I love when tragedies are like… (in/sp)

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@manycoloureddays
I love when tragedies are like… (in/sp)

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Designated Weeping Area, a community art project from Cora Lee (coraleecreates, 2021)
s3 langdonmel where they are besties and Langdon is indeed divorced and hooking up with women. Regularly. And whenever he tells Mel about it she feels a certain type of way but she doesn’t know exactly what she is feeling. But she lets him tell her about it. Because she’s a good friend. Then Mel goes on 1 single date and langdon genuinely crashes the fuck out. And Mel is so mad at him because WHAT? She has to hear all about these different women he’s with and puts up with it but she goes on 1 date and he’s bitching at her? what is his ISSUE? and then they bitch at each other all day literally brat4brat they are gonna rip each others heads off etc etc etc
“Dyke rage is blessed”
Dyke March, San Francisco, June 27th, 2015, by skamalas on flickr. (source)
Franz Kafka, Letter to His Father

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Sibylle Bergemann, Lustgarten, East Berlin, 1982
you really do turn thirty and everything is different and sometimes better. if you're in line for thirty stay in line bro
Offering by Rosalie Lettau
source: Rosalie Lettau
The biggest issue in the pitt season two is the writers killed their own momentum at every turn and then acted confused when it didn’t work for people (how could it)
Trinity’s a new R2, drowning in work and seeing a new attending come in who she doesn’t like on the same day as Frank’s return to the ER. She’s stressed and overloaded and her position is being threatened and her tone all season is…she’s sleepy. Trinity is tired. Instead of her fighting for her place in the ER like we saw in season one, metaphorically elbowing people as a way of reasserting herself, she sits at a desk and charts. For 75% of the season. It doesn’t go anywhere, nothing happens with it (she makes a mistake and it’s caught and the lecture about it is so mild she doesn’t even stand up). Trinity spends a season designed to push her buttons doing nothing but talk about the characters around her
Robby’s planned a suicide trip that from the opening of the season is already clearly a bad idea. But because of the format of the show, instead of it being a sudden announcement or a reason to talk to him, everyone spends the season wishing him well….because they’ve known about it for weeks. There’s nothing left to discuss. And the audience knows Robby’s not killing himself - it’s an empty threat - so every Robby scene goes the same way: you’re heading out? Ah man that’s so out of character, well have fun and see you later (Robby face of ‘there won’t be a later’). By the time Robby actually said he’s suicidal I rolled my eyes because it had been textually overplayed for thirteen episodes. Robby started at the end of his character arc for the season and was given massive amounts of screentime like he was going to progress somewhere (nope)
no one:
jack robinson:
he even does it SITTING

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Julia Roberts as Julianne Potter in My Best Friend's Wedding (1997) dir. P. J. Hogan
can i come to your house and make you know some information
some people are afraid to be cheesy. I live my whole life on the charcuterie board
IT'S LOVE I'M AFTER (1937) — Dir. Archie Mayo
Sylwia Górak — The Moon in the Well (oil on canvas, 2015)

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how to escape the heavy yoke of mortality that the gods have placed on our shoulders tutorial
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