like hinckley’s son i was born to dance

my general opinion on what people should be "allowed" to portray and what topics they should be "allowed" to explore in fiction is that you can make whatever art with whatever themes you want but i'm also allowed to think the way you handled it was tasteless and should've been done differently. my negative opinion on your handling of sensitive topics is the price of admission for publicly showcasing your work. this is not a pro-censorship stance because i am not The Government

it would feel good as fuck to send a baby down a river alone in a basket

@teaboot

movie producer gf: i can fix her in post

i am genuinely so sick & tired of america and israel getting away with bombing countries unprovoked and committing genocide. there is no such thing as a "pre-emptive" strike. trust me if any of this were happening to an European country instead of the global south we wouldn't have to beg and protest for people to consider the lives being taken as human lives instead of obscure numbers. it is sick . so fucking sick and depraved. death to usa and israel. and if i see ANY jokes about about "i am not ready for ww3 haha i am so scared" i am blocking you on sight idgaf

idk I just think happy queer stories need to be properly labeled so I can be warned beforehand to not get invested in the main ship because there won't be a culminating catharsis of mutual corruption and self-betrayal crystalizing into an inevitable murder-suicide :/ . like I don't think happy endings in queer media shouldn't be "allowed" to exist or whatever I just think tbh honestly to be honest that those creators need to think and be more responsible and let me have my boundary of nottttt wanting to see that. this is because I feel it's really important for me to see myself represented and reflected positively on screen and the real truth of my lived experience is that I'm gay and evil and I'm not going to make it.

I just realized that a lot of my followers don’t even know my whole deal

you cannot headcanon your way out of overt thematic structures on which the entire narrative is built

every story should have a character that is either textually a survivor of sexual trauma or can subtextually be understood to have undergone a metaphorical sexual trauma. this is imperative. story cant be good otherwise.

i understand its chronic pain but every day seems a bit excessive