i'm like if an omniscient narrator didn't know shit. you can call me cal / 30s / friendly neighborhood cruciverbalist. [ID: avi is a close-up of a woman looking unimpressed from the thomas anshutz painting "a rose" (1907). header is a slaps roof of car meme i have edited to read "moi, lisant le dico: *gifle toit de langue française* ce truc de dingue peut contenir tant de mots de ouf dedans" /end ID]
Good evening friends and enemies, it's time to learn how to source unsourced videos instead of perpetuating the chain of missing attributions that progressively obscure the original source with each repost. đ
STEP 1: Take a screencap of the video, preferably while it's playing so that the PLAY button isn't blocking the image.
STEP 2: Reverse image search of choice. To my chagrin, I tend to end up resorting to Google's Search by image because Tineye keeps failing me and I haven't gotten around to doing a deep dive into currently available reverse image search services.
If you use the Firefox desktop web browser (untested: other desktop web browsers, Firefox mobile web browser) you can combine STEP 1 & STEP 2: Feel free to repost the video to Tumblr first, preferably as a draft or private post to prevent people from reblogging the uncredited vid, because this method doesn't work as well on Reddit videos.
Right-Click on the video. In the right-click menu, look for "Image Search Options" and hover over it to bring up a list of search options. I'll have to try out some of the other options later, but for this demonstration I used Google.
The search engine should open in another tab.
STEP 3: The Search. This part will be a mix of luck, tenaciousness, and deductive skills.
For Google, I recommend going to the "Exact matches" tab because it presents matches and their information in a much more condensed format than the other tabs. "Exact matches" is a misnomer, as is apparent in the screencap below. This search actually pulled up images from at least two separate videos by the same woman hanging from the same tree: one where she's wearing a slate grey pencil skirt and blazer (as in the video reposted by OP) and one where she's wearing a pale grey long-sleeved dress.
Ideally, a functional search engine would let you sort results by useful variables such as "date posted". Google is not such a search engine, and with its progressive enshittification you may or may not be able to bully Search by image into limiting results to certain date ranges. Luckily, these videos have been less flagrantly reposted than some, so I didn't have to scroll through too many.
When searching for a source, one of the primary things to pay attention to is date. Obviously, the original source has to be older than any of the reports. Unfortunately, not all the Google results have dates, so the earliest dated video isn't guaranteed to be the original.
In this case, the earliest result was of the grey dress video variant posted on Instagram on Jan 17, 2026. However, upon checking the link it became apparently that the Instagram account was not the originator of the video and their repost was unsourced.
If the date check fails you, keep an eye out for any undated results that clearly stand out from the rest. In this case, I picked up on the following:
Which has the following unique traits:
A new outfit! This is the only result that features the woman in a pale brown blazer and pencil skirt.
Dimensions. This result is 1080 x 1920, while the majority of results were smaller in size. Reposts are more likely to be downscaled from the original than upscaled, so if the initial date-check fails you, you're better off checking the largest undated results first.
Specific username (Liang Li (@liangli521)). A lot of the other results just have captions or titles in various languages. Depending on the website, these are usually either captioned reposts or random search terms that don't even link to the actual video. Results with specific usernames are rarer and thus worth checking out, though some of them may turn out to be reposters.
In this case, I hit the jackpot! There they all were: OP's video, the grey dress video, the brown blazer & skirt video, and many, many more!
Legitimately, Liang Li's whole thing seems to be going ham in skirts, dresses, and frequently heels. Possibly for advertising purposes? Very beautiful. Very powerful.
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You have to have a certain detachment in order to see beauty for yourself rather than something that has been put in quotation marks to be understood as âbeautyâ. Think about Dutch painting, where sunlight is falling on a basin of water and a woman is standing there in the clothes that she would wear when she wakes up in the morningâthat beauty is a casual glimpse of something very ordinary. [âŠ] You also get that in Edward Hopper: Look at the sunlight! or Look at the human being! These are instances of genius. Cultures cherish artists because they are people who can say, Look at that. And itâs not Versailles. Itâs a brick wall with a ray of sunshine falling on it.
