
â

Kiana Khansmith
Xuebing Du

titsay
Jules of Nature
he wasn't even looking at me and he found me

â
cherry valley forever

çĽćĽ / Permanent Vacation
"I'm Dorothy Gale from Kansas"
occasionally subtle

#extradirty

Janaina Medeiros
will byers stan first human second
Alisa U Zemlji Chuda

Love Begins
ojovivo
hello vonnie
Peter Solarz

seen from United States
seen from Argentina
seen from Peru
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seen from Cuba

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@nikkifromtabs

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McCalls Pikachu Plush 2512 Sewing Pattern
This thing has been out of print for like, 26 years and some of us want to make chubby classic pikachu so uh... I figure it's okay to share bc it's kinda hard to get your hands on the remaining physical copies.
Bonus points: Aelith made some embroidery/applique files for it too
Remade by AeilithArt so that we could use the pattern without like, destroying it. It's not exact since it's trace, but it's p much the same
my 5 year plan? find the energy to use my human body to participate in the world in some form or fashion
favorite hole
mouth
cave
hole dug in backyard
black hole
vagina
anus
bullet wound
train tunnel
lacuna in ancient text
stab wound
other (tags)
What happens when you do minimal screening before hiring agents, arming them, and sending them into the streets? We're all finding out.
Hoooooooly fucking shit.
But if they missed the fact that I was an anti-ICE journalist who didnât fill out her paperwork, what else might they be missing? How many convicted domestic abusers are being given guns and sent into other peopleâs homes? How many people with ties to white supremacist organizations are indiscriminately targeting minorities on principle, regardless of immigration status? How many rapists and pedophiles are working in ICE detention centers with direct and unsupervised access to a population that will be neither believed nor missed? How are we to trust ICEâs allegedly thorough investigations of the people they detain and deport when they canât even keep their HR paperwork straight? And if theyâre not going to screen me out, what hope is there of figuring out which recruit might one day turn into a trigger-happy agent who would forget that law enforcement officers are trained not to stand in front of vehicles, get jumpy, and shoot a 37-year-old woman to death on the streets of Minneapolis? (x)

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in fallout tool happened
utopian future where people remember tool but not christ
can someone please be proud of me like fuck Iâm trying
reblog to let prev know youâre proud of them
i'm so tired of social media users saying "successful people are abusing stimulants". unsuccessful people are too. #WEMATTER
The Georgian slave hunters [Knight and Hughes] soon felt the force of this collective resistance all over Boston. They could hardly step from their hotel before street boys pelted them with refuse, screaming obscenities. Others stalked them, throwing stones alongside the boys. The cries went up everywhere: âSlave hunters!â âThieves!â âBloodhounds!â
Poster warning of slave hunters searching for Ellen and William Craft. Love the inclusion of a date at the bottom - including the year! - because who knows how long a poster has been up?
They emerged from a courthouse in Boston to behold a vast, multiracial army of men, women, and children â about 2,000 people, by John Knightâs estimate â together shouting the refrain that Knight had come to loathe: âSlave hunters! Slave hunters! There go the slave hunters!â Some called for feathers and tar.
A hackney coach soon drove up with a pair of white horses, wild with excitement. With the sheriff pushing through the crush, Hughes managed to jump inside, but ânot without losing his hat and getting somewhat hustled about.â Knight, meanwhile, was caught behind and forced to retreat, as protesters hissed and jeered, and tried to break the carriage doors. Eyewitnesses would vividly recall the scene: The crowd became like one body, single-minded, with long, strong arms, as it covered the coach and rocked it from side to side, intent on taking the passenger. One man, a journalist wrote, smashed open a window, aimed his weapon, and, for a quivering moment, had Hughes within his sights. But another protester pulled him down. The driver raised his whip and cracked it high, and with that, the coach convulsed forward, doors akimbo, people hanging off all sides.
The carriage clattered over the Craigie Bridge, speeding through the toll, driver and rider hoping that the fare would deter the protesters, who clung hard. Above all the others, one âcolored manâ straddled the roof, riding âin triumph through the streets of Cambridge.â It was protest in motion.
Only many miles later, in a landscape of cattle markets, slaughterhouses, and racetracks, did the carriage at last outrun the protesters, rolling to a stop at Porterâs Tavern in North Cambridge. But the driver, spooked by the ordeal, refused to continue service, leaving Hughes to find his own way back to Boston, where he finally reunited with Knight at the United States Hotel, their Boston headquarters.
(from Ilyon Woo's Master Slave Husband Wife, excerpted in the Boston Globe)
I've been thinking about this description of the popular, well-organized, widespread resistance to the Fugitive Slave Act since I read about it last year. (The article and book have more excerpts, including descriptions of exactly how all this got organized - late night meetings, a lot of legwork, a lot of using every tool available, both bureaucratic and physical. I particularly loved the description of how the slavehunters spent half their time in Boston under arrest, for slander (calling William and Ellen slaves), attempted assault, attempted kidnapping, as well as an assortment of nuisance charges - public smoking, swearing, and, after Hughes' escape to Cambridge, fast driving.)
Self-expression is the internalization of social authority, not the externalization of a âtrue identityâ
It still drives me crazy that this was written in 2014
yeah iâm just gonna add the quotes that really struck me:
Itâs telling that the latest two more relevant articles Iâve read about digital impact on our lives are not even from last year. Besides the one from 2014, linked above in the reblog, consider also this one from March 2023, that hits pretty hard today. It comes to show that since its public launch, the AI propaganda included a quote of doomerism as part of their selling arguments. âItâs scary how fast youâll be obsolete, so you better jump on, or be left behind!â
ChatGPT and other new AI services benefit from a science fiction-infused marketing frenzy unlike anything in recent memory. There's more to
Donât fall for the âeverything is changing so fastâ narrative so easily. Indeed, the more patiently we look, the more online culture seems to have stalled in everything but its most superficial aspects. But if you listen very closely, youâll hear a single thing breaking the silence, this sort of weird, anxious breathing. It comes from the investors and con men who wait for an unprecedented, infinite reward for hyping such a big piece of nothing all this time.

