in 2025 let’s bring back being enthusiastic on ao3. leave a comment on every chapter. leave kudos and, if necessary, leave “double kudos” in the comments. tags and notes on bookmarks. the whole nine yards. let’s show fanfic authors how much we love them.
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I did!!! I made a gifset for every arthurian tv show that I am aware of!
You can find them at this tag. (a couple are in the queue, Runaways, The Campaign for Camelot and some King Arthur anime)
Also, I am almost finished watching all arthurian shows! The ones in bold are the ones I watched or I am watching.
Each one of them is tagged to the tag I use in this blog
Arthur et les enfantes de la Table Ronde (2018-2019) watching
Runaways (2017 -2019)
Fate/Apocrypha (2017-2018)
Trollhunters Tales of Arcadia (2016-2018)
The Librarians (2014-2018)
Nanatsu no Tazai (2014) watching
Merlin (2012)
Camelot (2011)
House of Anubis (2010-2011)
Once Upon a Time (2011-2018)
Merlin (2008-2012)
Merlin’s Apprentice (2006)
Fate/Stay Night and Fate/Zero (2006-2012)
King Arthur’s Disasters (2005-2006)
Kaamelott (2005-2009)
Stargate SG-1 S09-10 (2005-2007)
Sir Gadabout: the worst knight in the land (2002-2003)
Guinevere Jones (2002)
The Mists of Avalon (2001)
Merlin (1998)
Il Cuore e la Spada (1998)
Blazing Dragons (1996-1998)
Gwenevere and the Jewel Rider (1995-1996)
King Arhur and the Knights of Justice (1992-1993)
The Legend of Prince Valiant (1991-1993) watching
DW Battlefield 1989
Alias the Jester (1985-1986)
Mr. Merlin (1981-1982) abandoned
Merlin (1980) I watched it but I don’t know German!
King Arthur: Prince on the White Horse
King Arthur & the Knights of the Round Table (1979-1980) watching
The Boy Merlin (1979)
The Legend of King Arthur (1979)
Arthur of the Britons (1972-1973)
Arthur and the Square Knights of the Round Table (1966-1968) watched the episodes that I managed to find
The Adventures of Sir Lancelot (1956)
The Adventures of Sir Galahad (1949)
WEBSERIES
Mordred webseries (2013)
Legend
REX
Campaign of Camelot watching
List of Arthurian Tv shows and series by Character
I made a list of arthurian tv shows and webseries that I know about or I have watched, divided by main characters. I’ve been maybe a bit generous with characters in some tv shows where the characters were protagonists only in a part of the series (an episode or a season).
I added a * for shows that I DID NOT watch, so they are in the list because of imdb and which characters were mainly listed there, or because of the plot summary I found.
AGRAVAINE
The Legend of King Arthur 1979
(sort of) Robin of Sherwood 1984 s03e04
ARTHUR
The Adventures of Sir Lancelot 1956
Arthur! and the Square Knights of the Round Table 1966
Arthur of the Britons 1972
Carry on Laughing 1975 s02e01 and s02e04*
The Legend of King Arthur 1979
King Arthur and the Knights of the Round Table (anime) 1979
King Arthur: Prince on White Horse (anime) 1980*
MacGyver 1985 s07e07-e08
Bill & Ted Excellent Adventures (Live Action) 1992 s01e01*
Prince Valiant 1993
Blazing Dragons 1996*
Merlin 1998
The Mists of Avalon 2001
Sir Gadabout, the Worst Knight in the Land 2002*
Kaamelott 2005
King Arthur’s Disasters 2005
Fate/Stay Night 2006
Merlin BBC 2008
Fate/Zero 2010
Once Upon a Time 2011
Camelot 2011
Merlin: L’enchanteur désenchanté" and “Le secret de Brocéliande” 2012
Nanatsu no Tazai 2014
Fate/stay night: Unlimited Blade Works 2014*
Rex 2015 (webseries)
Legend 2017 (webseries)
Arthur et les enfants de la Table Ronde 2018*
BAN (KING)
Nanatsu no Tazai 2014
BEDIVERE
Blazing Dragons 1996*
The Campaign for Camelot (webseries) 2018
MERLIN
We all have many lifetimes. We first met when you were Arthur’s queen. Your destiny is magic, Guinevere. Your task is to fight evil.
