The minute anyone says that Jason had a part in his death because he went after the Joker, I have to automatically assume that you either haven't read A Death in the Family or have absorbed the information from a post.
Here are a couple of true statements that you would know if you read ADITF:
Jason didn't know the Joker was in the warehouse.
Jason didn't go into the warehouse to save his mother from the Joker, she told him to come with her so they can talk about what the Joker wants with her.
Jason was told that the Joker wasn't in the warehouse, that he had left a while ago.
Jason was given faulty information and his only sin was believing his mother.
And here are the panels:
Jason sees the Joker going into Sheila's tent and gets worried for her safety.
He says, "this is a job for BATMAN and Robin" not JUST Robin. He wanted Bruce's help.
Bruce tells Jason not to handle the Joker alone and to wait for him.
You could say that this is the page where he disobeyed Bruce, but all he does is want to talk to Sheila about the predicament she's in. Again, he doesn't look for or go after the Joker.
Sheila moves them into the warehouse so they can talk privately.
HE IS EXPLICITLY TOLD BY HIS MOTHER THAT THE JOKER HAD LEFT A LONG TIME AGO. And that turns out to be a lie.
So all of this happens without Bruce's knowledge and what does he think in minutes of coming back?
(Sorry for the blurry picture)
"I warned you not to take the Joker on by yourself." He didn't.
"I begged you to wait Jason, but of course you didn't."
"You never listen. Why. WHY?" He has multiple times.
Bruce has no idea what happened, but automatically assumes that it was Jason's fault. Even when Sheila tells him with her dying breath what happened, he still calls Jason reckless.
She tells him how much of a hero he was in his last moments, and instead of telling people that, Bruce basically tells anyone that he meets that Jason was disobedient. He has essentially erased what happened in the warehouse - the part that he knew - and replaced it with a completely different narrative that makes Jason his scapegoat.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Considering how calculating Jason is with his comically complicated plans and many backup plans and probably practiced speeches, and how starved he is for social interaction, and how he wasn't exactly socialised properly for a chunk of his childhood and like all of his teenage years- do you ever wonder if he rehearses interactions before getting into them? If he bites his tongue and spends all that time pondering how to best convey what he actually means to say, calculates strategies to get the reaction he's looking for?
“The appeal of Jason Todd is that he is an asshole.”
Honestly, I’ve heard this argument before, and I just brushed it off because it seemed completely… absurd and baseless to me. It didn’t even make me angry, you know? It was more like… confused, baffled, and disappointed? It’s like hearing someone say, “The appeal of Batman is that he’s super friendly and emotionally open.” Like.
I don’t know, I feel like that is the niche DC and the stories usually assign to Jason, but that’s exactly why it feels so forced. The more I read, the more forced it seems to cast Jason in the role of the “asshole.” But that’s just my take. Just my own thoughts. If I had to pick, the comic that most clearly pigeonholes him as an “asshole” is probably Countdown. It’s funny, though, because at the same time, that story portrays him as an asshole in the most superficial way I’ve ever seen.
Basically, any “asshole” move Jason pulls feels half-hearted. He’s all bark and no bite. Sure, he says some nasty things now and then. He’s got a bit of an attitude. But he doesn’t actually do anything to justify everyone hating his guts. Calling Jason an “asshole” in Countdown feels like a stretch; it’s more like he’s “kind of a jerk” or “a bit of a pain in the ass.” Not to mention, he’s just a kid in that story, while the other heroes are all much older. Yet, for some reason, everyone hates him with such intensity.
I don’t know, it just feels out of proportion to me. Generally speaking, the term "asshole" usually refers to people who are arrogant, unlikable, and morally questionable. The kind who say nasty things, provoke others, act haughtily, and are universally disliked. It’s hard to slot this type into a standard character archetype; they are clearly distinct from the typical "villain," yet calling them a "third-rate villain" would be giving them too much credit. They seem to occupy their own separate category: the "supporting character with an asshole personality." The most recent example that comes to mind is Flash from the Spiderman movies ig? He constantly bullied and targeted Peter in the early installments, whereas the unlikability of Jason in Countdown felt truly generic and wasn't really directed at anyone in particular. Countdown was an incredibly superficial, lazy attempt to cast Jason in the "asshole" mold. Ultimately, he didn't do anything particularly egregious from start to finish, yet everyone hated him to an absurd degree. It baffles me.
