Profile picture: icon by Tumblr user aceinthefreakinspace. Description: a still image from the Project Hail Mary movie, showing Rocky in his xenonite ball and Ryland Grace sitting next to him with his hand on the ball, with the aroace flag as a background.
About me
Name: there isn't really a name I vibe with right now but some people call me Rain and I don't mind that. I guess Lost works too (because of my username) or just my username is fine
Pronouns: it/its or they/them (you'll see me occasionally use he/him to refer to myself when I feel like it)
Age: 40+
Other stuff: aroace, agender, aplspike friending greyplatonic and full of alterous yearning, I talk too much
Sometimes I write fanfiction and post it on AO3 (account required)
Currently obsessed with: Project Hail Mary (mostly the film although I have read and enjoyed the book too)
Always into (in the background): The Realm of the Elderlings series by Robin Hobb, The Hands of the Emperor and At the Feet of the Sun by Victoria Goddard, The Locked Tomb, Withnail and I
Music I like: Pet Shop Boys, Hamish Hawk, Future Islands, Warrington-Runcorn New Town Development Plan, Empire of the Sun, Linkin Park, The Crane Wives, The Alan Parsons Project, Kylie Minogue, Rufus Wainwright, God Is An Astronaut, Florence + The Machine, Good Neighbours, Richard Hawley
Some day I swear I'll add shortcuts to relevant tags and retag my entire blog because that's my idea of a good time
Pinned post last updated 11 May 2026.
Full size version of my profile pic:
My username is inspired by lyrics from the song “Sisyphus” by Andrew Bird and my blog title is a line from the Pet Shop Boys’ song “The Pop Kids”.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
me: just so you know that pool is not big enough for them at all and they also don't have any foliage to hide within in order to feel safe and by the way you obviously haven't been feeding them enough if they're ready to rend the flesh from my bone, the water looks scummy, and your pulley system looks extremely unsafe and none of your goons are wearing PPE despite the jagged spikes and open leaky pipes and-
bad guy: *frantically lowering the crank faster* please just die
me: just so you know that pool is not big enough for them at all and they also don't have any foliage to hide within in order to feel safe and by the way you obviously haven't been feeding them enough if they're ready to rend the flesh from my bone, the water looks scummy, and your pulley system looks extremely unsafe and none of your goons are wearing PPE despite the jagged spikes and open leaky pipes and-
bad guy: *frantically lowering the crank faster* please just die
If you enjoyed Project Hail Mary and The Martian, please please give To Be Taught, If Fortunate by Becky Chambers a read. I swear these stories are cousins.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
[Image ID: Tweet from introverts memes (@/ introvertsMemes) reading: Please normalize letting people eat their lunch alone if they want and decompressing for 30 min without the pressure of being considered antisocial in the workplace.
Reply from Ester Mae (@/ maemaymai) reading: sorry but making small talk with y'all *is* work. on my break I do not work. /End ID]
relentlessly funny to me when people treat a relationship between someone in their 30s and someone in their 40s as "age difference". bro i cannot tell you which of my friends are 34 and which are 44. i can probably tell you which ones aren't 30 yet, but it's probable some of them are 50 now and i didn't notice. if you're over 30 and don't have kids, it's kinda all one age until you can collect social security.
Will never not be baffled that even people within the acespec and arospec community will take the same "But everyone experiences [insert attraction type here]!" nonsense that they are told, and redirect it towards people on the aplatonic, afamilial, aqueerplatonic, analterous, asocial, anaesthetic, and asensual spectrums.
If that line of logic isn't true for sexual or romantic attraction, why is it suddenly true for these other forms of attraction?
Why are you still basing a person's worth on a specific form of attraction?
This is - legitimately - my favourite delivery of Shakespeare I have EVER seen (and I have seen some good-ass productions yo, in the Globe Theatre itself even). Like seriously, even though the words are unchanged, he’s stripped away ALL of the archaic pretense and assumed grandeur of ~presenting the bard~ that makes even the most wildly talented of actors and innovative of productions inherently inaccessible to a modern audience. Like, they’re still great, they can still communicate the message and (some) of the nuance, but they’re still always a step removed from being identifiable to any viewer’s lived experience. They’re still always reciting 15th century poetry. But this guy? This guy is like, screw iambic pentameter, to hell with being precious about the material, HOW WOULD AN ACTUAL PERSON SAY THIS SHIT?
Like this. And it’s beautiful. It’s beautiful to hear a soliloquy I loved so much already, and have it come to life in a way it never, ever, did before. I feel like I grasp his motivations, his twists and turns, no longer on an academic level but on a visceral, instinctive one. Because he’s presenting his mental and emotional journey in a way that speaks honestly, like a real person.
So yeah, this shit post? I love it. Deeply and sincerely.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Question to all the aces out there that experience any semblance of libido, sexual thoughts or sexual desire:
Do you feel almost a sense of dysphoria about it sometimes?
Yes
No
Remaining time: 7 hours 24 minutes
As in, it feels strange like it is not a part of you? Not necessarily even distressing, could also be in a way that feels "other" to you. Like "tf was that, I can't imagine this would happen again"?
yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."
the issue I was running into with researching this a few weeks ago is that almost all of the scholarly writing on the content of people's forced-sex fantasies focuses solely on women's fantasies and starts with the research question of "why would women enjoy imagining such a horrible misogynistic thing?" despite surveys often showing that men have force-fantasies (where they are the one being forced) at very comparable rates to women. my hypothesis for a bit was "either men's fantasies are exactly the same as women's or they're completely different in [x] way," which was disproven interestingly when I did finally find something about men's force-fantasies: in content they are almost exactly the same as women's fantasies but the emotional motivations are often different in [y] way, which I hadn't expected. and [y] also super applies to my buddy ryland, perhaps even more than my original [x] hypothesis.
my hopes for writing this are twofold: a) to address the question I sometimes see phm audience members come away with of "if grace likes his life by the end and doesn't seem that mad about all of that, is the message supposed to be 'violation of bodily autonomy is good, actually?'", and b) to lightly resist one of the prevailing notions in the study of forced-sex fantasies, that ravishment fantasies are solely abstracted and fantastical and pleasurable and are completely 100% separate from fearful paranoid imaginings of / flashbacks to realistic sexual violence.
oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.
with rocky, the fantasy is of being forced to be loved and protected. rocky decides to initiate contact, he decides that he's moving into the hail mary, he decides that he's always going to watch grace sleep even if grace says he doesn't need it, he decides to gift grace the fuel to get home even when grace pretends he doesn't want it, and he decides he's not going to let grace die to save him even when grace says he's made his choice. the two scenarios allow grace to experience the rewards of being selfless without needing to be so gauche as to ever say he thinks he's that good of a person AND to experience the rewards of being selfish without saying he thinks he deserves to be cared for.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming