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@lunaopus
FIRST TRY!!!

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Time runs out drop by drop.
My entry for the A Cave Like A Net DTIYS by @lennsart
Congratulations on your creative milestones, Lenn!!
I have had this composition idea in my mind since you posted the prompt. Iâm so glad I finally got time to finish this!! (Read: I got COVID. Now I no longer have COVID but I donât wanna work. I told my boss I still need time from work. I spent three days doing art instead heheheh.)
Lele this is absolutely beautiful, what a really gorgeous take on the criteria !! it looks absolutely AMAZING
It's kinda funny that my favorite piece of art in a while is a legpreg related one. Anyway, Artfight is very fun.
@lunaopus
LOOK UPON MY CHILD YE MIGHTY AND DESPAIR
Oh my
god
Emi i know iâve said it in like 3 separate spaces now but i do love this so much, thank you đ
Ao3 works on my Barbie flip phone
@tiredgothskeleton
Important update:
It can run ao3 running doom
this feels like a good day to bring this back
Your turn to get perceived now idiot /affectionate
If it can run Bad Apple then the holy Trinity is complete
you're never gonna fucking believe this
pleased to see that the Barbie catchphrase âyou can do/be anythingâ is living on strongly in all cases
Project Hail Mary fans after finishing the book and the movie
@anime-obsessed
this might just be the best post i've seen today, actually

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Mods are asleep post forbidden tits
Huh
Huh
Huh
Hhhhhhh
Perfectly balanced as all things should beâŚ
balance
The Orchardâs Wound
Based on an off-screen scene from Retired Assets 1-5 âBroken Things Can Be Mended Anewâ
Process here and here
(The WIP name was Link Appleheart)
Alt version below:
when i watch old movies iâm constantly surprised by how much acting has improved. not that the acting in the classics is bad, itâs just often kind of artificial? itâs acting-y. itâs like stage acting.
it took some decades for the arts of acting and filmmaking to catch up to the potential that was in movies all along; stuff like microexpressions and silences and eyes, oh man people are SO much better at acting with their eyes than they were in the 40â˛s, or even the 70â˛s.
the performances we take for granted in adventure movies and comedies now wouldâve blown the criticsâ socks off in the days of âcasablancaâ.
thereâs a weird period in film where you can see the transition happening. right around the fifties, I think. the example my prof used when i learned about it was marlon brando in âa streetcar named desireâ - he was using stanislavski acting methods and this new hyper-realistic style and most or all of his costars were still using the old, highly-stylized way of acting. it makes it way more obvious how false it is.
i even noticed it in âthe stingâ, which was 1973. i actually think they used it on purpose to get the viewer fished in by the second layer of the con; the grifters at the bookieâs were acting like they were acting, and the grifters playing the feds were acting for reals. if youâre used to setting your suspension of disbelief at the first setâs level, then the second set are gonna blow right past you.
or possibly the guys playing the grifters playing the feds just happened to be using the realistic style for their own reason, and it coincidentally made the plot twist work better. but i like to think it was deliberate.
i was thinking about this again, and when you know what to look for, itâs really obvious: old movies are stage acting, not movie acting. it just didnât really occur to anyone to make the camera bend to the actors, rather than the other way around. just image search old movie screenshots and clips and gifs, youâll see it. the way people march up to their mark and stand there, the way they deliver their lines rather than inhabiting the character. the way theyâre framed in an unmoving center-stage.
this is a charming little tableau, quirky and unexpected, but itâs a tableau. it lives in a box.
now, i usually watch action movies, and i didnât think it was fair to compare an action movie with what appears to be an indoor sort of story, but i do watch some comedy tv. so i looked for a brooklyn 99 gif with a similar framing, intending to point out that the camera moves, and the characters arenât stuck inside the box. but i couldnât even find the framing. they literally never have all the characters in the same plane, facing the camera, interacting only within the staging area. even when theyâre not traveling, theyâre moving around, and they treat things outside the âstageâ as real and interact with them, even if itâs only to stare in delighted horror.
as for action, it took a while for the movies to figure out what, exactly they wanted to show us, and how to act it. hereâs a comedy punch:
here, also, is a comedy punch:
the first one looks like a stage direction written on a script. the second one looks like your friends horsing around and being jerks to each other. the first one is just not believable. the physics doesnât work. the reaction is fakey. everyoneâs stiff. even the movement of the camera is kind of wooden. the second one looks real right down to the cringe of his shoulder, and the camera feels startled too.
iâm not saying this to dis old movies, iâm just fascinated and impressed by how much the art has advanced!
