I'm posting occasional fanfiction to an AO3 account by the same name! Right now, it's mostly Arcane and my most recent hyperfixation, Star Wars. I write to amuse myself and hopefully others, so I hope you enjoy! Please feel free to DM me if you have any questions.
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Loid Forger is up to his eyeballs in PTSD and masking the hell out of it, gets stress ulcers, and is playing 5 dimensional chess with every interaction, figuring out and counteracting both people's individual and collective motivations and weaknesses. But he's also like "ough how do i maintain a healthy and respectful fake relationship with my beautiful stacked superhuman goddess wife who misses 40% of all social cues and wears backless sweater dresses all the time. This is really tough." The character of all time.
Loid doesn't think Yor is odd because as far as he knows she supported herself and her brother by doing sex work at a young age of course she knows how to throw a punch and kick a man through a wall. That's why he never clocks her freaky strength or judges what he believes is her past. He knows that it's tough out there and that you gotta do what you gotta do to survive.
Yuri's weird possessive obsession with Yor makes sense when you realize that as far as he knows she supported them both as children by going off with creepy old men and coming home bruised and bloody. He thinks she was forced to become a sex worker because he wasn't strong enough to protect her. That's why he gets so weird whenever he thinks about her and Loid getting intimate and why in the beginning he feels like he needs to control her love life by setting her up with guys (that he's fully vetted and can easily blackmail if needed). To him, Loid is just the latest in a long line of creeps that he can't protect his sister from.
Meanwhile, Yor, bless her dumb jock heart, has no idea that people are making these assumptions about her and genuinely thinks that she is getting good grades in being a normal woman, a goal that is both possible to achieve and normal to want.
Spy x family is very very good because there's a bit where a far right terrorist group says that they want to start a war and a main character responds by saying to them "have any of you ever killed anyone before? Have you ever been killed before? Have you ever had a limb torn off by an artillery shell? Have you ever heard the sound of bones shattering? Have you ever smelled the reek of rotting flesh? Have you ever found the crushed bodies of your parents and siblings in a pile of rubble that used to be your home? Have you ever discovered a blown-off piece of your lover stuck to a wall? Have you ever been so hungry that you tried to eat tree bark? Or stewed a pot of human flesh? Have you ever convinced yourself that your enemy was subhuman so you could...slaughter them like animals? Have you ever been so haunted by shame and regret afterwards that you cried until you vomited? Have you ever had friends who did the same, and then took their own lives? Did you learn nothing about war at your university?!"
and that's the same volume where they adopt a dog that can see into the future
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I think the most hilarious place to put Post-Canon Sokka would have been the university at Ba Sing Se. I think he would have made a great unhinged professor. Also, in true Sokka fashion, he should have completely dodged fame. Momo is more famous than he is.
He wants to demonstrate to the class how this thing called electricity works, so he's going to be bringing in a Firebender, so everybody be cool, we're all friends here... and in walks Princess Azula of the Fire Nation. One-time conqueror of the city. One of the students is currently writing an essay on how her brief rule of the city affected fruit trade. She says she considers the class to still be her subjects as she doesn't acknowledge any pretenders to any of her thrones, but for now you're exempted from bowing and "Your Highness" will do. It's a really interesting lecture.
"Okay, guys - hey, listen up, everyone - I won't be here next week, me and Aang are going to-" yeah right, sure, Professor Sokka knows the Avatar. Except, of course, the Avatar walks in sheepishly and says that Appa might have gotten into Sokka's hybrid crops, and then you all have to sit there and watch your professor chase the Avatar around with a sword.
One postgrad student is specializing in Water Tribe Cultures. She's currently studying the massive cultural shift that happened in the Northern Water Tribe at the end of the war - oh, and Professor, I absolutely know that you're from the Southern Water Tribe, but it's just that the shift started with Master Katara, and of course I don't think that every person from the South knows one another haha it's just that I need to ask her some questions and I thought maybe you could help me write a letter or write a letter of introduction or...