Image description: art showing a white wall with a commode with a clock on it. The shadow of the curtans and the plants on the windowstill can be seen on the wall and part of the commode. end Image description
They've both gotta be avoidant losers for it to work for me. Like Rocky has introduced Adrian to Grace, but given all the logistical challenges at the beginning it's not like they're spending huge amounts of time together. Eventually weeks become months and Grace is like hey buddy I haven't seen Adrian around in a while, are they coming around anytime soon, and after about 20 minutes of hemming and hawing he finally drags it out of Rocky that oh yeah they're getting a divorce. Anyway more importantly what does Grace think about the precipitation patterning. Finally Grace is so exasperated by his refusal to explain anything that he calls up Adrian and Adrian is like lmao of course that avoidant loser wouldn't tell you anything. That's why I divorced him
[ID: A screenshot of a sidebar in the PsychDB entry for ODD. At the top is a lightbulb and the title "Mnemonic". It reads:
The mnemonic REAL BADS can be used to remember the symptoms of ODD:
The heatâs been brutal this summer but we still gotta eat! If youâre like me, heat might suppress your appetite, and the last thing any of us want is to sweat over a hot stove and oven when itâs already boiling outside. Here are some of my favorite hot-weather recipes to keep hydrated and fed with when the weather is unbearable! (All recipes should be un-paywalled).
NYTâs best gazpacho (lives up to its name!!)
Persian cold cucumber soup (if you like tzatziki you will like this!)
Eric Kimâs cold noodles with tomato (infinitely riffable Korean flavor profile â for a creamier and less brothy take, try these cold sesame noodles too)
Vietnamese chicken and herb salad (this is an excellent time to get a rotisserie chicken so you donât have to turn the oven on)
Radish sandwiches with butter and salt (and in a similar vein, if you dig this flavor combo you should try this Polish cottage cheese dip on some good rye bread or even crackers)
Itâs still a little early in the season, but you can never go wrong with a BLT (or, if you donât eat bacon, try this tomato furikake sandwich in its place)
Infinite iterations of pasta salad! You can use anything you got but here is a template I like.
Assorted dense bean salads. This back pocket canned salad is a weird combo of jarred ingredients but it slaps, this hoagie-inspired one is super satisfying, and cowboy caviar is a classic for a reason.
Poke bowls! Canned tuna mixed with some kewpie mayo and sriracha is a budget-friendly riff on the usual ahi and makes everything taste like a spicy tuna roll, but use whatever proteins you like, this is more of a loose template.
Please feel free to add some of your own favorite summer recipes in the replies and comments! Weâll get through this together. đ€đ€đ€
If you can buy pre cooked or canned beets at the store, chĆodnik (beet yogurt soup) is a great choice. You can leave out the radishes if you canât get them.
I also love sardines on fresh bread and butter with assorted vegetables. Buy the fanciest canned sardines you can afford but even regular ones are pretty good. Plus, very healthy!
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i am once again making a silly little zine abt covid safety but this time it is very unserious and not educational at all so if ur new here and dont know what the Heck i am on about. here's a place to start!
id:
slide 1:
a photo of the front cover of a black & white printed zine held up in front of a quilt in the background. top text of the zine cover reads: "reasons I love wearing my mask in public" with bottom text in parentheses: "besides the on-fire garbage can that is public health these days." a cartoon drawing of Maria, a pale genderfluid person with a buzzcut and glasses, is winking and doing a peace sign. she is wearing a boat-style mask with a star mask chain and crayon earrings.
slide 2:
top text: "1: I haven't had a man tell me to smile in 6 years." Below is a drawing of Maria walking down the sidewalk wearing a black mask, a cat cropped t-shirt, patched jeans, & star earrings. They are carrying a Mitski tote bag and look unbothered with their eyes closed as a man who looks a lot like the distracted boyfriend meme holds up a finger as if he was about to speak, but just looks confused as his speech bubble reads "..." Bottom text: "I simply cannot go back."
slide 3:
Top text: "2: I don't have to make facial expressions." Below Maria is waving and wearing a polo shirt, blank face emoji earrings, & an apron that says "JOB" with a name tag attached. Maria stares blankly behind her mask. Bottom text: "autism wins!"
