Yoo Mi Seon (South Korean, b. 1959, Inside, 2026
Silver leaf, colored metal leaf and stone powder on Korean paper, 80 × 80 cm
"I'm Dorothy Gale from Kansas"
ojovivo

oozey mess
Show & Tell
dirt enthusiast

roma★
taylor price
Not today Justin
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year

Origami Around

pixel skylines
Xuebing Du

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
RMH
KIROKAZE

seen from Spain

seen from T1
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seen from United States
seen from Saudi Arabia
seen from Germany
seen from United States
seen from United States

seen from North Macedonia

seen from United States
seen from United States
seen from United States
seen from Gibraltar
seen from Germany

seen from United States

seen from Brazil
seen from Brazil

seen from United States
seen from United States

seen from Malaysia
@rostii
Yoo Mi Seon (South Korean, b. 1959, Inside, 2026
Silver leaf, colored metal leaf and stone powder on Korean paper, 80 × 80 cm

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i think there should be two nighttimes. one for sleeping and a second one for being awake but at night. and then only one daytime because daytime doesn’t matter as much except for the birds
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'an 18k gold + micro-mosaic lovebird necklace + earrings, probably italian, late 19th century' in the jeweled menagerie: the world of animals in gems - suzanne tennenbaum + janet zapata (2001)
Alison Elizabeth Taylor (American, 1973), Silver Fox, 2013. Wood veneer and shellac, 53 x 51 in.

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David Harvey, The Condition of Postmodernity
Yang - Yen
José Cori - Multicancha, 2023 - Polychrome pencils on paper
For #ManuscriptMonday / #MedievalMonday: a cute little mole in a 13th c. English bestiary! British Library Harley MS 3244 fol 49v (England, c. 1236-1250)
Cuttlefish
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Vintage Wool Fish Rug by Canvello
oh okay
some plein air I did in Etretat during summer 2024, I was blessed with amazing weather and lights !!
by jackilenafilm
inception is a decent movie but there's so much horror tragedy potential written into its premise and the implications of its worldbuilding and being able to see that and do nothing about it makes me feel deranged
dream technology was developed by the military "so soldiers could practice shooting, stabbing and strangling each other". the only way to escape a dream before it ends is by killing yourself or convincing someone to kill you. you can live entire lifetimes in a dream, only to wake up to the disorientation of realising that only hours have passed in the waking world. prolonged exposure to dream-sharing tech carries the high risk of inducing psychosis to the point that you can no longer tell the difference between dreams and reality. you can carry a "totem" that behaves differently in a dream to counter this, but if anyone else gets their hands on it and figures out how it works, it's game over. dreaming is so addictive that some people sacrifice their waking lives to keep dreaming for longer. people can be hired to break into your mind and take anything they want from it, down to your most intimate parts, and sell them for profit. if that's not paranoia-inducing enough, entering someone else's mind carries the risk of being hunted down and torn to pieces by manifestations of their own psyche in a subconscious act of self-defence that cannot be controlled, because what you are doing is invasive and violent. the premise of the film rests on a superrich man hiring a group of people to fundamentally alter a man's identity because inheriting his father's corporation has the potential to make him a BUSINESS COMPETITOR. the leader of said heist team is so haunted by the suicide of his wife that he (unintentionally) caused by violating her mind to the point of madness that he locks the rest of them into a labyrinth of his own guilt, stalked by the minotaur her vengeful ghost. oh, and on the right cocktail of drugs, you can't wake up from a nightmare, and will instead end up in pure unconstructed unreality, surrounded only by decaying structures built by those who inhabited it before you, whose intentions and regrets might still haunt the landscape like a malevolent physical presence.
and you still have to go to work in the morning!

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thinking about these benches i saw on fb marketplace
SHRINKING VIOLET II / reversible cloth / sublimation printed chenille cut to size and laid in strip by strip, gold warp floats getting smaller and smaller / designed to be left as the front but do you prefer the other side?
My second year CSM BA Textile Design 'Design and Make' project was a knit and weave collection. FLOWERY SPEECH looks at the breakdown of communication, ‘the space between’ a phrase’s intended meaning and its interpretation. In the year since moving from North America to England there have been many slight misunderstandings, despite ‘speaking the same language’. Here I’ve picked a bouquet of floral idioms; fun but potentially confusing or nonsensical, even to native speakers. Source visuals were photographed at Columbia Road Flower Market and then degraded and abstracted through a variety of digital and manual processes to capture a sense of disorientation.