With over 20 years in fandom, I dedicate myself to binding the stories I like: with more passion than talent 😂. I also reblog the work of others as a way of celebrating fandom and these beautiful works of fan art that are bound fan fiction. For other ficbinders' work, I always use the same hashtag so that they can be found easily: "Fantastic ficbinders and where to find them"
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If Leo Tolstoy Wrote the Marauders: The Epic of Heart and History
If Leo Tolstoy took on the Marauders, he would not be interested in just a few years of school pranks. He would treat the First Wizarding War like War and Peace. It would be a massive, sprawling masterpiece where every single character—from the youngest Hogwarts student to the most obscure Ministry official—is connected to the grand, inevitable sweep of history.
If you are a fanfic writer looking to add some Russian classic gravitas to your Marauders era work, here is the Tolstoy method.
The Tolstoy Blueprint for Your Fic
1. The "Big History" Perspective
Tolstoy did not believe that "great men" alone changed the world. He believed that millions of small, individual decisions from everyday people shaped the course of history. In a Tolstoy-style Marauders fic, the war is not just about Harry’s parents or Voldemort. It is about how the political tension at the Ministry affects a shopkeeper in Diagon Alley, a student in the library, and a house elf in the kitchens.
Writer Tip: Zoom out. Every now and then, break away from your main characters to show how the "big" events are affecting the average wizarding family. It makes your world feel massive and real.
2. Deep, Messy Interiority
Tolstoy was the master of showing how people lie to themselves. His characters are constantly changing their minds, falling in love for the wrong reasons, and feeling guilty about things they cannot control. James and Sirius would not be static "hero" types. They would be complex, morally gray young men who are sometimes arrogant, sometimes noble, and often confused by their own motivations.
Writer Tip: Write a scene where a character thinks they are doing the right thing, but show the reader they are actually acting out of pride or fear. That contradiction is where the best drama lives.
3. The Search for Meaning
Tolstoy’s characters are always looking for the "point" of life. Is it duty? Is it love? Is it power? The Marauders would not just be fighting for the Order of the Phoenix; they would be grappling with the existential dread of why they are fighting at all.
Writer Tip: Give your characters long, late-night philosophical conversations. What is their philosophy? What do they believe happens when they die? What do they owe their friends?
4. The Grandeur of Domestic Life
Tolstoy loved describing the small, mundane details of life—the way a tea service is set, the silence in a house, the specific tension during a dinner party. He used these small details to show how the world is falling apart.
Writer Tip: Describe the quiet moments before the war hits. The way Remus buttons his coat, the way the light hits the floor in the common room. These details make the eventual tragedy hit ten times harder.
The TL;DR for Your Next Fic
Go big or go home. You are not just writing a story; you are writing a tapestry of an entire era.
Let your characters be flawed. They should be making bad decisions for complex, human reasons.
Connect everything. Every meeting and every conversation should feel like a piece of a larger, unavoidable puzzle.
Does the idea of writing a sprawling, historical-style epic sound like your dream project, or do you prefer to keep your stories intimate and focused on one specific relationship?
This is One Step Forward and Like Footprints on the Seashore by @adrianainthesnow (Stepping Stones blog, AO3)
It's also double sided!
[video desc: op flipping the book over to reveal that both stories are on the opposite sides of the same book, with one cover for One Step Forward and one cover for Like Footprints on the Seashore]
I stole this gimmick from Lauren Oliver's Replica - it's 2 perspectives of the same story in the same way so I figured the format fit
after many months of not being able to do almost any bookbinding at all, i bring to you: handprint on a belladonna heart by the magical @maplesdonut! everyone go read it right now i'm so serious. pause and go read it. you can come back when you're done
ok, now that you've finished reading, WASN'T IT SO GOOD? obviously, i had to read it ten times and then bind it immediately.
i haven't done much typesetting lately either, so i was reminded how much i enjoy it while i designed this one and looked for the perfect wishing well graphic and spent an hour trying to decide exactly how the spacing on the title should be (i swear this is fun for me).
just in case you forgot earlier, here is another link to this fantastically devastating s2 death curse fic. go read it!!!!