slide 4:
Top text: "3: I can sing to myself on walks without being spotted by traffic." Below is Maria strolling down the sidewalk with cars in the background, wearing a mask, a baseball cap, and a Phantom of the Opera t-shirt. Maria has a speech bubble of floaty text singing "aangel of muuusic" with music notes floating around.
slide 5:
Top text: "4: mask chains!" below is a boat-style mask with a mask chain made of letter beads that spell "yippee." Bottom text: "another layer of accessory-maxxing."
slide 6:
Top text: "5: adds to my aura of being the mysterious and unknowable coworker." Below Maria stands in their job apron with a black mask & mushroom earrings surrounded by question marks. Text around Maria reads "what do they look like??" "we are literally on the clock!!" "wouldn't you like to know weatherboy!!"
slide 7:
Top text: "6: nobody knows I'm eating fruit snacks." Below is Maria with her mask on wearing strawberry earrings looking nonchalant as text points to her saying "maria acting normal." In the bottom left corner we see through the mask like an x-ray showing Maria chewing as she holds a scooby-doo gummy. Text pointing to this drawing reads "the REAL maria."
slide 8:
Back cover of the zine shows Maria shrugging wearing a striped shirt, overalls with a heart patch on the front, and worm earrings. Top text: "of course none of these things are more important than keeping you & your community safe from preventable illnesses but if for some wild reason you don't care about that. this is everything the government doesn't want you to know!!" Below is the instagram logo and Maria's handle: @maria.therese.art
[ID: Animated map of the current U.S. territory, showing the progression of land seizure by year from 1776 to 2010, with Indian homelands in highlighted in blue and Reservations in orange. The map transitions from covered in blue with a few empty spots around the corners, to sparse orange dots in the western half. Over 1.5 million acres seized in total. /end ID]
[ID: a pastry box that is supposed to say "Your Family Deserves Nothing but the Best" but the "But the Best" is covered by a sticker that says "10'' APPLE", resulting in the text reading as "Your Family Deserves Nothing" /end ID]
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i think understanding the family as a system of ownership over both women and children will lead you to understand both misogyny and the oppression of children a lot better and also be able to draw informative parallels between both
some people like to get mad at disability benefits because they think its unfair people who dont work get a payout from the government while they have to work 50 hours at the human suffering factory every week. but if you tell them "yeah that sucks i think you should also get a universal allowance and not have to work 50 hours at the human suffering factory every week" thats apparently the wrong answer.
excerpt from history in the margins: epigraphs and negative space in robin hobbâs assassinâs apprentice, matthew oliver
0.1. negative narration:
While I have largely discussed the concept of negative space in relation to the epigraphs, the novelâs style pervasively focuses the readerâs attention on how imagination creates meaning by filling absences. Thus, the paratextual structure of the novel echoes in the form of the text itself. Just as the epigraph structure blurs the boundaries between history and personal narrative, the writing style is constantly blurring boundaries. Just as the structure of the book portrays history as made from absences that must be imagined, the style of the book is constantly insisting upon making the reader imagine what is not present. Perhaps the most striking stylistic element of this book is its continual insistence on describing what is not happening instead of or before describing what is happening, a style we might think of as ânegative narration.â This manifests not just in double negatives (of which there are many) but in sentences that start by telling what a character is not doing or feeling. This is particularly frequent in the early chapters, where scarcely a page goes by without obvious examples: âI think it rattled the old man a bit, and stimulated him, not to fear, but to angerâ (6); âThe guard looked down at me, lips pursed slightly, not in judgment, but merely considering how to classify me. âWhose get?â he asked, and his tone was not one of curiosity, but only that of a man who asked for more specific information on a situation [...]. âPrince Chivalry,â he said, not turning back as he added the qualifierâ (7); âThe guard made no response at all, nor was one expected of himâ (9, emphases added on all). While the frequency of such negative constructions lessens as the novel continues, it remains one of the predominant modes throughout. Once, for instance, Fitz describes what others are wearing by describing what he does not wear: âAt least my shoes were not hung with tiny chiming bells or gently rattling amber beadsâ (156). As part of that same scene, a party Fitz attends on his first assassination mission, he learns important information about his target ânot by any act of his [the targetâs], but in the bearing of his lady as she arrived to join usâ (157). Another event is particularly memorable to him because of what it was missing: âI will never forget that night ride. Not because it was a wild gallop to the rescue, but because it was notâ (173). This last example is especially intriguing, as we might recall that from the beginning of the novel, narrative authority is connected to memory, yet here, memory is based on absence rather than presence. The readerâs attention is constantly drawn to the absences surrounding events, emphasizing how those events or actions are defined by what is missing, which then must be imagined or supplied.