I think this is the main issue I have with Countdown. Clearly, both the narrative and Jason himself were trying to position him as an "asshole" within the story. I’m not sure what significance that held for the Countdown plot itself, but regarding Jason, I found it interesting: he played the asshole because that was exactly how the story— and the other characters—expected him to behave. The story assigned him that role, and he played into it. People expected him to be an asshole, so why not? He gave them exactly what they expected. It might seem a bit confusing, but honestly, if you decide someone is a terrible, unpleasant, and total asshole, chances are they’ll treat you exactly the way you expect—regardless of whether they’re actually like that or not.
The frustrating part here is that both the effort put into Jason’s character and the narrative arc turning him into an asshole feel incredibly superficial and shallow. Jason isn't actually "an asshole"; he just maintains a superficial "asshole" veneer, using an unpleasant attitude and harsh words. But that’s the extent of it. And clearly, he doesn't even have to try very hard, because people immediately latch onto that surface-level persona and instantly hate him. It’s a classic case of… subliminal? A self-fulfilling prophecy? Something like that. That "I knew this guy was insufferable" kind of vibe.
I mean, if DC really wanted to position him as an asshole, they should have done it right. If they wanted to convince us that he’s such a jerk that it makes sense for everyone, every single superhero, to hate him, they needed to include at least the following elements:
Harsh language. Basic-level insults. Calling people "morons" or "losers."
Harsh language. Truly harsh language. The character constantly twisting the knife in the protagonist's emotional wounds. Repeatedly saying the exact things the protagonist doesn't want to hear. Reminding them of their most regretted mistakes. Saying things that provoke such a strong reaction that the protagonist grows to loathe them. Genuinely loathe them, and for that hatred to be completely justified.
A basic tendency toward violence.
At least a baseline level of questionable morality.
Scumbag behavior at a basic level.
Scumbag behavior that violates all moral—or even legal—standards. (Characters defined as "scumbags" tend to lean more toward violating moral standards, whereas villains lean slightly more toward violating the law.)
Backstabbing teammates. Killing pigs, kidnapping children, pushing an old woman into the sea, and deceiving everyone. Truly despicable actions that inflict harm on others.
An utter lack of remorse. This is crucial. In fact, the "scumbag" character should be arrogant, self-satisfied, or even gleeful about their actions, mocking the heroes.
Everyone hates them.
To some extent, he faces no consequence, or no one can really do anything about him, which makes him even more detestable. Because the role of a "scumbag" differs from that of a standard "villain," he avoids long-term repercussions; this makes him even more loathsome, further aggravating both the other characters and the readers. And he remains incredibly smug about it.
I’ll reiterate: these are just my thoughts. It’s fine if you disagree, but your disagreement doesn't really have any bearing on this post.
Of course, not every "asshole" character meets these exact criteria, but for me, a character who is "such a asshole that everyone, including all the superheroes, hates him" must meet this standard. Furthermore, a character who is such an "asshole" to a level that that becomes an appealing trait must reach this level. And the superficial jerkiness Jason displayed in Countdown was just boring and cheap, bordering on annoying. He reached the bare minimum level of bad words and an attitude, but on the actions aspect, the only thing he did that was kinda countable is betrayed the team and shot Domna, but that was a play and was to help them escape? If the story was trying to make Jason appears like an asshole, they have to actually make it convincing.
