new music: friday, october 16, 2015
There’s more music to listen to than time to take it all in this week, with notable and must-hear new releases, including:
Chairlift’s upgrade from safe synth-pop to a Beyoncé-esque banger
top-shelf dance-pop imports from Annie and Christine and the Queens
BØRNS channels Jeff Buckley and CHVRCHES on his anticipated debut LP
MØ gives a first peek at her upcoming second album (and the first thing we’ve heard from her since the massive success of her “Lean On” collaboration with Major Lazer and DJ Snake, whose new track features Bipolar Sunshine
album of the year contenders from Neon Indian and Deerhunter
the return of Dan Croll, who takes a surprising turn into Tame Impala territory
On an On get the RAC remix treatment
plus new stuff from the parentheses-requiring quirky dance-punks !!! (Chk Chk Chk), Raury, SOPHIE, Beach House, Jack Garratt, Goldroom, Keep Shelly in Athens, Wave Racer, YACHT, Small Black, Here We Go Magic, and (somehow) even more
this week’s best new singles + remixes
Rather than being permanently typecast as the typical palatable but uninspired lot that make up the “We had a song in an iPod commercial” club, Chairlift shakes their beige past with a borderline banger that marries hip-hop swagger with sexy synth-pop sensibilities like a hybrid of Phantogram and Beyoncé. The result is their boldest song to date and a tantalizing taste of their third LP, Moth, due in January.
SOPHIE – JUST LIKE WE NEVER SAID GOODBYE
Jack Garratt – Breathe Life
The young British singer-songerwriter with a Midas touch for cheery indie earworms returns with the first taste of album no. 2, which he says has been influenced by the likes of Tame Impala, Queen, Black Sabbath, and Unknown Mortal Orchestra. I was a sucker for Croll’s full-length debut, From Nowhere, and was equally enamored with his live show, so the hint of more new music and touring in the not-so-distant future is good news indeed.
On An On – Drifting (RAC Mix)
From her first appearance in the states back at SXSW 2013 to her energetic early morning Austin City Limits Music Festival 2014 set, I’ve always been willing to go all in on the bet that MØ would break huge. After the stupidly massive hit “Lean On” with Major Lazer (the song has nearly half a billion plays on Spotify — those are goddamn Ed Sheeran numbers) I think it’s safe to say the Danish singer has broken throughl. Her latest single, the first from her upcoming second album, is another collaboration with Diplo. While it may not have the legs of “Leon On” it shows there are plenty of electro-pop gems left to mine from the mind of MØ.
Goldroom + Ren Farren – Waiting To Ignite
DJ Snake + Bipolar Sunshine – Middle
Tei Shi – Go Slow (Luka Remix)
Bob Moses – Talk (Midas Rework)
this week’s best new albums + EPs
Neon Indian – VEGA Intl. Night School
Alan Palomo’s latest album with Neon Indian seems to take its name from his (seemingly abandoned) solo dance project VEGA. VEGA Intl. Night School is a chillwave late night soundtrack of wooly, warm analog synths and tropical disco beats — bending the druggy sound of Neon Indian toward the more straight-forward dance of VEGA. The album’s 14 songs were recorded in locations ranging from a cruise ship to DFA’s studio in NYC.
Deerhunter – Fading Frontier
Recorded in the wake of a car accident that left the band’s frontman Bradford Cox (aka Atlas Sound) hospitalized, Fading Frontier is the latest full-length from the Atlanta psych act with a nearly impeccable track record of... records. This go ‘round, Cox shares vocals with bandmate Lockett Pundt, and Broadcast's James Cargill and Stereolab's Tim Gane make appearances.
Beach House – Thank Your Lucky Stars
A slathering of nine new tracks hot on the heels of their most recent release, the two-month-old Depression Cherry.
Hip-hop meets folk on the debut full-length from the eclectic and electric Atlantan whose flow draws comparisons to André 3000′s.
!!! (Chk Chk Chk) – As If
Album no. 6 from the veteran dance-punks — who often sound like bizarro brothers of The Rapture or a funkier Friendly Fires — is a set of songs culled from 40 penned while holed up in a New York apartment. “Everyone wants us to be punk; everyone wants us to be raw,” Nic Offer told Spin. “Well, we want to make dance music. The kind of dance music that sounds raw is that early-’90s house records.”
(RIYL: Robyn, La Roux, Yelle) The acclaimed Norwegian queen of guilt-free pop returns with an EP of ’90s-facing summery synth stunners — a solid four-track run from the subdued opener “Cara Mia” to the sweaty dance-floor tantrum of closer “WorkX2.” Stereogum calls it “one of the year’s best pop releases.”
Christine and the Queens – Christine And The Queens
The indie-pop star is a big deal in her native France, counting as fans Madonna and Mark Ronson. Her full-length 2014 debut, Chaleur Humaine, has been translated and tweaked for its stateside release and features Perfume Genius. Domination will follow. She is currently on tour in the U.S. opening for Marina and the Diamonds.
YACHT – I Thought the Future Would Be Cooler
Here We Go Magic – Be Small
Keep Shelly in Athens – Now I’m Ready
Wax Idols – American Tragic
Gun Outfit – Dream All Over
The debut LP from the Taylor Swift–approved, impossible-to-hate LA singer. “Let dapper Michigan native Garrett Borns whip your synapses back into working order [with] sun-bleached synth-pop... that sounds like Jeff Buckley singing ‘99 Luftballoons.’ BØRNS' voice is something to behold, elastic and powdery and sweet... Plus, that hair. Somewhere in an Irish dive bar, CHVRCHES are quivering into their apple juice.” –VICE
Luke Haines – British Nuclear Bunkers
Olga Bell – Incitation EP
“Instead of rushing to keep in time with skittery, double-time drum machines, Bell aims for the austere... embracing the melismatic melodies and damaged electronic architecture favored by Björk and so many after her. The richly textured drum sampling is the most modern element, indebted to artists like FKA twigs who have drawn threads from R&B toward IDM and other realms of the avant-garde.” –Pitchfork
Evil Blizzard – Everybody Come to Church
Majical Cloudz – Are You Alone?
The Mantles – All Odds End
“Chris Walla says plenty by saying nothing on Tape Loops. His second solo record and first since a public departure from Death Cab for Cutie, his latest release offers an ambient, instrumental collection of manipulated analog tape.” Consequence of Sound
Maritime – Magnetic Bodies/Maps of Bones
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