As a bastard, Fitz himself particularly needs to imagine others to establish a meaningful identity. Even his name suggests an absence, as âFitzâ retains its real-world meaning âson ofâ but also its historical connotations of illegitimacy. His name, therefore, defines him by an absence of legitimacy. Even without that connotation, Fitzâs name defines him in relation to someone he is not (which remains true even later in the narrative when his uncle, Prince Verity, re-christens him FitzChivalry after his father), and characters are constantly comparing him to a father he never knew and can only imagine. Furthermore, Fitzâs telepathic abilities give him access to other peopleâs consciousnesses, which gives him sometimes confusing knowledge of what they consider doing but choose not to do. One encounter with his guardian Burrich illustrates this best. Burrich, his fatherâs chief stablehand and dog handler, raises Fitz. When Burrich discovers Fitzâs telepathic link with a puppyâa taboo form of animal telepathy called the Wit to separate it from human telepathy, which is called the SkillâBurrichâs semi-superstitious response incites a potentially violent reaction that, significantly, he does not act on but that Fitz is able to sense: âI caught the growling undercurrent of [Burrichâs] thoughts, the fury that taunted him to smash us both [Fitz and the puppy] and be done with it. Control overlaid it, but that brief glimpse was enough to terrify meâ (46). As usual, the narrative gives us a description of something that does not happen, but this glimpse twists Fitzâs relationship with Burrich for much of the rest of the book, as Fitz fears this potential violence and even assumes that Burrich killed the puppy to keep it away from him. This latter assumption is, of course, the type of deduction of an invisible action based on surrounding evidence that is precisely what much historical debate requires. (That Fitzâs deduction turns out to be definitively wrong is also, as we shall see, characteristic of how this novel handles the authority of historical facts.) Fitzâs entire world and identity is constructed by imagining absent others and building evidentiary modelsâhistory constructed via imagination.
Even Fitzâs primary profession, assassination, takes place in the negative spaces surrounding history, typically only visible by evidence around it. His mentor, Chade, makes this clear in a speech when he commences the instruction: âJust know, from the beginning, that Iâm going to be teaching you how to kill people. For your king. Not in the showy way Hod [the fighting teacher] is teaching you, not on the battlefield where others see and cheer you on. No, Iâll be teaching you the nasty, furtive, polite ways to kill peopleâ (82). The central actions of the novel are therefore framed in negative, as the actions that cannotâindeed, ideally must notâappear in the public histories. Chadeâs speech also follows the novelâs typical style by explaining it in negative terms (assassination is ânot showy,â people will ânot cheer you on,â etc.). Subsequently, Fitzâs first assassination mission results in Fitz cleverly finding a solution that does not involve assassination but does involve a lengthy passage describing things that did not happen. He meets his targetâs young wife, a common girl recently elevated to noble status through marriage, and realizes two things: first, that she could convince her husband to take the course of action the king wants (and thus Fitz would not have to kill the husband), and second, that she would never take his advice because he is only a âdog boyâ and âthe only thing she knew about herself right now was that she was no longer a common girl, but a duchessâ (167, emphasis added). Therefore, he convinces her to exert influence on her husband by claiming he has had a prophetic dream, âa vision,â that has led him to her and flatters her vanity about her importance. There are two key features of this passage. First, it again describes (at length) something that did not happen, although with the slight difference that in this case, Fitz is pretending it happened. This may remind the reader that, in a way, the entire novel we are reading is a lengthy description of something that did not happen, as it is fiction and, more specifically fantasy fiction. Fitzâs gambit here is in fact a fantasy, as his vision is not real and appeals to the duchessâs imagination.
