Some of the way I see fandom treat nonbinary characters is like. Okay you're cool with them being nonbinary but are you cool with them being trans [ie: are you actually comfortable with nonbinary people, and the transition we've made from our birth assignment to our current identities, or do you just want a character who was Born Nonbinary]
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[screenshotting bc I am about to derail their post badly!!! I started to rb from you @ashthenerd but I realized the post was gonna get wayyy out of control lol]
I truly cannot understand obsessing over romantic potential between different characters whose chemistry isn’t written into the text/acted out on screen? I’ve been in online fandom culture since 2009 and I still don’t understand for whyyyy we do shipping?
And like. I’m an adult bisexual woman in my late twenties. I’ve been in numerous romantic and sexual relationships irl, I’ve been married and divorced… There’s some characters who I enjoy reading their dynamic as a couple, and I enjoy homoerotic tension as much as the next guy… but SHEESH.
Genuinely, more than anything, I enjoy reading about and seeing platonic relationships in books and on screen.
Like, especially between two guys… y’all know platonic male intimacy is a thing, right? A really important thing! That’s the one I see steamrolled over and disregarded in favor of always shipping, and it’s ultra annoying.
Friendship is a beautiful thing— and for me personally, even though I am allo, I do consider friendships more important than romantic relationships. The longest romantic relationship I’ve ever had lasted <5 years. My current longest friendship has been going for 10 years, and that person has always been there for me, through whoever I’ve dated and they were there for me through my divorce and all my health struggles.
Eugh, and another dynamic that people can’t seem to leave alone is mentor/mentee (lookin at you, fans of the Pitt). It can be such a beautiful, enriching relationship for both people WITHOUT romance. My internship supervisor in my post-baccalaurate program quite possibly saved my life after the abuse and trauma I’d been through in the previous hospital I’d interned at. And I’ve been a mentor to a fair number of students whom I’ve graduated, but I remained in their lives as a supportive older friend. And those kids (ok, people in their early twenties) have been there for me when I needed it!
God, one of those kids rescued an orphaned kitten from the side of the road and immediately called me, thinking I could be the one to adopt it. That was three years ago, and that damn cat has saved my life! And it happened because of a close, caring, nurturing, platonic relationship!
Anyway. Alllll those kinds of relationships are beautiful and worthy and lifesaving, and if you are not able to recognize them when you see them in fiction, you are severely limiting the meaningfulness of the art you engage with.
fandom is so fun because sometimes you will really think that everything that can possibly be done with a piece of media has been done and then you see giraffe heather chandler and realise there are people and worlds out there beyond your wildest dreams and it's wonderful
A Concise Explanation Of the Differences Between Speculative Fiction Genres
Epic Fantasy never addresses where the food supply for the gigantic fortress or army comes from, or how the same noble family has been in power for thousands of years. Whereas Gritty Fantasy also never addresses any of those issues, but the characters call women whores every other sentence.
If it's High Fantasy, the wizards have colleges / guilds / academies. If it's Low Fantasy, there are like four or five wizards in the world and most of them are kind of lame. Tolkien is grandfathered into high fantasy / exempted because the bad guy is a demigod and so are the wizards. If it's Urban Fantasy, the wizards live in [Real City], [Real Country] and smoke gas station cigarettes instead of "Pipeweed." If it's Sword and Sorcery, the level of magic is somewhat negotiable: what is not negotiable is that the main character can wear a shirt or pants but not both (robes may be allowed).
If it's Dark Fantasy, the primary fantastical elements are vampires or werewolves or skeletons or something else that you can find in the median haunted house that's rated lower than PG-13.
If it's Science Fantasy, that means it's Fantasy. It contains too little science for the publisher to get away with calling it Soft Sci Fi and this is an extremely difficult bar to fail to clear, so the amount of science it contains is probably zero, at best vaguely gesturing in the direction of a scientific concept once or twice. It may have been intended to be "sci fi" at some point, but the author understood / cared so little about science that their editor just begged them to give up and call it magic.
But that brings us to Sci Fi. This is usually a little simpler. If it's incredibly obvious to literally anyone what scientific topics the author is bullshitting about / claims to understand but doesn't, it's Soft Sci Fi. If that is "Every single scientific topic," it's probably Science Fantasy (see above), but if the author argued with their editor and refused to call enough things magic / reflavor the space ships and ray guns, it might be a Space Opera Instead. If a basic high school level understanding of science is required to identify the areas where the author is bullshitting, it's hard sci-fi. If it requires a high school level science education but the reader got a "B" or higher average, it's really hard sci-fi.
