Kaiseaya

Grace, on recording: I HAVE ABSOLUTELY NO CLUE WHAT I’M DOING.

Voice from back of room: welp, we’re fucked, it was nice having life on Eath while it lasted.

Stratt: Please remain silent. I assure you he has this under control. He’s got this.

It's called "Runaway Brain" :3 Disney has a love/hate relationship with it because it's extremely beloved and held in high regard but also it does NOT fit their modern image so they can't promote or release it to any wide capacity because it would 100% terrify children.

Anyway

there's a scene from spider-man 2 that rattles around in my head sometimes where aunt may and peter get denied a loan from the bank, and then aunt may says "at least we get the toaster" while pulling out a newspaper clipping before also being denied that.

and then a few years back i was streaming RE Village and the line popped into my head so i created a bunch of on-the-spot hyperbolic dialogue from an alternate universe Joel McHale Banker who is way more openly antagonistic towards aunt may

Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators

I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.

So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers

There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.

🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason

I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)

🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing

With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.

Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!

So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution

Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?

We share resources 😎

Also, for webcomic creators who either make their own website or use a comic platform like Comicfury, consider using a peer-to-peer ad network like Comicad.net to advertise your webcomic and create ad space on your own website.

Red Hood is generally not heroic i'm aware, i'm not defending any of that shit. I just think there's some cool unexplored potential with him to be a little less anti and a little more hero, while not giving up his core principles

I'm aware Wonder Woman has killed, i just want her to stay that way

It is my belief that there are some situations in which killing can be heroic. If you disagree that cool, it's a very personal thing. I just think it's silly to only portray one version of heroism and the human experience relating to death and killing.

i'm aware mass murder is bad. just thought i'd state that very clearly

the vast majority of vigilantism is in some way political violence. ignoring all the examples of the US government doing bad within dc canon and being held accountable by non-state actors, you're also just not normally allowed to hit people. so i think it's realistic that some of these actors would be willing to kill if they thought it was necessary

There is undoubtably incentive for the giant corporation that runs dc to not endorse actions that threaten the status quo where they're in power, and i just think we should be aware of that

employee (completely blank expression): “No.”

partner (autistic) (socialscript.exe encountered an unhandled exception) : “…Uh. Um. Sorry?”

employee: “We don’t have that.”

partner (wondering if perhaps he put too much of the authentic accent on the word and that’s what’s throwing the guy): “You don’t have…(pronouncing it whiter) carnitas?”

employee (face still unreadable): “No.”

partner (looking at the near-full hotel pan of perfectly normal carnitas in its usual place on the other side of the glass) (noticing this employee looks unfamiliar) (maybe he’s a new guy that just started five minutes ago with no training?) : “The…pork?” (pointing at it)

employee: “We don’t have pork.”

partner (beginning to wonder if he’s the one that’s losing it) (desperately looks to the menu on the wall behind the employee) (the menu lists carnitas as a protein option) (the word “carnitas” is not crossed out or taped over or otherwise adulterated) (carnitas have been on the standard menu since at least 2016) : “Okay. Um. Are you…sure?”

other employee working the toppings part of the line (familiar) (have seen her before) (she has cool earrings): *gives the new guy a strange look, nudges him aside, and scoops the carnitas onto partner’s bowl before continuing with the other toppings*

- the employee keeps very strictly kosher/halal/vegan and refuses to handle pork (understandable, I respect that, but if you’re gonna work at a place that serves pork I do kinda feel like when someone orders it you’ve just gotta tap in a coworker to do it for you)

- someone did something gross to the carnitas and the employee is trying to warn people not to order it (??? throw it out then? also, three weeks in a row???)

partner (well aware of what he’s getting into with this guy now): “Hi. Could I please have a bowl with white rice, black beans, and pork?”

employee: “We don’t have pork.”

partner (demonstrating a level of patience only a public school teacher could have): *points at the pan of carnitas* “Could I please just have some of that?”

employee (after several slow, confused blinks): *points at the same pan* “That’s steak.”

partner (looking at the hotel pan they’re both pointing at) (it is filled with shredded meat of a pale beige color) (at the other end of the row of pans is another pan containing dark brown, lightly charred meat chopped into small pieces): “Okay.” *deciding he’s willing to play in this fantasy space if it gets the job done, he points at the first pan again* Then could I please have the steak?”

employee: *starts to reach for the pan at the other end containing the actual steak*

partner: "Oh—no, sorry, this one please?" *points at the first pan containing the carnitas*

employee: *blinks, then just walks away and starts helping the next customer in line, leaving partner's bowl unfinished*

other employee with cool earrings: *rolls her eyes at new employee, takes partner’s bowl, and fills it with carnitas herself*

new theories:

- the employee is a bridge troll who will only dole out his delectable carnitas to those who prove themselves worthy by correctly answering his riddles three