Fifty-something Canadian she/they. I like to draw, occasionally i write, mostly I repost things I like. This is my main tumblr. "ennals.tumblr.com" is my professional portfolio, and "blessmybuttons.tumblr.com" is my FFA/BHM fiction.
Bestie, please break down those costumes.Plssss.I am soooooo jealous of U🫀❤️♥️
of course!
the 2018 regent's park open air theatre little shop of horrors production is pretty standout visually because (while they didn't change the script by updating it) they did move away from the typical 1960s historical fashion for the characters and instead played with modern outfits and a blend of textures. the whole show had a strong colour scheme of black and white, neon green, pink, and blue. costumes & scenic design was by tom scutt.
we'll start with seymour, as played by the lovely marc antolin. his outfit is all blue, down to his glasses. (why are the curtains blue? you could say for his boyishness, or that he's kind of a melancholy character, or that white guys always wear blue, take your pick haha)
the main bit is a boiler suit made of different patchworked denim in various contrasting stripes and tied around his waist. his short sleeve button up continues the patchwork vibe with the painted brushstroke-esque check pattern. he also wears a shacket at certain points, and while hard to see in the above image it also had a thin pinstriped pattern. seymour is all about pattern mixing. a fun detail to note is that audrey ii's main colour is obviously green: in the centre bottom photo you can see he wore green band-aids on his fingers :')
also: while in these above photocall pictures that were used in promotion here had him in yellow socks, it's important to note that, at least when i saw it, his socks were pink. who's main colour is pink? it's audrey.
actually, her first outfit is also mostly blue. seymour and audrey have the most similar colour scheme so that gives them a strong visual link. so her first outfit is very much giving sexy: she's got a frilly top that we can see her bra through. we have a nod to vintage fashion with her cigarette pants. also while these photos show her wearing fluffy slide slippers, when i saw it she was wearing the little clear plastic kitten heels shown in the design sketch - we can tell this is her 'im trying to look sexually appealing to my boyfriend' look. she's showing it all off.
but notably, her hair is this adorable bubblegum pink shade, so i thought it was extra cute that seymour had socks to match. just a little hint of who he's thinking about.
anyway, during act 2, when audrey & seymour's relationship is blossoming further, audrey debuts a different look entirely:
(concept sketch shown along with a photo of understudy rosalind james.) in dramatic constrast to her 'sexy-for-orin' look, now she's in dungarees and a cute sweater, and she's swapped the heels out for sneakers. also, she's got on a pair of pink glasses, suggesting that contact lenses were part of her sexy look. this look is all about comfort: because she's happy and in love with seymour, who makes her feel more comfortable than orin did, and this outfit looks nicely like the 'partner' look to seymour's outfit.
this is getting long, so the rest is going under a readmore. click through!
so this is her 'sominex' outfit, the look she wears when she encounters audrey ii just before she dies. the clear raincoat is honestly just fun. i think if i recall right the stage directions in the script do call for her to be wearing a yellow rain-slicker, but pink is this audrey's colour, so she's rocking this. the glasses are still on too.