Then we have utrh. And, albeit reluctantly, most of his appearances throughout the rest of the post crisis era. Now we're getting sidetracked. Clearly, this part of the story positions Jason as a villain, not just an asshole. However, this version of the character is far more convincing, and he somehow inherits traits typical of a "bastard," stemming from his history as a villain, he was endowed with many characteristics usually reserved for bad guys: constantly antagonizing the heroes, questionable morals, violent tendencies, ethically dubious actions, and an unapologetic attitude. To me, this iteration scores higher on the "bastard" scale, but again this story positions him as an antagonist rather than just a generic jerk. His most egregious act, carrying a bag of severed heads, falls squarely into the category of morally questionable behavior, both in terms of its effectiveness and its impact. Compare this to Jason in Countdown: he engaged in "deception" and "betrayal," but those were merely ruses to save the team. It was a poor attempt at playing the bastard; it didn't fit the archetype at all, so I have to dock him points. Jason’s "bastard" persona in Countdown didn't even clear the minimum bar for me; he only managed the basics, like harsh language and an unpleasant attitude.
But then, and I think others have pointed this out, there is a certain artificiality to Jason’s persona in utrh. Whether or not you view him as naturally dramatic, that trait was clearly amplified to the point of being theatrical. There is a palpable sense of phoniness to the role, as if he is showing you exactly what he wants you to see.
Now, compare his portrayal in utrh with his role in Countdown, then compare both of those to his characterization in the New 52, and finally, compare the utrh persona with how he presents himself at the end of that same story. You can spot the artificiality of his Red Hood persona when contrasted with his truly authentic self during the confrontation. Or, compare his behavior in Countdown: his prickly attitude when the Titans track him down and when he recounts his story to Jimmy Olsen; his general demeanor toward superheroes and his interactions with Donna before their relationship fractured. Like when he sought her out to warn her about the Monitors and comforted her at Bart’s funeral. Then there’s his role within the Bat-family during the New 52 era (I’m still struggling to reconcile the shift from Pre-New 52 to New 52), where he’s portrayed as a guy who is "kind of unlikable, formerly a bad guy and a killer who’s now reformed, yet still somewhat abrasive." Compare how he acts around Dick, Tim, and Damian, who view him as a jerk, with how he treats Barbara. And regarding Damian: I think he shows a certain level of patience and tolerance toward the kid. Then compare that to his dynamic with Bruce. Finally, weigh his "jerkish" behavior toward the Bat-family in the New 52 against the "jerkish" nature of some of the things Bruce did to him; I’d ask you to consider which actions truly deserve that label. Which ones should be classified as betrayal, deceit, inhumanity, or a violation of basic moral standards?
To simply label Jason a "jerk" in the New 52 era feels incredibly superficial to me, it’s judging the story purely on the surface. In reality, none of his actions really warrant that kind of negative mark, especially when compared to what others have done.
(n52 narrowed down his characterization into a bad guy who killed people but reformed and make it shallow, so it's easy for them to just position him as an asshole with an attitude ig. But he's all bark and no bite.)
In short, this is based on my reading experience spanning from the Post-Crisis era to the New 52, so it might be incomplete or even incorrect. But if I'm not mistaken, his era of vile villainy came to an end after post crisis, and he became a reformed villain after N52. Along with that, the cruel, evil, and despicable acts he committed, and those quoted by readers, were all encapsulated in the post-crisis. “He disguised himself as Nightwing and killed people,” “he slit Tim’s throat,” “he tried to make Bruce kill Joker” (seriously?), “he shot Damian,” “he kidnapped and beat Mia,” “he slit Tim’s throat.” “He killed people” the most boring argument of my life.
I keep thinking that in N52 he must have gone through a thousand identity crises, and tended to play the bad guy to serve the story or what others think of him. The fact that his narrative is allowed to say, "Oh my god, I was so angry," makes me want to pull my hair out. Even worse, he'll talk about his Robin phase like this: "I was so angry, Bruce tried so hard, I failed, I was so violent and needed Bruce to guide me," like I was going to start killing people with my bare hands.
Anyway, my main point is not to argue whether is Jason an asshole or not, it's saying that "the appeal of Jason Todd is that he is an asshole" is ridiculous to me, because to me, he truly failed miserably in that role. Countdown was a joke, but in N52, he was simply pathetic and everyone's favorite punching bag. I just wonder what it would be like if everyone thought he was a completely evil, wicked bastard by nature, when the truth is the complete opposite, but clearly, this role of his is still going to continue. Even in 100 years, the characters and fans will still think he's a jerk, I'm sure.
