A collection of hand bound books created by ML Townsend of Towns End Bindery (@towns_end_bindery on Instagram). I also reblog books I think are pretty.
"winners-verse" series triple bind also for @ellisonwongparty! such a messy series in the best way possible, i adore when characters are given the space to be deeply flawed and human. absolute rollercoaster to read, and a blast to bind! more images and details on my AO3.
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I'm a designer and I love books so, with permission, I decided to try binding one of my favorite fanfics into a book for the first time!
Download the files here!
376,776 words / 880 pages across 2 volumes
this is a free fanwork of @99corentine's Skyrim fanfic GOL HAH DOV; read it here! please do not re-upload, repurpose or rewrite the story without express permission from the author.
the design is @thetempleofmara's original book design that you can check out here! + process! I'm still blown away by how much time and creativity went into this.
none of the content of this book - writing, illustrations, cover, font choice, etc - is mine, except for the colophon.
feel free to use this to make your own physical copy of GHD, but for personal use only. TODD PLEASE DON'T SUE ME
I think of this as a 2nd edition, because while I adore mara's design, I did my own typeset and wanted to try adding a few new features and extras, such as:
optimizing for a physical print
table of contents
glossary
colophon
running chapter titles
recs of other works by corentine!
the files have been prepared for printing into a physical book. this includes:
starting pages on the right-hand side
page counts for 12-page signatures
.125”/3.175mm of bleed
1”/2.54cm inner margin for ease of reading when pages are bound
after finishing GHD, I was thinking of binding it when I stumbled across @thetempleofmara’s original design, and I loved it so much - the font choices, the high fantasy style, the illustrations. the passion and sweat put into fanworks like GHD and mara's design has always been my inspiration.
as a designer, you never really make stuff for yourself that you personally like. I really wanted to design a book for my eyes, I wanted that challenge. I actually finished the typeset in a frenzy (~2 years ago), but this is my first time actually binding a book, so I worked on it off and on again until I actually got my shit together and actually finished it. I actually made 2 copies (4 books in total): a set to practice on, and the final product that you see here!
test-printing to check font sizes/spacing
after typesetting and testing, which took the bulk of the time spent on this, I printed mara's cover designs out onto paper and transferred it to the book cloth in gold foil using a foil quill. I wanted to do some custom spine designs, but at this point I was just so tired that I decided that, hey, done is better than perfect. and I really like how they turned out - I didn't expect them to be so heavy, though! xD
designer's log (warning: very long and rambly)
I did not do any editing of the original text such as spell-checking, save for deleting extra spaces and other small touches. to me, the small flaws are valuable, a visible mark of how the work was made.
I did my own typeset of the entire manuscript, removing dangling words at the beginning and end of paragraphs/pages. this makes the text much smoother to read.
all hyphens used for a pause in speech have been replaced with em-dashes (—). this is how it's done in traditional books, and my personal preference :P
in the table of contents, in keeping with the traditional, Eragon-esque high fantasy style of the book, the nsfw warnings appended to each chapter title have been changed to the fashionable and eminently stylish “dagger”.
the glossary now has a style guide. it's........... very long.
added a colophon, a traditional blurb at the back of the book that is basically about how it was made. including a colophon is a designerly sign that a lot of care and effort went into the book!
the body text is 11pt, which is on the larger side. but for a long text like GHD, I opted for a more comfortable and inviting reading experience.
changed the placement of many illustrations so they appear in the part of the story where they are mentioned.
there is exactly ONE full-spread image and I am excited for you to find it :DD
Book 74 ✅ is a batcest primal play series by @trespresh that is simply :chefskiss: I had so much fun typesetting it with a gutter design and text segments highlighting some of my favorite lines - most of which I cannot share here bc of tumblrs puritanical policies but highly recommend going straight to ao3 and reading get me out of my mind (get you out of those clothes) for free directly.
If you’re an anti I feel bad for you — you dont even know the depths of the character growth you’re missing out on experiencing 😔 don’t worry — it’ll wait for you to be ready 😌
installed for the show i had this dream and you were in it. my friend's boombox, thrifted book and CD. the record was just serendipitously in a stack on the broken piano of the intern house.
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I rebound a 1981 Italian edition of The Name of the Rose by Umberto Eco in red leather for @erebus0dora
📚 The calfskin cover features a debossed and foiled library floor plan, with two pieces of leather mosaic marking the entrance hall and the inner sanctum. Title tooled on the spice with actual real bronze tools.
