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Today's Document

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@kwayarchive

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i was apprenticed to reverence before i was taught the anatomy of doubt.
kneeling preceded language.
obedience preceded comprehension.
belief arrived not as invitation but as installation… a system embedded early, before consent had grammar.
they called it catechism.
i call it calibration.
my spine learned curvature before my mind learned objection.
faith was framed as inevitability, God as perimeter, divinity as an omnipresent audit that mistook surveillance for love.
i learned scripture as one learns evacuation routes- by repetition, with the understanding that error incurred penalty.
salvation was not offered.
it was enforced through fear rendered polite.
it functioned until i learned to read precisely.
until i noticed how often mystery replaced coherence, how frequently authority substituted for answer, how seamlessly contradiction was transubstantiated into virtue.
omnipotence that required suffering.
omniscience that demanded proof.
mercy that exacted blood.
free will engineered within a rigged tribunal.
a God who could prevent devastation yet elected pedagogy through harm.
they called this love.
they called this plan.
they called this goodness scaled large enough to crush scrutiny.
i attempted allegiance.
i attempted reverence patched over fracture.
but the theology did not withstand pressure.
a system that punishes curiosity and canonizes submission is not sacred.
it is efficient.
i could not worship a moral framework that collapsed when interrogated.
i could not kneel before a logic that sanctified violence by inflating the perpetrator.
yet i did not abandon the form.
because religion, evacuated of deity, remains the most accurate architecture for weight.
for guilt that does not dissolve.
for devotion that disciplines behavior.
for judgment that does not require spectators.
for love that demands posture.
i retained the ritual.
i excised the idol.
i kept the liturgy because liturgy understands what belief obscures: that humans require structure to contain what would otherwise annihilate them.
i write in sacrament because sacrament carries consequence without pretending it is justified.
i write in prayer because prayer admits longing without promising response.
i say amen not because i believe in an auditor, but because endings deserve gravity.
because silence requires punctuation.
because finality, when untreated, becomes haunt.
this is not rebellion.
this is autopsy.
i am not hostile to God.
i simply found Him redundant to explain responsibility.
i do not require heaven to justify care.
i do not require hell to understand consequence.
i learned morality not from doctrine, but from witnessing what doctrine permitted.
i learned restraint not from commandments, but from the wreckage left behind by certainty.
so i kneel now only to what is verifiable.
to memory.
to consequence.
to love that legislates behavior without absolution.
i preserve the cathedral.
i removed the throne.
if something listens, it will survive honesty.
if nothing listens, then this ritual still matters.
because meaning does not require surveillance.
only intention.
only accountability.
only the refusal to outsource ethics to a watching sky.
this is my final liturgy.
not belief.
but discipline.
not worship.
but care.
not god.
but gravity.
amen.
Ode to Ms. Shirley #FruitOfLove
Quilts by Susana Allen Hunter (1912-2005), Alabama

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My body is rotting but all you
see are the cracks in the porcelain
mask I wear. You fill the cracks with
gold as if it will prolong my life, but I
will soon be nothing but dust and slivers
of gold which cannot be cast into
anything new. I think where there is
porcelain dust there must also be
[mushrooms sprouting to feed you.]
Seren C. Daphne
carl sagan said in contact that one measure of a relationship's intimacy is in how many of each person's sub-personas can see and commune with each other. and that hit. do you wanna see if our inner children want to play together 🥺🥺🥺🥺🥺
She began to understand why lovers talk baby talk to one another. There was no other socially acceptable circumstance in which the children inside her were permitted to come out. If the one-year-old, the five-year- old, the twelve-year-old, and the twenty-year-old all find compatible personalities in the beloved, there is a real chance to keep all of these sub-personas happy. Love ends their long loneliness. Perhaps the depth of love can be calibrated by the number of different selves that are actively involved in a given relationship. Carl Sagan, Contact
AUGHHH

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it’s strange, isn’t it, how leaving doesn’t always announce itself no thunder no breaking glass just a bag by the door a room left lit a day that keeps going like nothing important happened I think that’s what hurts most— not that it ended, but that it fit so easily inside an ordinary afternoon and now I keep circling that moment, not because it was special to the world, but because it split mine open and never bothered to look back
- lmk
[11:11 pm 01.07.2026]
I made a wish: “…To be doing well”. ASÉ
[11:32 pm 01.07.2026]
Food for thought: A Conversation on Portraiture
I think self-portraits are so revealing.
Especially when you draw yourself. You have to see yourself.
In a certain sense of course.
You have to be able to analyze the face; and in this case, your face.
To divide facial features into shapes representing light & shadows & contours & curves.
So you are seeing your face from the gaze of an observer.
You have a 3rd person relationship with your own image.
Where, what, who, is staring back at you Indy the lived you, it’s a you that always remains still.
A you always rooted in “what was”.
I wonder if it’s possible to draw yourself as “what is”?
Not capturing an after-image from a moment, an instant, when you glanced or looked toward you face.
But to capture you as you are in the “now”.
This would require an always-moving illustration, it seems.
An image that is indefinitely being made.
What kind of portrait captures the “now”?
———
What do you think?

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— Mwalimu Imara excerpt from his essay, “Dying as the Last Stage of Growth,” in, Sisters of the Yam, by Bell Hooks.