a collection of stuff

a (dangerous) dance

This is… not a good idea.

Green sea turtles have been an iconic endangered species since the 1980s, mostly due to bycatch in fishing nets and taking adults and eggs for food. I have core childhood memories of watching Steve Irwin talk about sea turtle conservation in front of a beach full of nesting green sea turtles.

After 45 years of conservation efforts, their population now meets the IUCN criteria for Least Concern rather than Endangered.

For a species with such a slow life history (it takes green sea turtles decades to reach sexual maturity) and a nearly global population, this is a Really Big Deal. This is the kind of long term conservation victory that many of the amazing humans who started working on green sea turtle conservation back in the 80s didn't live to see.

looks inside plot

''there is no righteousness in suffering alone and isolating yourself from everything is never the answer because you'll eventually start to lose sense of who you are as you spiral further into depression and suicidal ideation this is why you need to let people help you and allow yourself to believe in a better future even if it feels impossible at times''

well shit. it does have a good plot

It had cameos, and they all *actually* were relevant to the plot and not gratuitously there for the "MCU value" or as material to point a finger at.

here is all the reasons why you should use comicfury (if you aren't already) :

pretty much full control over your custom site design. if you're an HTML/CSS nerd you can go as crazy as you want with it. but for those who aren't so code-savvy, there are also simplified built-in design tools so you can create a unique site for yourself and your work. reject homogeneous minimalism design of bigger platforms, embrace tradition of mid-2000's kitchen sink site design (if that's what you want, that is).

the site demonstrates its own philosophies through its extremely charming vintage 2000's-era site design. it ain't broke so it doesn't need fixing. if it's too 'ugly' for you and wards you off from using the site, then it's succeeding at what it was designed to do.

forums! remember those??? CF sure does!

full view of your comic statistics over the past month, shown as delicious daily line graphs, separated by unique visitors, web page view, and scroll view.

hosting is free. don't want that pesky 'thecomicseries' or 'comicfury' add-on? all you gotta do is purchase your own domain name. contact kyo and they'll take care of the rest.

you can categorize your pages per chapter, making for an easier reading experience

you can include page transcripts for screen-readers as well as mouseover text

you can enable comments per upload and even manage them so that all comments have to be approved by you before they're shared publicly

archive tagging!!! i.e. you can tag uploads with relevant characters / locations / etc. so people can find specific pages easier on your site.

you can run a goddang BLOG on your comic site so that people can read what you've been up to! or don't, it's your choice!

clear filters for NSFW content. the filters do what they must to inform your audience as intended, outside of that, your comic will not be taken down, flagged, or suppressed in search results just because it contains violence or boobies.

they are strictly anti-AI

they do not make licensing deals with third-party companies, so the only 'competition' you have are other indie creators like you, no Marvel or DC nonsense

you're free to embed ads and/or donation buttons on your site and CF will not take off a single cent of it for themselves.

the front page goes to Recently Updated by default, all the other tabs are simply Popular Now and Popular Overall. there's also a Random button if you want to be surprised with something new. while this might seem like a bad thing for people who prefer custom filtering, this unbiased layout prevents the common visibility issues / favoritism / etc. that happen on other platforms.

but if you DO want to find something new that fits your specific tastes? just use their search bar, unlike on Webtoons it actually does what search bars are supposed to do! within the search page you can pick and choose whatever genre tags you want, and you can filter out major NSFW flags you're not comfortable with seeing.

COMICFURY HAS A SCROLL VIEW SETTING THAT YOU CAN ADJUST IN YOUR SETTINGS. THE PLATFORM IS ALREADY DESIGNED TO BE CONSUMABLE ON YOUR PHONE. IT DOESN'T NEED AN APP.

ugh man i'm so sorry for popping off on this very innocent and well-meaning bystander but what did i JUST say

when i say it's a webcomic platform that knows it's a webcomic platform

that's it. no asterisk. that's the POINT OF THE MEME.

it is a website for reading and hosting webcomics. there is no app. and that is why it works.

i realize this might just be a consequence of me being Old™️ compared to the average webcomic consumer / artist, but do y'all know how destructive phone apps have been and still are to webcomic culture? because not only is developing a phone app EXPENSIVE AND TIME-CONSUMING, but it's pretty much impossible to have phone apps now that aren't managed and funnelled through Google and Apple.

that means CENSORSHIP. and CORPORATE INTERFERENCE. and FINANCIAL INVOLVEMENT. which is entirely opposing to WHAT WEBCOMICS ARE.

as soon as indie sites based around free content develop apps, there's a very clear shift in how that site continues to operate, prioritizing corporate standards and profit over usability and community. because otherwise, they can't justify the creation of the app in the first place, and they can't very well maintain that app on account of how expensive it is to do so.

in fact, i can even attest to this from experience! y'know Tapas? the friendly competitor to Webtoons?

this platform used to FUCKING SLAP and then guess what? they released their phone app. and in doing so, they immediately lost the entire fucking plot. their ad revenue program turned to shit, they started prioritizing their advertising and growth towards paywalled comics over the free to read ones, they started restricting the content that was allowed on the platform for the sake of 'brand friendliness' and most of all, they started caring more about what INVESTORS saw rather than what the average user experienced.

and i'm sure that's a heavily biased opinion in which i'm choosing to cast blame on one specific thing instead of all the various things that led to the downfall of this fuckass platform (and i could talk about all those things at length too) but guess what? i don't give a fuck if it IS biased, because i've been there and back and lived to tell the tale and the common denominator in the enshittification of all these major platforms i'm goddamn MEME'ING ON was the phone apps. and most of all, the normalization of corporate involvement which happens the MOMENT you build an app for the Google and/or Apple store.

