im so sad *one second passes* i’m literally god *one second passes* i’m like if a sex toy had a heartbeat
he wasn't even looking at me and he found me
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@lcewarden
im so sad *one second passes* i’m literally god *one second passes* i’m like if a sex toy had a heartbeat

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If ever you get tired of responding to questions about "rp-forward" games with verbosity and pedantry (which, to be clear, heaven forfend you do, I love reading those posts) may I humbly suggest the (in my opinion highly entertaining) alternative of telling people "Good Society will probably work for you" and refusing to elaborate?
You know for a fact that if I ever resorted to a bit like that it would be Chuubo's Marvelous Wish-Granting Engine.
#I am only vaguely familiar with the game #why would recommending Chuubo's be a bit in this case? (via @moltensludeinbrainattack)
The structure of the game manages to hit a remarkable number of features that folks who think "RP forward" actually means something and isn't just a marketing phrase would typically regard as categorically excluding a system from being "RP forward", while looking nothing like the kind of game you'd tend to picture based on those features.
You don't want the mechanics sticking their nose into every little thing? Chuubo's is so intensely preoccupied with mechanising the mundane that forming intentions to do things is a rules-mediated action. There are specific target numbers for stuff like "do it correctly", "look like you actually know what you're doing", and "be happy with the result", and without a relevant skill or resource expenditure, the best outcome you can ordinarily achieve is "make everything worse".
You want to do stuff because it "makes sense for your character", and not because it gives the most points? As far as Chuubo's is concerned, those are the same thing. Just living your everyday life is framed as a kind of quest, with milestones and XP triggers and whatnot; this is a game where you might actively look for excuses to "have a conversation in a poorly lit place" or "gaze contemplatively over a large body of water" because your personal quest line awards XP for doing that.
You want a game that will let you make up whatever character you want and doesn't expect you to faff about with "classes" and "levels" and such? Not only does Chuubo's effectively have both of those things, it's so strongly opinionated about what sorts of characters are appropriate that it recommends you use pregenerated characters until you get a good feel for the milieu. One of those pregens has a character sheet that's twenty pages long – and you might assume that means most of it is just a big tedious lore dump, but it's not.
And on top of all that, it's not combat focused (because it has no formal combat system) and doesn't ask you to roll dice all the time (by dint of the technicality that it's a diceless system), so it can't readily be dismissed as "not RP forward" on any of the usual grounds. It's a slice of life game about adolescent gods attending high school. The kid who owns the titular Wish-Granting Engine can turn into a giant snake.
@caseyuptobat replied:
The only reason to actually play this game beyond novelty is if you have a supreme case of writer's block and are running behind to turn in a manuscript of an azumanga-esque 4koma chapter
Not true.
It's also a very solid choice for running Homestuck.
I'm assuming this is a reference to A User's Guide to the Apocalypse, a Homestuck* TTRPG that's built on top of Chuubo's
*technically an AU of Homestuck called "Replay Value", popularized by the fanfic SBURB Glitch FAQ, wherein:
people are stuck endlessly replaying SBURB sessions because the credits screen is bugged
SBURB will try to kill you if you fail to correctly roleplay your classpect
(in addition to all the normal ways SBURB tries to kill its players)
A User's Guide is, in addition to being a Homestuck TTRPG, explicitly designed for players to cope with IRL trauma, in particular child abuse and being forced to roleplay as something you're not due to external expectations placed on you (which should sound familiar)
This is what posting your artwork after a mutual posts a big life update feels like
got an ad on instagram for a group of beatles impersonators that hire out for events and all the comments were asking if they hired them would the paul and john kiss
for some brief, horrifying moment. the thought "did RGG Studio find Tupac alive and then reveal it by putting him in Stranger Than Heaven"
Hi, I'm Geoff Keighley. Welcome to The Summer Games Fest. Tupac Shakur is alive, and he's right here, this is how the world is finding out.

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Mongolia via PallasDav
PallasDav
Secondary poll based on the comments so far:
You two should reconsider your relationship if you're not able to compromise
You're perfect for each other, never involve anyone else in this situation
Original post
propose to him with the worst fucking ring you can possibly get your hands on. like not a half-assed, "oh you won't like anything I get anyway," passive-aggression ring, that is not the play, you need to do your research and take some interest in the things that matter to your enemy future husband and really learn about like, the gemstone cuts or whatever, and then you need to get him the most eye-catching ring you can find that would also be completely offensive to his overdeveloped sensibilities. He's putting in all this effort to bribe the cat to bite you, it's the least you could do to step it up in response.
So that anon came back with an adorable proposal story, but I fucking love this idea and need it to make it into someone's fanfic or something
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
Yoo who got the american woodcock on their island
all shrapnel and scar tissue

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grocery store mission barely accomplished took massive damage to the hull and all internal systems. shield repair could take days
every single time time i try to check facebook marketplace for furniture i get jumpscared by this (admittedly sick) custom baljeet coffee table
Overexposed.

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dreamt that i went to a car dealership and Light Yagami and L were there and I saw L first so I went "woah are you L death note?" and L went "L what?" and light went " L WHAT."
sorry I had to draw this