Schinako Moriyama, Stairway to the moon
One Nice Bug Per Day
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Cosmic Funnies
I'd rather be in outer space đ¸
$LAYYYTER
Lint Roller? I Barely Know Her
Game of Thrones Daily
official daine visual archive
let's talk about Bridgerton tea, my ask is open
Not today Justin
almost home
Today's Document
wallacepolsom
he wasn't even looking at me and he found me
Noah Kahan

tannertan36
Fai_Ryy
NASA
Xuebing Du
seen from United Kingdom
seen from United Kingdom
seen from Germany
seen from Australia
seen from TĂźrkiye
seen from TĂźrkiye
seen from United States

seen from Malaysia
seen from Russia
seen from Thailand

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@lyteatus
Schinako Moriyama, Stairway to the moon

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Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism đđž you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.
Yes, nonblack people can reblog. I'd appreciate it, in fact, if y'all took the time to vocally support your Black friends/fans in fandom.
The Beach, Part 3
Summary: After an emotional parting with your merman, you find yourself desperate for something...meanwhile someone is trying to get your attention.
Pairing: Gaz x reader
Word Count: 2,526 words
Warnings: NSFW, 18+, smut, p in v sex, teratophilia, merman!Kyle, kissing, nonhuman biology, emotions, slight angst, language
A/N: Just in time for the end of mermay!! I told y'all I was thinking about merman Kyle again...
MASTERLIST | Part 1 | Part 2
The Beach, Part 2
Kyletober Day 8: Teratophilia
Summary: You return to the beach, to your merman for another romp in the waves.
Pairing: Gaz x reader
Word Count: 2,058 words
Warnings: NSFW, 18+, p in v sex, unprotected sex, teratophilia, merman!Kyle, nonhuman biology, emotions, love confessions, slight angst, language
A/N: I did say I could turn this into a series, so here's part 2. Highly recommend reading part 1 just to have a better understanding of merman Kyle and their dynamic, and of course the lore.
MASTERLIST | Part 1
The Beach
Kyletober Day 14: Teratophilia
Summary: The beach is well known among humans. Those brave enough to tread those shores know what theyâre asking for, and the merfolk are more than willing to oblige.
Pairing: Merman!Kyle x reader
Word Count: 2,627 words
Warnings: NSFW, 18+, p in v sex, unprotected sex, monsters, monster fucking, merpeople, Kyle is a merman, merman anatomy, public sex, slight emotions at the end.
A/N: This one might be my second favorite of them all. I wish I could draw then I'd show you merman Kyle. Tempted to make this a series...
MASTERLIST

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Huh???!!! Why did I have to find out about this on instragram reels??!!
Kyle in a survival horror scenario where he falls in love with you through the notes youâve left behind.
Heâs entered the research facility that ended the world. He failed to stop the apocalypse from happening, but anger and purpose and guilt drive him to find a way to end it. Even though the building is barely standing, lockdown procedures are still in place, so he searches for any intel that will help access the lower levels, all while dealing with the deadly creatures lurking around every corner.
It starts as a hopeless endeavor. Most of the computers he comes across are useless, either broken or not on the emergency power grid or password protected. He focuses his energy then on combing through file cabinets and desk drawers.
Your desk was his first stroke of luck. You were training a new hire, so you put together instructions and guides for various proceduresâone of them is how to override the ground floor lockdown. Itâs well written, explaining the steps in detail while keeping in mind that this would be read by someone with little context. Your documents are typed and printed, but youâve also stuck handwritten post-it notes on several of them. Kyle peels one off and holds it in his hand.
Good luck!
New 'scimitar-crested' Spinosaurus species discovered in the central Sahara
by University of Chicago Medical Center
A paper published in Science describes the discovery of Spinosaurus mirabilis, a new spinosaurid species found in Niger. A 20-person team led by Paul Sereno, Ph.D., Professor of Organismal Biology and Anatomy at the University of Chicago, unearthed the find at a remote locale in the central Sahara, adding important new fossil finds to the closing chapter of spinosaurid evolution...
Read more: https://phys.org/news/2026-02-scimitar-crested-spinosaurus-species-central.html
illustrations by Dani Navarro
it's got a fenestra in its jaw that fits a tegu head with ease
that's a 42 inch lizard to give you an idea of just how big this thing is
I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Reblogging because itâs a damn potato and I want to encourage people to assume potatoes are magical.