If a fantasy work actually addresses where the large but realistically sized fortress's food supply comes from, or a sci fi work requires a college level education to identify what topics the author is bullshitting about, it's a bunch of google docs / spreadsheets / maps / blog posts that has never actually been published as a completed work in any form.
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its really funny when two people with profile pictures from the same fandom interact because either it looks like an rp or it looks like some shit those characters would never be caught dead saying to eachother
Hi can this be a safe space where we talk about our loadbearing rpf ships in the tags and promise to never let it leave this site because seriously what the fuck is going on???
The Architecture of Fear: Gatekeeping and Survival in Modern Fandom
There is a side effect of fandom gatekeeping I want to talk about, one I only just noticed, though looking back, it has been present in almost every fandom community I have ever been a part of. When I think of gatekeeping, I usually picture the classic, elitist archetype: the person standing at the door demanding you "name three albums" or prove your loyalty to a character before you’re allowed to speak. But there seems to be a much quieter, more insidious form of gatekeeping happening in niche spaces right now. It isn’t driven by supreme confidence or elitism. It’s driven by absolute terror.
It’s the phenomenon of fans ostracising others, not because they necessarily want to, but because they are terrified that if they don’t throw the stone, they will be the next ones kicked out of the castle. In highly insular, hyper-policed niche fandom spaces, guilt by association is the ultimate law. If a writer or artist steps out of line, maybe they write an unpopular dynamic, express a nuanced critique, or simply fall out of favour with the dominant clique, they become "hazardous terrain."
When someone is exiled from a tight-knit community, a strange panic sweeps through the remaining members. Suddenly, interacting with the exile’s work becomes a political risk. People begin to unfollow, untag, and distance themselves. The mechanism here isn’t genuine outrage; it’s a survival tactic. It’s a preemptive strike to signal compliance to the rest of the group. In a fandom panopticon, you have to be seen actively enforcing the borders, or the community will turn its crosshairs on you next. In this economy of fear, people will trade their closest friends, and their own artistic voice for the fleeting safety of the inner circle.
This desperation stems from a profound cultural shift: for many, fandom is no longer just a beloved hobby or a creative outlet, it has become their entire identity. When an interest expands until it swallows a person's whole personality, every choice, friendship, and moral stance is filtered through the lens of the community. In this state, a disagreement about a fictional character is no longer a lighthearted debate; it is felt as an existential threat to their very sense of self. When your standing in a digital circle is the bedrock of your self-worth, protecting that standing becomes the compass by which you make every single decision.
This environment inevitably breeds intense personality clashes, creating a volatile dynamic between two distinct types of fans: those who survive by performing, and those who simply show up as themselves. In a hyper-policed space, people who are genuinely unbothered, who speak openly, write without asking for permission, and refuse to filter their personalities through the committee, are deeply triggering to those who have built their entire online presence on calculated conformity. To someone who spends every day walking on eggshells to maintain their status, a person who is unapologetically themselves feels like an insult. They simply cannot handle someone who isn't afraid. The refusal to play the social survival game is misconstrued as arrogance, and so the authentic creator becomes an immediate target for hostility.
If the threat of exile is the stick, then performative validation is the carrot. Once a gatekept community establishes its hierarchy, an intricate economy of praise takes over. Have you ever noticed how, in certain circles, every single piece of work produced by the "approved" members is immediately met with giant, multi-paragraph essays of public adoration within hours of posting? On the surface, it looks like a beautiful, supportive community. But when you look closer, this excessive ego-stroking often functions as a loyalty ritual. Praising the right people is a transactional insurance policy. By inflating the egos of the dominant voices or the inner circle, smaller creators buy themselves a protective shield against the very gatekeeping they fear. The praise becomes less about the actual art and more about confirming allegiance. It creates a dizzying echo chamber where the tolerance for differing opinions drops to zero, because a circle that only nods together eventually freezes together.
This hierarchy is further complicated by a strange, modern form of divine right: the proximity flex. Within these insular spaces, a single interaction with the celebrity or creator, a liked comment on social media, a brief conversation at a stage door, or a selfie at a convention VIP meetup, is immediately converted into institutional power. The fans who achieve this treat the interaction not as a stroke of luck, but as anointment. They behave as though meeting the creator has granted them a deeper, more sacred understanding of the text than anyone else, granting them the ultimate authority to decide who is a "real" fan and who is a hazard to the community. It is a desperate attempt to grasp at certainty, using a five-second parasocial interaction as a shield to protect their own fragile standing in the pyramid.