This leads to the second key feature, a shift in style as Fitz narrates his âdream.â His description employs several syntactic patterns typical of the elevated style associated with fantasy novels, particularly extensive parataxis, elevated figurative language, and parallelism:11 âI dreamed of a woman, who spoke wise words and turned three strong men into a united wall [...]. She stood before them, and jewels were in her hands, and she said, âLet the watchtowers shine brighter than the gems in these ringsââ (167). Thus, at this key moment in Fitzâs development, Fitz marks his shift from a discourse of history to a discourse of fantasy with a shift in style. In describing what is not present, in order to appeal to imagination and performatively make it real, he uses the language of fantasy. This scene therefore calls attention to the role of linguistic style in the shifts between history, personal narrative, and imagination. Imagination creates history here, and does so through its linguistic construction. In the following paragraph, Fitz proceeds to narrate (now to the reader) what he expects to happen the following dayâevents he will not be present for as the story calls for him to be elsewhere: âit caught her fancy, I could see her imagining herself standing straight and noble [...]. Minstrels would celebrate her words in song. And her husband for once would be surprised by her. [âŠ] Almost I could see the thoughts parade through her mindâ (168). A second straight paragraph is entirely constructed from details that are not there (Fitz can âalmostâ see these thoughts in her mind). Throughout this scene, Hobb dramatizes imagination and fantasy shaping historical narrative through absences.
red dit.c om/r/heated rivalryfanfics/comments/1uj ats8/megathread_claude_ ai_code_found_ in_fics/
watching this from afar but thought you might find this interesting...i personally don't use AI in fanfic bc well that's not the joy of it to me + environmental concerns but this is so fascinating to me - i didn't know how widespread ai use was in fic but also the fact that people feel like they need to use ai! and all the people in the comments who are either vindicated that they knew it was ai from the writing and the people who are very disappointed by it...i think this is going to result in witchhunting and fandom drama but i think we're going to see more of these posts sadly
god i'm sorry but i'm so sick of this shit. completely unnecessary and the endless disclaimers about "this is not for harrassment" and "we are just trying to help people make ethical choices" and the claim this is supposed to get people to tag their fics for having used ai combined with language about "ai corrupting fan spaces" is extremely fucking disingenuous lmao. you cannot in one breath use supercharged language about "corruption" and "real human connection" and then in the other claim you are not shaming people. the shame is baked into these moralised judgements about the "corruption" of fandom and "real" connection. this is exactly the sort of deeply slimy two-faced shit that i absolutely abhorr.
i am going to say several things now that i have been saying in private for months. i am going to sound judgemental, but frankly, if you're sitting on your moral high horse passing down judgements about people you can take it. you cannot talk shit without expecting to get hit (as i almost certainly expect to w this, tho obvs i am switching anon off in a couple of hours bc fuck that noise).
1) i genuinely and truly believe that call outs like this are far more corrosive to fandom than minding your own business or feeling sad because you got got by some mid claude generated prose. all this does is foster an atmosphere of paranoia, hypervigilance, increased scrutiny and systemised unpersoning & dehumanisation of "immoral" and "deceptive" others. in every single case i have seen where someone is deemed to have used ai to create a fanwork, i have only seen people gleeful that they actually finally have a "moral" target they can get mad about and rip to complete shreds sans consequence and sans repercussion.
2) this is the literally most counterproductive way to get people to tag their fics for ai use. once again, i point to the shrill insistence that fandom is about Real Human Connection and the language of "corruption" - do you think these are neutral terms? are you incredibly naive and foolish? these are words loaded with shame. the subtext of all these statements is: if you aren't putting your own real blood and sweat into this work of art, you are corrupting and poisoning fandom. in one breath you are invoking both the protestant work ethic and its moralisms and dirt/purity binaries in relation to literal humanness and being part of community. shaming has literally never worked in the history of anything to get people to adhere to something. if you want people to tag their ai fics, you, person who gets upset at the concept of being "tainted", have to manage your own big feelings and create a space where using ai is a morally neutral thing* and where engaging with ai created works does not make you a fandom outcast.