Iâm going to bed, but I also want to say that I think, without actually bothering to explore it and make sure, that thereâs been a similar shift in comics, probably related to the shift in acting/camera work. And I think you still see remnants of old âstage actingâ comics in the three-panel style set ups (you might still see it in long form comics, but youâd probably call it bad composition)
Now can someone explain why people in old films talked Like That
Yâall, THATâS HOW PEOPLE TALKED.
Seriously, I used to work in a sound studio, and one series of projects required us to listen to LOTS of old audio recordings. Not of anything special - just people talking.
AND THEY TALKED LIKE THAT.
It was so fucking wild to hear just a couple of people being like,
âWELL HI THERE JEANINE, HOW ARE YOU TODAY?â
âOH, NOT TOO BAD, JOE, THOUGH MY HUSBANDâS BEEN AWAY ON BUSINESS FOR A FEW WEEKS AND I MISS HIM SOMETHING TERRIBLE.â
âWELL ITâS A HARD THING, JEANINE, BUT YOUâLL GET THROUGH IT.â
âWELL I SUPPOSE IâVE GOT TO, HAVENâT I JOE?â
All in that piercing, strident, rapid-fire style we associate with the films of the era. If youâve watched lots of old movies you can imagine the above in that speech pattern.
I donât know if people talked like that because it was in movies but I suspect itâs the other way around.
Same goes for the UK - When they made the TV series The Hour, set in the 1950s, they had to tell the very well spoken, privately educated Dominic West to tone down his imitation of a 1950s newsreader because being accurate would have sounded to a 2011 TV audience as if he was doing a parody. When you watch Brief Encounter theyâre not speaking like that because they canât act, theyâre speaking like that because it was the norm on screen. It now sounds unnatural because itâs not the norm any more.
Obviously there were people with regional accents and who didnât speak in a heightened manner, but they didnât get to be on TV or in movies unless they were villains. (And usually the villains were putting it on, like Richard Attenborough in Brighton Rock. Sure, he was Richard Attenborough, but he was brought up in the Midlands, and by the on-screen standards of the time, that was common.)
Even the Queenâs very posh accent has changed over the last 50 years and become âmore common"Â - check out newsreel footage etc for proof - and recordings of her father are almost like someone from a foreign country (well, it is the past).
There is, for many film historians/critics, an actual turning point from mannered, theatrical, or âoverplayedâ acting on screen to naturalistic/American Method realism on screen. It happens in the 1954 movie On the Waterfront, during a traveling shot in which Marlon Brandoâs character and Eva Marie Saintâs character are walking together. Eva Marie Saint accidentally drops her glove in the middle of the scene. Marlon Brando instinctively picks it up as his character, and continues the dialog, all the while playing with the gloveâturning it about, trying it on, etc. Eva Marie Saint stuck with him, never broke, and the director didnât call âcut.âÂ
Before that scene in that movie, if an actor dropped a prop by accident, they would have re-shot the sceneâbecause Brando mostly disappeared out of frame as he bent down to pick up the glove, and (as is explained above) movies were framed to keep the people in the scene in the frame. I
tâs a pretty famous scene in movies because Brandoâs character doesnât give the glove back, but instead uses it to amplify what the two characters are experiencing, naturally and without artifice. It is, for all intents and purposes, the exact moment that screen acting changed.
Okay, but hereâs the thing about television specifically: given the size of TV screens when they first came out? Stage acting was the only thing that could be READ. Watch Star Trek: TOS on a modern screen and it looks absurdly overacted. Film of the same era is not, and yet the TV is.
And thatâs not a fault of the actors; they were all very capable of naturalistic film acting (yes, even Shatner) â as the later movies would bear out. Itâs because they were acting for the small screen, not the big one.
Stage acting and stage makeup is what it is because people are far enough away from the stage that you have to cake on the makeup garishly and exaggerate the hell out of your for it to be VISIBLE. And in early television? Yeah, those constraints actually very much applied. You could move the camera, sure, but the quantity of visual information you could send was just damned limited.