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The Oscar Wilde Method: Turning the House of Black into a Stage
If Oscar Wilde were to write about the House of Black, he would treat every line of dialogue like a razor blade and every family gathering like a high stakes theatrical performance. Wilde did not care for "grit" or "realism." He cared for wit, aestheticism, and the tragic price of being oneself.
If you are a fanfic writer looking to add some Wildean flair to your work, specifically with the Blacks, here is how you do it.
The Wilde Blueprint for Your Fic
1. Dialogue is a Weapon
Wilde’s characters do not talk to communicate; they talk to perform. In a Wildean version of the Black family, they wouldn't just argue. They would exchange sharp, perfectly crafted insults wrapped in layers of polite, aristocratic charm. Every conversation is a contest of who can be more cynical, more brilliant, or more effortlessly cruel.
Writer Tip: When writing your characters, make them sound like they are on stage. Give them at least one "quotable" line per scene—something that sounds like it should be printed on a poster.
2. The Cult of Beauty and Decadence
The House of Black is all about "Ancient and Most Noble" aesthetic. Wilde would focus on the exquisite, poisonous beauty of their lifestyle. The velvet tapestries, the silver heirlooms, the expensive robes. He would show that their obsession with purity is not just a political stance; it is a twisted obsession with an "ideal" of perfection that is fundamentally decaying.
Writer Tip: Describe everything with an eye for luxury. But always add one detail that shows the rot underneath—a stain on the silk, a strange smell in the air, a portrait that looks slightly too hungry.
3. The Paradox of the Rebel
Wilde understood better than anyone that the "rebel" is often just another type of performer. Sirius Black would not be a standard hero. He would be a man who wears his rebellion like an expensive coat. He is trying to shock his family, and Wilde would show us that even in his defiance, Sirius is still trapped by the family’s expectations of what a "black sheep" looks like.
Writer Tip: Have your character struggle with the fact that their rebellion is a reaction to their upbringing, not a total escape from it. The tragedy of Wilde’s characters is that they are often defined by the very things they try to reject.
4. The Mask of Cynicism
Wilde’s characters often hide their deepest, most sincere emotions behind a mask of total cynicism. They joke about everything because they are terrified of being truly seen. Andromeda or Sirius wouldn't cry about their family trauma. They would make a witty, biting joke about it while their hands shake.
Writer Tip: The more painful the scene, the more lighthearted the dialogue should be. Let the reader feel the pain in what is not being said.
The TL;DR for Your Next Fic
Prioritize wit over realism. It is better to have a character say something brilliant than something "accurate."
Aesthetic is everything. Your setting should feel like a painting that is about to catch fire.
The tragic beauty of the truth. Wilde’s stories always end with someone paying a high price for a moment of honesty. Make the ending feel inevitable, but beautifully painful.
Sirius Black as a Wildean tragic figure—someone who burns bright and destroys himself for the sake of his own ideals—is honestly such a mood. Do you think he would be the type to fully embrace the drama of his family, or would he try to invent a whole new persona for himself away from them?
somewhere out there, a writer is looking at the anguished keysmash and string of emojis you left on their fics and smiling. somewhere out there, somebody's shitty day has been made a teensy bit brighter because of you said you want them to update their writing. somebody who's feeling insecure about their story is sitting down to write a few more paragraphs because you said you loved their style.
you may have left a detailed paragraph about the structure of their sentences and their usage of extended metaphors. you may have also left a "COMPLETE PERFECTION. PLEASE WRITE MORE I NEED IT". we love you and need your validation more than oxygen nonetheless. 🫵 go comment on somebody's fic
to everyone saying their comments don't matter: they DO. writers don't care whether your comment sounds apathetic or unenthusiastic, because even something like (taking prev's example) "wow i loved this. this is cool. you are good at this Writing thing." will help. nobody will ever find you annoying or insincere.
why? because you took the time out to say that you liked our fics and you think they're cool. that in itself means more than any notion of tone or emotion. comment on fics, guys. that in itself spreads more joy and motivation than you'll ever know.
I bound the script for Nirvanna the band the show the movie!