📚 Edges painted in red and endbands embroidered by hand.
📚 Cloth-hinged endpapers in gold moire paper, with the original endpapers with the map of the abbey were preserved as a separate signature at the front of the book.
It was such a cool and interesting project to undertake!
Sometimes you plan for a lot to happen, and sometimes your workplace throws everything up in the air and screws over your entire bookbinding hobby for the foreseeable future.
But that did not stop me from enjoying Project Hail Mary, looking up the Goslingverse crossovers, and stumbling across this fic from Twitter user tunariceball, who made a wonderful fic about Courtland and Grace meeting each other in prison. The fic also inspired @chicharonie22 to make a fanart of the meeting that I had to include!
I haven't made a simple pamphlet bind in so long, yet I found myself enjoying my time weaving the pages and gluing the front/back cover strips. Such a simple bind, yet such a perfect form for short fics! Perhaps I can make more of these to tide myself over till I have some more free time.
Thanks to tunariceball for the fic and to @chicharonie22 for the fanart!
Just finished these Warriors Ominibus rebinds, this time with painted edges! These aren’t perfect, as you can see, since I didn’t sand the pages to be more uniform. I have found that once you start sanding, no matter how low you continue the grit, it always adds some texture that makes airbrushing a little more patchy. I avoid it unless I have no choice. You can see where each book starts and ends with these, especially with them painted, but personally I don’t mind that. This is a pretty simple stencil - if I do it again I want to make the symbols smaller, and stretch out a little farther.
A while ago, I did pretty much the ENITRE series like this for custom order for someone (thx for trusting me, Trevor!) It was super challenging, but also a lot of fun. It was crazy expensive, since there were so many rebinds (I think it was 16 or 18) - so it isn’t something I am sure will ever be asked of me again. I really really enjoyed the project either way, so I am so happy I was able to complete it!
I have the incredible honor of someone else having bound to conquer an emperor into a physical book for themselves!
@madelineshrimp has done a gorgeous job! The book is so beautifully made, with loving details and a great cover (using the illustrations by @sunshine-dies ).
Madelineshrimp has allowed me to share the pics they sent me!
Thank you so much for letting me see them and liking my fic enough to bind it<3
Claud Monet and Vincent Van Gogh paintings are featured in the end papers of these quarto journals. Each has a ribbon bookmark, but if you attend The Obscure Summer Solstice Night Market on Tuesday, June 16, 2026, you could purchase these with a matching reading bookmark. Check The Obscure’s link https://sevn.ly/xVVlvp4h for RSVP info.
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my childhood entry into fantasy and inspiration to start writing was cornelia funke's inkheart, which stars a precocious young girl and her father who travels around repairing old and special books. it was also my introduction to bookbinding in general—and i don't do repairs like mo but i do know a thing or two now.
my copy from childhood got beat to shit—i lent it out to a friend who did not read it and let it get all fucked up, yes, BUT ALSO i read it so much that the spine was cracked pretty badly in a few places and beginning to twist.
so. repair time! i sanded down the spine, and started doing what i could. unfortunately mass market paperbacks like this can't really have their spines repaired short of removing ALL the glue and redoing the binding, which i wasn't about to do, so i. tried my best to reset it with an iron and a very stupid weight situation
not fixed, but it wasn't twisting anymore, and the slant was a lot less pronounced. you'll have to take my word for it.
for the binding itself—there's a book within the book also called inkheart, rebound in green linen to look unremarkable, so i did what i could :) i didn't want all the iconic red to disappear (it's what i HATE about the new editions) so it's immortalized in this pretty marbled end paper. the book also mentions a red bookmark so i took the original spine and glued it to some scraps from the end pages.
the crack in the spine isn't QUITE fixed but having a proper cover will help minimize any further split down the line. i also left in all of baby me's bookmarks...i don't know what she was thinking for a few of these but i'm sure it was important enough to leave.
now it can look unobtrusive on my shelf too, lest anyone accidentally read their beloved wife into a grim fantasy tale <3
I have officially opened an online shop! Listings are of past binds that I can recreate (made-to-order). If you would like a custom bind, feel free to contact me here or on the contact form in the shop.
