yeahhh I lied.
one more time, HAPPY MOON LANDING DAY!
aaand gooodnight.

oozey mess
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
we're not kids anymore.
The Bowery Presents
d e v o n
occasionally subtle
YOU ARE THE REASON
Today's Document
ojovivo
macklin celebrini has autism

Misplaced Lens Cap
tumblr dot com
RMH
will byers stan first human second
Fai_Ryy
hello vonnie

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@neverenoughxp
yeahhh I lied.
one more time, HAPPY MOON LANDING DAY!
aaand gooodnight.

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>‘this thing is too generic and tropey’
>look inside
>forefather of that genre
Me two weeks ago:
It's a shame so many people I follow are into that Locked Tomb series. There is no logical reason to put necromancers in space. It's a marketing gimmick. I heard they weren't even gay.
Me now:
ONE FLESH ONE END
Stargate SG-1 (1997-2007) Window of Opportunity (4.06)
Emos & scene kids got this close to abolishing gender for real. I try not to think about it too much.
The idea of a popular teenage subculture where girl & boys pretty much all dress the same feels impossible now but for a while it was reality and it was beautiful.

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One thing I really like about Beverly Engel's book It Wasn't Your Fault, which is about PTSD-induced toxic shame, is that quite a bit of it deals with people who haven't broken The Cycle of Abuse (TM) and have gone on to hurt others. That's a really underserved and vulnerable patient population, and statistically, it's also MASSIVE. I don't think I've read a single other self-help type book on PTSD and self-loathing that confronts the possibility that you're exactly as bad as you think you are.
I felt better that it so much as mentioned that children can react to abuse with ungovernable rage. Everybody likes the image of PTSD patients as internalizing everything and becoming doormats, which does happen, and often, but it's not the only narrative. Personally I've always hated my abusers and have always wanted everyone who so much as breathed wrong in my direction from ages 0 to 18 to burn eternally in hell. I *never* thought any of it was my fault and ever since I was a toddler I was willing to make it everybody else's problem, and it's really relieving to read a clinical perspective that acknowledges that abuse victims can act that way too.
It's wild to me that its such a neglected subset of abuse victims. Its really common. When I still lived with my parents and was still subjected to my father every fucking day I would lash out terribly at my mother, to the point when i went to visit them for years afterwards she was afraid I would lash out again. We've worked it out, I'm a much better person when I'm not regularly subjected to mental and emotional abuse, but like, its just so common.
I think it must be, at least partially, because, people hate the imperfect victim. Its easy for so many people to sympathize with someone who never lashed out. Less so for people to sympathize with people who are angry and lash out. Even though its a perfectly sensible reaction to being hurt over and over. I'm sure most people would like to think they would simply never.
I don't think this is the whole reason, but, I think it plays into it.
Similarly, there’s a narrative of, you cannot experience grief over having fucked up. That if you are hurting because you caused harm, because you were the cause of harm, that you’re not allowed to grieve, because you “earned your sorrow. You deserve to bottle it up and to hurt for the bad things you have done,”
Which is punitive logic. It’s copthink. Which is bad.
important
In fact, you can actually give yourself trauma over fucking up too badly and doing, witnessing, or failing to prevent something evil that goes against your morals; for instance, if you steal your mother's life savings due to drug addiction, kill a civilian during a military operation (please do not join the military), or became abusive because you didn't have the tools and skills yet to handle BPD. In the field of psychology this is called "moral injury" or "perpetrator trauma."
Pat Ningewance, a first language Ojibwe speaker, once commented that it was awfully hard to effectively translate a lot of English poetry into Ojibwe because there is no way to say things like “her slim arms” bc the only word in Ojibwe for anything like that basically sounds like “her arms were just skin and bones” while meanwhile there is a whole word that means “beautifully fat” (minogaamo) bc that was way more valued in Ojibwe culture than being skinny, which probably meant you were malnourished
For those expressing interest in Pat's work, I recommend her introduction and translation of Anishinaabe writer George Kenny's poems and short stories, Gaawiin Mawisiiwag Anishinaabeg / Indians Don't Cry, and the book she wrote of her mother's storytelling, Gii-nitaa-aadisooke. The second link goes to the publishing company she owns, which also has one of the best available textbooks for learning Ojibwe, titled Gookom's Language.
the average red state is closer to Sharia Law than Zohran’s NYC
https://www.thestate.com/news/local/crime/article316562024.html
it really is quite bad for your military to have an image of itself as a warrior class. what you really want is for your soldiers to think of themselves as boring professionals who will fill out a report form if someone gets a little too warrior ethos out there

