๐ Minty's blog dedicated to bandom/fandom, shipping, silly 'n' funny things and The Aestheticsโข๏ธ! I'm 30+ years old, go by they/them and I'm a soft freak! Being kind rules!! Currently suffering from extreme AIR brainrot, oops!
Minty Playhouseโข๏ธ is filmed in front of a live studio audience
Hey guys, Minty here! Welcome to my corner online!
Here's a non extensive list of things I like: music, video games, shipping, movies, writing, drawing, rambling about headcanons and theories, animals, nature, cute things, and weird/niche/creepy media in general.
This blog is just my personal journal at this point, where I share things I like, but I try to tag stuff to the best of my ability to keep things organized for my own sake! I like looking back on my posts!
DNI: Anyone who saw AIR at La Cigale on November 7th 1998, it should have been me!!!!!!!!
Joking aside, everyone is welcome in my blog! I block very liberally (from straight up bigots to just people I think are annoying lol) so chances are that if you're reading this you've already been "peer reviewed"!
Reminder: kink shaming and cringe culture are DEAD!!! Do whatever the fuck you want!
Here are some cool tags you should probably check out:
#my who scans: The Who stuff I scanned from my books and other places!
#personal scans: Other, non Who-related magazine scans and whatnot
#gif time: some gifs I made here and there of things I like!
#funnies: If you wanna have a chuckle! Just things that made me laugh out loud heh
#fanart by other peeps: fanart I've reblogged for all sorts of things I like! Or sometimes just because I think the art looks cool lol
#air posting will continue until morale improves: tag concerning the electronic/ambient french duo AIR. I'm perfectly normal about them why do you ask?
Also, some cool stuff you can download from my blog for free!
The Monkees episodes dubbed in PT-BR!
My entire collection of Who DVDs!
Who related/adjacent movies!
John Entwistle's Van-Pires album!
Xtra Sideblogs/Links:
Art Sideblog: Where I post the stuff I draw/write/edit/whatever! Suggestive content is there but nothing overtly nsfw/smutty.
Who + Monkees NSFW Sideblog: Where I post my NSFW Who and Monkees content! Drabbles, fic ideas, simping, drawings...
AIR Dedicated Sideblog: a place where I mostly store info and whatnot on AIR and share actual important things and finds! With some dashes of shipping here and there heh...
My "Super Secret" NSFW sideblog: A place for me to put/reblog explicit and gory stuff that's too much for my main! Strictly 18+!
AO3!!!
Anyways, have some cool and memey images I think are nice under the read more!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
โ Live Streamingโ Interactive Chatโ Private Showsโ HD Qualityโ Free Actions
Free to watch โข No registration required โข HD streaming
Photos of the buttons/pins for the shop taken!!! Now I need to transfer them to the PC and do some resizing and trimming to hopefully start things off with the shop!!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
โ Live Streamingโ Interactive Chatโ Private Showsโ HD Qualityโ Free Actions
Free to watch โข No registration required โข HD streaming
The Architecture of Fear: Gatekeeping and Survival in Modern Fandom
There is a side effect of fandom gatekeeping I want to talk about, one I only just noticed, though looking back, it has been present in almost every fandom community I have ever been a part of. When I think of gatekeeping, I usually picture the classic, elitist archetype: the person standing at the door demanding you "name three albums" or prove your loyalty to a character before youโre allowed to speak. But there seems to be a much quieter, more insidious form of gatekeeping happening in niche spaces right now. It isnโt driven by supreme confidence or elitism. Itโs driven by absolute terror.
Itโs the phenomenon of fans ostracising others, not because they necessarily want to, but because they are terrified that if they donโt throw the stone, they will be the next ones kicked out of the castle. In highly insular, hyper-policed niche fandom spaces, guilt by association is the ultimate law. If a writer or artist steps out of line, maybe they write an unpopular dynamic, express a nuanced critique, or simply fall out of favour with the dominant clique, they become "hazardous terrain."
When someone is exiled from a tight-knit community, a strange panic sweeps through the remaining members. Suddenly, interacting with the exileโs work becomes a political risk. People begin to unfollow, untag, and distance themselves. The mechanism here isnโt genuine outrage; itโs a survival tactic. Itโs a preemptive strike to signal compliance to the rest of the group. In a fandom panopticon, you have to be seen actively enforcing the borders, or the community will turn its crosshairs on you next. In this economy of fear, people will trade their closest friends, and their own artistic voice for the fleeting safety of the inner circle.
