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🚘 driving in your car [ fic tag | read ch5 on ao3 ]
posted fics
🍀 if it wasn’t for bad luck i wouldn’t have luck at all (t | 5k) eddie was born on friday the 13th in october and has brought bad luck to everyone he's gotten close to ever since. but after he dies in the upside down and gets resurrected in the hospital, his luck might finally start to turn around [ tumblr | ao3 ]
🕶 wanted: pool boy at the vampire mansion (t | <1k) steve answers an unusual ad in the classifieds that’s pretty sparse on the details...
🔥 where's the spark? (t | 6.4k) steddie-focused spicy six + the corroded coffin boys fic, with pouting, pining, and unexpected presents around the bonfire. written for lex's winter-themed spicy six fic challenge
📚 love is like ghosts (m | 7.8k) steddie ghost hunters au! featuring eddie the skeptic, steve in glasses, and sticking it to a homophobic ghost.
☔️ just a little rain (t | 1.2k) steve helpfully offers to walk eddie to class under his umbrella, with just a slight detour. slice of life, established relationship, flirty steve / flustered eddie.
🍷 wine & dine (or: the quickest way to a man’s heart (and parts beyond)) (t | 2k) tooth-rotting domestic fluff. it's date night, eddie almost burns down the trailer, and steve helps him make dinner (in that order).
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and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
#8 and sexy if you please🤠🤠 (fork found in kitchen etc etc whatever!!!)
emily i saw this and SCREAMED. likely ask for you to send in akjsfhkajf
thanks for the request my friend<3
send me a tone + prompt from this list and i'll write you a little steddie ficlet!
--
(maybe connected to this bit in a nonlinear way...tbd...)
They get caught in the storm again. This time, they're seeking refuge in the church. It's empty, because everything else is always empty, and Eddie's at the far end lighting some candles while Steve takes his time walking down the aisle. It's smaller than he remembers: always seemed so big and intimidating when his parents took him here as a kid. He'd marvel at the stained glass and how grand it all felt, count the faces he'd recognize.
"There," Eddie says as he lights the last candle and blows on the lit match. "Should be enough."
It's a funny thing, this idea of enough: Eddie's never around long enough to find out. He's usually refracted somewhere else—out of the loop, Steve likes to say, though it never amuses Eddie much—and only reappears the next time Steve wakes up.
He joins him at the front of the church anyway: likes that Eddie's still here. It's nice, having him around for longer. It's—
"I don't know how long I'll be here for," Eddie says. He takes in the dark space around them like he could find an answer in the stained glass, and almost ruins the moment by naming it, by pointing to it. "I'm usually gone by now."
I know, Steve wants to say. He wonders if he should forgive him for this, for almost jinxing it. Decides immediately that he will when Eddie turns his face towards him and offers him a shy little smile, all lopsided and hesitant.
Steve hasn't been counting the loops. He can't, anyway, because for some of them Eddie doesn't show up, and those are harder to keep track of. They're all the same: he's in Hawkins, it's empty, he's alone. It's night. There's a storm coming. On and on and on and never quite like this: never with Eddie by his side for what has been enough time for Steve to start feeling warm and irresponsible.
Eddie must see it on his face, because he asks, "Why are you, uh—Why are you looking at me like that?"
And Steve can't help the smirk that keeps on growing. He shrugs, and echoes Eddie's words, saying, "You're usually gone by now." He steps forward, and wonders why he feels a little bit like a predator animal, like a wolf circling a lamb. Maybe it's the Virgin Mary behind Eddie playing with his head.
Eddie Munson is not a lamb, but he blushes all the same, and averts his eyes. It makes Steve want to bite; makes him reach over to catch one of Eddie's curls between his fingers.
Eddie Munson is not a lamb, but that doesn't mean he can read Steve's mind, does it? So he asks:
"You know what I miss?"
Eddie shakes his head no, and lets out an exasperated little laugh. "What is it you miss, Steve Harrington?"
It's so unbelievably easy, after that, to say, "I miss going on those drives with you in that stupid radio van." He sounds dumb and fond and gone even to his own ears, words spilling out of his mouth like honeyed spit, all sticky.
Sticky enough to cling to Eddie and make him stumble backwards until he's landing on the piano bench. He screws his eyes shut, takes his pretty face away from Steve. "We need to be looking for—"
"Solutions," Steve guesses, holding back an eyeroll when Eddie looks up at him all hopeful. He tries to sound kind when he says, "Solutions are for the next loop, Eddie. This one's almost over."
"I know."
"Do you?"
"Yes."
"So…?"
Eddie shrugs at him then, eyes a little wide like he's getting annoyed. "So…what? We wait, right?"