underneath, she's wearing this fun floaty half-blue half-pink nightie with matching 'mismatched' pompom slippers. she is giving everything in this look honestly. the meeting of the pink-and-blue, because she's wearing both her own and seymour's main colours (she'd still love him, even if he'd never found the plant, and all she wanted was to be with seymour 😭)
i'll do orin next:
absolutely obsessed with matt willis as the dentist. as a busted fan in my childhood, i went to see this production specifically for him :') so he's got a much more dishevelled punk look he's very ghoulish with his white foundation and heavy black eyeliner. also love the detail of him having a blacked-out tooth too, really emphasises how he's probably not the best of dentists. his dentist gear including bloody apron is in a very medical neon blue-green, and i love how utterly sci-fi horror the gas mask harness is. LOVE the ripped off sleeves on his white coat. he also had this amazing leather jacket with tooth design on and the ensemble had matching outfits:
get a load of the teeth print leggings on the backup dancer on the middle left, absolutely obsessed. love the 1980s punky vibe for the 'dentist' number. this production makes great use of matt willis' own tattoos: after seymour kills orin, he came back on stage with some dismembered orin bits, and the creative team had gone to the effort of painting matt willis' tattoos onto the fake arms that seymour fed to the plant :')
okay let's move on and look at mr mushnik, played by forbes masson:
small guy, huge voice, absolute standout. they've gone for 'little greasy man' as the vibe here, complete with a drawn-on pencil moustache. his outfit, much like the ensemble, doesn't have a lot of colour, just a fairly normal grey suit with a work jacket. the most notable thing about his look is that while he starts out in a purple bow tie, once the shop starts seeing success, he wears a bow tie in audrey ii's neon green. like seymour's band-aids, audrey ii's colour (and therefore her influence/impact) shows up in the costumes of a lot of the other characters.
let's do audrey ii next then, as played by vicky vox:
so this production makes use of both the usual 'audrey ii is a puppet' situation plus then having the drag queen performer on stage to interact with the other characters as like, the plant personified. absolute LOVED it. let's start with the puppet:
we've got the baby form and slightly bigger form i think here, it's a fun alien looking plant, love the spherical head with human teeth. for the plant to 'grow', a bigger version of this plant head is placed inside of a 'mouth' that can open and close sort of like an aperture:
and upon opening it, drag queen audrey ii steps out. she kind of comes in and out of it, and mostly just interacts with seymour.
this outfit is absolutely fabulous, and i especially love the 'HERE IT IS' pointing down to her booty on the back of the jacket.
then a notable progression for audrey ii's appearance is the changing wigs. we can see that her first wig shown here below is the direct partner of audrey's, (after all, the plant was named after her) and is styled the same way.
when i saw the show, both audreys were wearing different wigs that i thought weren't really as pretty as the ones from the photocall, these wigs are on the left of the above image. i'll call these the round wigs.
the most important thing to note though is that when audrey ii first appears, she has that strong visual link to original audrey. and this is played up in the way that audrey ii interacts with seymour during 'feed me' - audrey ii acts quite flirtatious with seymour and he seems receptive to it and has to visibly shake himself out of it. then in the second act, audrey ii switches wigs to the style in the above middle. during suppertime, there was more of audrey ii trying to be flirtatious with seymour, but at this point he is much more disgusted by it: audrey ii's wig no longer resembles original audrey’s, and by now seymour hates her guts.
the final look for audrey ii via photocall features what seems to be the original wig but with the curls blown out, styled to be more messy and windswept, but by the end of the run during the finale audrey ii just wore the round wig, with the added venus flytrap headpiece and feathered cape.
apologies for the terrible screencaps: the fabric the cape was made of featured green rocky horror-esque lips showing teeth. it was mega. the wig also featured some long pink extensions at the back.
let's go back a bit to some other characters who have been wearing audrey ii's green consistently, and that's the urchins:
they wear these punky, i would say more 1990s streetwear inspired costumes throughout the whole show, and don't change until the end. the two gals on the left wear pieces that tie in strongly to the set, which is a crumbling grayscale newspaper-inspired city/drive-in theatre set proclaiming 'GOD BLESS AMERICA' across the top.
we can see the girl on the far left has a grayscale US flag top, while the middle girl has grey cityscape patterned sweatpants. then all three of them are wearing the bright neon of audrey ii, reminded us and the audience who's story they're telling. out of the 3, my definite fave look is the girl on the right, with the green jacket and shiny 'FEED ME' print leggings. i need those leggings. but yes what we can notice is that 2/3 urchins' outfits align strongly not only with audrey ii's green but with the same grayscale/cityscape patterns that the ensemble wear during skid row & other scenes:
anyway i like that the ensemble's look speaks to like... the set coming alive to tell the story. it's cool. this comes back during act 2 when the ensemble put on gloves that resemble audrey ii's vines and push around shopping trolleys with bits of building set inside:
not so easy to see that they were wearing the gloves, but basically they had long fingers that looked like smaller versions of these vines.