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Yam sausages, you see? You grill them⌠And then slice them and eat them hot. Sounds good, doesnât it? I would have loved to eat them with you.
Tampopo | ăżăłăă 1985 dir. Juzo Itami
someone is putting up pictures of me around town and they all say Iâm âwantedâ. which is nice
The trans men and mascs of Transexspressâ or TransSexPressâ Issue #1 (1996), a 90s UK trans and gender bend zine from Leeds.
Found on the Internet Archive (image IDs in alt text).
anybody else uhhh. anybody else. anyone else uhhhhh

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ModRetro is owned by a billionaire arms dealer who sells autonomous AI driven weapons and surveillance systems.
Iâve been seeing a lot of excitement and advertising around ModRetroâs new FPGA gameboy, so I wanted to remind you all that ModRetro is owned by Palmer Luckey.
Palmer Lukey (and a gaggle of executives from Palantir Technologies) cofounded Anduril Industries. Anduril Industries is a company that makes fully autonomous weapons and surveillance systems for the US Government.
Luckey is currently helping OpenAI get into the Arms trade as well.
I know an HD gameboy with modern quality of life sounds awesome, especially if you want to play classic games, and are not a fan of software emulation, but please do not support Palmer Luckey or his company. There are a ton of other (better) options out there.
The terms of the restitution of the two ceramic pots have been cast in the mould of Nazi war-loot agreements
TL;DR: A pot made by Dave The Potter, who was an enslaved artisan who was unique for signing his name and putting words and poems on the pots he made, has been returned to his descendants, even though the pot was bought and sold to begin with.
It officially belongs to the family, but will remain stewarded by the MFA for the next two years. This is a really interesting way forward for conflicted items in museums, being that the family owns it but it will remain with the museum. At least for two years.
The pot is obviously a tremendous piece of history, illustrating the class of highly skilled artisan slaves who existed but often get forgotten in the field slave/ house slave narrative that gets pushed. For real there's sooooo much to learn from this pot, I'm glad that it gets some kind of public visibility while the family gets control of it.
also, they returned another pot which the family immediately sold back to the museum, so they will get to keep one- with the important caveats that:
the descendants got the right to DECIDE what happened to it, and
the descendants got paid fair market value for the piece, with their express agreement to the sale
I think it's critical that non-museum people understand that this, too, is what repatriation can look like. sometimes the museum keeps the piece, temporarily or permanently! it's not necessarily always a case of "the proper owners take it back and keep it!"
what matters is that they are given the CHOICE. they have the final say in what happens to these objects, regardless of whether they stay in the museum or leave it
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Here's an exhibition held by The Met on Dave's works as well as others from Edgefield. That link also has a video tour of the exhibition and some other content related to the pottery.
The exhibition also includes a lot of these "face jugs" that were done by enslaved potters, in their own time, for their own use, and potentially connected to West African cultural/spiritual traditions. Apparently, the clay present to this area in South Carolina (kaolin clay) was also present in West Central African and was used for spiritual purposes there.
Dave the Potter also has a Wikipedia page, which is where I learned that he was also disabled as he had a leg amputated at some point for unknown reasons. This is just really, really incredible history and I hope a lot more people learn about this.