modern phone apps are NOT about accessibility, they're about money and metrics. that's it.

again, big apologies to the person who left these tags in the reblogs because i know they didn't mean any ill will of it.

but EVERY FUCKING DAY i see y'all complaining that webtoons and tapas are garbage, that they don't let you consume NSFW content without censoring the fuck out of it or removing titles entirely from their platforms, how they progressively tighten paywalls and increase ads to force every last cent out of you, but never ONCE do y'all realize THE CALLS ARE COMING FROM INSIDE THE HOUSE.

comicfury doesn't have or need a phone app for the same reason that AO3 doesn't have or need a phone app. to put it simply - because it's pointless, a waste of money and effort, and it would just destroy everything that's great about the thing that i'm trying to promote to you in the first place.

The first cat comes in ready for a fight. Low down, trying not to be seen, stalking/wary posture.

Second cat jumps in the air and then does the exaggerated arch. That's an absolutely terrified cat. No cool, no chill. A cat willing to fight would not have gone full arch because it's moving them out of a position where they could launch themselves at the other cat. However, a scared cat can move from this to a preemptive attack if they think the other cat is going to attack them and just moving slowly.

Realizing the second cat doesn't want a fight, the first cat comes out of the low, threatening slink quickly to roll around to say hey, whoops, they weren't here to attack, they don't want to fight either.

With similar speed and exaggeration as the arch, the second cat does the same wiggle that yes, I too have no desire to fight, look at me doing the same thing and conspicuously not attacking when you're vulnerable.

“NO PLS”

“Oh okay look how cute I am.”

The one that ends, "You are a woman with a man inside watching a woman. You are your own voyeur."?

LEVEL 0: People exist

LEVEL 1: "Man" and "Woman" roles are constructed; posed as a strict binary with discrete and disparate traits and roles.

LEVEL 2: Man wields power; Woman relies on Man's approval. One role is perceived and valued as better, stronger, smarter. Requiring Man's approval, Woman cultivates inner "man" in order to see herself from Man's perspective as a tool to better anticipate Man's desires.

LEVEL 3: Man perceives Woman's "inner man"; Man perceives anticipatory and appealing behavior as deceptive and manipulative. The potential ability of Woman to manipulate and deceive Man places Women in a position of power above Man, which Man perceives as a threat. In response, Man cultivates "inner woman": a tool which he uses to perceive the "inner man" who Woman uses to predict and appeal to Man.

LEVEL 4: Man "sees" the caricature of "Man" further distorted by the caricature of his conceptualized "Woman" and feels threatened and inferior, but at the same time trapped by the binary which generates this power struggle. Inside of him is a deceptive and threatening "Woman" who he rejects; inside of HER is the Ultimate Man, who this image of Woman supposedly desires the approval of.

If Woman can predict Man, then Woman is an opponent who leverages power through engagement with Man. The only way for "Man" to escape the Threat that Woman poses is to cease engagement. He retains "victory" (escape from woman) by maintaining distance from Woman, and because explicitly admitting the possibility that Woman could ever hold power over Man is Losing, has no option but to tell himself that this is not Fear of Losing Control, but a natural consequence of Posessing Control.

Man rejects any but the most surface-level engagement with Woman, but because "Hiding From Woman" means "Woman Is Threat", and BELIEVING "Woman Is Threat" is unacceptable, Man attempts to cut Woman from the narrative.

LEVEL 5: Man, possessing the "inner woman"'s "inner man" but determined to escape the influence of "woman", mentally erases "Woman" but retains the caricature's caricature of "inner man", who is desirable to BE.

Man possesses exaggerated image of Man, who now exists solely as the Ultimate Desireable Form. In order to achieve this form, Man must constantly see through his eyes, but in order to remain safe in his position of power over Woman, he must erase any trace of evidence that he is DOING this for Woman.

Man must Be the Ultimate Man, because [redacted], who requires Man's Approval.

My theory is this:

If we construct an environment where the rules are

"There are two parties that cannot survive without assistance from the other"

"One party dominates the other"

"Control is domination", and

"To be dominated threatens your survival",

Cambridge professor of sociology Jason Arday is accused of plagiarism by another academic

the accuser is a "race realist" who believes that in a true meritocracy all university professors would be white. this is somehow not acknowledged much during the entire ordeal

this leads to several days of media coverage demanding an investigation, or that Arday is expelled from his post immediately

somehow this accusation that has no effect on the lives of 99.99% of the population becomes FRONT PAGE NEWS in all the newspapers for multiple days, above anything else happening in the UK or the world at large

following intense media scrutiny, Arday resigns his post as a Cambridge professor

today, august 14th, days after resigning, Arday is found dead at his home in Battersea

This article by professor Kehinde Andrews clarifies more about the story of racist harassment Arday has been suffering since he fucking got a teaching job at Cambridge in the first place, in 2023, as the FIRST Black professor in that fucking stupid institution, who sure is taking it's sweet time defending their worker, despite already fucking checking his work for plagiarism and saying he didn't do it:

https://www.voice-online.co.uk/opinion/comment/2026/08/07/ardays-resignation/

1. He wasn’t the first Black Professor at Cambridge, but he WAS the youngest X

2. He was ALSO autistic, and nonverbal for the first 11 years of his life X