GUINEVERE
I told you, my name is Gwen.
Gwen is a teenager living in Melbourne. She finds out she is the reincarnation of Guinevere, King Arthur’s wife and queen, and that now she has to accept Merlin’s help and learn magic to fight against the dark forces.
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hiii, this might sound a little weird but i'm just gonna shoot my shot - i'm working as a research assistant, and my professor is currently trying to build a bibliography of pop literature about Merlin; and basically i'm now tasked with trying to find evidence of "Merlin and the Sword of Avalon" by Peter Valentine Timlett (that is, i kinda tasked myself with that bc the other books in the list are easy to find).
that book seems to be just like, gone?? like, it doesn't even have a legal deposit copy in the british library, let alone ANY listing anywhere else. but the thing that i did find when i googled it was this post of yours which mentions it (imagine how thrilled i was to find out you're still active on here!!!), so i was wondering if you or any arthuriana fans following you might know if this book still exists somewhere? bc ngl after spending a decade in both environments, i have more faith in tumblerinas than in academics when it comes to knowing where stuff is lmao
anyway thank you so much and i hope you have a wonderful day <3
Ohhh what I suspect is that "Merlin and the Sword of Avalon" has never been published! I think I mistakenly listed is as out and about, but from this link:
quote: Per introduction, "The following is an extract from [Merlin and the Sword of Avalon] which has been completely revised and expanded by Timlett to form a self-standing novella." Locus1 lists Merlin and the Sword of Avalon as an unpublished novel.
It looks like one of the short stories by Timlett (The rite of challenge) was an extract of this "Merlin and the Sword of Avalon" unpublished novel.
The date seems to be 1995.
While the book itself seems to be listed in 2002 it seems impossible to find:
Merlin and the Sword of Avalon by Peter Valentine Timlett - book cover, description.
In "A bibliography of modern arthuriana" by Ann Howey and S. Reimer the entry is the same (for the short story):
This bibliography only gets to 2000, so even if the novel was published it would not be there (and it is not).
Now... where I found that book to add... good question. The more likely answer is that someone added it on goodreads as at the time (to add books) I was checking sources like this mentioned bibliography and then I was searching arthurian keywords (ex. Avalon, Merlin) on goodreads.
I will also reblog this on @fuckyeaharthuriana in case someone knows more!!
i initially found his own website which according to the wayback machine used to be online in the 2000s and it had an order form for that book - it did cross my mind that maybe he never got to print it at all, but i kinda found that too tragic to be true (imagine if he was alive during the time of ebooks and online publishing... tbf he probably would've gotten less attention though)
i'm lowkey enjoying the rabbithole of pre-amazon self publishing and the internet archeology of it all, so if it turns out that there's really nothing left, it's fine, but i can't shake off my hope that someone, somewhere actually ordered this at the time and can confirm that it did once exist lol
No problem at all!! And I actually also enjoy this kind of things! (some stuff... really comes up out of nowhere years and years after... Guinevere Jones episodes I am looking at you).
If I read the wayback machine correctly, that still is from 2007? It also has "ISBN 0-9542638-2-0" associated with the book... so surely it must have been published and this is not just a case of someone selling a self printed book.
I am going to write my search step by step becasue i am writing while searching:
Tho when I search for ISBN 0-9542638-2-0 I don't find the Merlin book but "The Cauldron"... It looks like "The Cauldron" and Merlin have very similar ISBN:
ISBN 0-9542638-2-0
ISBN 0-9542638-1-2
Tho from this:
It looks like The Cauldron was published by "Imagination Forum" which only published four books between 2002 and 2003 all by Timlett:
So this was definitely a form of self-publishing.
When I go to the order form tho...
I still see four books but different one. The only different one is "The Seedbearers Saga" which is not present in this list where instead we have the "Merlin" book (and viceversa).
Not sure what this means because Seedbearers is an older saga (maybe this is a reprint with his own printing company).
