if i was schemers2 i would just lie and constantly imply that thaisha was still in dol-makjar. like we need to start hiding the movements of everyone we know

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@malaismere
if i was schemers2 i would just lie and constantly imply that thaisha was still in dol-makjar. like we need to start hiding the movements of everyone we know

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I am genuinely weeping about Thaisha creating a celestial through the souls of Azhmi and Vokjan and the freed orcs wanting to leave something behind to protect the world, but also I can't help but think about how she's flexing on Primus Tachonis so hard right now.
AND IT WAS ALL POSSIBLE BECAUSE OF HER DAUGHTER WHOM SHE LOVES. DO YOU HEAR THAT, PRIMUS? YOU HEAR THAT, YOU LITTLE WEAKASS MALL GOTH BITCH?
Is your Dungeons and Dragons character too happy? Are they too settled into their life and thusly require some kind of personal tragedy to motivate them to leave it and take up a life of adventuring? Try Primus Tachonis!
Primus Tachonis is an all-purpose personal tragedy creator sure to spur your character to adventure specifically so they can get his ass. Whether you need an old money asshole muscling in on an institution beloved to your PC or an evil sorcerer to slaughter their entire family Primus Tachonis has the magic and the social station to create whatever tragedy is required to serve your backstory.
Primus Tachonis is so versatile as a backstory tool he has professional D&D players raving:
Primus Tachonis killed my character's best friend and now she has to figure out who she is without him! -Laura Bailey I wrote a light backstory because I was still feeling out the setting and my dungeon master used Primus Tachonis to turn my brother into a statue! -Travis Willingham Primus Tachonis is trying to take over my character's magic school and endangering her students, and she will not have that! -Marisha Rey I had intended my character to have a tense but ultimately repairable relationship with his father, but then my DM used Primus Tachonis to rip his skull from his head. Now my character is on a quest to kill every member of Primus' noble house! -Matthew Mercer My character was a happy and established local playwright until Primus Tachonis had his little brother executed. Now he's taken up the sword again in his brother's stead! -Liam O'Brian I needed someone to murder my character's wife and daughter and my dungeon master suggested Primus Tachonis, and I couldn't be happier with the result! -Robbie Daymond Even works on members of his own family! -Alexander Ward
So don't miss out on the one-man solution to forcing your character to feel the call to adventure, try Primus Tachonis today!
#order now and he'll devote himself to destroying the afterlife of your character's religion
Sending troops to stop the play makes my head spin. Not just anger but questions to. Why? Simply for the propaganda loss being punished asap? Do they know about the ritual?
To me itâs a big gamble from them. Thereâs hundreds possibly thousands of people at that play. Itâs a huge success. Messing with it risks public blow back imho. Do they know that? Idk. I think it could become a big problem for the creed in the city.
Before the break: dragons.
After the break: dungeons.

