Surselva
d e v o n
Misplaced Lens Cap

blake kathryn

★
"I'm Dorothy Gale from Kansas"

Discoholic 🪩

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Kiana Khansmith
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almost home

JVL
Not today Justin
2025 on Tumblr: Trends That Defined the Year
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One Nice Bug Per Day

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he wasn't even looking at me and he found me

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@locally-normal
Surselva

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Mountain hare/Lepus timidus/skogshare. Värmland, Sweden (18 July 2021).
physicists: think they know enough to be an authority in other fields
chemists: don't think they know enough to be an authority in other fields
biologists: aren't even sure they know enough to be an authority in their own firld
mathematicians: don't understand why you seem to think they'd ever want to leave the beautiful and pure realm of numbers and have anything to do with any other field
There's a lot of cash, it's failing, but slowly.
geometry is when topology gets hard. the harder it is, the more geometry it gets
if it's a whole lot of hard, it's analysis
Oh so homotopy theory is analysis. Interesting.

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One thing I’m still pissed at Bernie Sanders about is turning a generation against the Democratic Party. Every piece of social progress in the last 80 years, from Social Security to Medicaid to Medicare to integration to the Civil Rights Act to Title IX to Roe v. Wade to labor rights to environmental protections to public health protections to Obamacare to Obergefell, all of it directly or indirectly powered by the engine of change that is the Democratic Party. And then Sanders comes and says this whole apparatus, which he had no hand in building, is corrupt and needs to be completely replaced. Now we have countless young people who think Hillary Clinton and Donald Trump are the same partly because they were told that an engine of change and an anchor of stagnation and oppression are equally bad because they were fed the lie that no one in the Democratic Party does anything to improve their lives.
Nothing makes me more embarrassed about my age or generation than BernieOrBust/StillJill/NeverHillary supporters who are basically doing the GOP’s work for them and refuse to acknowledge it. As much as I hate the ageist bullshit I see Baby Boomers come up with, I can see why they think so many millenials need to get their head out of the clouds or don’t know how the real world works when I see the way people my age talk about politics. Like, I know it’s bullshit and I still don’t blame baby boomers for getting mad that young people think they know everything. Because fun story: my university campus is very liberal and very politically active, and during the last quarter there most students strongly supported Bernie Sanders…except for most of us in or connected to the Political Science Department (so Poli Sci majors, International Relations majors, certain other ‘bureaucratic’ majors, etc.) We also loved Bernie, but we all pretty bluntly said we were voting for Hillary and thought she’d be the best President. Most of us were pretty blunt about how “as much as we love Bernie’s message of change, we think Hillary can actually accomplish more of it in the real world”. We were basing our decision on our studies of politics, of what kinds of change have and have not worked in history and why. This support for Hillary, even with our love of Bernie, came from a place of deep understanding of how politics work, of why certain policies or political goals fail, and what various political leaders’ real powers and challenges are. We were called “over-educated elites” because of this.
It’s worth noting that much of our greatest progressive reforms came from LBJ, very much a political insider, and a guy who was kind of slimy in his personal life. He was not a soaring idealist.
And some of the other progressive greats? JFK, FDR, and Teddy Roosevelt all came from long-established political dynasties
I supported Bernie in 2016 (although I did vote for Hillary in the general, and have voted Democrat every two years since), but in hindsight, I think you’re right, attacking the system is not the best move to get real reform done. H. Clinton probably would have done a good job
And let’s be real: many of them were assholes. JFK was a serial cheater. FDR–who anyone on this blog for more than five minutes can tell you I love for his social policies–was antisemitic and didn’t challenge racial prejudices that blocked many Black citizens from accessing those wonderful social policies. Teddy Roosevelt was an ardent supporter of, and participant in, American imperialism. LBJ used to talk about his dick to staffers. This is not uncommon, because in spite of the many jokes, politicians are people.
Change does not come from perfect individuals.
Bernie did so much damage.
Nixon, fucking Nixon, signed the core of the ecologic protection laws.
I don’t have a problem voting for “political insiders” because *they freaking know how the sausage is made.* I want a goddamned professional in the job. Wanting an “outsider” strikes me like saying, “I don’t want a surgeon that went to some hoity-toity university and is friends with the the department head! I want some guy who learned how to remove appendixes by pulling himself by his bootstraps and learning by trial and error!”
This logic is fine by me but we had Joe Biden. Biden was an insider, a politician through and through, surely roughly as qualified as Hillary Clinton. What did he accomplish?
Compare to Obama, who may have had a friendlier Congress, I understand. Getting Obamacare through the Senate wasn't nothing.