w-what if potato is actually lucky
i need a lucky potato
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
âHope youâre a harvest god,â Arepo said, and set up an altar and burnt two stalks of wheat. âItâd be nice, you know.â He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. âI know itâs not much,â he said, his straw hat in his hands. âBut - Iâll do what I can. Itâd be nice to think thereâs a god looking after me.â
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
âYou should go to a temple in the city,â the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. âA real temple. A good one. Get some real gods to bless you. Iâm no one much myself, but I might be able to put in a good word?â It plucked a leaf from a tree and sighed. âI mean, not to be rude. I like this temple. Itâs cozy enough. The worshipâs been nice. But you canât honestly believe that any of this is going to bring you anything.â
âThis is more than I was expecting when I built it,â Arepo said, laying down his scythe and lowering himself to the ground. âTell me, what sort of god are you anyway?â
âIâm of the fallen leaves,â it said. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. Iâm a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then itâs gone.â
The god heaved another sigh. âThereâs no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. Youâre so tiny in the world. So vulnerable. Best to pray to a greater thing than me.â
Arepo plucked a stalk of wheat and flattened it between his teeth. âI like this sort of worship fine,â he said. âSo if you donât mind, I think Iâll continue.â
âDo what you will,â said the god, and withdrew deeper into the stones. âBut donât say I never warned you otherwise.â
Arepo would say a prayer before the morningâs work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepoâs fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
âUseless work,â the god whispered, but came creeping back inside the temple regardless. âThere wasnât a thing I could do to spare you this.â
âWeâll be fine,â Arepo said. âThe stormâs blown over. Weâll rebuild. Donât have much of an offering for today,â he said, and laid down some ruined wheat, âbut I think Iâll shore up this thingâs foundations tomorrow, how about that?âÂ
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepoâs neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepoâs field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepoâs ribs showing through his chest, his hands still shaking, and murmured out a prayer.Â
âThere is nothing here for you,â said the god, hudding in the dark. âThere is nothing I can do. There is nothing to be done.â It shivered, and spat out its words. âWhat is this temple but another burden to you?â
âWe -â Arepo said, and his voice wavered. âSo itâs a lean year,â he said. âWeâve gone through this before, weâll get through this again. So weâre hungry,â he said. âWeâve still got each other, donât we? And a lot of people prayed to other gods, but it didnât protect them from this. No,â he said, and shook his head, and laid down some shriveled weeds on the altar. âNo, I think I like our arrangement fine.â
âThere will come worse,â said the god, from the hollows of the stone. âAnd there will be nothing I can do to save you.â
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
âI could not save them,â said the god, its voice a low wail. âI am sorry. I am sorry. I am so so sorry.â The leaves fell burning from the trees, a soft slow rain of ash. âI have done nothing! All these years, and I have done nothing for you!â
âShush,â Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. âTell me,â he mumbled. âTell me again. What sort of god are you?â
âI -â said the god, and reached out, cradling Arepoâs head, and closed its eyes and spoke.
âIâm of the fallen leaves,â it said, and conjured up the image of them. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.â Arepoâs lips parted in a smile.
âI am the god of a dozen different nothings,â it said. âThe petals in bloom that lead to rot, the momentary glimpses. A change in the air -â Its voice broke, and it wept. âBefore itâs gone.â
âBeautiful,â Arepo said, his blood staining the stones, seeping into the earth. âAll of them. They were all so beautiful.â
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
âOh, poor god,â she said, âWith no-one to bury your last priest.â Then she paused, because she was from far away. âOr is this how the dead are honored here?â The god roused from its contemplation.
âHis name was Arepo,â it said, âHe was a sower.â
Sora startled, a little, because she had never before heard the voice of a god. âHow can I honor him?â She asked.
âBury him,â the god said, âBeneath my altar.â
âAll right,â Sora said, and went to fetch her shovel.
âWait,â the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. âWait,â the god said, âI cannot do anything for you. I am not a god of anything useful.â
Sora sat back on her heels and looked at the altar to listen to the god.
âWhen the Storm came and destroyed his wheat, I could not save it,â the god said, âWhen the Harvest failed and he was hungry, I could not feed him. When War came,â the godâs voice faltered. âWhen War came, I could not protect him. He came bleeding from the battle to die in my arms.â Sora looked down again at the bones.
âI think you are the god of something very useful,â she said.
âWhat?â the god asked.
Sora carefully lifted the skull onto the cloth. âYou are the god of Arepo.â
Generations passed. The village recovered from its tragediesâhomes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to be empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the godâs work on his dying breath.
âHello, God of Every Humble Beauty in the World,â called a familiar voice.
The squinting corners of the godâs eyes wept down onto curled lips. âArepo,â he whispered, for his voice was hoarse from its hundred-year mutism.
âI am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,â Arepo avowed, soothing the other with every word.
âThatâs wonderful, Arepo,â he responded between tears, âIâm so happy for youâsuch a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? Youâll be adored by all.â
âNo,â Arepo smiled.
âFarther than that, to the capitol, then? Thank you for visiting here before your departure.â
âNo, I will not go there, either,â Arepo shook his head and chuckled.
âFarther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,â the elder god continued.
