so much fanfic can simply be described as "erotically fascinated with the sexual mechanisms of misogyny while being utterly repulsed by acknowledging women as the subjects of this violence"

like the whole "ohhh we just want a break from thinking about misogyny/I don't let you do that to her" thing falls apart if you look at the glee with which people use misogynistic language about men's bodies in a fanfic context and more troublingly than like, omegaverse nonsense is when people decide that it's fine and progressive, actually to apply misogynistic tropes to Feminine/Cross Dressing Men aka transmisogynizing their subjects whilst refusing to engage with transfemininity in earnest as a complete experience in its own right or doing the whole forced detransition/piv/breeding kink/daddy makes him his little girl thing about trans men it's like well okay I don't think patriarchy is fine as long as you do it to queer minorities. and like whatever if you're writing forced pregnancy rape kink stuff it's not like you're doing that to bring us forward as a society in the first place but then why the flinch towards progressivism when it's even briefly unpacked? "misogyny is fine and sexy if you do it to men but women are too good to experience it" seems to be the underlying mindset. it's not that I expect people to fully deprogram patriarchy from what fascinates them before they write fanfic, that's silly, especially bc you can write very interesting sexual dynamics in conversation with patriarchy, but it just reads as very disingenuous to want the misogyny without the women

Whenever I see some anon asking an artist if it's "okay to take inspiration" from their art it makes me want to make some kind of manifesto or billboard or PSA or skywriting campaign to undo whatever damage strange litigious illustrator types inflicted upon the most basic foundations of the creative process. We can't let them get away with this

no one even uses tumblr anymore except for me. and a couple of lesbians. and the ghost of cicero

I told my little nephew that I'd wave at his airplane when it flew over my house today, and he very calmly and politely explained that it wouldn't be possible to see me due to the limitations of human vision. I said he just had to squint real hard, and he took a deep breath and went into the toddler version of "see, what you're not understanding–"

everybody leaving tags on my letterboxd roundup like "they didn't do the nobody scene??" we're so fucking past that i need you to catch up. i went into the movie knowing they wouldn't do the nobody scene and frankly i had made peace with it like okay if you don't want odysseus calling himself outis because you don't feel like the joke translates well enough WHATEVER you dont need to film every line of the poem. what i was NOT prepared for is that THEY DON'T SPEAK TO POLYPHEMUS AT ALL. they don't steal a giant wheel of cheese, they don't get him drunk, odysseus doesn't taunt him after their escape, AND he doesn't cry out to poseidon or the other cyclopes on the shore. it's "revealed" that he can speak in the cave before their escape as he prays to poseidon. someone asks odysseus "should we try to reason with him?" and ODYSSEUS says "we're past that." resulting in an adaptation where odysseus does not use wit or trickery to escape polyphemus at all-- which is the case with every single obstacle he meets. this guy does not lie and he does not play tricks. his intelligence is restricted to battlefield tactics, the administration and direction of his men as units. You have to poke polyphemus so he opens his eye before you can stab it! I am very smart. the only point at which he could be described as "tricking" polyphemus is when-- because the movie is allergic to making odysseus look stupid or silly in any way-- they tie straw to their backs to be mistaken for sheep instead of riding the undersides of the sheep, and we are presented with an action sequence of trousered and armored soldiers somersaulting and army crawling under polyphemus' gently dangling hand. which i hate because it is a less clever solution that only works if polyphemus is extremely stupid (shepherd who doesn't know how many sheep he has) -- and more importantly because it removes IMO the most emotionally efficient moment in the odyssey, which is polyphemus talking to the one sheep that's walking slow because it has odysseus on its belly like "oh no are you feeling okay today? you're moving so slow, maybe you're upset because i'm in pain? you're the best sheep in the world and i love all of you my sheeps" like that scene is supposed to instantly retroactively humanize polyphemus and make you realize odysseus has been torturing a person with feelings who basically just wants to be left alone with his pet sheep and it's extremely good at that in every translation i've ever read. but not one of odysseus' enemies are allowed an inch of humanity in this entire adaptation which seems to be a veiled metaphor for the vietnam war so what can you expect. and yes because odysseus never does anything wrong or stupid or silly, OF COURSE he would never reveal his name and allow polyphemus to curse him, and his crew only "believes" that he's been cursed by poseidon thereafter, which removes the ENTIRE MAIN ANTAGONIST of the story and changes the central conflict from man vs. god to man vs. ????

going with the flow in a face down in a river kinda way

Always funny to me when indie devs who already sell games for dirt cheap participate in steam sales with like 90 percent off. Like. "Yeah this game is three dollars but you can have it for one right now." Like your game costs as much as a pack of m&ms and youre selling it for the cost of a pack of m&ms in the 1950s now? Okay

Oh also you do have to read real books. Like you have to read the books. You can’t just read fanfic, those are not books. You can if you just want to write fanfic, but if you want to write books, you kinda gotta read books. No, posts do not count.

friend of mine recommended a video essay that's like 5 hours long about why it's currently a whole Thing for fascists to claim they only eat meat and demonize vegetables etc etc, and it's genuinely quite well researched in many places and contains some fascinating history and has made me feel very weird about my status as an adult who enjoys drinking milk. but I've not finished it and I genuinely don't know if I will because at one point the ol' "you can't say you care about animals and also eat animals" chestnut got dropped by the white vegan essayist and it put such a bad taste in my mouth that I had to leave instantly

like idk man it just feels genuinely parodic to dedicate hours to analyzing how foodways have frequently been used as white supremacist propaganda and then casually toss out an argument that pretty invariably demonizes indigenous hunting practices with 0 regard for traditional knowledge and land stewardship guiding those practices

its crazy that megan thee stallion is not considered a queer artist by some people. the woman is not shy about the fact that she finds women attractive and likes having sex with them. she references it pretty frequently in her music, she made a whole song about enjoying having threesomes with a woman and a man, she made a Jennifer's Body-themed music video, she had Victoria Monét full riding her thigh on stage at a coachella, and there's literally a video of a lesbian interviewing glorilla at a party & asking who she would date if she was queer and her immediate response is "megan. megan like girls!" and then megan turns around and immediately starts flirting with the interviewer. i don't know what more you want. that woman is Bi Sexual and we should all be thankful every day for that. bi women are still bi when they wanna fuck men too you know. the fucking of men is also done bisexually.