A near perfect version of my Project Hail Mary rebind with painted edges! This won’t be listed in my Etsy shop for a while. I am prepping for an in-person event at the end of the month, and I have to make sure I have stock to sell there! A few listings I am letting sell out, or I am making inactive for now while I prep for the Makers Festival on May 30th in Massachusetts. I plan to have a few copies of some of my most popular listings - like Dune, PHM, Jurassic Park, and more ready to be sold then. This is one reason why rebinds are so expensive! They take so long to make, you can only make so many at any given time. I am excited for the festival - I am just not sure how popular rebinds will be, so I may be overly prepping, but better safe than sorry.
Okay I have things I should be seeing to but I couldn't help myself. In case you, like me, have not read all of these stories and would like to be amongst the lucky 10,000 today:
I Have No Mouth and I Must Scream by Harlan Ellison
The King in Yellow by Robert W Chambers*
The Lottery by Shirley Jackson**
The Masque of the Red Death by Edgar Allan Poe
The Monkey's Paw by W.W. Jacobs
The Most Dangerous Game by Richard O'Connell
The Nameless City by HP Lovecraft
The Ones Who Walk Away From Omelas by Ursula K LeGuin
There Will Come Soft Rains by Ray Bradbury
The Yellow Wallpaper by Charlotte Perkins Gilman
The Veldt by Ray Bradbury
Honorable Mention from the comments/reblogs:
All Summer in a Day by Ray Bradbury
*note: this is actually a collection of short stories and clocks in at about 72k words
**Originally published in the New Yorker in 1948; interestingly, the New Yorker still has this story archived on their website BEHIND A PAYWALL. CAN YOU IMAGINE.
A near perfect version of my Project Hail Mary rebind with painted edges! This won’t be listed in my Etsy shop for a while. I am prepping for an in-person event at the end of the month, and I have to make sure I have stock to sell there! A few listings I am letting sell out, or I am making inactive for now while I prep for the Makers Festival on May 30th in Massachusetts. I plan to have a few copies of some of my most popular listings - like Dune, PHM, Jurassic Park, and more ready to be sold then. This is one reason why rebinds are so expensive! They take so long to make, you can only make so many at any given time. I am excited for the festival - I am just not sure how popular rebinds will be, so I may be overly prepping, but better safe than sorry.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Words honestly can't describe how much this fic means to me, and I had so much fun binding it as a gift for the author 💜 Tuesday's explores such beautiful themes of love - both romantic and platonic, as well as a deep love and appreciation of music - not to mention rockstar shenanigans, grief, loss and recovery. Even though I've read this fic multiple times now, the story and the characters always make me emotional - I *may have* (absolutely did) cry while I was typesetting it! No spoilers but there is a particular scene that gets me every. single. time.
Typeset and handbound by me, for personal use only.
Typeset featuring gorgeous art by @sentient-trash
Dust jacket design and endpapers featuring images and articles from the fic ✨️ **Heads up - dust jacket features some spoilers!!**
Tuesday's Gone With the Wind can be read on Ao3 here
This book has reached its recipient, so I can share pictures now! This is Deadset by @pbaintthetb, an amazing Nie Huaisang fic in which Nie Huaisang is murdered and becomes a tgcf-style ghost.
I did a kintsugi-look binding for a different calamity au (ironically, one in which Jin Guangyao was the ghost) but spoilers, this was the fic that I first thought of using it for. And while my first attempt was just a surface design on the cover, I built this into the structure of the book itself. The cover structure is inspired by Ben Elbel's "pixel binding" which is a book cover made of many tiny squares; using irregular pieces here makes it not quite as flexible, but I'm still very happy with the effect.
The individual sections of the cover were glued to a thin, flexible paper, then covered with a decorative paper that I worked down into the spaces between (definitely use paste rather than pva for this). The gold is deco foil, often called toner-reactive foil but it adheres to dry pva as well, so I simply filled the channels with pva and then applied the foil using the head of a pin to apply pressure (you don't need heat when applying it to pva).
For the rounded spine, I used leather pieces so that I could still have the thickness but they would be flexible enough that I wouldn't have to sacrifice the irregular shapes.
The way Ben Elbel builds his pixel binding books is the textblock is wrapped in a suede cover, basically like a paperback but suede, and then the pixel binding cover is glued to the suede at the spine. I'm not sure that duplicating this construction was necessary here, but it worked out well enough. The suede-covered textblock is an interesting look and feel all by itself actually.
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