I wonder if he was self publishing all these novels but no copies really circulated.
I wonder if it might be worth it to... try to write to Mike Ashley. He edited a lot of the short fiction collection (a few with Timlett) and might know if a copy is around (or have one).
Arthurian novels. Part 2. 1991- 2005 (total: 668 books)
PART 2 of the list of arthurian novels (in the list there are at the moment 511 arthurian novels).
PART 1 is here (1850- 1990)
PART 3 is here (2006 - 2016)
PART 4 is here (a tentative list of 2017 - 2020)
the complete list is here (wordpress).
click to read the last update (22 april 2020) + (past updates)
Part 2 is the list of novels published between 1991 and 2005.
Novels in a series are separated from the others and numbered, placed in the chronological place of the year of publishing of the first book of the serie so it may happen that a novel published in 2010 but third in a serie started in 2000 will be placed here, in the second part of the list. More about the symbols I use can be found in the original post.
I’ve spent days and weeks (months, or, well, more than a year actually) to write the list so, please, if you want to use it link it from here (or with credits).
Enjoy and feel free to reblog this post of the original post.
-THE LIST OF ARTHURIAN NOVELS PUBLISHED 1991-2005-
Pairing/s: Merlin x Britt Arthurs {King Arthur & Her Knights}
Genre/AU: AU!Reincarnation, Drama/Hurt, Romance
When I was younger I saw my daddy cry
And curse at the wind
He broke his own heart and I watched
As he tried to reassemble it
It was the middle of the night when Britt found herself waking up to the noises of people screaming. She didn’t have to guess what was happening anymore, she knows it is her parents having a fight downstairs. Amidst the turmoil, Britt remained silent in her own bed and tried her best to block out sounds by putting her pillows over her ears.
The deafening sound of objects crashing against the walls could be heard and she found herself sitting up on the edge of her bed. Britt anxiously stared at the closed door, the sound of her own heartbeat banging against her ribcage ringing over her ears.
The fighting ceased. But the suffocating feeling in Britt’s heart remained. Unable to control herself any longer, she went out of her room and tried to go to her sister.
Her father was in the hallway, his face red with tears running down his face. In his hand was a large suitcase. He looked at her and opened his mouth as if he wants to say something to her.
Britt couldn’t remember what he said to her that night. She wasn’t even sure if he said anything to her at all. The only thing that she remembers is that night when he walked away from their family, he never once looked back.
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(Stained glass window depicting Cadwaladr and his flag in Llandaff Cathedral, Charles Powell, 1919)
(King Arthur (top left), St Tewdrig, and St Cadwaladr, stained glass window in Llandaff Cathedral. Situated in the North Aisle, Charles Powell, 1919)
'The awen predicts they will make haste;
We shall have treasures, possessions, and peace
And broader leadership and lively leaders;
And after war, dwellings in every area;
Men fierce in fight-clamour, furious warriors,
Swift in attack, slow to leave defence-
Fighters that scatter foreigners as far as Caer Wair'
- the opening first lines of Armes Prydain
Something a bit different today but I thought I'd yell about ‘Y Mab Darogan’ or The Prophesied Son, who was seen as a messianic figure in Welsh literature and was appellated to four* (!) different lads (including King Arthur). This will be a long one so please have a snack and a drink at hand. You're gonna need ‘em.
Now, Y Mab Darogan as a concept first crops up in the 10th Century poem ‘Armes Prydain’ (The Prophecy of Britain) from the Book of Taliesin. Andrew Breeze postulated that the poem was written in about ‘940 AD.’ Taliesin’s status as ‘a seer’ write Gwyneth Lewis and Rowan Williams in their introduction to The Book of Taliesin: Poems of Warfare and Praise in an Enchanted Britain means that ‘it is not at all surprising’ to find a collection of Prophetic poems alongside the others within Llyfr Taliesin. ‘Its themes,’ Lewis and Williams further write, ‘are recycled in several later poems looking forward to a reunification of the British - usually Under the leadership of Gwynedd - and the advent of a heroic deliverer.’