Steve puts one hand on the piano keys as he leans down and ignores the discordant disagreement of notes to focus on the kiss he plants on Eddie, the plush push of lips against his, and the sigh Eddie lets out right away. Steve puts a hand on the side of his neck and feels Eddie's shoulders slouch forward like he's melting, his mouth slack but responsive as he lets himself be led. Steve grins into the kiss and licks the seam of Eddie's mouth, pries another pretty sound out of him.
"I miss you when you leave," he breathes out, because it's true, and he needs Eddie to hear it. "I hate it when you leave."
Eddie pulls away with a scrunched-up face and wrings his hands together in his lap. "I'll forgive you if this is just—if you're just lonely, Steve. And scared to the bone because you're—because you're stuck here, and I'm…whatever, man, like, a warm body, or something, and—"
Steve wants to shake him, wants to say, stop being so goddamn stubborn, because they don't have time. For all Steve knows, he's in a coma out there, in their dimension, and they've already run out of time for good. So he wants to indulge. Wants to take. Wants to do something for himself, for once, because the world might still be ending outside this nightmare timeline bubble of his, but for once, he can't do anything about it.
What he can do is kiss Eddie Munson again, and say, "Wish I would've done this sooner."
Eddie whines at that and pulls Steve's face against his, clawing at the back of his neck and his hair desperately like he's finally gotten the fucking memo. They've got minutes—maybe seconds—and Eddie's pulling Steve into his lap and making him groan.
"Wanna taste you," Steve pants, desperate, delirious. "All over. Everywhere." He sinks to his knees between Eddie's legs, widens the gap between his thighs with both hands on the inseams of Eddie's jeans. Makes Eddie say:
"Jesus fucking Christ."
Steve snorts and opens his mouth to make a bad joke not even the bleakest of loops could take away from him, but Eddie stops him with a hand on his mouth and the chuckle of someone who knows him. It makes Steve shiver and move his head around until he's got two of Eddie's fingers in his mouth, sucking them down to the first knuckle—the hilt, he thinks to himself, imagining something else—and moaning. He creeps his hands further up Eddie's jeans.
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so many of those liminal prompts are perfect for steddie... how about a moment of unexpected connection at an empty laundromat at night, if you please?
oh friend if it's laundry steddie you want, may i humbly direct you to run my heart through your gentle cycle, one of my first ever steddie fics! my writing has definitely changed a lot since then, but i still have much love for this fic in my heart<3 anyhoo thank you for this ask! was fun to revisit steddie + laundry years later! i think i'm gonna try to make this part fit with the other asks that were sent. much to ponder......
send me a tone + prompt from this list and i'll write you a little steddie ficlet!
Every time it thunders overhead, the neons flicker. It wouldn't be surprising, Steve supposes, for his bad luck streak to keep and for the entire laundromat to lose power, right when he's in the middle of a wash cycle.
He's perched on a machine in the back of the shop, facing the wet swirl of his clothes against the glass plane of the washer he chucked them in. Above it, the TV is playing some old movie, though the sound's not on. The clock to his right reads 11:09.
He's alone here. He's alone most places. So it makes sense that this place is quiet too, except for the neons flickering, and the rain pattering incessantly against the storefront. Across from him, the machine hums and buzzes, clothes tumbling. The clock ticks.
11:10.
It's hardly ideal, doing his laundry so late at night. Yet again, nothing in Steve's life is ideal, lately. Some time soon, the rain will let up, and the dryer cycle he'll have started will end, and he'll pack everything in his car and get on the road again. This is what he does, now: he drives, destination unknown. Nothing is…clear. None of it makes sense. Every memory he has feels—
What's the word? What's the…saying?
Steve doesn't know why this keeps happening, why thoughts keep getting away from him like this. Ideas, memories, names, phone numbers…all out of reach. He runs a hand over his face, lets the thought drift away. Hopes it'll come back to him, if he needs it.
At 11:11, the bell above the front door sounds, and Steve turns his head to watch somebody barrelling into the shop, soaked from head to toe. He's crouching at first, the stranger, mumbling something incomprehensible. Steve wonders if he's been running, and for how long; wonders if it was already raining when he stepped out, or if he got caught in it. After a few seconds of him hunched over and panting like he's trying to catch his breath, he straightens up and blows a strand of hair out of his face—or tries to. His hair, dark and drenched straight, stays glued to his skin, and he sighs in defeat as he takes in the sight of the empty laundromat until his eyes land on Steve.
Caught staring, Steve feels sheepish. He straightens up, offers a slight wave. Across the shop, the stranger chuckles, waves back, and starts wringing his clothes.