Sokka looks at her blankly and goes "yeah, she's my sister. KATARA!" which is followed by a faint answering "fuck you!" from Somewhere and to the horror/elation of our postgrad, Master Katara bursts in and is promptly beaned in the head with a rock by Professor Sokka. Her brother. her hero and her professor are siblings and currently brawling on the floor.
Sokka does not teach or study history, but he does sometimes sit in on lectures about recent history. Whenever he does, several doctoral students flock in to sit near him (even if it's an intro course) so that they can eavesdrop on his grumbling. (No matter how they try, an "overheard utterance" is not a valid source according to their professors. No, we have no sources on the Avatar's bison taking part in combat - sky bison are not war animals and...)
He gets regular deliveries with the Beifong family crest on them, and he goes "sweet, Toph must have found some new minerals" and at this point nobody needs to ask which Toph. He seems to have friends everywhere, literally everywhere. Wang was headed out to this massive swamp to study if it's one big organism, and Sokka told him to find some guy named Hue and "don't mind the loincloth." One time the university gets shut down because the Earth King wants to visit. Oh, visit the University? What an honor- Of fucking course not, he wants to visit Professor Sokka, who yells at him and his royal guards for interrupting his day. The Earth King and his many, many royal guards then sheepishly say sorry and file out.
The last straw is when - not a week after he yelled at the Earth King - the assistant head of the Political Science dept walks in to the faculty lounge to find Sokka having tea with a nice normal man dressed in Earth greens for once, and can't resist a little joke. "Let me guess, you're having tea with the Fire Lord." And then she can instantly tell that she fucked up, because both of them go stock still.
So when the two men awkwardly stand up and proceed to introduce the Fire Lord whose portrait she has in her office because she is the assistant head of Political Science as Li, a server at the Jasmine Dragon, she just says "hello Li" and leaves to find a bottle of something strong.
Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.
Real thing that changed how i write: I started asking "what does this character think is wrong with them" and separately "what is actually wrong with them." Those two things are almost never the same. She thinks she's too much. She's actually terrified of being too little. He thinks he's bad at commitment. He's actually just never met someone he trusted enough. The gap between their diagnosis of themselves and the real thing, that's your character arc right there. you don't have to explain it. just write both.
both versions of silly trend jumping bc idt ive seen anyone do it yet. image id (thank you to nebulations!) + originals under the cut <3
[ID: Two S-Classes That I Raised versions of a meme redraw. In the first, Han Yoojin says sadly, "Guys…. I have something I need to confess. I regressed from five years in the future because Yoohyunie died to save me and his body is still out there going cold in the snow." The view cuts to Bak Yerim and Han Yoohyun (and Chirpie and Peace) looking horrified. Bak Yerim is holding a gay flag and wearing an "i <3 trans" shirt; Han Yoohyun is holding a cake with "I heart noona" on it in trans colors. Behind them are banners that say "Gay is Okay! (Anyone other than the Seseong Guild Leader is fine)".
In the second, Han Yoojin looks serious and worried as he covers his face and says, "There's something I need to tell you... I... I like men." Sung Hyunjae, wearing a birthday hat, happily says, "Oh, I'm aware." Behind him is a banner that says "I know you travelled from five years in the future, presumably because your brother died," and he's holding a balloon that says "You are thirty years old".
The original templates show someone pensively saying, "I... I'm gay" and the scenario in comic 1. End ID]
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I think people need to understand that everyone has to unlearn misogynistic behaviors and thinking patterns. Cis women and trans women and cis men and trans men and anyone who doesn’t fall under those categories are all completely capable of being misogynistic and actively hurtful to women. Trans men are included in this, obviously, but when you only call for trans men to unlearn this mindset, you are no longer being progressive and fair. You are singling out a minority.
it pisses me off to see cis women saying 'trans women are misogynistic because they were raised as men' and trans women replying 'no we aren't because no we weren't!' and i'm sitting there staring at the camera like it's the office. because like women are ALL raised to be just as misogynistic as men. it's a notable goddamn feature of the patriarchy.
like if you are marginalized it is in your own self-interest to interrogate and deconstruct the cultural narratives that position you as subnormal. this is what starts a lot of queer people on wanting to reform the world into something more compassionate and egalitarian.
but it's not the marginalization that makes you any more or less ethical than anyone else. it's the work. you gotta do the actual work.