I know we are all excited about this, and as I’ve posted a couple times today, we have been shown and mini preview for the first issue and what it’ll look like
This is only solidifying my excitement and the fact that I KNOW I will love wildcard but beyond that
I LOVE the style of this and all the colors are just so nice to look at
I cannot wait till we get more information in ref to this and an actual preview !!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Jason's never allowed to successfully get 3 of the 4 tires off the batmobile like he did originally because it "feels too unrealistic" but tim is allowed to be the best hacker in the whole world at negative 5 years old and he knew every hero identity ever and hes the best robin better than jason and dick can do acrobatics better than anyone in the world ever even if they trained for as long as he did and hes the best robin better than jason and bruce is better at Everything and you cant beat him no matter what. But jason should only be in the process of taking the first tire when he gets caught. Jason should only get the hubcaps. Thid should definitely for sure be tagged bamf jason .
just to clarify we ARE all aware that alfred isnt all that great, right? like we do know hes the major influence and the man that encouraged tim and bruce to victim blame jason, even if he didnt necessarily start it? we remember the way he disrespected and belittled stephanie when she was spoiler and beyond that correct? we havent forgotten the children he led directly into the line of fire and got killed during we are robin? he isnt an angel or the epitome of goodness and wholesome love, he acts with bruces best interests at heart and that alone, at best. theres nuance yeah but we know hes not a god or a guiding light right guys
Jason (from the Greek Iásōn, “healer”) Peter Todd (from the German Tod, “death”) - I hope you find your way out of that grave.
dc comics + The Oresteia, Aeschylus / Lady Windermere’s Fan, Oscar Wilde / Grief Lessons: Four Plays [tr. Anne Carson], Euripides + Batman v1 #385 / Batman: The Cult #3 / For Example, Mary Oliver / Batman: Legends of The Dark Knight #100 / Batman: Under the Red Hood / Eight, Sleeping at Last / Red Hood and the Outlaws: Rebirth / Batman: Urban Legends #10 + ? / On Earth We’re Briefly Gorgeous, Ocean Vuong / Red Hood and The Outlaws #25 / Slay the Princess / pinterest + Batman #422 / Batman #424 + Rilke's Book of Hours: Love Poems to God, Rainer Maria Rilke + Batman #428 | A Death in the Family / @/metamorphesque, tumblr / American Teenager, Ethel Cain / Anecdote of the Pig, Tory Adkisson / interpretations of A Death in the Family + The Oresteia, Aeschylus / Nightwing: Secret Files and Origins #1 + the Haunting of Bly Manor + Red Hood and the Outlaws #23 / @/petrichara, tumblr / I Didn't Apologize to the Well, Mahmoud Darwish / Infinite Crisis: Secret Files + pinterest / Ruin and Rising, Leigh Bardugo / Red Hood and the Outlaws #26 / The Cruel Prince, Holly Black / pinterest / Red Hood: The Lost Days / Sue Zhao / Red Hood: The Lost Days part II + Red Hood: The Lost Days #4 / I See Boats Moving, Fernando Pessoa / Oedipus the King, TV Tropes / @/devilsmoon, tumblr / Red Hood: The Lost Days + Speeches for Dr Frankenstein, Margaret Atwood / Saving June, Hannah Arrington + embroidered patch / Slay the Princess / unaligned, @/hamletmaschine + Batman: Under the Red Hood / Batman: Under the Red Hood + Batman and Robin #11 + South and West: From a Notebook, Joan Didion / The Good Fight, Ada Limón / Batman: Under the Red Hood / Grief Lessons: Four Plays, Euripides [tr. Anne Carson] / Batman: Under the Red Hood / Slay the Princess / Under the Red Hood / Slay the Princess / @/sainticide, twitter / The Truth About Grief, Fortesa Latifi + Batman: Under the Red Hood / Batman: Under the Red Hood / Ten Legs, Eight Broken, mandana on tiktok / War of the Foxes, Richard Siken + Under the Red Hood + Batman #428 | A Death in the Family / The Unabridged Journals Of Sylvia Plath, Sylvia Plath / Under the Red Hood + Batman #428 | A Death in the Family / @baitmeat, tumblr + Batman: