The Trump administration is spending more than $100 million to fight the "emergency" of "white genocide" in South Africa.
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@mynnthia
The Trump administration is spending more than $100 million to fight the "emergency" of "white genocide" in South Africa.

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Backrooms Movie Spoilers!
It occurs to me with the Backrooms movie that Mary doesn’t have a proper ending. As in, yeah she survives, but in the end she kinda just ends up just stuck in a clinical room. Wating. She doesn’t really get to process her trauma, she doesn’t really get to be free of the Backrooms, she doesn’t really get an ending to her story. She’s just stuck in transition. There’s no proper ‘ending’ to the film either. The film itself was stopped right at the threshold of something greater. It’s making you wait.
Mary is in a permanent stage of liminality, always at the threshold but never able to move on.
Clark was at that stage- which is why he was able to live so long in the Backrooms. He was unable to take that step, he was in the same state as Mary until she helped him. He ‘made the next step,’ (or in this case, stepped back) he was not longer in a state of transition, he made a choice and stuck with it. Which is why Still Life Clark killed him right after. He no longer belonged there.
It’s why the scientists and ASYNC are so obsessed too. They’re now looking to make the next step in human history, believing this to be the greatest discover in history, but they’re unable to at the moment because they don’t understand it. They’re stuck wating too.
The Backrooms is the Threshold of reality, one where you can’t make that next step. Because around that corner is going to be that same yellow wallpaper, on and on, forever.
But you’ll keep walking, wondering when you’ll be able to take that next step.
It’s like trying to describe a dog to someone who has never seen one before…
the backrooms movie made me realize that my deepest fear isn't monsters or labyrinths or even death. it's failure.
seeing clark divorced, struggling with money, no friends, sitting and drinking and festering in his own self pity brought tears to my eyes faster than anything ever had before.
I saw him out of breath hopping around on the peg leg with the pirate impression talking about how you don't even need credit to buy from him and I was so close to sobbing it wasn't even funny. putting on a face when you're breaking down inside with no hope is terrifying to me.
I was so sad during the kitchen table scene because everything Mary said was true, he was lost now. It's like seeing someone you wished would succeed just give up and fall asleep in their grave.
Clark is gonna stick with me for a long time.
The backrooms are a failing brain trying to hold onto even the most basic of memories, even as they warp and decay.
The backrooms are generative AI trying to capture something real but only achieving a malformed, mindless imitation.
The backrooms are stagnation, an unwillingness to step into the new and uncomfortable effort of changing, instead running through the same old routine even as it starts to fall in on itself.
The backrooms are nostalgia cannibalizing itself, trying to remake and remake what it already knows without making anything new, until the familiar is so bastardized it's barely recognizable.

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"I like it in here"
Okay. But its going to consume you.
"We don't have to change"
Okay. But it's going to consume you.
Eventually you have to leave. Eventually you have to run. And its painful and it's so much harder than staying in the comfort of what you know. In that house that stopped being a home years ago. Living memories you've replayed so many times over and over that the details are warping and becoming hollowed out corpses.
And it will consume you when you least expect it. You'll rot right there along with the building foundations and distort right along with your memories.
You'll have to run eventually, even if that's not how you're wired.
The window was never locked.
i really love the motif of windows in Backrooms. mary’s book being called “the window within”. the curtains in her office always being drawn. the shot of her behind glass in her own home during the gathering at her house. clark looking through the window into his own house. him being unable to see kat through the glass she can see him through. the window in mary’s mother’s house. the windows in the hospital her mother is brought to that only look out to another building. the drawing that mary finds of captain clark reaching someone up towards a window. the fale window in clark’s “home” in the backrooms that just looks out to more of the same empty space. the window in the interrogation room that’s too high to see out of (and thus to determine if it’s real). the fact that the backrooms lacks any windows to a true “outside space”, and how terrifying that makes it. there is no window within. or, at least, not one that any of them can find
watched the backrooms movie & went “how can i make this about me”.
(pinches of early 2010’s childhood nostalgia, a nod to “distortion,” backrooms writing ramblings.. I am home)
reading reviews and tags of backrooms (2026) makes me so fucking angry omfg. did the message go over everyone’s head????? cycles of abuse????? the immorality of the psychiatric and medical systems???? the horrors of being a woman in patriarchal society???? the horrors of being an abuse victim trying to navigate the world?????? the consequences of trying to ‘fix people’, especially men as a woman, and especially abusers as a survivor????? how trying to fix the abusive system you live under using the tools of that same system doesn’t work??????? how destructive enabling abusive behaviour, even as part of healing to ‘fix’ an abuser, can be????? is anyone listening or do you only care about the random white man!???!?!!!?????
the backrooms, inspired by teun hock “Untitled, 2000”

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I can't stop thinking about this movie
A little different than my usual art but the backrooms has gotten under my skin, in my brain, my soul.
Basement Land
The window within

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yar har fiddle dee dee