflict is internal and systemic. He forces you to move away from grand, explosive action and toward the quiet, crushing weight of daily existence. He teaches you how to build dread through ambiguity rather than clear-cut villains, showing that sometimes the most oppressive force in a character’s life is simply "the way things have always been done."
Do you see the sisters as characters who have accepted their roles as cogs in a machine they cannot control, or do you want to explore the moment they realize that the "Law" they have sacrificed everything for is entirely empty?
First, I have officially written all of Notting Hill!!!!!!!!! The lovely talented @orange-peony is really the one to thank here. Peony, I would not and could not have done this without you. Thank you 🩵
I've got some final tweaks and edits to make and then I'll be posting all the chapters back to back because I don't want to leave you hanging in the angst!
Here's a little bitty snippet from the next chapter:
It's half past five in the morning. I don't need to check. I always wake up at half past five. Yesterday, Baz told me it was my least attractive quality.
Second, I had a goal to do six binds this year and I've only done one so far. But that's okay! I also had a goal to sew every month this year and that's coming along nicely so I don't feel too bad about the other. That being said, I have a final mock up of @you-remind-me-of-the-babe's fic Depth of Reason!!
Design under the cut...
These aren't necessarily the final colors because I haven't gotten the book cloth yet buuuuut what do you think?
I also LOVE to get ahead of myself, so I'm brainstorming a cover for another fic. Can you guess which one?
Anyways, that's all for now 💚 I hope May is treating you well
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The Terry Pratchett Method: The Founders and the "Important" Business
If Terry Pratchett wrote the origin story of the Hogwarts founders, he would immediately point out that they were just four very tired people trying to build a school while dealing with the sheer, unadulterated absurdity of the magical world. Pratchett had no time for "noble legends." He preferred the truth, which is usually found in a leaky roof, a disagreement about the plumbing, and the question of who was supposed to buy the groceries.
Here is how Sir Terry would turn the founding of Hogwarts into something legendary, funny, and surprisingly profound.
The Pratchett Blueprint for Your Fic
1. The Myth of Competence
Pratchett loved showing that "great men and women" are usually just winging it. Godric, Salazar, Rowena, and Helga would not be marble statues. They would be overworked professionals. Godric would be constantly trying to fix things with a sword that was better suited for cutting hedges, and Rowena would be arguing with her own diadem because it kept correcting her grammar in public.
Writer Tip: Make them relatable. They should have meetings that go nowhere, arguments about budget, and the occasional moment of wondering why they didn't just become farmers instead.
2. The Absurdity of Magic
In Pratchett’s world, magic is like a grumpy, overgrown pet. It does not behave. A Hogwarts founded by Pratchett would be a place where the magic is constantly doing things it was never meant to do, like shifting the stairs every time someone tried to get to breakfast. The founders would treat these massive magical anomalies with the same annoyance one feels for a leaky faucet.
Writer Tip: Treat magic like a chore. If a stair moves, it is not a "grand enchantment." It is a nuisance that someone has to fill out paperwork for.
3. The Logic of the Reasonable and the Reasonable-ish
Pratchett’s characters often fall into two camps: the ones who think the world should make sense, and the ones who have accepted that it never will. Rowena would be the one trying to organize the chaos into a syllabus, while Helga would be the one handing out sandwiches to the forest creatures because they looked like they had had a long day.
Writer Tip: Give them conflicting philosophies. Don't make the conflict about "Good vs. Evil." Make it about "The Importance of a Standardized Curriculum" vs. "But the Giant Squid wants to join the choir."
4. The Human Cost of Legend
Pratchett always managed to sneak a bit of heart into the comedy. Behind the jokes, he would show us the real reasons they built the school. Maybe they were just four people who were sick of being chased by angry mobs, or tired of living in caves, and just wanted a place where they could have a cup of tea without someone trying to set them on fire.
Writer Tip: Use humor to highlight the tragedy. If they are joking about their problems, it shows just how difficult their lives actually are.
The TL;DR for Your Next Fic
Focus on the mundane. The real story isn't the founding of the houses. It is the story of how they decided where to put the kitchens and who was responsible for the troll incident of 992.
Keep it human. Even the most legendary figures have to deal with cold feet, bad coffee, and the realization that their friends are annoying.
Use the footnotes. Pratchett’s signature was the extra perspective. Use that style to add world-building details that make the history feel lived-in and slightly ridiculous.
Since Pratchett was great at showing how society is built on a pile of shared absurdities, do you think you would want to write the founders as a group that actually gets along, or as four people who stay together mostly because they are the only ones who understand each other's specific brand of crazy?