I feel like part of the problem is a really popular misunderstanding of bigotry.
Misogyny is not just prejudice experienced by a woman. It is not simply something that happens TO a woman. It has nothing to do with the woman. It’s about the misogynist.
Bigotry is not determined or defined by the target of that bigotry. The bigotry is stored in the bigot.
Misogynists will be misogynistic towards any person they associate with femininity, including cisgender men.
When a misogynist cis man tears another man down for liking something he thinks is girly, he is still being misogynistic.
A cis male coach telling his cis male student he runs like a girl is being misogynistic.
A cis woman punishing her son for wanting a “girl” toy or policing her boyfriend’s hygiene habits and interests for anything she considers emasculating, is being misogynistic!
When a woman gets in a car accident and is injured more severely because the safety testing on that car was only done using crash test dummies and models based on men, she’s experiencing misogyny.
When the medication she takes for her injuries doesn’t work right or has unexpected side effects because it was only tested on men, she’s experiencing misogyny.
When the tools she uses at work that are the wrong shape for her hands, and the jumpsuit that’s part of her uniform which she has to take off completely to use the bathroom, and all the spaces she moves through and everything within them are designed with the assumption that an average male body is the only body that matters— she is experiencing misogyny.
Misogyny is the belief that women are inherently inferior, and the systems and institutions built around that belief. It can be experienced by anyone, and anyone is capable of having misogynistic beliefs and doing misogynistic things.
Bigotry is not about the target. It’s about the bigot, and what the bigot believes, and the way those bigoted beliefs have shaped our world.
I don’t care what race gender or sexuality you are, you were raised with racist, sexist, homophobic beliefs. Because it’s literally impossible not to be.
And the harder you try to cling to the idea that misogyny is something that happens TO women, rather than something coming FROM misogynists, the more blind you’ll be to your own misogynistic beliefs, and all the ways everything in our society is a product of or directly reinforces those beliefs.
I have gotten into the habit of when interacting with a patient, interrogating myself about what traits I am assigning them, and how its affecting my care. It doesn't matter that I'm a woman, the world has taught me to believe a woman is over emotional and exaggerates her pain. On the flip side, a lifetime of jokes about "manflu" make cause me to underestimate a man's experience of illness. Its not about either gender, its about me and my own expectations. I have caught myself on occasions dismissing what my patients are telling me as "not that bad" and it is always linked to some trait they have. Men are whiny about illness, women exaggerate pain (to be believed), old people are confused, people whose first language isn't English are too hard to understand, whatever. I know full well that all of these things are wrong, but kneejerk responses are built from assumptions, and the assumptions we have most commonly been exposed to are the easiest thing to base those responses on.
I dont think I have ever let it affect my care. I hope I never have, and its my responsibility to keep interrogating my judgements and decisions towards my patients to make sure I never do.
I dont think I'm sexist or racist or ageist or homophobic or any other-ist, but the potential to be exists within me, so its my responsibility to keep checking myself, to interrogate my thoughts. The thoughts come from me. Having those thoughts doesn't make me a bigot, not recognising those thoughts as incorrect and working to dismantle them, or acting on them would do.