This desperation stems from a profound cultural shift: for many, fandom is no longer just a beloved hobby or a creative outlet, it has become their entire identity. When an interest expands until it swallows a person's whole personality, every choice, friendship, and moral stance is filtered through the lens of the community. In this state, a disagreement about a fictional character is no longer a lighthearted debate; it is felt as an existential threat to their very sense of self. When your standing in a digital circle is the bedrock of your self-worth, protecting that standing becomes the compass by which you make every single decision.
This environment inevitably breeds intense personality clashes, creating a volatile dynamic between two distinct types of fans: those who survive by performing, and those who simply show up as themselves. In a hyper-policed space, people who are genuinely unbothered, who speak openly, write without asking for permission, and refuse to filter their personalities through the committee, are deeply triggering to those who have built their entire online presence on calculated conformity. To someone who spends every day walking on eggshells to maintain their status, a person who is unapologetically themselves feels like an insult. They simply cannot handle someone who isn't afraid. The refusal to play the social survival game is misconstrued as arrogance, and so the authentic creator becomes an immediate target for hostility.
If the threat of exile is the stick, then performative validation is the carrot. Once a gatekept community establishes its hierarchy, an intricate economy of praise takes over. Have you ever noticed how, in certain circles, every single piece of work produced by the "approved" members is immediately met with giant, multi-paragraph essays of public adoration within hours of posting? On the surface, it looks like a beautiful, supportive community. But when you look closer, this excessive ego-stroking often functions as a loyalty ritual. Praising the right people is a transactional insurance policy. By inflating the egos of the dominant voices or the inner circle, smaller creators buy themselves a protective shield against the very gatekeeping they fear. The praise becomes less about the actual art and more about confirming allegiance. It creates a dizzying echo chamber where the tolerance for differing opinions drops to zero, because a circle that only nods together eventually freezes together.
This hierarchy is further complicated by a strange, modern form of divine right: the proximity flex. Within these insular spaces, a single interaction with the celebrity or creator, a liked comment on social media, a brief conversation at a stage door, or a selfie at a convention VIP meetup, is immediately converted into institutional power. The fans who achieve this treat the interaction not as a stroke of luck, but as anointment. They behave as though meeting the creator has granted them a deeper, more sacred understanding of the text than anyone else, granting them the ultimate authority to decide who is a "real" fan and who is a hazard to the community. It is a desperate attempt to grasp at certainty, using a five-second parasocial interaction as a shield to protect their own fragile standing in the pyramid.
And itโs getting worse. The very architecture of the modern internet is actively accelerating this behaviour, turning what used to be a hobby into a high-stakes game of social survival. We have gamified moral purity, adopting corporate and safety language to manufacture severe offences out of ordinary human interaction. In these spaces, an uncurated adult conversationโeven one held naturally and consensually among peersโcan instantly be reframed as a boundary violation or "harassment" if held outside the arbitrary lines drawn by the clique. They no longer say "that conversation makes us uncomfortable." They weaponize pseudo-legal terminology to turn a candid, adult moment into a moral crisis, raising the stakes from a matter of personal comfort to an unpardonable sin. By recasting creative differences and casual authenticity as existential threats to safety, the dominant clique grants itself the moral high ground to exile anyone who refuses to speak in corporate-approved scripts.
The most fascinating (and heartbreaking, as Iโve recently discovered) part of this dynamic is what happens to appreciation when someone actually does get pushed out of the circle. When you are on the outside looking in, the matrix glitches, and you see the architecture for exactly what it is. You might post a story on AO3 and notice a sudden, cold public silence from people who used to comment regularly.
Yet, quietly, your inbox or private messages might tell a completely different story. People will slide into your DMs to tell you they loved your work, that your writing is incredible, and that they are still reading. This is the ultimate proof of the system's hypocrisy. The quality of the work didn't drop; the audienceโs permission to praise it publicly did. Public support has been made a political risk, forcing genuine appreciation underground, while the public comments sections of the "approved" circle become an over-inflated theatre of loyalty.