âActually,â interrupted Arepo, âIâd like to stay here, if youâll have me.â
The other god was struck speechless. ââŚ. Why would you want to live here?â
âI am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.â
â¤ď¸â¤ď¸â¤ď¸

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Lamb to Slaughter
Merry Christmas ya filthy animals <33 Part 3 of the beta-verse Kita Shinsuke, Ojiro Aran, Suna Rintaro, Miya Atsumu & Miya Osamu x female reader w.c 7.5k tw: yandere, a/b/o, noncon, mentions of blood, roofied reader, forced claiming, smut, nsfw
If Osamu hadnât shown up at your work, you donât think you wouldâve come.Â
Kita was the one to send the invite, a long silent message chain lighting up with a politely worded invitation to a reunion. Short, succinct and, if your suspicions are correct, a copy-paste job, youâd spent days dithering over whether or not youâd reply, much less make an effort to turn up.
And then, out of the blue, youâd left work one night to find Miya Osamu waiting for you on the steps out front. âYouâre coming, ainâtcha?â heâd asked without preamble, slate eyes boring into you. âItâs rude to ignore Kita like that.â
Which brings you to here and now, gazing up at their pack house. Supposedly, this oneâs smaller than the one they have out near Kitaâs farm. Youâre yet to set foot inside, and youâre already willing to bet your monthly paycheck that one of their bathrooms is bigger than the entirety of your bedroom.Â
A low whistle sounds beside you. âMust be nice to be rich, huh?â
Okay so hear me out, these are just my own thoughts about your verse, so if I'm ruining the vision don't shoot me! But feel free to correct me.
But I kinda feel like if there were this crazy ass person that decides to make a drug so betas can fully bond to omegas and alphas that some of the guys would just go nutsssss over it. (Like it's literally this one alpha scientist who has no pack but a super crush on his assistant in the lab and wants to make sure it only takes one bite to tie them down cuz he's such a creep that way.)
Like yeah beta still doesn't have heats, no slick, no scent changes BUT bond sickness would go through the roof like with omegas.
Fully aware of the added horror for beta that they have to reapply the bites every so often and that the guys really don't mind and even like it but stillll.
The reassurance that some of them would have by knowing for a fact you wouldn't even last a day on the run without them.
(Also added bonus if it alters a bit of betas mind so that they 'prepare' for heats and stuff like making sure the nest is right on a whim but still their body isn't made to do that so that feeling just comes and goes sometimes and drives them crazy as to why they feel that way. But that's really my own feelings and wants so don't take that thought too serious.)
Hey the US government is proposing to get rid of the Endangered Species Act. Please go comment.
(yes this entirely for corporate profit)
Cut and paste the docket number to put in your response if you remember. You can comment anonymously if you want.
The Oregon Zoo has some sample arguments you can make.
We have until December 22nd!
I don't usually add on to stuff like this, but this is really really important to me.
Since OP didn't explain what's actually changing (lots of things) here's a simple explanation of one of the Big Ones.
One of the biggest changes is a proposal to remove the ESAâs Threatened Species Blanket Rule (FWS-HQ-ES-2025-0029). The Blanket Rule is extremely important because it automatically extends the same protections given to endangered species to all newly listed threatened species, quickly providing prohibitions on harming, killing or trading the species. If the Blanket Rule is rescinded, species-specific rules would have to be enacted, imposing additional procedural delays and uncertainty at the most critical time for the species' survival. And with more and more species in danger each year, thatâs a risk that we as a country cannot afford to take.Â
Also, @why-animals-do-the-thing / @animalphotorefs this seems like something that your reach might help with, and that's relevant to your blog(s).
If you run into issues, try turning off your VPN if you have one, in case it's getting annoyed that you're not "in the U.S.".
If you need a template, I'm putting one I got sent at work under the cut. (But check out the Oregon Zoo link, too! Or better yet, write your own! Unique and individual comments catch more attention than copy-pasted ones!)
Thanks for the tag, I definitely want to jump in here because the most helpful thing any individual can do is write your own comment.
Iâm going to give you a little bit of information about the process thatâs happening here, why itâs happening, and how you can best contribute to protecting the Endangered Species Act. You can skip it by scrolling to the red text, but youâll be best set up to comment and help if you know some things about whatâs happening first, so please stick with me. I promise to be as simple and jargon free as possible.
First, and to catch people's attention as they scroll, here's two red wolf sisters: a species the ESA actively preserving. This is who we're doing this for.
To clarify one thing: theyâre not trying to totally repeal the ESA, the entire law, theyâre looking to roll back regulations implementing it/enforcing it to what was being used in 2019. This is still bad! Very bad! But a thing thatâs important when dealing with legislation/regulation is precision in the language we use.