The shop's louder with him in it: his t-shirt's soaked through even underneath his leather jacket, and water falls from it and lands on the tile flooring; his back to Steve now, he keeps huffing and puffing over there, the edges of his voice echoing through the empty store; he paces in circles, big, black combat boots landing against the tile with heavy, wet steps.
Steve realizes he's staring again. He clears his throat, brings his eyes back to the TV. He can ignore the stranger; he's ignored strangers before. Does it all the time. This one's no different, no matter how alone Steve's been, no matter how—
"Some rain, huh?" It's him talking. He talks through a disbelieving smile, though it falters once Steve takes too long to answer.
It's just—his voice. Steve can't put his finger on it, but there's something about it, something…close. Comfortable. It's not quite—if Steve could just—
"Not one for small talk?" The stranger asks, making some kind of aborted gesture at Steve before he starts walking away. "Go figure. Go figure. Go figure," he repeats until he's out of earshot, or until he's mumbling too much for Steve to make the words out clearly. There's something frustrated about his tone, about the way he's shaking his head no and moving his arms aimlessly at his sides, like he's brimming with energy he doesn't know how to let out.
Steve stares at him a little longer. The stranger's got no laundry with him, no bottle of detergent: just the clothes on his back, and the wet hair dripping on the floor, the ghost of curls and the promise of frizz framing his head like a halo. Steve wants to reach over and twirl his hair around his finger, see if the curl will keep. He did that, once. Used to do it with somebody. With…
Fuck.
Gone again.
The stranger walks towards him, something like decisiveness in his step. He stops a few machines away from Steve, close enough that Steve can note how big and brown and alert his eyes are, and how he's fidgeting with his rings like he can't stand to stay still and share the silence.
"I'm, uh—" he starts, big eyes stuck to Steve. The rest of his sentence doesn't come. He runs a hand over his head, leans back against a machine. Crosses his arms. Taps his foot. "This was the only place that was still open, so. You know."
Steve looks out the storefront, tries to make out the rest of the street. But it's all dark out there, and all he can manage is the glimpse of rain under the orange light of the streetlamp. When he looks back at the stranger, he's running both hands over his face now, shoulders rising up and down slightly like he's stifling a laugh. Maybe it's the kind of laugh that's got no humor in it: he looks all wrung out, after all, and he hasn't stopped moving since he's walked in. Maybe he's running from something.
So Steve tries: "I don't know what this movie is, but it's really hard to follow." He points to the TV and returns his hand to his lap.
The stranger cranes his neck to catch a glimpse of the screen. He huffs, and says, "It's, uh—North by Northwest. Hitchcock."
Huh. "You a big, uh—" what's the word? What's the damn word? Cine…something. His friend would know. The one with…the one who likes movies. The one with all the…freckles, Steve thinks. He screws his eyes shut for a second or two and tries again: "Are you into movies?"
When he looks at the stranger again, he finds him closer than he was before, and his eyes are all sad. He's got both hands on the machine next to the one Steve's sitting on. If Steve didn't know any better, he'd think the stranger was trying to keep himself from reaching out. He's just reading into it, is all.
It's just—
His eyes are so—
"It's always the same one," the stranger offers with a smile, though it does nothing to appease the sorrow in his eyes and the gloomy air he's wearing now.
Steve finds his gaze lingering: lingering on a wicked scar the stranger wears on his face, taking up most of his cheek; lingering on the hint of tattoo over his collarbone, peeking out from underneath his shirt's collar; lingering on the click-click-click of his rings against the metal of the machine as he fidgets, sad eyes stuck on Steve still. Somewhere deep in his mind, something flickers, fighting for his attention. Something glows.
"Do you come here a lot?"
The stranger nods, sniffs. Looks away. Shivers. Looks back at Steve smiling again, saying, "My name's Eddie." He offers his hand for a handshake.
Steve takes Eddie's hand in his before he tries to answer. He closes his fingers over it, feels his heart thump wildly in his chest when Eddie does the same—has his heart ever done this before?—and watches the way Eddie's thumb runs up and down the back of his hand softly, sweetly, like he knows him. Like he knows him.
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foreshadowing done well makes me go feral like there’s NOTHING better than getting to the end a book or an important storyline moment and realising that the author laced information so intricately into their writing that weren’t noticeable upon first read but when you read back sections they’re light giant red flags like wow writing is amazing
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so there's a natural order to this world and we need atleast four million mans in boots with armor, vehicles, and firearms to enforce it, otherwise something unnatural might happen
i just want to make nice things & get enough sleep @kkpwnall - Tumblr Blog | Tumlook