I've finally had enough time now talking to Fable about physics (the most intellectually demanding task I use LLMs for and so a useful benchmark) to have formed some real opinions. Opus 4.6 blew me away because it was the first model I felt was actually useful for trying to understand deep conceptual questions, but it still couldn't really one-shot hard explanations. It's first attempt would usually either be correct but surface-level or contain subtle errors or omissions. I had to iterate with it and push hard on things that didn't make sense to me to really get somewhere, but in the process it would sometimes get confused and start going in circles. It often seemed to struggle to identify the actual core of my question or confusion (even though it would act like it had) and would vacillate between being overly reductive and nitpicking or "clarifying" supposed misunderstandings that I really don't feel were anything of the sort. Again, as I said, it was impressively useful, but it was also clearly not of human intelligence, more like a very knowledgeable wall to bounce ideas off of. Even though the conversations were structured with me as the student and it as the teacher, I usually ended up feeling like I'd done the lion's share of the actual intellectual labor, so to speak. (So no different from undergrad I guess, har-har.)
Fable... is very different. I don't think I've spotted a single genuine mistake it's made so far. Not to say there've been none; I ask it about things I'm trying to understand, not things I'm already an expert in, so I could certainly have missed things. But still, even with unfamiliar topics, lack of understanding comes in many forms. There's a spectrum of sensations from "something about that really doesn't seem right" to "I'm probably just not following." Opus was very often the former, Fable has been almost entirely the latter. In most respects, talking to it has felt hard to distinguish from talking to actual humans who are experts in my field (except that they're rarely as eloquent). The sense that I'm a student being taught is suddenly much less superficial.
science has always been political. what gets studied. what doesnt. who gets to do the studying. on and on and on.
scientists on this post: yuuuup 👍
people who aren't scientists: um actually ☝️
This is both one of the issues that radicalized me into fully being a leftist and one of the reasons I've been so harsh on AI, around the time that first started coming to light is when I was heavily involved in studying AI and it has always irked me how we encode bigotry into tech
Technology and science are different. Please. It would surprise me if the automatic sink/company people had a scientist on staff. Those are made by engineers. And the specs are all the responsibility of product managers who might be unfamiliar with anything more than the vague concept of an experiment. All the involved science is identical for all races. The engineering is different.
This is not to agree or disagree with the original point, it's just a bad example.
the thing is I just don't think intellectual labour is a special class of labour. I just don't think someone who created an intellectual product like a manuscript deserves the rights to extracting rent forever from physical copies of it more than the person who maintains the printers. I will just never be convinced of this.
I agree that intellectual labor is not a special class of labor, but it is different. I can picture someone who maintains the printers making a certain amount of money per hour that they work plus paid time off, sick leave, etc. but how would that model transfer to intellectual labor? for example, how do we quantify the number of hours spent "working" on the project? is it only when they are putting words on paper or editing, or does the conceptual process count as work, too? and, if two people each write a novel of 90,000 words, but one does it in 1500 hours and the other does it in 3000 hours, should they be paid the same amount? or if a printer worker is paid a salary from their employer or syndicate, who will pay the writer's salary? also, I think that when we talk about intellectual labor in terms of writing, specifically (because that's what I know about/do), it's important to recognize that most "professional" writers in the US are making very little! in case OP/the reader isn't familiar with how it works, in the current US publishing industry (which is in shambles), a standard not-Steven-King writer publishing with a mainstream publisher usually gets somewhere between $5000 - 30000 as an advance (flat payment). and some of that goes to taxes, and 15 - 20% goes to their agent. so a writer who spends 1500 hours on a book and gets a $20000 advance ends up with a wage of maybe $10 / hour. then, if the book sells enough to "earn out" the advance, the writer can get around 5 - 15 % of profit from sales in royalties. what I mean is, it feels unfair to characterize writers as having "the rights to extracting rent forever." -- especially because most books DON'T earn out. the person who created the manuscript isn't getting money forever, their publisher is -- or I should say the publishing company's stakeholders, because it's increasingly impossible to make ends meet on an editorial salary much less as a copyeditor. so from my point of view, the problem as it stands right now is that intellectual work that results in a "product" like a manuscript is considered as a special category in that it is considered to be not real labor worthy of fair compensation.
The other issue with the idea that the OP is putting forth is this: Who pays the writer?
In the case of the printer (and the person who runs the printshop), they charge upfront for the service. A customer says, "I want 100,000 copies of this book," and the printer calculates how much that will cost in terms of materials and hours of labor, then charges the customer that much. If the customer doesn't pay them, they simply don't print the book.
That isn't how writing books works. You don't get people buying your book before you've written it. You have to write the book and then hope people buy it. (This is also how a lot of other products work too—they get made in the hopes someone will buy them.)
So if you don't think a writer should get paid for every copy of their book sold (similarly to how a clothier gets paid for every garment sold or a game studio gets paid for every game sold), then how should they be paid? Who should pay them? When? Why?
Someone has to pay for the book, and books are worth more than the paper and ink required to make them.
(It's worth pointing out that writers don't "extract rent forever from physical copies." Once you buy the book, it's yours to do with as you like. The writer doesn't demand additional money from you for books you already own. You seem to have confused writers with Microsoft.)
I totally agree that this is the question. And I wish I had an answer.