It's a call for all Celtic nations (Welsh, Scots, Irish, Cornish, Britons, Manx) to come to arms against the Anglo-Saxon invaders - as can be seen in the lines 'long-haired champions, masters of war/ Will come from Ireland to drive out the Saxons.', 'Both loyal men will come from Alt Clud, / A resplendent army to drive them from Britain' 'A powerful host will come from Llydaw (Brittany),' 'Let the Cymry rise up, a war-like company' and 'On all sides shame will be the Saxons destiny' and, although it doesn't feature King Arthur proper it's writing kinda alludes to his death.
To zoom through some background, Hywel Dda (yes, he of Law fame) was seen as very much toeing the line to the Angles - who y'know were (and kinda still are) Wales’ traditional enemies. Now, for ol’ Hywel, this had meant that when Edward the Elder ruled over Wessex had had to cleave to him to ensure that Wales didn't get battered within an inch of its life as had all other Celtic nations in Britain (so the Gaels, the Picts, etc, etc). However, once he was out of the picture and his son, Athelstan, had taken over, an alliance of the kingdoms of the Strathclyde*, Dublin, and Scotland had all risen against him. In a break from tradition - y'know, the whole Men of the North business where it was acknowledged and expected that the Welsh would aid their compatriots - Hywel vehemently denied the three kingdoms’ aid leading to their defeat at the Battle of Brunanburh in 937.
Obviously, this pissed A LOT of Welsh lads off.
I mean, yeah, it'd piss me off too. if I expected a battle only to find out we weren't getting one cuz some lawmaker lad had to keep his neighbours happy I'd be LIVID. So this poem was written! No word if Hywel read it, but I imagine his Goodreads review would've been a firm one star.
In it, it refers to ‘Thus they'll avenge Garmon's* friends with force/ Four hundred and forty years on' and, according to the Annales Cambriae (my absolute beloved) in 537AD there was: ‘The Strife of Camlann, in which Arthur and Medraut perished; and there was plague in Britain and Ireland.’ which means ‘404 years’ after that is 941. Therefore, the poem is very much looking forward to the annihilation of the Saxons in 941 which kinda happened because Edmund had to accept a humiliating treaty at Leicester in 941, giving the north-east of England to the Viking leader Olaf Guthfrithson.
Also, the poem invokes two famous leaders - Conan of Brittany, and Cadwaladr ap Cadwallon of Gwynedd - in the line: 'Cynan and Cadwaladr, warlords in the armies' Cadwaladr is seen as hot shit - basically on par with Arthur as a ‘Great Deliver’ figure for the Welsh - and, somehow, the Welsh Dragon has become known as Cadwaladr's flag. Cadwaladr is also important because Henry VII (yeah, HIM) claimed descent from him. The hoped-for leader is seen as returning from exile - just as Cadwaladr is said to have done and Henry VII would later do once he'd hot-footed it to France to get aid - or arriving from over the sea - as Owain Lawgoch would later unsuccessfully attempt to do in the 1300’s - and ‘on their return they … overthrow corrupt or alien rulers within Wales, and rally other Welsh kingdoms to resistance and ultimate victory over the English.’
Now, as I previously alluded to, King Arthur is pretty much absent from the early corpus which makes up the ‘Mab Darogan’ legend. The ‘fierce resentment’ of the Armes Prydain makes no mention of him, and, therefore, we must look elsewhere.
We find it in the Gwyddelian composed Historia Brittonum. He's specifically indicated as fighting the Saxons (ons of the main tenets of the job, I think we'll all agree) and doing… okay. T. Charles Edwards states, ‘The victories of a Gwrthefyr, or an Arthur, might be glorious but they had no future,’ and, I think, it is this utter glory and utter ineffectualness that highlights the two main tenets of what makes you mab darogan, well, y mab darogan.
Arthur ‘echoes the achievements of Gwrthefyr’ in his chapter and so brings with it another key building block of y mab darogan. He is an echo of what has coms before and what will - hopefully, futilely - come again. A warrior will rise and lead through Britons - the Welsh, the natives of the land - to a brief taste of freedom before slipping away in a haze.