and with all this green let's get to the finale, where everyone has a different look. we've already seen audrey ii, here's the urchins.
lovely and shiny looks, this time they're all wearing the same thing. these are their sort of... idk i guess this is circus vibes tbh? welcome to this absolute circus: the finale definitely DOES have a circus vibe, making clowns of the cast, particularly seymour. here's a look at everyone with audrey ii lording over everything at the top:
the enesmble have VERY fun alien plant costumes on, with a big focus on toothy mouths and floppy tongues (we've seen audrey ii's cape with its green lips so it's all on the same oral fixation) let's take a closer look at seymour's outfit, which is definitely giving clown, considering he was the great fool of the story.
so it's this great big fluffy clown suit over his blue shirt that now his this shiny blood appliqued on, love it, with the green on the limbs ending at the shirt with the plant lips and teeth at his shoulders/waist, implying that his limbs have been eaten by the plant. this is great to see in action!
now let's take a look at the rest which i'm gonna have to show via very low quality screencaps because seymour's was the only photo tom scutt posted. here's audrey, orin & mushnik's 'plant looks', these guys are more like... audrey ii's put them in drag.
audrey's achieved her somewhere that's green fantasy, in a great swirly dress with full skirt and ruffly sleeves, still in her blue and pink colour scheme, in her same sneakers and pink glases. she's also got white lace gloves on. audrey ii said 'okay girl you can have this as a treat'. hers is the least alien-plant because it's like... audrey's fantasy look, and i love that.
orin's in a gold sequin mini-dress, but still his same combat boots. it reminds me of a brad pitt photoshoot from rolling stone 1999. look it up and i think you'll agree and i'd hazard a guess that it was a direct inspiration for this look.
mushnik's got on the long vine-finger gloves that the ensemble has during the meek shall inherit, and then a spectacular sequined set: blazer, bow tie, and the actor forbes masson said it's specifically supposed to be a kilt, because he is scottish and i think chose this as part of his look. he's also got light up gold sneakers, obsessed, and in the close up you get a look at his gold & green cats eye glasses and green lipstick.
okay i think! i've covered all of the main looks, or at least everything that i could find reasonably clear images of. iirc seymour did have a leather jacket for the scene where he's trying to make himself more like orin because he thinks audrey will like that, but i couldn't find any photos.
thanks for reading! i know this was a long post but i absolutely adoooore the visuals of this production and its a damn shame that it doesn't have a recording 😭😭😭
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I think part of the point is to convince people that PBS is ivory-tower highfaluting programs that Real Americans(tm) never watch because it’s woke or something
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it's so funny how the mcu has so closely replicated the comics fan experience of like, "don't worry about like the plots. the things happening are like 90% really stupid, you just have to accept that. the meat is in the character writing. which is unfortunately also bad."
"Blorbo is my favorite character! He has 89,324 appearances spanning decades!"
"Great! What do you recommend?"
"One writer in mid-2014 had like, half a plot that was great before it was handed off to someone who hated him and possibly had a vendetta against the art director. But man, a great 2-3 months of real character stuff there."
PLEASE I'm begging the neopagan girlies to stop spreading misinformation online, because I've just seen someone argue in earnest that the UK government has banned swimming in the ancient geo-thermal spring at Bath due to a hatred of 'native Celtic spirituality', and completely ignoring the fact that it was closed after a girl contracted a brain-eating amoeba and fucking died
Ancient geo thermal spring at Bath perfec t size for put girlie n to n\ap! inside very Soft and Comfort woman bathe soundly put girl in Geo Thermal Spring. Put Neopagan In Spring. no problems ever in sprinng because good Amoeba and Water for girl brain weak of big girl head. Ancient geothermal spring yes a place for a person put neopagans in ancient celtic water can trust spring in Bath for giveing good love to girlie. friend amoeba.