Hereâs another example of that.
Watch some Classic Dr Who. You may or may not notice it without watching for it, but every shot of the TARDIS is taken from the same angle.
The TARDIS was, at that time, a stage set. The camera was behind the fourth (Sixth?) wall. It was fixed. And most TV sets were built like this. They had a specific fourth wall and everything was filmed from that angle.
Fast forward to the new series, and youâll see that the TARDIS is being filmed from different angles all the time, including following the actor around.
Three things have changed:
1. Cameras have become much smaller.
2. Set building for TV has developed as an art. Those early sets were built by people who were trained to build stage sets.
3. Overall technological improvement resulting in things being cheaper.
The TARDIS set that was just retired? Each of its walls was designed to slide out. So you could put the camera anywhere you wanted. Presumably this is the case with the new one too. They couldnât imagine doing that back in the day. Nor could they afford the complexities of a set like that.
Itâs actually my opinion that TV has very much matured as an art formâŚthis century. This decade. We are doing and seeing things that couldnât be done ten years ago, twenty. Heck, even five.
Going back to speech patterns for a moment â I was a young child in the 80s, so my memories of the norms of the time period are limited (especially because I was incredibly sheltered), but the books I read at the time and the popular movies of the time all have this kind of â whimsical, sardonic speech pattern going on. Think John Waters dialogue.Â
I always thought it was kind of stylized. But then I ended up in a weird part of YouTube one night and found someoneâs home video of just walking aroud a 7-11 convenience store at midnight talking to people in Orlando, Florida. Just trying out their new camcorder for shits and giggles, talking to other customers, talking to the cashier, etc. And you know what? They all talked like a goddamn John Waters movie. It was the weirdest thing, like I was watching outtakes from The Breakfast Club or Say Anything. I expected one of the Cusacks to walk into frame any second.
Anyway, so I think itâs super cool how human speech and interaction shifts over time, and if youâre living through the shift, you donât really notice it as it happens.
A) I think you mean John Hughes but Iâm very amused by the idea of everyone talking like itâs a John Waters movie
B) This is still happening only now you can pick up peopleâs net accents. My friends with tumblrs have tumblr diction. My friends who only spend time on facebook for social media sound VERY different. People who use twitter heavily put emphasis on different things and have a different meme literacy (you all know the difference between the way greentext sounds and the way âRIP but Iâm differentâ sounds).
Anyway have fun listening for tumblr accents now
What gets me is that I had a medium-strong tumblr accent before I joined tumblr. ( @magikarpjumpest and I have talked about this a few times) The way I break clauses, my stress patterns, hell, I do the Midsentence Emphatic Capitalization in speech. And I think that ties in to why I do the Giant Tumblr Rambles in a way that I just⌠donât, on FB. Iâm too rambly for twitter, and while I can use âtag group dialogueâ as a facebooker, and occasionally will in speech (yes, I code-switch my social media dialect in person; Iâm conscious of the fact that I mirror, but itâs not generally a thing I decide to do), thatâs not my default setting for phrasing. Established tone/accent conventions of tumblr already correspond somewhat to my natural way of speaking, and itâs much easier to get two forms of dialogue that are already close to merge. It also means that engaging with longposts here is much easier because people are more likely to be using humor and syntax that feels natural to me. Twitter threads have a concision to them. Greentext boards -I can read them, but itâs like reading something with a very heavy transcribed accent that I almost never hear in person -itâs a headache-inducing amount of effort thatâs usually not worth it to me for a downtime activity. FB doesnât do paragraph breaks the same way, and the emoticon usage is different enough that I donât like dealing with it.Â
This is a wild read from start to finish!!
Having lived through early Web 2.0, I can tell you that âaccents through timeâ also applies to internet âaccents.â
You know how people now will end sentences with âLolâ to indicate theyâre not mad (e.g. âI have to go now lol, Momâs homeâ)? Yeah, we didnât used to do that. We also used to have a sarcasm tag! Iâm going to apologize to the people with screen readers and tell you I promise this is reasonably short. It looked like this:
âYeah, well, Obama is a ~*~*~Muslim.~*~*~
The asterisk action tags used to be a non-ironic, non-cringey thing, too. Like this:
âNINA GUESS WHATâ
âWhat??? :Dâ
â(Typing notification)â
â*waits*â
The term âteal deerâ to replace âTL;drâ was a thing. And, of course, in the early 2000s you had 13375p34k, which for younger folks was âleetspeak.â One is the Homestuck characters uses it, but itâs not just a quirkâpeople really talked like that.