However I'd like to just point out that your final parenthetical doesn't hold up in the digital world, and isn't perfect in the physical one either. For a physical copy, I can lend it to my friend after I'm done. And then to another friend, for as long as the book stays in shape. Though, legally, I probably can't photocopy it and then give the resulting binder to a friend (and before photocopiers, I couldn't painstakingly copy it by hand either, due to "copy"right). In this sense, authors collectively are like Microsoft. If I buy a digital copy for my e-reader, legally, I cannot send it to my friend. And, certainly, I cannot legally upload it to my personal website (with attribution, not claiming it as my own) and then go on Tumblr and say, wow this was a great book, everyone should check it out, and link to my site. I think I should be allowed to do all of these things.
I do not know how to resolve this dilemma. I hate the subscription model where you do not own things you buy. Especially as it leads to censorship (recall kindle having copy right issues with 1984 and deleting it from people's devices, and that's not even as bad as it could get). I hate the notion of being forbidden from sharing books with people, even though the act of sharing is completely free and I derive no financial profit from it (only joy, the most important form of profit). I hate the idea of authors not getting paid for their work. I do not know how to reconcile this. I hope society figures something out. But the first step is acknowledging that there's a problem.
the thing is I just don't think intellectual labour is a special class of labour. I just don't think someone who created an intellectual product like a manuscript deserves the rights to extracting rent forever from physical copies of it more than the person who maintains the printers. I will just never be convinced of this.
This is such a bizarre take to me. I hate copyright but it seems for very different reasons. But also I just don't get what it's complaining about - the publishers always get their cut. In fact everyone typically complains their cut it too big. And their cut pays the person who maintains the printers. And keeps paying it as long as the book keeps getting printed and purchased.
Information wants to be free. Someone who writes a manuscript deserves to be paid for their efforts, if people read it. I fundamentally do not understand the difference between internet piracy and libraries. I value and respect the work of authors. An author contributes more towards the existence of a book than someone who maintains a printer. And especially more for a book that only exists online than someone who maintains a server. Everyone involved deserves to get paid for their work and realistically the one most at risk of not being paid for their contributions to the finished product in the real world right now is the author. If each physical book costs $20 retail, I would say that the author should end up getting more of that $20 than the printer-maintainer. Each of them should get a cut, and does.
why, though? i do porn. some material i got paid for, and i'm done with it. whoever has it can transmit the bits. the rest of the material is mine, and i use it for ads and content sales. way i do those, even if someone uploads them to a porntube, i'm not losing anything anyway ¯\_(ツ)_/¯
copyright died the day of the invention of the packet switching network, so we need to find other ways to monetize our work. figuring out who's buying what you sell is part of any job.
also, distribution is work. ongoing work. a printed book that gets a 10yr continuous run, that's work going on for that decade. (ebooks are ~zero marginal cost (inb4 infra: ipfs freenet bittorrent ao3-like-motherfuckingwebsite) but dead trees are made of atoms that must move.) during which decade the author may be done with that book, in which case it's ok if they don't get shit, or they may keep working to sell it, in which case they absolutely should get paid for that work. or maintaining a wordpress and a patreon, that's also work (which, hopefully, eventually gets some pay).
look, when i build a flogger and sell it to a pro domme, i don't get a residual every time she uses it on a client. so why should writers get a cut of the sale of every copy of a book they wrote that one time? i mean, sure, that's a thinkable pricing structure. just like as if i had to send money to bad dragon every time i fuck my tentacle on cam. it's just impractical, and enforcing it on any non-trivial level implies a dystopian cyberpunk nightmare of surveillance and punishment. so, uh, fuck that
Good takes all around!
All IP law that has any right to exist should be handeled as misinformation law. (No convincing impersonation, cheap copies of a product without labeling them as such, etc.)
Yeah in principle I'm on board with all of this, especially the idea of misinformation law replacing copyright. No one can sell a book they didn't write as their own, but handing it out for free with appropriate attribution is fine. Philosophically this is great.
@sophia-epistemia I think the difference between your examples and a book is simply the number of hours of work. To commission a book ahead of time would be quite expensive, just judging by number of hours invested. An author might easily spend a year writing a novel, and if that's how long it takes, that's how long it takes - as a reader I don't want to rush them, I like the work that's produced right now. But ahead of time who knows if a book will be good, so rather than raising money on promises it makes some amount of sense to raise money on product delivery. (And part of what a publisher does is act as a sorta combo insurer/loan giver to help smooth the process over for writers.) But this model just hasn't kept up with the times, I totally agree that the model is flawed. I don't actually have any idea of how to get authors a living wage, and I don't see how anything you said helps with that problem. And as a reader, I'm quite interested in authors having living wages. But also I agree about copyright and dystopian surveillance.
I don't have a good solution. Patreon can support some web authors, but I think that it can't handle the traditional novel, and I don't want to lose (large amounts of) that art form just for economic reasons. We have a pretty good thing going as readers.