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We got a question regarding our Arc 1 post over on Bluesky, specifically about Thimble and overall Arc 1 damage!
Thimble took 38 points of damage and dealt 274 points of damage across episodes 5-25. That makes her responsible for about 43.5% of the Soldiers' damage dealt and 13.5% of their damage taken. With 1608 points of damage total dealt by all three tables, that's about 17% of all damage dealt during Arc 1.
I'm almost inevitably going to fumble trying to articulate this, and I've tried to talk about it a little in tags with mixed success, but the play and Vokjan's awe at his people dressed in nice clothes with flowers all around has really made me want to come back to it.
Hal's choice not to fight in the Falconer's Rebellion was a personal choice about prioritizing his own family (and whether he could even leave his two older children with Elodie to go off and fight is not totally certain). But it was, of course, not a choice made in isolation. He argues that even their father decided to hang up his blade at some point, but our understanding of the lot of orcs before the Shaper's War is that that wasn't a choice their father could have made 60 years prior. That under Azgra, Hal would almost certainly have been forced to march to war, never mind his three young children at home. There were clearly orcs who weren't on the front lines, orcs who built the cities and smithed the weapons and provided whatever food the community had, but by and large orcs were made as weapons and used as such. Thjazi's letter referenced turning swords into plowshares. In some ways, Hal's whole life between the War of Axe and Vine and now has been a version of that. The Falconer's Rebellion was a just cause, and it's probable that if more people had been willing to join it, Araman wouldn't be in the mess it's currently in. But Hal's choice to abstain is a very different choice from Aranessa's choice to abstain. The politics of an orc saying "I will not fight" even when the cause is just are far more nuanced. Because isn't this part of the freedom Vokjan Murzat fought and died for? Orcs in nice clothes, with flowers all around, and time to go see beautiful art made by their own people? Orcs who raise children and start businesses and hang up their swords? A life free from war? Finally. We don't know whether Hal was thinking about those politics when he made his choice. I suspect he was "I choose the Rungjani" indicates that to me, but you can easily read the scene another way. Whatever your take on his thought process, the politics of the choice are undeniable. A healthy orc in his early 30s refusing a call to arms barely 50 years after Azgra's death means something for the Rungjani.
I like this aspect of Hal's background because I think it's fascinating and one of the many ways in which his character feels deeply nuanced. But also, I think Hal feeling like he has no choice but to step into the fray and take up his sword once again throws into sharp relief that one of the violences of injustice is that it requires action. In real life, even the most non-violent methods and most incremental approaches to upending oppressive systems require deep sacrifices of time and emotional well-being. The fight is relentless and draining. To have to fight injustice is in itself unjust, in large part because of the necessity of the work. Someone has to step up and make the sacrifices, often those already suffering under the weight of what needs to be fought off. And for Hal to be called to take up his sword again does contain a sort of innate hopelessness. In his words to Vokjan, Hal has made some version of peace with this. "[Freedom] is never a given. But now, we always have a chance." But also, his son is off fighting some unknown battle, unreachable to his parents, his older daughter is on stage risking the wrath of one of the most powerful people in the world, and his younger daughter took notes for a secret meeting planning treason. Things are better. They are all adults, not actual children being sent onto the battlefield. But still, the lament that started the Shaper's War, "why can't I keep my family safe?," has only gone half-answered despite the apparent completeness of the orcs' victory. And all those orcs in nice clothes, with flowers all around, and the free time to come see a show celebrating their history, will only remain free if Hal allows himself to once again be a weapon
In which Sgt. Lt. Capt. Sunset Sad Eyes was aiming for trustworthy, tripped on a die, landed face-first in the enemy's family tree and got every lord in the house wondering who slept with a hot sorcerous redhead back in the day
Bonus Azuneinfasen comparison:
I like how we seem to be hurtling toward Brennan saying something like, "What is a big magical ritual but a way to tell the world, tell reality, how it should be? What is a really good story but the same thing? So, Hal, with that 28 Performance check..."
I do have some kinda feeling about how...
Maybe Thjazi and Mara had a ritual planned with the paint. The paint, so far as I understand now, contains the souls of myriad orcs imprisoned by the blood of their shitty god; the bars of the prison have been demonically broken but the souls haven't been released yet? Anyway, maybe Thjazi had a ritual planned for how to free those souls for good, a ritual primed for "the exact center point between the schools of conjuration and necromancy" (a summoning-forth of the dead? a doorway-making into deathly planes?).
But when Thjazi didn't have time to carry out his own plans, one of his final wishes was to ensure that the paint went to Hal. If he'd wanted it to stay safe and hidden, he could've left it with Bolaire, chronic hoarder of weird magical artifacts. Instead, he willed it to Hal, with no explanation - and a powerful charm making it seem like innocuous paint, and Hal has a new theater that needs decoration; so I'm 99% sure Thjazi anticipated it being used just as it has been: to paint the Hallowed Round. To double up the magical amplification and the "sacred divine artifact conversed to modern, pro-mortals use" effect on this pigmentious prison primed to be ritually told that it should open; whether those painting the theater walls knew it or not...
Which means one of Thjazi Fang's final thoughts was, It'll be fine - even if Hal doesn't know the plan, whatever story my brother tells will be enough to free the souls of our people.
kind of baller that there's such an emphasis on the ritual at the theater being fueled in part by intention, and the intention is now not just "put on a play about a failed orcish rebellion in conversation with the fact that the rebellion ultimately succeeded as shown by the largely orcish theater company putting it on in the former dithyramb of Azgra" nor "put on a play about a failed orcish rebellion in conversation with the fact that the Falconer's Rebellion failed twelve years ago, but perhaps a second-go-round will be as successful and decisive as the Shapers' War was" but also, specifically "fuck Yanessa Halovar in particular".

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thaisha couldâve reforged the pariah blades into something else, whether for war, gods, or vengeance. yet it was her daughter, thjaziâs niece and a rungjani who chose to follow in her fatherâs footsteps, who unknowingly made the true anchor. prop swords painted with the blood of her people and with the intention to show the truth: her peopleâs history is something that cannot be buried or erased, nor can it go unseen or unheard.
really need to emphasize how sexy it is that julien is taking notches for every tachonis killed and thaisha just started putting notches on her belt for candescent creed/halovars killed
C4 Shipping - 8 Months In
with convergence underway...lets talk ships! this is updating my post from the beginning of the year; if you want to see comparisons between tables you can find that here. First up: top ships!
Our top 10 ships is mostly the same as it was early in the year - Juliocctis, Julienessa, and Katteor having risen, with the only new addition Davinlloy having overtaken Teor/Wick. The top 10 also perfectly represents those ships >25 fics, which is fun.
Nothing has reached the episode 4 Halaire peak, but we see some Halaire high poins for e22 and e25, and Juliocctis in e16 making quite a show. Overall though the ships are mostly low counts/week but more varied (which makes sense, with 13 characters there's a lot of dynamics in play).
For the messier version with platonic pairings and character-specific graph breakdowns, lets head below the cut!

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There is a part of me that thinks thereâs a possible fascinating opening for Bolaire as a character to explore the idea of like. How much are you willing to tolerate or endorse someone whose autonomy requires the destruction of another personâs autonomy? Where do we draw the line of competing needs if one individualâs need causes ongoing harm to a series of people? Do you trust anyone to only perpetuate that harm against âbadâ people? Who gets to decide what is morally âbadâ?
But Iâm also still not convinced the narrative is interested in exploring this deeply and not just sitting in âyeah he takes peopleâs bodies and imprisons their minds but donât think about it too hardâ.
putting my dead cousins head on the table not to imply anything but just to change the vibe a little