Under the Red Hood (Deluxe Edition) / Origin Story, Desireé Dallagiacomo / Vive, Vive, Traci Brimhall / The Dogs I Have Kissed, Trista Mateer + Batman: Under the Red Hood + Three Jokers / Red Hood and the Outlaws Rebirth #9 / @/sainticide, twitter + Red Hood and the Outlaws #10 / Would’ve, Could’ve, Should’ve, Taylor Swift / ? + Robin 80th Anniversary 100 Page Super Spectacular / Ep. 4: Joseph Campbell and the Power of Myth -- 'Sacrifice and Bliss', Joseph Campbell / White Knight #7 + Heaven, Mieko Kawakami / Forest Fire, Mitski / Red Hood and the Outlaws Vol. 2 #9 + Batman Annual #25 + Free Will Astrology, Rob Brezsny / Letter XV, @/lucidloving / Red Hood and the Outlaws Vol 1: REDemption / briscoepark + The Civil War, Anne Sexton [compiled by @/lovejoyparadox here] / @/soapstore, tumblr + I Await the Devil’s Coming, Mary MacLane + Claire C. Holland / @/havingrevelations, tumblr / Meditations in an Emergency, Cameron Awkward-Rich + Deathstroke #34 / Grief Lessons: Four Plays by Euripides [tr. Anne Carson] + Red Hood and the Outlaws
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Imo asking if Jason did or didn't push Felipe doesn't matter much because what does matter is Batman didn't trust him and that lack of trust is indirectly what made him seek comfort in finding his biological mother and everything that followed afterwards
Really baffling that someone can complain about Jason fans bringing up the batarang again, because the batarang 'didn't even hit Jason's hand or gun' and 'just rebounded off a pipe'
Like yes that is what happened in the comics, I agree! You're absolutely right it just rebounded off a pipe!
Into his fucking neck! The spray of blood is a meter long and puddling already when he hits the ground! Yes there's a degree of artistic rendition but that kind of spray from the neck is very fucking lethal, and portraying it like that is itself an intention.
How the fuck can someone be so deep into denial I'll never understand.
❌ The confrontation in utrh is Jason trying to find proof that Bruce loves him.
✅ The confrontation in utrh is Jason trying to find proof that Bruce loves him, because ever since he came back from the dead, he's only seen proofs (plural) that Bruce doesn't love him. The Joker is still alive. Batman has a new Robin. The first thing Bruce said to him when he came back is "Thinking what we do is a game is what got Robin killed." (The first thing Bruce said after Jason removed the bandages and revealed that he's "Jason" in Hush. Bruce didn't know that he was the real Jason. Still, that's what Jason first heard from him.)
⬆️ His reaction when he: (1) Knew that Joker is still alive (2) Knew about the new Robin, Tim Drake (3) Heard Bruce's victim blaming sentence (4) Heard Bruce said that be just can't
For someone who stated to be "angry when he came back," his reactions is a lot of crying. Angry crier Jason my beloved.
"Jason was angry when he came back" I wouldn't even deny that, because he was, and who WOULDN'T be pissed about that hello. But can we NOT sum up all of his feelings and emotions and reactions since he came back collect into a ball and call it "angry." He was feeling hurt, betrayed, dissapointed, deppressed etc. Look at him just crying out his eye balls. Look at him when he found out about Tim Drake. I heard Bruce or Dick very much sum up his reactions when he came back to "he was angry because Bruce didn't avenge him." Can we not. Average dc treatment for Jason Todd. "He is angry" and that's all we need to know, let's just put aside all of his legitimate reasons for being angry and any other emotions.
Isn't it fascinating that Bruce will never know the full story of what happened in Ethiopia?
He can ask witnesses, pull up footage from it, analyze whatever he thinks will give him the answer, but it won't give him the full picture. He'll have the answers to what bomb was used, the blast radius, forensics, but he'll never have heard the conversation between Sheila and Jason (and prior planning between Sheila and the Joker) that led the latter into the warehouse under the guise of helping his mother.