Furthermore, T. Charles Edwards states, ‘Perhaps the main concern of the author of Historia Brittonum is to encourage the Britons to come to terms with defeat of loss and territory.’ Arthur, like Macsen Wledig before him, is a rallying point for the Welsh. A flashpoint. Arthur is the ‘British Dux’ or warlord, the rebellious leader at will bring the Saxons to heel.
The legend of him being Y Mab Darogan amongst the Welsh is thought to have taken widespread hold after this. He's seen as a rallying cry for various rebellions and poets made use of his stature to advance various other disaffected Welshmen's causes. The Anglo-Norman text ‘The Description of England’ states that ‘openly they [the Welsh] go about saying,... / that in the end, they will have it all; / by means of Arthur, they will have it back... / They will call it Britain again’ So this would firmly put him in the bracket of The Welsh Lord and Saviour, kiss fuckin kiss. Furthermore, Daniel Helbert in his essay, ‘The Prophetic Hope in Twelfth Century Britain,’ states ‘at the close of the twelfth-century, the idea that King Arthur would return from the grave and lead his people to victory was not a new one,’ for the power and popularity of this legend both within Britain and on the continent as a whole (i.e. in Brittany where Arthur - and, later, Owain Lawgoch - is also seen as a somewhat Messianic figure in his own right) had an ‘allure’ to it. This suggests that, to me, the ‘Breton/Briton Hope’ was always a powerful sticking point in people's heads. Arthur had already left an indelible mark on culture, be it Welsh, Anglo-Norman, or otherwise, and people would use it in whatever ways suited them.
But I also must caution against believing this outright. *sigh* Arthur is Welsh*, yes. The building blocks of his myth are Welsh. I do not dispute that. However, O.J. Padel says that no contemporary Welsh source of a prophecy concerning Arthur's return to Britain has been found, and Charles T. Edwards further states: ‘Although the use of a Welsh battle-poem has been suspected, perhaps rightly no such source is likely … And if there was such a poem celebrating Arthur's battles, its date remains entirely uncertain.’ While there exists plenty of poetry on Arthur's ‘descendants’ as it were, Owain Lawgoch and Owain Glyndŵr, there is nothing particularly concrete for Artie and, furthermore, we must both rely on non-Welsh texts AND Henry VII's propaganda during the Wars of the Roses when he was challenging the Plantagenets for the English throne.
(Personally, Arthur just likes to be a tricksy bastard and I wish he'd CEASE AND DESIST. Bro, I went to ur fuckin Grotto in Corwen* when I was a kid. You OWE me.)
Conversely, Arthur has been used to legitimise the English’s rule over the native Britons. Edward I, after his conquest of Wales, used ‘Round Tables’ to celebrate and justify his conquest of Wales - one of many Big Kicks in the Teeth for us, ngl, other than letting the Prince of Wales be a baby because he only babbled*, and having the true last Princess of Wales, Gwenllian, be shut up in a monastery when she was a baby - and the consequent ‘reunification’ of Arthurian Britain. The Galfridian texts also were even used to justify Edward's claim over the Scottish throne - after the House of Dunkeld came to an untimely end with Margaret, the Maid of Norway's, death at sea when she was only 7 - as Arthur conquered Scotland. Geoffrey of Monmouth, I'm hitting your ghost over the head with a boot. One with iron toe caps. And smeared in dung. Arthur's use as a colonial tool by both the Normans’ and the Plantagenet dynasty cannot be overstated. To do so is a great disservice that doesn't do anybody - least of all the Celtic countries who had their great mythological king beaten into this oppressive tool to try and bring them to heel - any favours.
Aled Llion Jones writes in Darogan: Prophecy, Lament, and Absent Heroes in Medieval Literature that the imagined victory of y mab darogan represents a ‘return to a united, unified legendary state of organicism’ which was once conjured in a long-lost son called ‘Unbennaeth Prydain or ‘The Sovereignty of Britain. Furthermore, Brud and Brut (that's Prophecy and History for all you non-Welsh speakers out there) were near-homonyms in medieval Welsh and the Brut y Brenhinedd - ‘Chronicles of the King's,’ which are an adaptation of Geoffrey of Monmouth's Historia Regum Britanniae - was framed as being the story of how British lordship over Ynys Prydain had been gained, flourished, and lost to the Saxons. Prophecy, therefore, provided how it would ultimately be won back by those who would come after Arthur.