So this movie is largely improvised and there wasn’t a script just lying around. Luckily I found a website that had Matt and Jay’s lines, and I was able to figure out other people’s lines and important stage direction from the movie itself. I formatted everything from there.
Is it properly formatted like a script? Idk. I followed the loose directions from like four different script writing websites. It certainly looks good enough for me!
(Plus my CN Tower shot glass as a paper weight)
Plus a little page at the end as a nod to one of the Nirvanna the band the show bits my brother likes
I also tried something new by just gluing along the side instead of actually sewing it. Should I have done this? Probably not. I probably should have done some research on how to bind without folding. Maybe Japanese stab binding would have been good for this ¯\_(ツ)_/¯ Only time will tell how it holds up. But it did make the paper a little warped :/ If I were to try it again, I probably would glue 10-20 pages at a time and then attach them all instead of just going for all of it at once. Oh well
I wanted to keep it classy, so for the end pages I just did solid red and made the cover black with silver text. Many thanks to @engendersfear for the art on the back! It’s beautiful and silly and absolutely perfect!
Lastly, I finished this up with a dust jacket. I basically just spoofed off the movie poster for the front and quoted some reviews on the back
Now that the copies have been sent and received, I can finally post these.
We all start somewhere... And Snake Charmer, a really cute Puzzleshipping AU by @ink-flavored, was my first fanbind ever. Up until I started it, I had only bound notebooks and original fiction, and clumsily so.
The photos you see above are from the final version, made in April 2025, that finally made their way to the author and artist two months ago, because I'm a disaster.
But I actually started this project in July 2024. and it saw two different iterations before reaching its final form. I'm sharing under the cut, in case you're curious about the path of a beginner bookbinder.
The first one, from the summer 2024, back when I barely had any tool and clearly was missing experience:
Cheap bookcloth from Amazon, poorly printed text block (with the wrong grain direction), A5 format because I had no way to cut it efficiently to make an A6 format, and absolutely no knowledge on how to make a nice cover design.
It was still a book, and I'm proud of the typeset.
For the second one, made in December 2024, I had bought a different bookcloth (a nice green suede from... Aliexpress, yes) and attempted something different for the cover. (I tried to carve the title into the boards. It didn't work. I also hid the
Still clumsy, but we were much closer to the final version: I was more confident in my cased binding, the design for the endpages was decided (I couldn't find endpapers that I liked so I ended up printing mine—it's a poem by an Arabic poet from 900), and I had settled for A6 rather than A5, so I had edited the typeset to make it work better. I ended pretty unhappy about the cover, though, with a title that still didn't satisfy me and small corners to hide the fact that mine weren't straight at all.
(A problem that still plagues me, but it's a topic for another post.)
All these experiments led to the final version, the one from above:
Same binding technique, but at that point, I had discovered the incredible technique of laminated foil. That laminating machine I had bought on a whim almost 10 years ago? It's definitely working overtime now. The decorative paper I used took foil beautiful, and more surprisingly, so did the suede bookcloth, which allowed me to even put a title on the spine on 2 of the 3 copies.
It's still clumsy, and I still see its flaws. Believe me, there are many. But I won't tell: it was the completion of my first fanbind, and I'm so, so happy with the result.
I love Snake Charmer, it's one of my favourite Puzzleshipping stories. I am incredibly happy to be able to have this story on my personal shelf, now, and I even kept the prototypes: it's nice to remember the path I've walked :)
So thank you so much, @ink-flavored and @auroblaze, for allowing me to bind it (and share these photos!)
I've recently learned how to bind books, in no small part because I wanted to turn some of my favorite fics into books! This is my binding of What's Become of You by @backfliips!
Sadly my printer tends to wash out colors, and I messed up the outer margins a little, and so on and so forth, but for my second time ever turning a fic into a book, I'm pretty proud of how it turned out!
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Since I’m in my hockey romance era, I had so much fun working on this project! In this fic, the Potter family owns a rink, and James is a hockey player while Regulus is a figure skater. So I made the rink the heart of my project, and I really like how it turned out!
It has been...several...months since the 2026 Binderary event organised by the @renegadeguild but I have finally gotten around to photographing this year's binds.