I visited this place in the 90s and they didn't let you swim in it then. I'm kind of surprised that they started letting people swim in it again. It's an archaeological site. It does not exist in the form it did when people regularly swam in it.
Oh man, my shitpost has broken containment, so I must add some points for clarity:
the Baths have been closed since 1978; I genuinely have no idea why this became a point of discourse in the year of our lord 2026, but that's TikTok for you (or, more accurately, Instagram reels, because I will never view a single TikTok in my life, I am 33 and I cannot be doing it)
and now to the meatier point: yes, the Baths themselves are Roman, but the geo-thermal spring that forms the basis of the Baths was already a sacred site for the pre-Roman Celtic people who lived in the area. Archaeological evidence is pretty firm on this. A cool, groovy fact about the Romans is that a lot of their religion (and just their imperial tactics in general) was based on the principles of syncretism. In practice, this means incorporating beliefs, practices or deities from one religion into another. The Romans figured out that, rather than suppress all local religion, it was easier to allow the people in the areas that you've conquered to continue to worship their gods, with the caveat that you're going to really highlight the similarities between their gods and yours, and strongly suggest that their gods are really just versions of yours, because Roman superiority, or something. This is called interpretatio Romana for the Latin freaks out there. Before the Romans turned up, the springs at Bath were already a worship site for the Celtic goddess, Sulis. The Romans looked at Sulis, waved their arms about a bit, and said 'cool, so Minerva, yeah?' and built the Baths on that site, dedicated to Sulis-Minerva - a version of the Celtic Sulis which was syncretised with the Roman Minerva. The Celtic people got to keep a version of their god, the Romans got their Baths, and everyone was happy, damp, and warm. In theory, anyway. That's not really how imperialism works, but y'know.
Can't believe I had to break out my MA in Myth, Narrative and Theory for a goddamn shitpost, but that's why this site remains elite.
I mean the thing is that the brain-eating amoeba is very much an optional thing lmao. The exact same spring waters (The King’s Spring, under Stall Street) are used at Thermae Bath Spa. Thermae Bath Spa is the public spa which is literally right next to the Roman Baths, on account of them using the same spring water. The security guards outside the Roman Bath shop spend about half their day explaining that you cannot swim in the Roman Bath and that your ticket for the spa day is actually for the spa around the corner which is in a different building, and then they explain it all over again to the next person.
As the city train station is called Bath Spa, the city is Bath, the spa is Thermae Bath Spa, and the Roman attraction is the Roman Baths, and the spa at Bath is a famous and popular attraction where you can swim in the authentic waters of the hot springs, and they’re all on top of each other, it’s no wonder that people are constantly incredibly confused. I am genuinely sympathetic about people getting confused on the internet when grown adults from all over the planet can’t understand it, when they’re looking right at it and receiving explicit instructions about it.
As the Thermae marketing puts it, Thermae Bath Spa offers a unique opportunity to bathe in Bath’s naturally warm, mineral-rich waters just as the Celts and Romans did over 2,000 years ago.
This is because it is the same water. The water that is cleaned. Kuzco’s water.
Thermae Bath Spa draws water from the three springs – the King’s Spring (from under Stall Street), the Cross Bath (with some water rising directly to the surface of the Cross Bath in order to honour the desires of the Spring Foundation to let an unadulterated source of the water rise from Mother Earth into the atmosphere) and the Hetling Spring (a new bore hole sunk in 1998 and 2011). The water is tested weekly and has been consistently biologically hygienic.
That’s because they treat the water, because brain-eating amoeba are both a) optional and b) bad for spa marketing.
The reasons they haven’t cleaned up the Roman Baths for public swimming is because those buildings do far better as a delicate and important piece of heritage that people are perfectly happy to buy tickets to. Why the hell should a Roman cultural site also be run as a swimming pool. Like, why bother doing that. The reason you can’t swim in it is because there’s no incentives for letting you. But the amoeba aren’t a blocker. Amoeba are entirely optional. Nor is it insane to want to swim in the UK’s most famous hot spring. The same waters are right there to swim in - in a different building next door.
