Quite Right Too.

If you're someone who wants to be able to find (or avoid) ships while reading on AO3, odds are good that a fan coder out there has created a user script that could help you out.

User scripts are similar to extensions. You add them to your browser to automatically adjust web pages for you. User scripts allow you the opportunity to personalize them, however, which is wonderful for things like AO3 filters.

Here are a few that might be worth a look:

AO3 multishipper saviour - if you want to read about a particular character in a relationship without specifying any other person. The relationships can be specified to be romantic or platonic or both.

AO3: Reorder Ship Tags - Automatically reorders relationship tags on work blurbs so romantic ships (/) always appear before platonic ships (&).

AO3 Relationship/Character Highlighter - highlights the ship/character you’re looking for if they appear in the first two relationship/character tags.

AO3 romantic relationship savior - hides all romantic relationships in sort & filter page that has "/"

AO3 First Relationship Tag Filter - toggle on the script if you're browsing a relationship tag and all the works that don't have that tag as their first tag will be hidden. Works on both romantic (/) and platonic (&) relationships.

AO3 relationship savior - hides works that have too many relationships in them.

AO3 Only Show Primary Pairing - will hide fics that don't have the designated pairing listed first in the tags.

AO3 Only Show Primary Pairing (Auto) - The difference between this and Neeve's script is that it automatically detects the primary pairing, little to no configuration needed.

AO3 Show every pairing except THAT one - Remove relationship tags from script which you do not want to read.

I got a comment on a fic that is less than a year old and it was mostly an apology for being a comment on an "old fic" and how late they were in commenting.

A regular day in Gundam Wing General Hospital.

You are posted out by the Hollywood sign tonight, sitting under the frame where the W used to be. It got burnt to a crisp during last week’s big superhero fight. A hero died right where you’re sitting. The whole area’s been closed down until Hero Force can coordinate a recovery effort. Usually it’d be done by now but no one’s willing to touch it until the ash has been completely blown away.

It’s a rule that the world must stand still when a hero dies.

“How much?”

The voice comes from behind you. The lights that illuminate the Hollywood sign are down to hide as much of the scorch marks as possible. You wouldn’t be able to see anything even if you did turn around, so you don’t.

You put some chapstick on, the glide of the balm against your wind chapped lips grounding.

“I said,” the Hero says, voice tightening, “How. Much.”

There’s the sound of gravel crunching now. They’re wearing heavy boots and the scent of fresh blood grows stronger the closer they get. Their breathing is smooth and even which means it’s not their blood.

You put the cap back on your chapstick and tuck it into your leather jacket’s inner pocket. “I don’t take money.”

“Then what do you take?” The Hero rounds the Y and comes into your line of sight. The dark hides most of their features, but you can make out a glittering gold mask and the dull shine of drying blood on their chest plate. Their breathing may be even, but their stance isn’t. They sway in place, back and forth, back and forth. Their arms wrap around their stomach. “I’ve got land. A house. You can have it.”

Not saying thank you

Bonus: