Tell me what you see.
A light in the darkness.
A bearded man.
A mushroom cloud.
A head on a pillow.

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Tell me what you see.
A light in the darkness.
A bearded man.
A mushroom cloud.
A head on a pillow.

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The boy who enjoyed fallout as a kid, still enjoys it as a woman.

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I've always been really confused about the world culture of Fallout, especially before the collapse.
Like it's my understanding that the timeline diverges from our own after WW2, with the United States entering a golden atomic age driven by relentless xenophobic and expansionist conquest, plunging the world into a fascistic death spiral that lead to the resource wars and nuclear armageddon. And to deliver that bleak premise with a satirical edge, it's canonical that American culture is, at least by the 2070s when the world ends, stuck in a sort of neo 50s obsession where the only music and art that's popular enough to survive the nukes is all stuff that originated more than a century beforehand.
Like I get that the criticism being made is that a culture obsessed with its own past is indicative of a bleak present crushed by imperialism and nationalism, but can you really expect me to believe that Fallout's American empire was so bad that culture and art and aesthetics were just. Frozen in time for more than 100 years? Addicted to their own past? That the American people were so embroiled in reactionary ideologies that they were incapable of moving forward and creating anything new?
Anyway did you hear they're rebooting Malcolm in the Middle this year? And the Mummy. And the Devil Wears Prada. And Masters of the Universe. And Meet the Parents. And a 5th toy story movie. And a moana remake.
Could mean nothing.