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we're not kids anymore.

Product Placement
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

Kaledo Art

❣ Chile in a Photography ❣
will byers stan first human second

blake kathryn

Kiana Khansmith
taylor price
Misplaced Lens Cap
noise dept.
trying on a metaphor

Love Begins
Sweet Seals For You, Always
styofa doing anything
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@lilybolane
Dont unfollow me I can post about something you care even less about wait

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they had lestat sing baudelaire's la fontaine de sang (with nary but a sad piano for accompaniment) specifically for me so i could have another vintage antiquey sounding musical edition of a classic goth-ish poem to loop for hours on end. even if sam reid's french pronunciation is borderline unintelligible </3
i seriously hate how when any movie comes out now it immediately has to be deemed the best or worst thing ever. sometimes things can be just okay.
Leave Her to Heaven (1945) | dir. John M. Stahl
William Blake, The Selected Poems of William Blake, from ‘Gnomic Verses’

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Tapati Rapa Nui, otherwise known as the Easter Island festival, was started in the 1970s with the aim of preserving the local culture. During the festival, the islanders are separated into two teams that are divided along ancient clan lines. Both teams are led by a woman who is competing for the title of ‘Queen of Tapati’.
this dipshit kid @ the lair improvement store is telling me they dont carry Dark Harbinger Blue but i literally scryed it online like do not tempt my wrath right now
So you turned him into a skeleton archer, right?
So I turned him into a skeleton archer.
Gilt-bronze bat chandelier, ca. 1910
Cast by Herman Bergman A.B.
Gilt-bronze, glass, the perimeter applied with flying bats, the satellite pendant lights enclosed by furled bats.
Maker: Swedish lamp company Böhlmarks A.B.
you watch a car commercial and the car is presented as a masculinity carapace and this idea persists as if we don’t all know that the car is actually a second womb and every arrival + subsequent exit from the vehicle is a rebirth — it’s obvious why straight men feel such an attachment, and doubly obvious why they don’t want you to know. the trained eye can locate the mother wound of every car driver within seconds.
Eartha Kitt performing in Las Vegas, Nevada, in 1955

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something something that quote about how much of gender presentation is made of one’s mannerisms and one’s walk and how much disability inhibits or totally disallows that, rendering you forcibly genderless in presentation. something something the fact that disabled adults are so frequently infantilised and framed as sexless and unfuckable. something something “you can’t be trans/gay AND disabled”. something something being stripped of your adult, gendered, sexual identity as a disabled person.
gabriella sending out lestat to kill the wolves hoping and expecting that they would kill him isn’t an idea that had occurred to me before but i’ve been rotating it around in my head ever since. it simultaneously being an act of fucked up care – granting him the final escape from their family – and her manipulating him into a a situation that risks his life and also robs him of the only comfort (his dog) he had outside of her. all this wrapped up in her framing killing the wolves as an act of proper manhood and thus elevating lestat into the role of a husband substitute. it’s such a messy situation that really lays the groundwork for how weird and entangled their relationship is about to get
david talbot unceremoniously executed offscreen and then further disrespected in death was not on my tvl bingo card but i must say it does put a smile on my face
THE VAMPIRE LESTAT - 3.02 | Toledo

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Gabrielle. She’s around now. She was around on The Night Island. Everyone hates her. She is Lestat’s Mother, and abandons him for centuries, and somehow doesn’t manage to heed Lestat’s periodic and inevitable frantic cries for help, which though she could not receive them, being his fledgling, could certainly learn of them from other vampiric minds which are on fire with the news round the world when Lestat is in trouble. Gabrielle, she looks just like him, except she’s a woman, totally a woman, that is, sharper of feature, small-waisted, big-breasted, sweet-eyed in the most unnerving and dishonest fashion, gorgeous in a black ball gown with her hair free, more often dusty, genderless, sheathed in supple leather or belted khaki, a steady walker, and a vampire so cunning and cold that she has forgotten what it ever meant to be human or in pain. Indeed, I think she forgot overnight, if she ever knew it. She was in mortal life one of those creatures who always wondered what the others were carrying on about. Gabrielle, low-voiced, unintentionally vicious, glacial, forbidding, ungiving, a wanderer through snowy forests of the far north, a slayer of giant white bears and white tigers, an indifferent legend to untamed tribes, something more akin to a prehistoric reptile than a human. Beautiful, naturally, blond hair in a braid down her back, almost regal in a chocolate-colored leather safari jacket and a small droopy brimmed rain hat, a stalker, a quick killer, a pitiless and seemingly thoughtful but eternally secretive thing. Gabrielle, virtually useless to anyone but herself. Some night she’ll say something to someone, I suppose.
Armand, The Vampire Armand by Anne Rice
I only ever saw the aftermath. Your slit throat slow to heal. Your rotting roof and bathrobe stuck to skin.