But, I mean, Wales would have to wait to find out who their next Mab Darogan would be. Next week: Owain Lawgoch's Hot Shit Tour of France: How he Became Y Mab Darogan, Fucked About in Guernsey and Got Assassinated When He Was Cutting His Hair.
Some notes!
*Garmon is St. Garmon the Gaulish Bishop who visited Britain in the first half of the fifth century
*You could make the case that Owain Gwynedd could be seen as Y Mab Darogan considering his various run-ins with the Normans. However, you could say that about The Lord Rhys also and, if we’re getting into the meat of it, neither of those two lads are even seen as having faulty alarm clocks. Or chillaxing beneath a mountain.
*Strathclyde wasn't incorporated into Scotland until the 11th Century when it was annexed into the Kingdom of Alba. It would still be known as Ystrad Clud at this time.)
*Technically, Brythonic which is the forerunner to the Britons but, like, the language of the texts he is primarily featured in is Old Welsh. I know he's seen as an English figure but that's wrapped up on years and years of colonialism.
*That baby was later known as King Edward II whose reign was less than impressive, but extremely gay. Nice to see him committing to the Remarkable cosplay ngl. (Idk if he ever did that. I just think it's fun to imagine he did. Bet he was Lance.)
*The Grotto was so fuckin fun. If I can dredge up a photo of the Red and White Dragon fighting then I'll fuckin slap it up because ooooh, baby, it was SO COOL. Also, they had an animatronic Arthur asleep under a mountain. ANYWAY.
*Myrddin/Merlin was also associated with prophecy in the early Welsh texts particularly those about the mab darogan.
Background Reading and Sources:
Land of My Father's by Gwynfor Evans
The History of Wales by J. Graham Jones
Wales: England's Colony? by Martin Johnes (A Banger.)
The Book of Taliesin by Gwyneth Lewis and Rowan Williams
The Arthur of the Welsh by Rachel Bromwich (T. Charles Edwards is included in it. Strongly recommend it.)
The Earliest Welsh Poems by Joseph Clancy
Arthur in Medieval Welsh Literature by O. J Padel
The Welsh Triads by Rachel Bromwich
Lastly a quick aside: this is my theory but it is entirely possible that Arthur disinterring Bendigeidfran's head in Branch 2 of the Mabinogi could be seen as him taking up the 'heroic deliverer' role from an earlier Celtic hero. Certainly, while his head remained buried at Gwynfryn (White Hill, speculated to be Tower Hill in London) 'no oppression would ever come from across the sea to this island while that head was in its hiding place.' Bendigeidfran, like Arthur, was seen as the High King of Britain, and there is certainly an echo of Arthur about him. Arthur, in a fit of hubris, disclosed the head of Bendigeidfran from its resting place because 'it did not seem right to him that this Island should be defended by the strength of anyone, but his own.' And this 'was known as one of the Three Unfortunate disclosures,' so the Mabinogion says.
I'm not an academic but it is perhaps something to think about.
So you want to read The Mab? - Mabinogion March Madness 2 or how, where, why u should read this fine collection of Welsh myths
So, The Mabinogion, also known as The Mabinogi (which is the more correct version), is a collection of eleven (sometimes 12 tales if you include The Tale of Taliesin but that was added later) mythological tales. The meaning of the title - Mabinogi - is beat translated into Boys' Tales, although it wasn't what they were named at the time they were written down, but by Lady Charlotte Guest when she first translated them. Two copies of the Mabinogi exist - The White Book of Rhydderch and The Red Book of Hergest - and the two are thought to descend from a common ancestor (now lost, sadly.)