My goal this year was to bind four books in one month and I almost made it! Funnily enough, the smallest of the four books ended up taking me absolutely ages...!
I also tried some new and exciting binding styles. Pictured from top left to bottom right:
You Don't Have a Writing Problem. You Have a Blind Spot.
Most authors don't have a writing problem. They have a seeing their own work clearly problem. You've read your manuscript so many times the plot holes became invisible.
Tell me what part of your manuscript are you most unsure about right now?
👇 Drop it in the comments. I read every single one.
I call this one The Bina Collection, and it is a surprise for @binart that was SUCH a long time coming.
Bina, I don't know if you remember, but I hope you won't hate me for not warning you ahead of this post!
A bit of context because as usual, I can't help yapping about my process.
By now, my huge Call Me Beep Me Excel typeset debacle is well known, but basically: I fell into the VLD fandom completely by accident at the beginning of October 2025. After this (tragic) event (for my sanity), I spent some time going from one AU to another, until I stumbled upon Bina's art.
SRPA was my first foray into canon-compliant VLD fancreations, and it was everything I wished for in a post-canon work. It also impacted me as what I consider a creative tour de force: I found Bina so strong for having completed such a massive story in spite of everything, from art to writing. I know many who would have given up.
As it turned out, SRPA was my 1000th bookmark on AO3. So, naturally, I had to bookbind it. Which is how I found myself asking for permission... in October 2025.
Yes, that's seven months ago. Stuff™ Happened. It's been hard to keep track.
And after Bina answered my enthusiastic (and very shy) request with an even more enthusiastic message, and told me her wish to have a tangible copy of her art, I thought...
Hey, I loved BPJ. Why not do BPJ too?
And then, as mentioned, Stuff™.
So I thought, you know, sometimes it's important to have reminders of our accomplishments, things that we can be proud of, things that brought joy to both us and the people around.
The Bina Collection was born.
I wanted to keep a coherent visual design for all, something to sort-of remind the good old sci-fi book collections I loved when I was a teen. I went for simple bradel binds, with suede bookcloth (with titles printed on it) for the backs. The covers are black paper, the titles are heat foiled with my laminated machine, and the illustrations are printed and laminated directly on the black paper. Making those was an adventure and a half, but I'm so happy with the result.
The font for the title is the NASA-like font Nasalization: it was the closest I found to the font Bina used for her own title pages!
And since I wanted a harmonised design, I went with my favourite lion pattern. Yes, the one I've already used twice. It's just so good.
This post is already quite long: I'm adding a cut here, you'll find all the details book-by-book beneath it.
Let's start with the one that started it all: SRPA - Space Rangers Partners' Adventures.
I did my best to gather all the comic pages from Bina's Tumblr and set them on black page to try and have a uniform background. After printing, I sewed using a black linen thread so that it wouldn't be too visible. An unfortunate guillotine calibration made it so you can still see the (unavoidable) white margins on some pages, but overall, the black pages succeed in "keeping everything together."
For the written part of the story, I typeset on Affinity Publisher, with the main font used being DilleniaUPC because I like typesetting with serif fonts, but I wanted something that looked more... modern? than good old Times New. I don't know, I liked the vibes.
Chapters are not numbered, but each has its own header with the illustrations Bina specifically made for them.
And as you can see, because I can't help it, I typeset the text messages differently. I love this kind of details.
Now, let's move on to my second favourite story, the one that gave me a taste for Langst: BPJ - Blue Paladin's Journey.
For this one, I knew I wanted to use my absolute favourite format, that I already used for Ikimaru's comics and my two lyrics collections, the vertical A4 folio. It makes SUCH FUN BOOKS.
Even if, as you can see, I miscalculated for this one and sort-of forgot that it wasn't as wide as the others; hence the cover being too close to the right side... Shhh. It was a conscious design choice, of course.
For the inside, I did the exact same thing as I did for SRPA: I gathered all the frames from Bina's Tumblr and arranged them on a black background. Let's be honest, it took forever, but it was very, very rewarding. I am so happy and proud to have a copy of BPJ (even if, let's be real, this format can be a pain because it doesn't fit on my bookshelves.)