Okay, so hereâs what you need to know. This is part of what is known as the ânotice-and-commentâ rule making process, which is federally mandated. This happens with the implementation of regulations to enact new laws, or changes to the interpretation of laws. Laws like the ESA, once passed, are delegated to various federal agencies and departments to enact and make happen, and they do that by deciding what regulations need to exist to fulfill the text and intent of the law. This change to the ESA is happening because one of the earliest executive orders from this administration âdirected all departments and agencies to immediately review agency actions to identify those actions that potentially impose an undue burden on the identification, development, or use of domestic energy resources, and, as appropriate and consistent with applicable law, consider suspending, revising, or rescinding agency actions identified as unduly burdensome that conflict with this national objective.â So, as @sweetfirebird said, literally go figure out what laws and regs and protections they can interpret differently, put on hold, or trash for the energy sector. Fucking gross.
This ânotice-and-commentâ process is the process with which all these federal agencies go about exploring changing regulations. Itâs a formal process that is specifically designed to allow stakeholders to have input on what happens. Good news: in the ESA, the public is literally a stakeholder! Itâs written into the law that any âpersonâ (basically an individual or a group of individuals) can sue the government for a violation of the law. This is actually historically the prime enforcement mechanism of the ESA. Which means you, as an American on tumblr reading this, have absolutely valid standing to go tell the feds to knock this shit off. And with the way the ânotice-and-commentâ process works, they actually have to take your argument into account. (Yes, even though we know this admin is a piece of shit and dgaf). Hereâs why.
A ânotice and commentâ process has four major steps.
Agency issues a notice of proposed rulemaking. Thatâs what youâre looking at in the first link @sweetbirdfire shared. They have to describe what the rule they want to make/change is and explain the legal authority for the rule.
The public must be given an opportunity to participate in a written comment period. Thatâs what youâre being asked to do - submit a comment before the comment period is over on the 22nd.
The agency must âconsider all relevant, timely-submitted comments. If it decides to issue a final rule, the agency develops the regulatory text along with a preamble explaining the ruleâs basis and responding to all significant issues raised in the comments.â
Final rule is published.
Okay, so why did I jump to a direct quote from federal documents in the third bullet point? Because thatâs the really important shit. When federal agencies move forward with rulemaking after a public comment period, they are required to consider and response to all significant issues raised. And that is why you should write your own comment if you can.
Itâs really common for organizations encouraging people to leave public comment to ask people to send in form letters. Itâs easy, it takes no time or real work, it shows a lot of general public support on the issue, and they can quote the comment numbers when theyâre lobbying.
But! What Iâve been told by serious professional people who work with regulatory agencies is that all those form letters only have the functional weight of a single comment during the ânotice-and-commentâ process. If 100 people only bring up the same significant set of issues, that requires far less time and work for the agency to respond to than even 20 people writing in with their individual concerns. Iâve seen follow-ups on comment periods where they actually count how many people raised issues on a single topic or concern - but the form letters only counted as one âcommentâ because they were the exact same thing.
And while the political agency head probably wants to fast-track this process of changing the regs to let the feds tear up whatever the fuck they want, a ânotice-and-comment periodâ is a really good way to gum up those gears. There are still people in lower-level positions who do this daily work and I expect that theyâre opposed to this and will go through the whole process like theyâre been trained to. Under normal administrations, an overwhelming number of concerns raised during comment periods have stalled the creation/change of specific regulations for a decade. This is a process that works best when as many people as possible participate, and itâs detrimental to our interests as invested members of the public that that isnât more widely known or the process understood.
So! What does that mean you should do here?
Write your own comment if you have the time/spoons.
Literally, write it in your own words, rather than using the form letters provided. If you make it a âdifferent commentâ it has to be considered separately and your concerns on the topic will be given more weight. Even if you just stick to the topics the Oregon Zoo offered: to be clear, theyâre really good ones.
But, youâll have even more impact if you can tie it to specific concerns for you. It takes a little more work so I donât expect everyone to do this, but if you have some specialized or local knowledge that can be relevant, this is a great time to drop that in. Tie the concern to endangered or threatened species in your specific community, or an ecosystem that you know companies might want to pillage.
Your comment doesnât have to be super well written or perfectly edited. It can be in language about as casual as youâd use in a tumblr post (with punctuation, though). This isnât something youâre turning in for a grade - itâs raising your hand to say hey, I object! Youâre not a major advocacy group or professional org, you donât have to be perfect, you just have to tell them how you feel. That being said. Public comments are public record. You can submit them anonymously but donât include identifying information.
Hereâs a link directly to the comment portal. While the site has a text box embedded in the page, you can also submit a document/file containing your comment.
https://www.regulations.gov/commenton/FWS-HQ-ES-2025-0039-0001
Comments close at 11:59 PM EST (4:59 GMT) on December 22nd. We have less than five days to get more comments in. Iâm really not kidding when I say every unique, individual comment makes an impact. Letâs do this.
Images from @animalphotorefs
The road to the childrensâ hospital
@swedishfalcon-actual
I hope this joke outlives the context that made it, leaving future generations baffled.
Hybrid!141; Hybrid!Reader
The 141 as a pack- not in the found family kind of way, but in the hunting kind of way.
