LuizPSC

There’s no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when it’s something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they aren’t too hung up on this kinda shitty lot in life isn’t said

They get something out of their current relationship with humans (like in toy story)

They have some specific reason to hide that they’re alive, like they die if they’re seen (like in the christmas toy)

They perceive themselves as sentient, talking creatures, but humans can’t understand them. They just see a squeaking mouse or an inanimate hot dog or whatever. 

and the last one is what most animal movies do, and it’s like, not devoid of weird implications but you can see where it mostly works.

but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they can’t for unstated reasons. 

in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. a “cow” or a “coyote” or a “hen” do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesn’t understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.

and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because he’s vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as they’re taken away? do the dogs not beg for kindness when they’re tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.

anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled it’s name

It can also be found on Google Drive here and on Bluesky here.

0/1100

ca/vn: Smokeyquartz

palpey

hi, everyone. the situation at home has gotten progressively worse, with my father turning physically abusive and breaking my nose a few weeks ago. Me and my gf need help to leave the house and rent a small place for ourselves, as well as pay for our meds and hrt. We are kind of in a desperate situation right now, and any amount would really help us.

p*yp*l: [email protected]

reading open veins of latin america like u told me to

This helmet was made using the skin of a porcupine-fish that was killed and then carefully dried. The front edge is lined with vegetable fiber and human hair, and it's equipped with coconut-fiber ties that were used to fasten the helmet onto the wearer's head.

Above: another porcupine-fish helmet from Kiribati

Helmets with this design are also known as te barantauti, and they were created as part of a traditional costume that was worn by the warriors of Kiribati (an island nation located in the South Pacific). Most of the surviving examples date back to the mid-1800s.

Above: a porcupine-fish helmet displayed with a high-backed cuirass, wrist-guard, and spear, c.1800s CE

Te barantauti were typically worn with body armor that was crafted from coconut-fiber and stingray skin, along with braided wrist-guards covered in shark's teeth, high-backed cuirasses, and wooden swords, spears, and daggers studded with stingray spines and shark's teeth.

Above: wrist-guards and cuirasses from Kiribati, c.1800-1880 CE

In some cases, the warrior's helmet was crafted from coconut-fiber instead. The same material was also used to construct sleeves, belts, and "overalls" that effectively covered the rest of the body.

Above: a coconut-fiber helmet with a full set of armor

The porcupine-fish helmets provided very little protection -- they were primarily created and used as a way to intimidate enemies during ritual combat.

As this article explains:

The men of Kiribati were famed for their fierceness, and when it came time for battle, they dressed the part, in head-to-toe armor made from coconut fiber and stingray skin. Their weapons were wooden swords lined with sharks’ teeth.

The crown jewel of Kiribati armor, though, was a spiky helmet made from the porcupinefish. A member of the blowfish family, a porcupinefish looks like an adorable big-eyed cartoon character—until it’s threatened. Then, it sucks water into a cavity between its body and skin and inflates to several times its normal size, stiffening the spines that usually lie flat.

Porcupinefish helmets, known as te barantauti, were made by capturing one of these agitated, puffed-up porcupinefish, killing it, peeling the skin away from the body, and drying it. The spiny skin that remained was reinforced with coconut-fiber padding and fashioned into a brittle helmet.

Though the helmets offered little in the way of actual protection, they instantly made their wearers appear bigger, taller, and more formidable.

For Kiribati warriors, this intimidation was more important than protection from death. That’s because in traditional Kiribati culture, a person who took someone’s life—even in a fair fight—paid with their most prized resource: their land. So instead of going for the kill, warriors sought to wound and humiliate their enemy. Fish-skin and coconut-fiber offered just the right amount of protection.

Above: a shark-tooth spear from Kiribati, c.1800s CE

Unfortunately, most of the surviving helmets, weapons, and pieces of armor are now housed in Western museums:

Over the years, dozens of these helmets made their way into museums across the globe, while few remain in Kiribati. The Smithsonian actually has three, the British Museum five, and Sweden’s Världskulturmuseerna “at least eight,” according to their digitization curator Magnus Johansson. One te barantauti even wound up at the Fairbanks Museum and Planetarium, in the tiny town of St. Johnsbury, Vermont.

Over the last four decades, since Kiribati gained its independence from the United Kingdom in 1979, the armor has taken on a new meaning—as a potent symbol of local culture. It features on tourist trinkets, but also stamps and school mascots. “The armor is not just a garment to me,” says Rareti Ataniberu, an I-Kiribati craftswoman. “It is a piece of art, a craft.”

Above: an armored warrior from Kiribati, mid-1800s

Sources & More Info:

Hakai Magazine: Kiribati’s Porcupine-Fish Helmets were More about Drama than Defense

Atlas Obscura: The Mystery of the Puffer-Fish Helmets of Kiribati

Pacific Presences: Fighting Fibres: Kiribati Armour and Museum Collections

Time Magazine: Why Indigenous Artifacts Should be Returned to Indigenous Communities

The Museum of New Zealand: Te tauti from Kiribati

The Museum of New Zealand: Rere (Knife or Short Sword) from Kiribati