He wasn't there when it happened, so he incorrectly assumes and sticks to the narrative of Jason causing his death. Canon can mention Bruce knowing what happened all it wants, but that's not quite literally not possible. Unless they’ve spoken, any retelling of what happened to Jason that doesn't come from Jason isn't the whole truth. Everything he states about what happened in the warehouse is pure conjecture. Fine detective work can help him figure out the gist of the conversation, sure, but not the entirety of it. Because he wasn't there.
There are only three people that know the full story: Sheila, the Joker, and Jason.
One of them is dead, the other has said a part of narrative, but can't be considered a reliable source, and the other?
He's mentioned what happened a couple of times, it's believing him that’s the hardest part.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I’ve heard far too much of Bruce’s take on Jason’s death. Far too much. Enough is enough. If I have to hear any more, I’ll have a stroke. I need him to never speak of Jason’s death again, especially since he never has anything decent to say. I also don’t need to see any more of aditf from his perspective; honestly, I want to see aditf from Sheila’s point of view. I want to see the perspective of a woman who ran far away to Ethiopia to escape her past mistake, so scared that she was willing to sell out her own son when the past came back to haunt her. I want to see what she thought when she first reunited with her son. What she thought when his son turned out to be Robin. What she thought when she sold him out. What she thought when he crawled through his own blood to get to her. Her last moment. Hell, I think about her last word so fucking often.
But all we really have is just the aditf scene being redrawn like a hundred times now… At this point readers who see those picture would just think that aditf has been explored and exploited too much. Too much, maybe true, but the right word is actually too excessive. Too redundant. We just have too many about Bruce’s thoughts and perspective and how he failed to save Jason and… who even cares about how Jason’s mother sold him out to the Joker! Who even cares about how he went through hell to save her. Hell, who even cares about how he tried to cover her from the blast and Sheila’s last word or anything. We just have to focus about the image of Bruce carrying Jason through the explosion only. That’s the only thing that the readers need to know about Jason’s death that’s it. Not even the image of him hugging Jason when he found him. This is not even the story about a father that lost his son who he loves so deeply, this is just the story about how the oh so perfect Dark Knight failed to save Robin. And all we have to know about that Robin who died is just that he’s a bad Robin, and he is very very reckless. Who even cares about how he wanted to save his mother or anything.
It’s just that that image in aditf being exploited so many time but they never actually dive deep into the issue okay. It’s just that the comics refered to aditf so much but never actually explored the aspects in the issue in a serious way. And how Sheila just being completely ignored in the whole aditf story is insane. Talk more about Sheilaaaa.
It also got pretty boring with me how they keep using Joker and the crowbar as Jason’s deepest fear or whatever okay. He got over Joker long ago. Use Sheila or Gloria’s suicide or the batarang (how could they never explored the batarang?!?)
AND PLEASE PLEASE TALK BOUT SHEILA. MENTION SHEILA. SHEILA’S IMPORTANT. DON’T IGNORE SHEILA. JUST DON’T IGNORE HER. WHY DID PEOPLE IGNORE HER.
let’s say bruce never took jason in, never made him robin— he’d never be in such a position of privilege and power to help. he’d never become a crimefighting hero nor would he ever be able to work so closely with both law enforcement and bear witness to the structural limitations of legal from the other side.
maybe he would have continued his low level criminal activities or boosting tires for survival. that’s assuming of course, that he continues surviving.
but i think it’s necessary to acknowledge that many women have shaped and influenced the development of jason’s world view, many of whom he either met as robin (judy koslosky, gloria stanson) or because he was robin (talia).
that’s not to say jason wouldn’t have come across similar stories that would push his initial distrust of law enforcement further down the pipeline if he had not been robin. but rather it’s because of the difference in position—the helplessness of a victim vs the helplessness of a hero— truly is a the crux of it. bruce got jason to give working alongside the law a chance, it threw the structural inequalities back in his face.
if not for bruce, jason might have become just another statistic. because of bruce, jason had the misfortune of having his death being directly covered up by a billionaire for his own self interest.
and that’s just the irony of it all, isn’t it?
so many thoughts, so little words @nighterwriter - Tumblr Blog | Tumlook