They spot you by accident.
Price is the first to clock you, mostly because heâs the sort who notices exits, shadows, people sitting alone. Youâre on a stool near the end of the bar, tucked under a blown out neon sign that flickers uselessly overhead. The rest of the place is a mess of dim bulbs and TV glow, but somehow the shadows around you are softer, edged in a kind of warm sheen.
Itâs probably just the jewelry.
Tiny pieces, nothing flashy on their own: delicate chain at your throat, a charm on a bracelet, thin hoops catching the light when you tuck your hair behind your ear. But every time you move, something glints. Not bright. Not gaudy. Just enough to pull the eye.
Soap follows the first flash of gold the way a cat chases a laser pointer.
âAch, look at that,â he mutters around the lip of his beer bottle, elbow nudging Gazâs. âSittinâ all by herself. Cute as a button. Like a wee rabbit waitinâ for a fox.â
Gaz leans just enough to see past him. Youâre nursing a drink, straw between your fingers, eyes on the shelves of cheap liquor like youâre reading the labels to avoid looking at anyone else.
âBeen here a while,â he says. âCame in just after we did. No oneâs come up to her twice.â His brow creases. âKeeps looking at the door, though.â
Ghost says nothing, but heâs watching too, tracking the pattern: every time the door opens, your head lifts and your bracelet catches the dark, giving a quick, soft flash. When you realize whoever walked in isnât who you were hoping for, your shoulders fall. You go back to tracing the rim of your glass.
Nobody comes to sit with you. Nobody stays near you for long.
Too alone. Too pretty. Too jumpy.
Easy.
Price takes it in, slow and steady.
Pack instinct kicks in before any of them say the word. They donât need to say anything to align on the same thought. Itâs in the way their focus narrows, the way their chairs angle subconsciously toward you. A hunting posture, dressed in civilian clothes and half finished drinks.
Theyâre not the soft, found family kind of pack people romanticize. Theyâre the other kind; the kind that closes around a target without thinking.
âCould just be waitinâ on her boyfriend,â Gaz offers, because heâs the one who says that sort of thing, even if he doesnât quite believe it.
âShe wouldnât still be here if he was worth a damn,â Soap replies. âLook at her. Fellaâs either stupid or blind.â
Ghost watches your fingers. Youâre not fidgeting like a practiced flirt; youâre rolling the straw wrapper tight, tight, tight until the paper is an over wound thread. The kind of nervous habit you donât perform for attention; it just happens.
âDoesnât matter,â Price says, deciding for them. âPlace like this, someoneâll try their luck eventually. Might as well be us.â
Us, not me.
Price drains his glass and stands. âCâmon,â he says. âBefore some drunk fucker with worse intentions gets there first.â
Soap grins. Gaz pushes off the bar. Ghost follows.
The four of them rise together, scatter of chairs on sticky floor, their approach casual enough not to spook you, coordinated enough to close off any direction that isnât toward them.
You feel them before you see them. The bar is loud- music, clinking glass, too many overlapping conversations- but when they move, the noise tilts. You feel a shadow fall across your little island of dim light.
You look up- and up- and up.
âEveninâ, love,â Price says, taking the middle, anchoring your attention. His voice is warm, edged with something rough. âThis seat taken?â
You look at him, eyes wide, and for a heartbeat he can see the thought stutter through your head: I should say yes. I should lie.
Then your gaze skips over his shoulder, across Ghost, over Soapâs grin, to Gazâs more cautious face. Four of them. All big. All dangerous, in the way that sets off every alarm bell youâve ever had.
Your fingers tighten around your glass. Up close, theyâre even more intimidating. Big men, all of them. Broad shoulders. Scarred knuckles. The casual alertness that says theyâre dangerous even when theyâre pretending not to be.
Your throat works around a swallow.
âN-No,â you say, barely loud enough to be heard over the music. âUm. No, itâs not.â
You donât move away when he takes the stool beside you, though. Thatâs the first little surrender.
Up close, he can see the jewelry looks even smaller. A fine chain resting in the dip of your collarbone, charm nestled where his eyes keep dropping. A tiny stud in your ear that catches the barâs dim light and winks at him whenever you turn your head.
âGood,â Soap says, dropping onto your other side like youâre the natural center of their group. âBe a shame to leave such a lovely lass sittinâ on her own.â
Ghost leans against the bar behind you, silent. Gaz drifts just off your shoulder, close enough that if you tried to slip down from the stool, youâd have to brush past him.
You donât realize youâre boxed in. Not yet.
âQuiet night for a girl like you,â Soap says lightly, accent softening the words. âYou waitinâ on someone?â
You pick at the napkin under your glass. âI was. My friend bailed, though, soâŚâ You give a little shrug, embarrassed. âJustâŚfinishing this before I head home.â
âThat right?â Price nudges your drink with a knuckle. âLet us get your last one, then. Call it a good deed.â
Your instinct is to refuse. You start to shake your head. âOh, no, thatâs okay, I donât wanna- â
âWe insist,â Soap cuts in, already nodding at the bartender. âSame again for the lady.â
You fluster. Youâre not used to this kind of attention. Your necklace glints when you duck your head, catching the dim light in a quick flash at your throat.