Now let's move on to DTOK - Doomed Timeline Older!Keith Does Time Travel To Save Lance (And Also The Universe Less Importantly).
The doomed timeline may be tragic, and Lance is obviously suffering (...and Keith by extension), BUT it's still so incredibly funny to me. Coran and his stun laser are priceless.
This one is quite short compared to the others, and looking back, I shouldn't have done a bradel bind for it: a single-signature might have been enough. It still looks nice like this.
Same process as the two above: gathering the pages from Tumblr, black background, black linen thread. Simple, efficient. Nothing too fancy for a nice read.
And let's conclude with the story that ended up being my favourite, because of the taste for Langst I ended up developing thanks to Bina: WAHPCR - What A Healing Pod Can't Repair.
I don't think I can recommend this story enough, and yet, at first, I didn't plan to bind it. I was stuck: it was published earlier, and the links to images were broken, and Bina said that she found the art did not match her style anymore.
BUT, as mentioned: it is my favourite. And if I was doing an actual Bina Collection, this story should be a part of it. And I've already mentioned multiple times that archiving was important to me... So I confess. I fished out the illustrations from Tumblr, and included them in the typeset. If anything, it was a way to show all the work, the evolution, and the love poured into all these stories.
The title page has an illustration from Bina's Tumblr which, if I understood well, is not directly linked to WAHPCR. I didn't want to leave the title page without an illustration (I was still trying to keep a coherent visual design, remember!) and I found it fitting...
The font for the body of text is, once more, DilleniaUPC (following the same rationale as SRPA) and the chapter headers use the font Nasalization again, as well as free assets from PNGegg that I had actually used a year ago for my VRAINS anniversary notebooks and that I love. I'm so glad I had the opportunity to use them for a totally different project.
And... that's it!
It was an ambitious project, and in all honesty, I almost gave up on it after having Affinity Publisher crash on me too many times due to my laptop being old and so many images eating up all its memory. And then when I had to reprint the covers multiple times because I messed up with the foil. And then when—you know what, it doesn't matter, because I kept going even if it took me MONTHS. It meant a lot to me to complete this collection, and I'm glad I did.
(Me for Binderary: I'm never working on seven books at once again
Me for the Bina Collection: you know I'm sure I can do six books at once. 🙃)
So thank you so much, @binart, for all the work you've put into this, for everything you've given and keep giving to this fandom (hiatus or not) and for being so enthusiastic when I asked for permission to bind SRPA. Again, I hope you don't hate me for going a little overboard.
This project was a big adventure, and I'm so happy I could complete it.
As for everyone else, I can only encourage you to follow Bina, to read her stories on Tapas, on AO3, to maybe commission her, and most importantly: to shower her with love.
(By the way, Bina, all of these above? They are your copies. Let me know if you'd like more photos/a video flipping through the pages. And while shipping from France is terribly tricky for me right now, I'll be moving to the other side of the Atlantic in less than a year, so... Take as much care as you can and hold on till you can have them in hand? 💖)
The E.M. Forster Method: James Potter and the "Muddle"
If E.M. Forster wrote about James Potter, he would steer clear of the "golden hero" myth. Forster was a master of the English class system, the tension between social expectations and private desires, and the way "muddle" (that peculiarly English state of confused, well-meaning chaos) destroys people.
For Forster, James would be a study in the limitations of the public school ethos. He would be a boy trapped by the very prestige and social code he helped to create.
The Forster Blueprint for Your Fic
1. The Trap of the Public School Code
Forster was deeply critical of the "public school spirit," which valued loyalty to the group above individual empathy. He would portray James as a boy who is naturally intelligent and warm, but who has been warped by the rigid expectations of his house and his circle. His arrogance would be presented not as malice, but as a lack of imagination—he simply does not see the people outside his social sphere as fully real.
Writer Tip: Contrast the warmth James shows his friends with the cold, unthinking cruelty he shows towards "outsiders" like Snape. For James, the Marauders are "real" people; everyone else is just scenery.
2. The Development of the Heart
The central arc of a Forster novel is almost always about a character learning to "connect." James would begin the story as someone who cannot connect with anyone outside his bubble. His growth would not come from a sudden magical epiphany, but from the slow, uncomfortable realization that his own social world is narrow and suffocating.