A problem Bath has is that it’s a convenient and pretty UNESCO world heritage city with lots of attractions that’s quite walkable, but it’s also small as fuck, really old, and constantly at capacity. The attractions don’t really want much more traffic. The spa is constantly fully booked and that’s how they want to keep it. The Christmas Market is absolute hell. They have more than enough traffic. They don’t want to accommodate more people or offer different experiences - or clean up the waters at the Roman monument so, like, 50 people a day can swim in it. So they haven’t.
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really for this kind of thing it’s no use going to published trad romance and i should know that. the really good shit is 400k on fanfiction dot net for a heterosexual pairing you’ve never considered from a piece of media you havent thought about in years written by a bored doctoral candidate who’s read a lot of primary sources from the long 18th century
recently rediscovered my absolute favorite entry in the genre: customs and duties by tortoiseshells, which is an insane technicalityromance set in 1738 boston, ft the stuffy british navy guy from pirates of the caribbean/ofc, smuggling, puritanism in the john calvin sense, the legal realities of widowhood, several real historical governors of massachusetts, debts, accounts, and of course customs regulations
I would also like to nominate and psyche's lamp shall darkling be, a story based on the 2025 Frankenstein movie that gets into the intricacies of 1850s convent school life, the process of Catholic ecclesiastical courts verifying miracles, multiple points of mid 19th century marriage and inheritance laws pertaining to property, and also spells the word connection with an X so you know the author has been in the 19th century literature trenches 
Before the advent of digital photography, the way you took photos was with a camera and a roll of film loaded into it. When you'd used up the film you took it out of the camera and took it to a developer, who would turn the film into prints (or slides). This could take anywhere from an hour to a couple of days depending on what you had access to and were willing to pay.
My folks were not willing to pay top dollar for whatever ten year old me thought was important to photograph, so we usually took my film to a drugstore which would mail it off to a bulk developer, and I'd get it back in about a week. Part of the fun was waiting to see what photos came out, or even being reminded of what was on the early part of the roll.
Recently I gave Hodag a vintage DLR and some film for it, and we spent part of Saturday wandering around testing it out. I dropped the film off at a local developer on Monday and he said based on his workload he'd probably have it for me at the end of the week.
I have the same excited, twitchy impatience to see this developed roll as I did when I was a kid. COME ON! WHEN AM I GONNA GET THE PRINTS? THEY'RE GONNA LOOK SO COOL! I've been checking my email for the notification incessantly.
I started volunteering at this farm share program a couple years ago, where I help pass out boxes of veggies in exchange for some veggies for myself, which is great for a broke grad student but it led to me creating truly the most visually ABHORRENT meal I have ever made in my life.
I got some purple carrots, right? And I was excited because they're (A) free carrots and (B) they're purple, which is not something you see often. They taste just like regular carrots, so after devouring one to test the flavor, I decided that I'd use the rest in an upcoming batch of chicken soup.
MISTAKE. THAT WAS A MISTAKE.
You see. The thing about purple carrots is that their purpleness does not stay in the carrot when you leave it in a crockpot for like, six hours. The purpleness goes into the soup. It goes into the soup, where it turns the chicken purple. And the onions purple. And the celery, and the garlic, and the noodles, and any other thing you could possibly have put in that soup, varying shades of Very Purple.
I made a GIGANTIC pot of this soup that turned out toxic purple-brown, with individual components stained various ludicrous colors of purple (the noodles were a bafflingly nice shade of lilac) and it was the most dubious thing I've ever eaten. I took this soup to work. My coworkers were so confused and repulsed and I had explain that no, this is actually just soup, just regular chicken soup, but accidentally tie-dyed by the addition of two (2) purple carrots.
And you wanna know the real kicker as I explained all this? The carrots? The formerly purple carrots?
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