We are far enough into the internet era that even internet accents have changed.
This is a *fantastic* post and something I find very fascinating, because I tend to focus really strongly on character dialogue and speech. Also Iâve definitely noticed that my internet âaccentâ is definitely slightly antiquated. Iâm still much more likely to use a :3 or a -3- text emoticon over a smiley, and Iâm not in the habit of using reaction gifs, and I definitely still do actions inside asterixâ.Â
then again Iâm also the kind of person who uses words like antiquated, so I wonder if soon enough itâll all sound the same amount of old fashioned?
@mothric-bry have a giant linguistics thingy
If you want to see the difference in movie-making, go to Sabrina (1952) and Sabrina (1995). Thatâs where I first realized that 1950s acting was stage acting. I canât choose between the two movies, for stylistically the first is incredible, but the 1995 version takes the original play to its full potential.
I read a book about the making of the Saddle Club (films? TV series? uncertain. anyway, early 2000s iirc. I read the books and never watched it). One of the things that stuck out to me was the way the girls talked about acting. One, they were allowed much more to be their age; the way they wrote or were interviewed sounded like children, children having a glorious lark with this acting thing. One of them talked about one of the indoor sets, which was a combination of multiple different pieces that could be moved around to allow the space for the camera. It was really interesting to me in comparison to what Iâve read about the making of the transition from England to Narnia via the painting and flooding the room, in the film of the Voyage of the Dawn Treader (2010).

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The chain! Plus malon, shadow, and ravio,,,,and @lunaopus oc apple!
Whos fucking oc is this vro? (Its me)
Apple!
Giving wild a chu chu as a pet....it squiggles
Their being gay,,, gay as FUCK
Extra doggie pics under cut!
iâm sending this to all the rabid Apple fans on my side, thank you for your services
has anyone done this before
When I was a kid, maybe 14 or so (which is, you know, 20+ years ago), I belonged to a Yahoo! mailing list for an anime called Gundam Wing. It was mostly populated by other teens, of varying ages, as it was started by a teen and her friends. Eventually it migrated, when Yahoo! groups started as forums, and even branched off into non-GW related stuff in a second forum.
One of the things I remember the most clearly is the oldest person in the group. Her name was Steelsong. She was a 40-something Dom with a sub whose name we knew even though we knew nothing else. She ran her own fanfic archive because the web was still handmade HTML and navigated in webrings and Iâm pretty sure Google didnât exist or was only barely, barely launched and not well known. She was kind and patient and we loved her. She treated everyone on the group with the respect given any adult, even though most of the rest of the world was still treating us like we were children. Not teenagers even, but children. She never once condescended to any of us, never made our youth a barrier to her respect, never treated us like we were incapable of being full people or like we were less than her because we were young.
I remember that she hosted our fanfiction, as absolutely terrible as it was (and I still have some of it, I am WELL aware of how cringingly terrible it is, just absolute nonsense garbage), right there alongside of other fic that was soul-achingly beautiful. Not a separate section for her friends or for kids, just right there like we were good enough to feature alongside other authors. I never once received crit from her that I didnât ask for, only support. Only love. I am still writing today partly because Steel was so kind about our fic, fanfic and original.
I remember that when I started doing clay sculpture, she commissioned a tiny pair of dragons from me, to support me doing artwork. She sent a check my mom cashed for me, and my mom helped me mail it when it was finished. It broke in transit, and Steel assured me that she mended it and that it was still beautiful. It was a small gold dragon curled up with a small silver dragon.
I remember that her patience knew no bounds. I remember that she was there for us, regardless of reason. When we wanted to know silly things like what to do with a single AA battery, she answered. When we had serious questions about sex, she answered. When we had questions about writing, she taught us. When one of our group members, a young gay teen in Australia, ended up in the hospital and then stopped making posts, and we all knew what had happened, she let us talk to her about it because we couldnât go to our own parents, even though we had just lost a friend.