This stark divide happens because the modern internet doesn't actually reward individuality; it rewards categorization. Digital spaces have trained people to be hyper-vigilant compliance machines, neatly slotting others into predictable boxes; safe or hazardous, in-group or out-group. When you show up as a complex, uncurated human being who writes and speaks outside their rigid scripts, you break the unspoken contract of the panopticon: predictability. Your independence becomes a glitch in their system.
For the people stuck inside that anxious bubble, your authenticity is a terrifying mirror. Seeing you refuse to filter your work or bow to the self-appointed committee highlights their own conformity. It is a heavy psychological truth to carry, which is why it is infinitely easier for them to publicly freeze you out than to look in the mirror and admit theyโve traded their creative freedom for a transactional insurance policy. They want your artโtheir private messages prove itโbut they lack the bravery to claim it in the light.
And if you are one of those people, sitting behind a screen, quietly enjoying someoneโs work, but too terrified of the fallout to leave a public comment or hit like, you are forgiven. It is easy to judge compliance until you are the one facing the cold wind of exile. But itโs worth asking yourself what you are actually saving by staying quiet. Fandom isn't supposed to be an obstacle course of political manoeuvring or a constant test of allegiance. At its core, it is meant to be an open, accepting sanctuary, a place where people from completely different walks of life gather simply because they love the same world. You shouldn't have to navigate a minefield just to show appreciation where appreciation is due. Joy shouldn't require a permit from a committee.
Getting frozen out of a niche space hurts deeply. Itโs a sudden loss of connection and friendship that can make you question your own talent and self-worth. But once you step back from the glass, there is an immense sense of relief. When you are inside that anxious bubble, there is a constant, subconscious pressure to walk on eggshells. When youโre in the thick of it, the walls are invisible. You genuinely believe you are choosing your tropes, your friendships, and your opinions freely, completely blind to the fact that your preferences are being subtly dictated by a consensus you're terrified to break. Itโs only when you are forced outside that the glass becomes visible. You write to please the gatekeepers, you use the "correct" tropes, and you filter yourself through a committee of people who are terrified of their own shadows. Once you are out, they lose their power. They have already done the worst thing they could do, they excluded you and you survived it.
Which brings us to the most important part: continuing to create anyway.
When the public stats drop, the temptation is to pull back, delete your works, and stop sharing. But keeping your stories and art out there, regardless of the lack of public comments or likes, is a radical act of reclamation. Fandom belongs to the people who love the story, not the self-appointed committee policing the gates. When you keep creating purely out of your own love for the world, you change the energy of the space.
More than that, you create a beacon. Somewhere out there, sitting behind a screen, is another estranged fan. Someone else who felt the cold shoulder of the inner circle, who thinks they are completely alone, and who is quietly losing their joy for the source material.
When they find your work, unapologetic, persistent, and free from the clique's rules, it might mean more to them than you will ever know. It tells them that there is life outside the fortress.
The silence on your public dashboard isn't a reflection of your worth; it's a reflection of their fear. Go ahead and write the story anyway. Create the art anyway. The right people will find it, even if they have to read it in the dark.
"If they wanted to they would" - Yes! Please also consider some other possibilities:
If they could they would
If they could comfortably they would
If they were aware they would
If they weren't distracted they would
If they understood they would
It's a good idea to imagine the possible reasons any of these things could be true
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
โ Live Streamingโ Interactive Chatโ Private Showsโ HD Qualityโ Free Actions
Free to watch โข No registration required โข HD streaming
Thank-you to all of my new Internet stranger friends for being so gracious about having my post shoved onto your dashboards. I loved reading all of your kind tags and comments! Both Martin and Bosco have been gone for several years now but for 24 hours, they felt very present in my life. I greatly appreciate this gift. โค๏ธ
Thank you to everyone who commented in their tags or messaged me. Indeed, today is โMartin and Bosco Dayโ. I originally whimsically blazed this photo on 13 July 2022. I never expected Martin and Bosco to travel so far and make so many new friends. The experience has been such a gift for me.
I'll accept and even agree with you on Nicoโs straightness, but there's something most definitely queer leaning going on with JB and you cannot change my mind on this
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
โ Live Streamingโ Interactive Chatโ Private Showsโ HD Qualityโ Free Actions
Free to watch โข No registration required โข HD streaming