Coloured pencils have my heart..
🩵 avery cochrane 🩵

roma★
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe
taylor price

blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her
todays bird

oozey mess
YOU ARE THE REASON
occasionally subtle

Jimmy Eat World
"I'm Dorothy Gale from Kansas"
seen from Saudi Arabia
seen from Vietnam
seen from Mexico

seen from United States

seen from Brazil
seen from Venezuela

seen from United States
seen from Honduras
seen from Venezuela

seen from Japan
seen from Venezuela
seen from Kenya
seen from Chile

seen from Malaysia
seen from Ecuador
seen from United States
seen from United States

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seen from Luxembourg
seen from Malaysia
@mattygrovesfic
Coloured pencils have my heart..

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oh laila edwards what is it like to be the funniest hockey player on earth
An Archive of Our Own, a project of the Organization for Transformative Works
CAHOOTSSSSS!!!!!
the most cahoots of all timeeeeeee 🕺🕺🕺🕺🕺🕺
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
🇮🇪 God I love being Irish ☘️

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big tshirt that says MY INTERPRETATIONS MUST HAVE A STRONG BASIS IN THE SOURCE MATERIAL on the front and THIS IS FUN TO ME on the back
actually i don't think it did. i think the earnestness was everything actually
IT’S NOT A JOKE TO ME (source)
our longing for inconvenience by hanif abdurraqib (id in alt)
Bill Gibb for Baccarat, Renaissance Pinafore Dress With Terracotta Shirt, ca. 1970.
Images from 1stdibs.com
i’ve read 150 pages of role model and troy is literally debbie downer from that one snl sketch

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Ilya, every day from July 10th 2021, until the end of forever:
Troy Barrett exits a room [MUFFLED CHRISTMAS TIME IS HERE BY THE VINCE GUARALDI TRIO]
I'm so endeared by the French term for a stray cat being "chat errant." This implies the existence of a stray knight. Or that a chat errant is searching for noble purpose.
why is the human body composed of such capricious tubes
Please stop being nonbinary too. God only created one gender. You must conform to that.
THERES ONLY ONE NOW?????

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I see my future and it’s looking like acute oxalate nephropathy
Eclipse Table Lamp, from 1960s Brazil.