Queer Damozel of the Isle of Lesbos

anyway i go in to see paul one week in the summer of 2016, and i’m doing my usual bullshit which consists of me talking shit about myself, and paul is staring at me, and then he cuts me off and says that he’s got a new tool for helping people recognize when they’re using negative language, and gets up and goes over to his desk

and i’m like alright hit me with that sweet sweet self-help article my man, because i’m a linguistic learner and whenever paul’s like here i have a tool for you to use it’s pretty much always an article or a book or something

paul opens a drawer, takes something out, and turns back around. i stare.

i say, paul.

is that a nerf gun.

yeah, says paul.

i say, are you gonna shoot me with a nerf gun in this professional setting.

he happily informs me that that’s really up to me, isn’t it. and sits back down. and gestures, like, go ahead, what were you saying?

and i squint suspiciously and start back up about how i’m having too much anxiety to leave the house to run errands, like it was a miracle to even get here, like i’ve forgone getting groceries for the past week and that’s so stupid, what a stupid issue, i’m an idiot, how could i–

a foam dart hits me in the leg.

i go, hey! because my therapist just shot me in the leg. paul blinks at me placidly and raises an eyebrow. i squint again.

i say, slowly, it’s– not a stupid issue, i’m not stupid, but it’s frustrating me and i don’t want it to be a problem i’m having.

no dart this time. okay. sweet.

so the rest of the hour passes with me intermittently getting nailed with tiny foam darts and then swearing and then fixing my language and, wouldn’t you know it, i start liking myself a little more by the end of the session, which is mildly infuriating because paul can tell and he’s very smug about it 

For example, I was reading a book recently (that I shall not name) that hinges on the idea that the protagonist made a choice that indirectly got someone killed. So much of this book leans into this potential death in both metaphor and direct imagery. You're waiting, the whole book, to find out what happens, guessing with dread on which character it'll be.

Nobody dies in the book.

To me, the reader, this is a flabbergasting decision to make. It's obvious the author made it so that you wouldn't hate the main character, but she spends the entire book beating herself up for a thing that never even happened.