And it’s getting worse. The very architecture of the modern internet is actively accelerating this behaviour, turning what used to be a hobby into a high-stakes game of social survival. We have gamified moral purity, adopting corporate and safety language to manufacture severe offences out of ordinary human interaction. In these spaces, an uncurated adult conversation—even one held naturally and consensually among peers—can instantly be reframed as a boundary violation or "harassment" if held outside the arbitrary lines drawn by the clique. They no longer say "that conversation makes us uncomfortable." They weaponize pseudo-legal terminology to turn a candid, adult moment into a moral crisis, raising the stakes from a matter of personal comfort to an unpardonable sin. By recasting creative differences and casual authenticity as existential threats to safety, the dominant clique grants itself the moral high ground to exile anyone who refuses to speak in corporate-approved scripts.
The most fascinating (and heartbreaking, as I’ve recently discovered) part of this dynamic is what happens to appreciation when someone actually does get pushed out of the circle. When you are on the outside looking in, the matrix glitches, and you see the architecture for exactly what it is. You might post a story on AO3 and notice a sudden, cold public silence from people who used to comment regularly.
Yet, quietly, your inbox or private messages might tell a completely different story. People will slide into your DMs to tell you they loved your work, that your writing is incredible, and that they are still reading. This is the ultimate proof of the system's hypocrisy. The quality of the work didn't drop; the audience’s permission to praise it publicly did. Public support has been made a political risk, forcing genuine appreciation underground, while the public comments sections of the "approved" circle become an over-inflated theatre of loyalty.
This stark divide happens because the modern internet doesn't actually reward individuality; it rewards categorization. Digital spaces have trained people to be hyper-vigilant compliance machines, neatly slotting others into predictable boxes; safe or hazardous, in-group or out-group. When you show up as a complex, uncurated human being who writes and speaks outside their rigid scripts, you break the unspoken contract of the panopticon: predictability. Your independence becomes a glitch in their system.
For the people stuck inside that anxious bubble, your authenticity is a terrifying mirror. Seeing you refuse to filter your work or bow to the self-appointed committee highlights their own conformity. It is a heavy psychological truth to carry, which is why it is infinitely easier for them to publicly freeze you out than to look in the mirror and admit they’ve traded their creative freedom for a transactional insurance policy. They want your art—their private messages prove it—but they lack the bravery to claim it in the light.
And if you are one of those people, sitting behind a screen, quietly enjoying someone’s work, but too terrified of the fallout to leave a public comment or hit like, you are forgiven. It is easy to judge compliance until you are the one facing the cold wind of exile. But it’s worth asking yourself what you are actually saving by staying quiet. Fandom isn't supposed to be an obstacle course of political manoeuvring or a constant test of allegiance. At its core, it is meant to be an open, accepting sanctuary, a place where people from completely different walks of life gather simply because they love the same world. You shouldn't have to navigate a minefield just to show appreciation where appreciation is due. Joy shouldn't require a permit from a committee.
Getting frozen out of a niche space hurts deeply. It’s a sudden loss of connection and friendship that can make you question your own talent and self-worth. But once you step back from the glass, there is an immense sense of relief. When you are inside that anxious bubble, there is a constant, subconscious pressure to walk on eggshells. When you’re in the thick of it, the walls are invisible. You genuinely believe you are choosing your tropes, your friendships, and your opinions freely, completely blind to the fact that your preferences are being subtly dictated by a consensus you're terrified to break. It’s only when you are forced outside that the glass becomes visible. You write to please the gatekeepers, you use the "correct" tropes, and you filter yourself through a committee of people who are terrified of their own shadows. Once you are out, they lose their power. They have already done the worst thing they could do, they excluded you and you survived it.
Which brings us to the most important part: continuing to create anyway.
When the public stats drop, the temptation is to pull back, delete your works, and stop sharing. But keeping your stories and art out there, regardless of the lack of public comments or likes, is a radical act of reclamation. Fandom belongs to the people who love the story, not the self-appointed committee policing the gates. When you keep creating purely out of your own love for the world, you change the energy of the space.
More than that, you create a beacon. Somewhere out there, sitting behind a screen, is another estranged fan. Someone else who felt the cold shoulder of the inner circle, who thinks they are completely alone, and who is quietly losing their joy for the source material.
When they find your work, unapologetic, persistent, and free from the clique's rules, it might mean more to them than you will ever know. It tells them that there is life outside the fortress.
The silence on your public dashboard isn't a reflection of your worth; it's a reflection of their fear. Go ahead and write the story anyway. Create the art anyway. The right people will find it, even if they have to read it in the dark.