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How many hours does it typically take to get photos? Are you typically staying still a while for the wildlife to get used to you / come to a spot you know they visit often?
Some of my photos are pure chance. I head out into nature (or simply into my garden, since I live in the countryside) and photograph whatever I happen to come across. Even then, I often stop for a while, stand quietly, or sit down to see what might appear.
Other photos require much more patience. If I've found signs of beavers or wild boar, for example, I might return to the same spot over several days before I get the photograph I'm hoping for.
Around my home, some of the local wildlife has become fairly accustomed to my presence. The squirrels and roe deer often let me photograph them for quite a while, although every individual has its own comfort zone. At the same time, I'm careful not to abuse that trust. I never want to make wild animals overly comfortable around people in general.
When I'm visiting nature reserves farther from home, I usually don't have the luxury of waiting for hours. But even then, I'll often find a quiet place to sit for a while and simply see what happens.
Insects are a completely different story. Some couldn't care less that a large, clumsy human is admiring them, while others, especially some butterflies and dragonflies, disappear long before I can get close enough. Patience usually pays off, though. Dragonflies, in particular, often return to the same perch after a little while.
The part I enjoy most is much harder to describe. Every now and then I slip into a state where I almost forget myself and become completely absorbed by the world around me. Time seems to slow down. Suddenly I'm noticing every tiny beetle, every bird call, every lichen, leaf and flower. I want to know what everything is and how it lives its life.
It probably sounds a bit vague, but those are the moments I treasure most. And when I'm in that state, I honestly have no idea whether I've been taking photos for ten minutes or three hours.
Thank you, this is a beautiful answer
the thing is I just don't think intellectual labour is a special class of labour. I just don't think someone who created an intellectual product like a manuscript deserves the rights to extracting rent forever from physical copies of it more than the person who maintains the printers. I will just never be convinced of this.
This is such a bizarre take to me. I hate copyright but it seems for very different reasons. But also I just don't get what it's complaining about - the publishers always get their cut. In fact everyone typically complains their cut it too big. And their cut pays the person who maintains the printers. And keeps paying it as long as the book keeps getting printed and purchased.
Information wants to be free. Someone who writes a manuscript deserves to be paid for their efforts, if people read it. I fundamentally do not understand the difference between internet piracy and libraries. I value and respect the work of authors. An author contributes more towards the existence of a book than someone who maintains a printer. And especially more for a book that only exists online than someone who maintains a server. Everyone involved deserves to get paid for their work and realistically the one most at risk of not being paid for their contributions to the finished product in the real world right now is the author. If each physical book costs $20 retail, I would say that the author should end up getting more of that $20 than the printer-maintainer. Each of them should get a cut, and does.
crazy to me how there are just some people who don't get into shit randomly. like they stay inside their house at night and don't go scrumping for apples in farmer Pritchard's orchard just so they can say they went "scrumping for apples last night" because that's the technical term and they want to say they've at least scrumped something in this life, only to get lost and end up talking to some sheltering ponies on a ring road, and weirdly mad for hours afterwards that they couldn't find the orchard, and they've never thrown up twelve consecutive times after they hit their head off of a beam in an abandoned Renault service station. Nobody does shit. They don't even put their hands in weird holes in trees to risk bat bites for fear of rabies. it's all gone to hell is what has happened. nobody wants to fucking die during the hangout anymore
NOBODY WANTS TO RISK DEATH AT THE FUCKING HANGOUT ANYMORE
But I've heard that if you die during the hangout you die in real life!!

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can you let me in pleeeeeaase. i promise i wont use my raptorial limbs to attack and kill you
it's a good morning to be a phonologist
DUM-da-da, DUM-dee-dee
Tumblr's phonologists
Dactyls will iterate
Hewing to form
Posters will chronicle
Hypereuphonical
Sign-trains in order to
Join in the swarm
I'm really bad at understanding rhythm/meter in poetry. This is the first one where I see any of it. Every three syllables are DA da da. I guess.