Ilya is so lucky that Shane proposed. Ilya would have been a nervous fucking wreck for the entire day beforehand. Wake up in the morning. Look in the mirror. Today's the day. Sob. Breathe. Okay I'm good! Turn around and Shane's hair is all in his face, still asleep on Ilya's pillow. I am NOT good. Cold shower. Breakfast that Ilya does not eat. Morning jog wherein Ilya runs like someone is chasing him. Lunch that Ilya does not eat. Drive out to the cottage. Make Shane pull over because Ilya needs to dry heave on the side of the road. "Baby we don't have to drive out today if you're not feeling well." "NO WE HAVE TO." Get to the cottage. Immediately send Shane on some kind of extended fool's errand. Shane wants to stay because Ilya is SHAKING and he is so worried. "No my love I'm fine it's just the breeze off the lake haha." It's thirty fuckig degrees Celsius. Shane finally gtfo's. Yuna, David, Rose FUCKING Landry all descend to help Ilya set up. Well. Ilya is supposed to be helping but he is standing on the deck fully dissociating. Yuna brings him tea. "Are you going to throw up the tea?" "Yes probably." Yuna takes away the tea. 800 electronic tea lights on the deck. In a parallel Ilya has no way of understanding, he both puts on and takes off a suit. Yuna fixes his curls into the hockey boy quasi-mullet that magnetizes Shane's fingers to Ilya's hair and says, "Oh, you're so handsome!" Ilya cries big fat tears. David tells a story about how his proposal to Yuna almost didn't happen because David went to the hospital for heart palpitations that morning. Thank You David That Does Not Help Even Remotely. Ilya slav squats on the lawn for twenty minutes. Shane's car pulls up in the driveway and everyone hides while Ilya vibrates in the entryway. Shane has no less than thirty grocery bags hanging from his arms, still complaining about why the grocery service cancelled their delivery last minute. Ilya leads Shane and all thirty of his grocery bags onto the deck. Shane is doing his favorite thing (bitching) and his second favorite thing (Follow Ilya) so he doesn't notice his own mother tiptoing behind him collecting the grocery bags he drops like breadcrumbs. There is an Oscar-winning actress hiding under his sofa and Shane does not notice because Ilya takes him on the deck and drops to his knees and Shane is like, "Haha, right now?" and then he sees that Ilya has a look on his face like he's just been told the sun is never coming up again and he has his hands on Shane's knees and he is saying, "Shane. Please?" and Shane puts his hands on his head and says "Oh my God baby what's happening to you" as Ilya melts and melts and then from the depths of the cottage someone who sounds a lot like Shane's very own father is whispering "The ring the ring" and when he looks back down Ilya is fumbling a ring box out of his pocket. The first picture of their proposal is Shane glaring into the middle distance with a hand cradling Ilya's curls like a baby while Ilya ugly sobs into his knee.
yo…. when jet breaks in the tea shop and accuses zuko and iroh of beinh firebenders….
do you think any of the patrons looked at zukos scarred face - obviously done by a firebender - and immediately think jet was an asshole? like
jet: hes a firebender!!!!
patrons, thinking about the backstory they concocted for zuko and iroh where their home was invaded by firebenders and they barely survived with their lifes so they could come and have a peaceful life selling tea in a city the war doesnt touch:
Jet: He’s a firebender!
The Patrons to the Tea Shop internally: You fucking stupid, sir? I think you might be stupid.
there's something so compelling about the idea of shane defending a gay person before he's out to the metros. like shane's in this committed relationship with the love of his life and he's so happy and he can't show it and he can't tell anybody and someone around him, a trainer, an equipment manager, some kind of support staff, gets outed or comes out and the usual suspects handle it just as well as expected. the metros try to push the staff member out and shane gets to say everything he's always wanted to without incriminating himself. why does it matter? he was just as gay before as he is now. he's great at his job. he hasn't done anything different. he's in a relationship, he has been the entire time. he's so happy. why can't you just be happy for him? why do you have to treat him like this? why is this such a big deal to you? why?
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ilya rozanov seething with rage that pike gets to hang out with shane all the time and they play on the same team together on the same line and they're best friends and everybody knows and it's not a big deal at all