She was not a replacement to my parents, but she was an extra parent, in some ways. A friend, certainly, but someone that had been through more life than we had and was willing to pass on knowledge if we asked for it. Someone older that we trusted with things that were too uncomfortable to go to our parents or teachers or whatever about, because we already knew she wasnât going to judge us or something, and that we would get an honest answer.
I donât know why Iâm remembering this so hard tonight, and Iâm not sure if thereâs a point to sharing this, except that I know sheâs gone now. She was ill the last time we spoke, and her site went down a long time ago, and I miss her. She was a huge influence on my life, then and now. She was hope, for me, that life as an adult didnât have to be boring, it wouldnât have to mean giving up the things I loved and Becoming Only Responsible With No Fun. Her presence meant I had hope I could still write and play with friends even when I wasnât âa kidâ anymore. And sheâs gone, and I miss her, and I wanted to share her from the perspective of youth, and the perspective over twenty years later has provided me.
And I think of her, when people go off about older folks being in fandom with younger folks. Iâm an older folks now, or at least middle aged folks because there are certainly folks older than me still, but I wasnât always. Iâve been here since i was a younger folks, and I know how much Steelâs presence and support meant to me, how much she helped not just me but everyone on that group. And I think of the people saying older folks donât belong in fandom, and that they shouldnât interact with younger folks at all, and I just think⌠I canât agree. I needed that kind of solid presence in my life back then and even at the age I am now, I need the folks older than me to stay. I want them here.
So I guess, like, if youâre here and youâre 40 or 50 or 60 or 70 or 80 or whatever, I want you here in fandom with me, still. Your presence here is a comfort. It is hope. It is a reminder that life will continue to be fun, even as I get older, myself. And if youâre younger and you have this sort of elder in your groups, I hope that they are like Steel. I hope they are kind and patient and supportive, and that knowing them gives you hope for your own future. I hope in twenty years you look back and remember them fondly.
immediately after an interaction: i have GOT to get more normal oh god i need to get more normal immediately i have to get more normal or they're going to hunt me down they're going to hunt me down and flay me for sport
during an interaction: and why not put a little spin on it? why not add some conversational zest?
i want devices that are functional and hardy and i want them to last and fuck the rest of the shit i dont need. my ds and 3ds can lie in sleep mode for months if not years and i can pop them open and they've still got two or three bars left. my old phones in high school could go days without a charge. if i leave my nintendo switch on the floor for a few days doing absolutely fuck all nothing i will turn it on and it will cry to me mother i am dying. i am dying mother. and i tell him he'll never be half the man his brother was and he can't hear me because he's dead

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top ten reasons why i love tumblr official bits
i play snake one time through this site and now i have a mysterious cat asking me mysterious things
It is with delight, and slight fear, that I come to the terrifying realisation that it has been an entire year since the last April LUWAT where the mods (almost) took over the entire server for a day in an attempted takeover in the LINK v DINK special event. Following this day of chaos, the @lu-community-write-a-thon has seen us trade names with the Fae, experience an invasion from the âFrenchâ and Spirit Linked Universe even became⌠[checks notes] bald? Weâve all seen a lot and written even more words together, but truthfully we couldnât have done it without the continued efforts of @zarvasace and the team of artists working together to make the spreadsheets look so lovely and on theme each month.
This postâs purpose is to highlight the individual efforts of those who have worked hard over the last month to allow this day of beautiful chaos to come once again into fruition and whose continued hard work allows us to run this event month on month. Your contributions are so welcome, so loved, and on behalf of the rest of the mod team I want to take the opportunity to say thank you to each and every one of you. So, thank you.
If any of the artists would like to, Iâd love to see your creations in full below with a reblog!
I've only contributed art to last November and February write-a-thons, but I will love to contribute more whenever I can
Here's my work from Novermber!
That month we did a dungeon crawling thing, with different teams. I made the signs for each team!
For February, we had the collab with @/recalled11 which I drew fairy for!
That's all I've done so far!
me when i sigh dreamily. your style is positively delightful and a huge thank you for sharing! itâs been a while since i saw some of these specific sheets so i appreciate the throwback immensely
ps⌠uh⌠those wood textures look so tasty⌠how didya⌠howâdya do thatâŚ.