3) i do think some reflection is in order to contemplate why people even feel the need to turn to ai to create fic. what are the circumstances that produce such a feeling? let's think about this, for a moment, with some empathy. do people feel like they need to create something in order to participate in fandom? if so, why do they believe that? are there certain ideas that we entrench viz. artists and writers as "real" fandom and everyone else as "second class" members of fandom? (lbr, this statement is implicit in a lot of posts that go around about how authors deserve more comments. ask for feedback by all means; but the insistence that there is a "real" fandom and implicitly therefore, a fandom which does not matter, which is not productive, which does not contribute and therefore make fandom "real" are ideas which i simply think is point blank wrong. merely being in fandom IS fandom.) if people feel the need to create, why do they believe merely writing it out themselves is not enough? are they afraid of "failing" as writers? why? do they feel they're not good enough to make art? why? if they believe this is the only way they can make friends and have community? if so, why? the answers to all of these questions, in my opinion, at least partly indicts fandom culture at present and should call for some serious self-reflection!
4) genuinely WHAT harm is being done to you by the existence of an unlabelled ai fic? what actual harm? why does it hurt you so much? what are you feeling so deceived about? yes i get that you come to fandom for human connection, but what about a fic writer using an llm actually precludes there being a person behind the fic? what specifically is upsetting you? can you actually sit with your feelings and identify what specifically you're mad about?
5) now for my really mean and problematic opinion :) : i frankly believe half the "distressed" feelings about being "deceived" by ai use are because people have created a moral identity out of not reading or using ai which butts straight up against their tastes in fanfiction running heavily towards the kind of deeply ubiquitous ao3 house style fic which almost certainly underpins LLM data training sets. in making a whole moral personality out of something which directly implicates your taste, you fabricate an insecurity which must be excised: what better way than by turning it outwards to claim that you were deceived and taken in and therefore, that the deceiver has committed some unspecified crime against fandom and must be sent into the proverbial corner? there are exactly two solutions to this. either you become more confident about your taste and you own it and you also own the recognition that this kind of prose is pretty easy to generate using an llm; or you develop a taste for the difficult, which is currently more difficult to generate using an llm but most probably will not be in a couple of years (i'm not being a doomer here, but realistic. at some point llm capacity will cross the threshold of what even a canny reader will be able to identify).
6) i think we could all do with a good hefty dose of a) DON'T LIKE DON'T READ and b) MINDING OUR OWN FUCKING BUSINESS
*i am literally uninterested in debating whether or not ai is morally bad, i do not believe that anti-ai politics is a real or meaningful politics. if you care about its environmental impact please go out and do something about it instead of yelling at people on the internet. if you care about labour rights, please go and do something about it instead of yelling at individuals on the internet. i care about economic extractivism, exploitation and imperialism, all of which ai is implicated in yes - but which a lot of other industries (most industries, ngl) are implicated in as well. merely removing "ai" will not solve any of the problems that we are facing. if you want ai fics to be filterable, you have to deal with the fact that the correct strategy is to make it morally neutral and to some degree acceptable, much in the same way that the noncon and underage labels on ao3 are morally neutral statements about the content of a fic. the question is whether or not you strategically want something or if you want your moral jollies.
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Finally a hand sewing tutorial on a hemline that isn't just the ladder stitch! the ladder stitch disappears when you tighten it, but it's not meant for hemlines because it breaks really easily! The overlock stitch is more stable, so it holds much longer, and it won't pucker or warp the fabric!
[Video Description: Tiktok by @/clothes_reetzy showing an overlock stitch, where the thread creates interlocked loops in order to make a sturdier stitch. End description]
[ID: Child's drawing of a red and yellow striped cat kneeling like a human. The cat has wings and a pointy hat, both of which are covered in tiny cat faces. At the top in child's handwriting is written "I love you [scribbled-out salutation] [name redacted by OP]". Pointing to the scribbled-out part is a bubble that says "miss". Another bubble pointing to this says "ms." At the bottom it says "Thancks for byying a grate tytre" [thanks for being a great teacher]. /end ID]