âThank you,â you murmur when the fresh drink appears. âYouâŚyou donât have to.â
âWhat if we want to?â Price asks, lips tipping. âBit rough, a girl like you alone in a place like this.â
You huff a nervous laugh and twist the straw wrapper tighter. âC-could say the same thing.â
Gaz huffs a small breath. âWeâve got each other.â
âPack of us,â Soap adds, grin widening.
âOh.â You glance at all of them again, as if that just made them more intimidating. âThatâsâŚnice.â
Price watches the way your shoulders hunch, the way you angle your knees toward the bar, as if youâre half expecting someone to bump you. âThank you again.â
âSâokay lass,â Soap grins, leaning in. âWeâre not that scary once you get to know us.â
You look at the mask, the beard, the scars at Soapâs throat, the quiet calculation in Gazâs eyes.
âYouâre a little scary,â you admit, voice trembling around the edge of a nervous laugh.
Something pleased curls through Ghostâs chest at that, dark and satisfied. Good. You should be.
âGood instincts,â he says. âMost people donât have âem.â
You fluster, ducking your head, and when the bartender sets down the fresh glass, the cube of ice inside catches just enough of the overhead light to bounce it up, up, directly into the small crystal at your wrist. It flashes once, sharp, a pinpoint of brightness in all the gloom.
You talk.
They ask easy questions- about your job, about living near the river, about why you stayed when your friend left. You answer in fits and starts, words tripping, always circling back to sorry and I donât usually and this is weird, right?
Every time you move your hands, the charm at your wrist gives a soft, quick gleam. Every time you turn your head, the little studs in your ears catch the barâs failing lights.
They like how nervous you are. How your voice trembles when Soap leans in to tease you. How you canât quite hold Ghostâs gaze for long. How you keep saying you should go home but never quite stand up.
Youâre not sure how to extricate yourself now that four strangers with war in their posture have decided youâre interesting.
âYou got far to walk?â Price asks, casually, after a while. âWeâre headed out soon.â
You hesitate. Lie on the tip of your tongue: I drove or Iâm just around the corner or My boyfriendâs coming.
You donât say any of it.
âI live a few blocks away,â you admit. âDown by the river.â
At that, four pairs of eyes sharpen. Enough distance to get you alone. Enough darkness. Not so far that youâll get suspicious if they offer to walk you.
âNot safe on your own at this hour,â Soap says immediately.
Gaz gives a low, almost gentle snort. âYou seen the lot that hangs around near the bridge at night? Nah. Weâll walk you.â
You start to protest, shoulders curling, fingers twisting in the strap of your bag, but he cuts you off with a small, easy smile.
âLet us be gallant, yeah? Last good deed of the night. Then weâre gone.â
You donât have a good reason to argue with that, and they can see the moment your resistance folds.
âO-Okay,â you say. âIfâŚif you want to.â
Price drops some notes on the bar, more than enough to cover their tab and yours. You slide off the stool, nearly bumping into his chest as you steady yourself. His hands go to your hips without thinking, big palms warm and firm, catching you before you can stumble.
âThere you go,â he murmurs. âGot you.â
You look up at him from under your lashes, throat working around a small, flustered sound. He feels you tremble, just a little, like a skittish animal not used to being held.
He squeezes, once, possessive.
Then they take you out into the night
The city is wet from some half hearted rain earlier, pavement slick, puddles glimmering in the bruise colored light of far off streetlamps. You walk in the middle of them without being told to, instinct or training or simple common sense putting you where youâre most boxed in.
Price on one side, Ghost on the other, Soap just ahead, Gaz at your back.
You keep your bag strap clutched tight, thumbs stroking the worn fabric. Every now and then your knuckles bump Priceâs hand, and every time, he has to stop himself from catching your fingers and not letting go.
âWe do this for everyone, you know,â Soap jokes lightly, shoving his hands in his pockets. âItâs a community service. âWalks For Strays.ââ
You huff a startled laugh. âIs that what I am? A stray?â
He glances over his shoulder, eyes raking down your body in a way thatâs anything but subtle. âAye. You wandered right into our path, didnât you?â
âCouldâve been anyone,â you say.
Price knows thatâs not true.
He remembers the way his gaze kept snagging on you all night, how hard it was to keep his eyes from drifting back whenever you lifted your drink and the light slipped over your rings. How Ghost, normally content to sit with his back to the room and watch every corner, kept glancing in your direction.
âWasnât,â Ghost says quietly. âWas you.â
You donât seem to know what to do with that. Silence falls for a few steps, your shoes splashing through a shallow puddle that sends a little fan of water up your calves. The reflection shivers there, ripples of light from the lamp above breaking apart and reforming, broken stars at your feet.