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If you don’t like a show, you can just stop watching. I don’t know when people forgot that but if a show makes choices you don’t like or don’t agree with you can drop it like a hot potato and move on. You don’t have to flood the tags of said show with bad faith criticism and doom posts about how “actually the whole show was always terrible and you’re terrible if you watch/enjoy it”. At that point just move on and find something more to your taste, it’s really not that hard.
look I just think a lot of people internalised that Juliet is 14 and Romeo is 17 and he's already sad over a girl at the start of the play and that Juliet isn't in a similar heartbreak and they dog out Romeo from there and like look I won't argue that he's not an ass but my point is these people are actually ignoring the context of Juliet at the start of the play while they're focusing on Romeo's position
Which is to say from Juliet's perspective the play starts with her being told that she has to marry a nasty old guy who she doesn't like at all and when she protests the answer she gets is 'well you are only good for getting married so you Have To Do It'
Then by chance she meets a much younger cute boy who she immediately likes talking to. And she decides on the spot that maybe being married will not be so horrible if she at least gets to choose the guy she's married too. That's her motivation. She's trying to make one desperate bid for control in her life in a society that thinks she should absolutely never have that. That's the whole point. Yes, Romeo is a stupid boy. Juliet still chooses him and that's important not necessarily because she chooses him, but because she chooses him.
Like do you think friar Laurence's contrasting reactions to Romeo threatening to kill himself and then Juliet threatening to kill herself are for nothing
To Romeo he's like 'shut up you are being ridiculous' and to Juliet it's more like 'hey it's okay we'll fix it. I can fix it. Please put down the knife' they are in fundamentally different situations and everybody but them knows it
Imagine being the only person alive who can say this
buzz aldrin and neil armstrong liked to do a thing where they’d tell unfunny jokes at parties about being on the moon and when people were confused they’d go “guess you had to have been there”
common advice for social anxiety is to tell yourself "people aren't going to think less of you just because you said something a bit daft" but the thing is. sometimes they will. and you just have to learn to be cool with that and to treat it as a dnd random encounter rather than letting it ruin your whole day
recent example. lady at my careers appointment had a post-it with her name on it stuck to the monitor, so i introduced myself by saying "hello, i'm eliot! you must be [name], it's nice to meet you!" and she stared at me as if i was the stupidest person alive and said icily, "yeah, i'm [name]. congratulations, you can read."
in bygone times this would have reduced me to a sort of quivering blancmange. thankfully i am now in a place where i was able to pull back, calmly evaluate this interaction, and say to myself "this woman should probably not be working in a customer-facing job"
important additions!!!!
Yeah, yeah, all the textile and fibre arts lead to each other, we all became trapped here long ago.
The danger zone is when they lead out of textile and fibre arts, into agriculture and woodworking and smithing and beyond.
I've got it!
The danger zone is always one or two steps beyond wherever I am now.
it's me, boy, the small allotment plot of flax, talking to you from inside your brain

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How the new Odyssey movie sounds to me based off of what I’ve seen on tumblr
a thing about me is i basically never notice a wig or other kind of hairpiece in tv/movies. it has to be party city territory for me to even twig it. people will complain about characters' wigs looking bad and i will nod along but there is like a 90% chance i did not notice for a second while watching. i consider this mostly a blessing.