ok quick question is the phrase “going to chipotle with aristotle” funnier if you mispronounce chipotle, or aristotle
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ok quick question is the phrase “going to chipotle with aristotle” funnier if you mispronounce chipotle, or aristotle

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The parking attendant paused by the double-length bay. Intended for mobile homes and cars with trailers, it was currently occupied by a sleeping dragon.
No parts of it extended beyond the lines, and the paper ticket was clearly displayed, impaled on a horn.
The parking attendant moved on.
I was going to just queue it for later but then it stuck in my brain, and I decided to make it everyone's problem
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
kind of harmonically beautiful

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"Knights of the Executive Committee Board Meeting" — Lancelot will phone in later. Can everybody hear me?
Original title: "The Quest of the Holy Grail" by Pauline Matarasso (1969)
bert and ernie go to ikea
Ballpoint Sierpiński Spinner (2026)
Dungeon crawling game set in a domain where the law of the land states that all hoards, troves, sacred relics, cursed rings, talking swords, and other unclaimed treasures are the property of the Crown, with the retrieving party being entitled only to a modest finder's fee, and also it uses XP-for-gold advancement specifically pinned to the percentage of retrieved articles' value the character in question is able to legally claim; much of play thus consists of fabricating legitimate-seeming provenances for retrieved treasures in order to obscure the fact that they were pried out of a dungeon and thereby defraud the King.
(No, this is not "yet another tax fraud premise". Circumventing state ownership of unclaimed hoards is a different thing – more forgery and less math, for one!)
@sigiledpaladin replied:
Yeah this isn't tax fraud, this is commodities laundering.
Of course it's the paladin who understands the distinction.
We were both weapons once… to be used.
rebloggin this cos i already know all about how fandom likes to turn natasha into a series of symbols with no center #but I LOVE how this set #uses the empathy we already have (are trained to have) for bucky barnes #and tells us to take it and use it to look inside natasha romanoff #and find her internal experience too (via tacsuit)
I loooooooooove this SO MUCH. SO MUCH

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May we all know decadence such as this
Added to the collection by @sir-libearian
Cat paw prints in the medieval floor tiles of the 12th century CE St Peter Church in Wormleighton, England
Happy Moon Landing Eve! Remember to leave out milk and cookies for Buzz Aldrin and Neil Armstrong, and don’t let Michael Collins convince you to prank NASA!
If Tumblr is still here next July 19th, I fully expect this post to obliterate my activity feed.
Tabletop RPG where taking damage in combat is represented by physically setting the target's character sheet on fire. Different damage types specify different parts of the sheet where the fire must be set (e.g., top-right corner, etc.), and the amount of damage is the number of seconds the player has to wait before stamping it out. Any physically destroyed traits are disabled until they fill out a new sheet.
@scattered-storyteller replied:
Are there any rpgs that play with destroying parts of your character sheet permanently other than Ten Candles that you know of? Ones that are designed to actually be played, that is
Sure, lots of them. One of my personal favourites is Annie Rush's The Secret Lives of Gingerbread Men, a 1:1 scale miniatures game that uses an actual gingerbread man as your minifig, and the living space in which the game is played as the terrain. Character creation consists of baking and decorating your gingerbread man, with what resources and abilities are available to you determined by your choice of decorations; damage and resource expenditure are then modelled by breaking off parts of your gingerbread man.

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Imagine the level of whimsy I could reach if I just had $5M in my bank account rn