When you step up onto the drier pavement again, one of those broken stars lingers, caught on the thin chain at your ankle until it fades.
âHere,â you say softly after a while, nodding toward a side street. âThis way.â
The road narrows, buildings rising up on either side. Fewer lights. Fewer people. The riverâs smell rides the air, damp and metallic.
Price feels that familiar shift in his chest: the one that comes at the end of a hunt, when the world narrows down to the target and the terrain and what comes next.
You donât notice. Youâre too busy watching your footing, stepping around a cracked bit of pavement, apologizing when you bump Soap with your shoulder.
You stop in front of an old brick building with a cracked stoop and a single tired bulb over the door.
âThis is me,â you say, turning to them with that same small, uncertain smile. âUm. Really. Thank you. For walking me.â
âBe rude to leave it here,â Soap says, tongue in his cheek. âYou could at least offer us a cuppa, hen.â
Your eyes widen. âOh! I, um. I mean, my place is a mess, I wasnât- â
âWe donât mind mess,â Gaz says.
Price takes a half step closer, not touching you, but close enough that you have to tip your head back to look at him.
You donât meet his eyes. âI donât know,â you say honestly. âIâve neverâŚâ
You bite your lip. Nervous. Thinking. You look at each of them, one by one, like youâre weighing something heavy.
You trail off, skin heating, shame and something else crawling up your neck.
Price files that away like itâs intel. Never. Never taken strangers home. Never done something like this.
But sheâs out here, with four men twice her size, letting them walk her into the dark.
You could fumble the lock and slip inside alone, door closing in their faces. You could make up a boyfriend, a roommate, a brother.
You donât do any of those things.
You nod. Tiny, decisive.
ââŚOkay,â you whisper. âFor a little while.â
The satisfaction that rolls through them is dark and mutual.
âGood girl,â Price murmurs before he can stop himself.
You flush all the way to your ears and fumble the key in the lock. When the door finally gives, you laugh, flustered. âSorry. My hands areâŚâ
Sheâs shaking, he thinks, pleased.
They follow you inside.
The hallway is dim and narrow, the overhead light bare and buzzing.
âSorry,â you say, starting up the stairs. âThe landlord keeps saying heâs going to fix the lights on the second floor and then never does.â
âTypical,â Gaz mutters.
On the landing, the bulbs are all dead. The only light seeps up from the stained glass window in the stairwell, painting everything in a murky, underwater wash. It brushes your face when you glance back at them.
For a second, your eyes seem to catch it and hold it, pupils blown wide, irises gleaming oddly in the blue green.
Then you blink, and itâs gone.
âThis is me,â you say again, stopping at the first door on the left. You unlock it and push it open into darkness. âIâll get the- oh. Right. Sorry. The hall light doesnât reach in here. One second, the lamp isâŚâ
You reach inside, patting the wall, fingers feeling for a switch that isnât there. The four of them stack behind you, big silhouettes in the narrow hall.
âHere,â Price says, hand settling at the small of your back, guiding you in. âWeâre not afraid of the dark.â
You give a breathy little laugh. âI kinda am,â you admit. âJustâŚdonât leave me standing in it, okay?â
The words make something low in Ghostâs chest twist in a way he doesnât examine.
âThatâs not on the agenda,â he says.
You step fully into the apartment. The dim hall light dies as the door swings almost shut behind them. Shadows swallow everything; the noise of the city outside muffles.
âLampâs by the sofa,â you mumble. âJust- hang onâŚâ
They hear you move. The soft thump of your bag dropped on some surface. The scrape of your shoes toed off. Your voice, closer to the center of the room now.
Something inside them unwinds. This is familiar: dark rooms, unknown layouts, a targetâs breathing somewhere just ahead. They relax into the predatory rhythm without even meaning to.
Soapâs hand finds the back of the sofa in the dark. Gazâs foot bumps into the edge of a low table. Ghostâs fingers twitch once, reminding themselves thereâs no weapon in them tonight.
âYou sure you paid your electric bill?â Soap asks, laughing under his breath when the first lamp you try doesnât click on.
You huff. âFunny. It worked this morning. I think the bulb just-â
The sentence cuts off.
The silence that follows is sudden and heavy.
âLove?â Price says. âYou all right there?â
You donât answer immediately.
Then, from deeper in the room: âYeah. Yeah, IâmâŚhere. Just- donât move for a second, okay? Itâll be easier if you let your eyes adjust.â
Thereâs a new note in your voice. Not exactly different- still soft, still gentle- but smoother. Calmer. Like something let go.
They stand still, obedient without thinking about it.
The dark presses in.
Slowly, shapes begin to tease themselves out- the paler rectangle of a window, the looming outline of a bookshelf, the shadowed bulk of the sofa.