Now, the main tales are The Four Branches of The Mabinogi. (Pedair Cainc y Mabinogi) They revolve around one character - Pryderi ap Pwyll, Prince of Dyfed - and tell of his birth (Branch 1), life (Branches 2 and 3), and eventual death (Branch 4). There are also three Arthurian Romances (Geraint ac Enid, Peredur, and Owain/The Lady of the Fountain), another Welsh Arthurian quest in the form of Culhwch ac Olwen, The Dream of Rhonabwy (which is the same self-insert fanfic of Dante's Inferno if it were Welsh and King Arthur adjacent), The Dream of Macsen Wledig (what happens if Tinder was through dreams), and Lludd and Llefelys (a brotherly caper feat. DRAGONS). The Tale of Taliesin - when it's included (for example the Thomas and Thomas edition has it, Sioned Davies' doesn't) - tells the story about Wales' most mythologised bard (and my mortal enemy).
And, uh, you might wanna read 'em so lemme yap about them.
Charlotte Guest's translation is the most accessible. You can find it here:
For me, it's okay. It's heavily Victorianised so there is that but I cannot slag it off. Without Lady Guest's work, The Mab would've probably never've been translated, which does sound incredibly reductive. But to an English-speaking audience, it's so important that Wales' myths exist. I can't tell you how fuckin important these tales are. They're our culture all written down in a book. A tiny fuckin book (The White and Red books are actually quite large but ehhh) contains these stories and I'm ehdjdjdj I GO CRAZY.
ANYWAYS, moving on: You got Thomas and Thomas translation which does include The Tale of Taliesin!!! Gwyn Thomas was the second National Poet of Wales and he, along with Thomas Jones, a scholar whose main interest lay in Middle Welsh prose, translated the Mab in the 1930's. This one was hugely fuckin popular! It's the one I grew up on before Sioned Davies slammed her fist into my face. It's also been illustrated TWICE (thrice, if u count Kevin Crossley Holland and Gwyn Jones' retelling). Once by Alan Lee and once by Margaret Jones. (Too many Joneses. But Jones is just a stupidly popular surname in Wales.)
Next up: SIONED DAVIES. My personal go-to, fuckin amazing. It's of handy dandy footnotes. This one doesn't contain The Tale of Taliesin but it does contain all the other 11 stories as well as a pronunciation guide and a map illustrating Wales at the time. Please don't buy the audiobook though. It's crap. If you prefer audiobooks might I suggest:
Jeffrey Gantz's translation read by Gwyneth Keyworth. This one is the newest translation as came out in 2013 whereas Davies' came out in 2007. Gwyneth has such a fuckin lovely voice and I genuinely can't stop listening. Matt Addis also has a superb voice although his audiobook uses Lady Charlotte Guest's version and consequently a lot of the names have been anglicised (Gwenhwyfar becomes Guinevere. Ugh.)
If you're after either the Jones and Jones version or the Davies version then @queer-ragnelle has them on her Arthurian Preservation Project website. You'll find them under the Welsh section!!!!
All of them are super good and I encourage you to READ THEM. READ READ READ!!!!! You can discover how King Arthur loves a boat more than his wife, how Lludd has to stay in a barrel overnight, how Pwyll nearly fumbles the most loveliest woman in the land, how Aranrhod needs a holiday, and Manawydan!!!!! MANAWYDAN!!!!!!!! GO GO GO GO!!!!
I also forgot to mention there's also Will Parker's translation which you can find here:
New translation of the Four Branches of the Mabinogi including notes, searchable bibliography and links page
And Patrick Ford's translation is pretty good also!!! That one has a summary of what happens before each branch so I recommend it if you're just like dipping your toes into the Branches, or you're just starting out.
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Collection: Southampton City Art Gallery, Southampton, United Kingdom
Description
This painting is based on a design for Holy Grail tapestries commissioned from William Morris in 1890. Launcelot has arrived at the chapel containing the holy grail but because of his sinful affair with King Arthur’s wife Guinevere he cannot enter and instead falls asleep.
Guinevere Jones is a considered a partially lost media. I'm awed you have the first season! The only thing missing is that you find the second season.
I think season 2 is lost lost. There’s a reddit thread about it and it seems like even people who got in touch with the producers asking for a rerelease had no luck. It’s a huge bummer. Doesn’t mean I won’t keep an eye out…
On the other hand Chris Hemsworth as King Arthur real? What a wild discovery that was!