Writer Tip: Show his internal friction when he interacts with Lily. Make it a series of small, polite, but deeply revealing social blunders where he realizes, to his own horror, that she perceives the world in a way he cannot yet understand.
3. The Gentle Irony
Forster used a gentle, biting irony to expose the flaws of his characters. He would not scream at James for his faults. He would describe them with a quiet, observant grace that makes the reader wince. He would show how James’s charm is a tool he uses to deflect responsibility, and how he uses laughter to shut down conversations that make him feel vulnerable.
Writer Tip: Use polite, restrained language for moments of high tension. The more calm and civilized the prose, the more uncomfortable the underlying behavior should feel.
4. The Tragic Unpreparedness
Forster’s characters are often ruined by their own inability to navigate a world that is bigger than their social set. James’s death would be portrayed as the moment he finally "connects" with the true, dark reality of the world, only to find he has no tools to deal with it. He spent his life playing at war and honor, only to be crushed by the real thing.
Writer Tip: Focus on the disconnect between the "game" of school life and the reality of the war. Show James trying to apply the logic of the Quidditch pitch to a conflict that is fundamentally, irredeemably cruel.
The TL;DR for Your Next Fic
Focus on the social friction. James should feel like a man who is trying to be "good" by the rules he was taught, while failing to realize the rules themselves are broken.
Keep the tone restrained. Avoid melodrama. The tragedy should be quiet, observant, and deeply rooted in James's realization that his charm is no longer enough to save him.
Emphasize the "muddle." James should be a man who is perpetually slightly out of his depth, even when he appears to be in total control.
Since Forster was obsessed with the idea of characters who finally "connect" just as their stories end, would you write James as someone who finally understands the emptiness of his own social world right before he dies, or as someone who dies still comfortably trapped in his own version of reality?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Update #1: I finished Notting Hill 🎉 I posted four chapters back-to-back and now it's all out there for you to read! Epilogue and all!
Update #2: I'm nearly finished with my @you-remind-me-of-the-babe's Depth of Reason rebind! I finished the covers and now all I have to do are the finishing touches! But here's a sneak peek:
Update #3: THE BIG UPDATE
I alluded to some big secret potential opportunity that I was being very chill and cool about last week. Well it happened! It's happening!
I'm working with author Alexandra Rowland on their Kickstarter for their new book, Wisdom of Emperors!
More below the cut:
On Saturday morning, hours before I was even awake on the west coast, Alex had posted the handmade luxury editions of the book, and they had sold out by the time I was awake.
Crazy! Exciting! Thrilling! (Scary!)
I was only able to commit to making five of these books, because they are... very elaborate, but after they sold out, Alex asked if I thought I could make any more. After some brainstorming, I agreed to make 10 more books with some alterations.
(There are currently five of those books still available.)
And so begins... The Plan 📝
The Plan for the month of May has ONE step.
Finish reading the manuscript.
It would have (and probably should have) more steps, but I'm going to a wedding and, you may not know this about me, I make most of my own clothes. So I need clothes to wear to the wedding. And that means making them, by June. (Tomorrow, work begins on the pants.)
Anyways, that's all for now!! I will be posting some in progress things for Wisdom of Emperors, so let me know if you'd like me to tag you in those in the future! 🤍
This was the first of my Marvel Trumps Hate binds from 2024 💀.
I did sunken cords, which was the first time I had done that in quite a while; I thought it'd work better since the text block was so thick, for the pages to have a little more to rest on than to hang from. It did make it a little bit stiff, though that should hopefully loosen up over time (I love leather for this.)
Cover is two layers of board, with leather.
It's painted instead of tooled because I really did try to tool it, but it was going to take a crazy long time and be less consistent. Normally I wouldn't do paint on a cover, just because it'd flake off, but since it was debossed I figured it'd be fine.
Along the way I did make an Exciting New Type Error, where the spacer was just a little bit loose and slid forward, but not enough to show on my light test stamps. The result was after two sessions of futzing to try and make them centered properly, I fucked up in a way I had not known to plan to avoid. Anyway. That's why there's now two patches.