And you.
Youâre standing a few feet away, turned toward them. The faint light from the street outside brushes your outline but doesnât quite touch your face. For a breath, you look exactly like you did at the bar- small, bare armed, hair falling around your shoulders, the delicate chain at your throat a dim line in the gloom.
The glint of your jewelry answers the glow- your necklace, your bracelet, your rings all picking up that strange, pale color and tossing it back in miniature. It slides over your features, revealing them in slices: the curve of your mouth, the bridge of your nose, the line of your cheek.
Your smile is small.
And wrong.
Itâs too wide. Not grotesque, not cartoonish; just a fraction beyond human, the corners of your lips pulled back enough to show teeth that look a shade too long, too thin. Not blunt little herbivore teeth, but fine, needled things that catch the strange light the way deep water catches moonshine.
Priceâs hand, half lifted, stills.
âTurn the lamp on,â Ghost says, voice low. A command, not a request.
You tip your head.
âNo,â you say, almost apologetically. âI donât need it.â
The room seems to shift around that answer. The air grows heavier, cooler. The smell of the river outside seeps in under the window frame, only itâs stronger now, richer, like true seawater. Salt and depth and something briny underneath.
The moonlight bleeds in through the window slightly and the faint glow it throws off reveals more details now: the way your pupils have narrowed to vertical slits in eyes that gleam with their own internal shine; the faint, opalescent pattern under your skin along your throat and collarbones, like scales lying just beneath the surface; the way the chain at your ankle has gone almost luminescent, the bones of your bare feet pale as the bellies of deep fish.
Priceâs mouth goes dry.
âWhat are you?â he asks, very softly.
You tilt your head again, studying him.
âYou know those fish,â you say, âwith the little lanterns? Way down where itâs too dark for anything else to shine?â You give the necklace a small, idle flick, and it swings, hypnotic. âThey sit there for hours, justâŚwaiting. Letting the hungry things come to them.â
Soapâs pulse roars in his ears. Gaz swallows. Ghost takes a single, measured step forward like heâs testing how real this is, how dangerous.
You watch him do it. The glow stretched over your face makes your smile seem sharper.
âI didnât want you to think I was anything but innocent,â you go on conversationally, as if explaining something simple. âThatâs important. If the prey knows the hook is there, it wonât bite.â Your gaze roams over them, four big men in a strangerâs dark living room, shoulders tense, instincts finally whispering wrong, wrong, wrong far too late. âDo you know how many things in the deep are drawn to light that wonât harm them? To something that looks small, harmless, soft? They canât help it. Their brains arenât built to resist.â
The last word curls like smoke, amused.
âYou made yourself pretty,â Ghost rasps, fingers digging into his palms as he fights the instinct to step closer. âSo weâdâŚcome to you.â
You tilt your head, pleased. Brilliant boy. Youâve always liked the wary ones. They make the best meals. The most satisfying captures.
âOf course I did,â you say. âThe abyss doesnât chase. It waits. It shines.â You tap your chest lightly with the tips of your fingers. âI just had to sit in the right bar long enough. Predators always think theyâre the only ones hunting.â
Your own teeth catch the glow when you smile wider.
âAnglerfish donât chase,â you say, almost gently. âWe wait. We shine.â
The little necklace hangs there, bright and terrible in the pitch black of your living room, and Task Force 141 realizes far, far too late that they never chose you at all.
You chose them.
And by then, the hook is already in.
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When tumblr refreshes itself and the fic I was reading fucking disappears forever đ
Iâve been searching for a smau I was reading for three days đ
Bruce introducing Fem!Reader to the family for the first time.
Bruce: This is my biological daughter whom I'm extremely stupidly protective of and hidden from you all
Bruce: Please, be nice. She is weak and fragile and helpless. And, mourning her dead mother.
Everyone looking at Damian for his reaction since he's just barely getting out of the blood son phase
Damian: I need to make a call
Everyone: ...
Cass: That wasn't a negative reaction
Damian in the Batcave making a call to his mother on the Batcomputer.
Damian: Greetings, Omm.
Thalia: Habibi, what is that matter?
Damian: It's father. He has just informed us all that I have sister. A blood sister.
Thalia leaning forward as a lethal gleam in her eyes.
Thalia: Oh?
Damian: She is...
Damian: ... untrained. And, has lost her own mother recently
Thalia: *Gasp*
Damian: I know...
Damian: You need to come to Gotham as soon as possible and train her. I don't think father plans too.
Thalia already setting up a jet to fly in: I WILL BE THERE IN TWELVE HOURS
A/N: Little crack idea for Damian actually being the first to start up the fanclub for his new sibling. No sister of Damian's isn't going to know how not to defend themselves. đ¤ And, Thalia jumping at the opportunity to be a girl mom just feels right. She just wanted a blank one to start with and for them to be Bruce's blood.
A/N: I don't know if I got those terms of endearment right.