Lira

let’s be real the pressure to use AI as an adult is exactly what they said the pressure the do drugs as a teenager would be like but the people that told us that caved immediately for the AI and definitely did not just say no

tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"

im sorry im sorry orpheus LAUGHED last night before sobbing when eurydice fell back to the underworld???????? oh im sick to my stomach. OH IM SICK. orpehus in shock fully dissociated from the moment just thinking about how absurd it all is. or even a moment of elation that it wasnt a trick after all, that she really followed him back only for it all to crash down on him IM SICKKKKKKKK !!!!!! JACK WOLFE YOU ARE SICK !!!!!!!!!!

the craziest staging in hadestown will forever be eurydice running after orpheus in chant and him NOT turning around and that being the issue. he doesn’t see her!!! the reason she goes to hadestown is BECAUSE he doesn’t turn around!!! it’s an old song it’s a tragedy!!!!!!

hermes in hadestown is the exact opposite of an unreliable narrator. a tortured narrator. a little *too* reliable. incredibly aware of exactly what is happening at any given moment, vaguely spoiling it for you in the beginning, despairing every second of it. but ultimately motivated to continue to tell the story over and over and over with a smiling face for the sake of the audience, and for the sake of the characters themselves, singing it again to keep them alive. knowing how it will end, but singing it again so that the cycle may restart and eurydice may come back to life. enduring the misery of it all, over and over, holding the knowledge of what will come to pass but continuing anyway to see orpheus happy just one more time before it all goes down in flames again.

That's because Hermes is a psychopomp

Why is it always about Orpheus turning back foolishly and never about Eurydice following him out of the Underworld, likely knowing she was doomed. That Orpheus went all this way, singing the story of their love, hopeful that he will return her to the surface and finally build their life together— but they will not. She knows her Orpheus will turn back. And yet she still follows him, all the way to the top, because the simple pleasure of seeing his back again is enough for her. Isn’t that a foolish thing to do for love?